David Germano: On the Aesthetics of Dzogchen and the Vajra as a Metaphor for Buddha-Nature

From Buddha-Nature

< Media

LibraryMultimediaDavid Germano: On the Aesthetics of Dzogchen and the Vajra as a Metaphor for Buddha-Nature

David Germano: On the Aesthetics of Dzogchen and the Vajra as a Metaphor for Buddha-Nature - 10 of 13
Video
Video
Previous Video
Buddha-Nature and the Great Perfection in the 11-14th Centuries by David Germano
Next Video

Sources Mentioned

Text
Mahāparinirvāṇasūtra
There are three translations in the Tibetan canon under this name:
  1. Mahāparinirvāṇasūtra (RKTSK 119)
  2. Mahāparinirvāṇasūtra (RKTSK 120)
  3. Mahāparinirvāṇasūtra (RKTSK 121)


The Mahāparinirvāṇasūtra is one of the main scriptural sources for buddha-nature in China and Tibet. Set around the time of Buddha's passing or Mahāparinirvāṇa, the sūtra contains teachings on buddha-nature equating it with the dharmakāya—that is, the complete enlightenment of a buddha. It also asserts that all sentient beings possess this nature as the buddhadhātu, or buddha-element, which thus acts as a cause, seed, or potential for all beings to attain enlightenment. Furthermore, the sūtra includes some salient features related to this concept, such as the single vehicle and the notion that the dharmakāya is endowed with the four pāramitās of permanence, bliss, purity, and a self.

It may be noted that there are three different texts with similar titles in the Chinese and Tibetan canons. Of the three Tibetan texts with Mahāparinirvāṇa in their title, a short one (Derge Kangyur, No. 121) called Āryamahāparinirvāṇasūtra contains prophecies of events in the centuries after the Buddha's Mahāparinirvāṇa but has nothing on buddha-nature. Thus, this is not the Mahāparinirvāṇāsūtra which is considered as a Tathāgatagarbhasūtra. The two which deal with buddha-nature are Mahāyānasūtras and contain detailed accounts of the final teachings of the Buddha. The first sūtra, the longer one covering two volumes of Derge Kangyur (mdo sde Nya and Ta) is a translation from Chinese, while the second one is a translation from Sanskrit. They appear to be two different recensions of the same original sūtra as they have similar titles and overlapping content. However, the one translated from Chinese is much longer and also contains information on the events after the Buddha entered Mahāparinirvāṇa.
Text
Maitreya, Asaṅga: Ratnagotravibhāga Mahāyānottaratantraśāstra
The Ratnagotravibhāga, commonly known as the Uttaratantra, or Gyu Lama in Tibetan, is one of the main Indian scriptural sources for buddha-nature theory. It was likely composed during the fifth century, by whom we do not know. Comprised of verses interspersed with prose commentary, it systematizes the buddha-nature teachings that were circulating in multiple sūtras such as the Tathāgatagarbhasūtra, the Mahāparinirvāṇasūtra, and the Śrīmaladevisūtra. The Tibetan tradition attributes the verses to the Bodhisattva Maitreya and the commentary to Asaṅga, and treats the two as separate texts, although this division is not attested to in surviving Indian versions. The Chinese tradition attributes the text to *Sāramati (娑囉末底), but the translation itself does not include the name of the author, and the matter remains unsettled. It was translated into Chinese in the early sixth century by Ratnamati and first translated into Tibetan by Atiśa, although this text is not known to survive. Ngok Loden Sherab translated it a second time based on teachings from the Kashmiri Pandita Sajjana, and theirs remains the standard translation. It has been translated into English several times, and recently into French. See the Ratnagotravibhāgavyākhyā, read more about the Ratnagotravibhāga, or take a look at the most complete English translation in When the Clouds Part by Karl Brunnholzl.
Text
Tshig don mdzod
Treasury of Word and Meaning: One of the Seven Treasuries of Longchenpa. It is a summary of the Treasury of the Supreme Vehicle, explaining the crucial points of practice.
external link
Text
Theg mchog mdzod
Treasury of the Supreme Vehicle: One of the Seven Treasuries composed by Longchenpa. Its 25 chapters provide a comprehensive treatment of a full range of Dzogchen topics.
external link
TEXT
Zab don rgya mtsho'i sprin
A Cloud from the Ocean of the Profound Meaning: Longchenpa's most detailed commentary on the practice of Dzogchen, and in particular on the teachings of Guru Rinpoche contained in the Khandro Nyingtik. These teachings comprise an entire volume of Longchenpa's collection Nyingtik Yabshi.
external link
COLLECTION
Snying thig ya bzhi
The Four-fold Heart Essence: One of the most famous set of Dzogchen scriptures, was compiled by Longchenpa to condense the two primary lineages of Dzogchen practice in Tibet, those of Padmasambhava and Vimalamitra.
external link
TEXT
Chos dbyings mdzod
Treasury of Dharmadhātu: One of the Seven Treasuries of Longchenpa that deals principally with the view of trekchö. It is a short work composed in verse, on which Longchenpa composed his own commentary in prose.
external link
TEXT
Gnas lugs mdzod
Treasure of the Natural State: One of the Seven Treasuries of Longchenpa. It is a source for teachings on the unique samaya commitments of the Great Perfection.
external link
TEXT
Ngal gso skor gsum
Trilogy of Finding Comfort and Ease: A trilogy of Dzogchen writings by Longchen Rabjam: Finding Comfort and Ease in the Nature of Mind; Finding Comfort and Ease in Meditation; Finding Comfort and Ease in the Illusoriness of Things.
external link
TEXT
Rang grol skor gsum
Trilogy of Natural Freedom: A trilogy of Dzogchen texts by Longchen Rabjam, consisting of: The Natural Freedom of the Nature of Mind; The Natural Freedom of Reality; The Natural Freedom of Equality.
external link

People Mentioned

Herbert V. Guenther
1917 ~ 2006
Longchen Rabjam Drime Özer
1308 ~ 1364

About the video

Featuring David Germano, Karma Phuntsho
Creator Tsadra Foundation
Director Perman, M.
Producer Tsadra Foundation
Event Buddha-Nature and the Great Perfection in the 11-14th Centuries by David Germano (27 August 2022)
Related Website Buddha-Nature
Creation Date 27 August 2022
Citation Germano, David. "On the Aesthetics of Dzogchen and the Vajra as a Metaphor for Buddha-Nature." Conversations on Buddha-Nature with Lopen Dr. Karma Phuntsho. Produced by the Tsadra Foundation Research Department, Aug 27, 2022. Video, 10:04. https://www.youtube.com/watch?v=tbaPwLvgW8c.
Retrieved from "https://buddhanature.tsadra.org/index.php?title=Media/David_Germano:_On_the_Aesthetics_of_Dzogchen_and_the_Vajra_as_a_Metaphor_for_Buddha-Nature&oldid=61721"