Although highly learned, Waley avoided academic posts and most often wrote for a general audience. He chose not to be a specialist but to translate a wide and personal range of classical literature. Starting in the 1910s and continuing steadily almost until his death in 1966, these translations started with poetry, such as A Hundred and Seventy Chinese Poems (1918) and Japanese Poetry: The Uta (1919), then an equally wide range of novels, such as The Tale of Genji (1925–26), an 11th-century Japanese work, and Monkey, from 16th-century China. Waley also presented and translated Chinese philosophy, wrote biographies of literary figures, and maintained a lifelong interest in both Asian and Western paintings.
A recent evaluation called Waley "the great transmitter of the high literary cultures of China and Japan to the English-reading general public; the ambassador from East to West in the first half of the 20th century", and went on to say that he was "self-taught, but reached remarkable levels of fluency, even erudition, in both languages. It was a unique achievement, possible (as he himself later noted) only in that time, and unlikely to be repeated. (Source Accessed April 22, 2020)
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