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		<property:BookToc rdf:datatype="http://www.w3.org/2001/XMLSchema#string">* &lt;span&gt; ''Acknowledgments''&lt;/span&gt;&lt;span&gt;xi&lt;/span&gt;
* &lt;span&gt; ''Abbreviations''&lt;/span&gt;&lt;span&gt;xiii&lt;/span&gt;
* &lt;span&gt; ''Prologue''&lt;/span&gt;&lt;span&gt;3&lt;/span&gt;
** &lt;span&gt; FROM MARGINS TO MEDITATION&lt;/span&gt;&lt;span&gt;7&lt;/span&gt;
** &lt;span&gt; METHODOLOGIGAL POLYTHEISM&lt;/span&gt;&lt;span&gt;7&lt;/span&gt;

* &lt;span&gt; ''Chapter One: The Differential Tradition''&lt;/span&gt;&lt;span&gt;11&lt;/span&gt;
*** &lt;span&gt; ''Six patriarchs in search of a tradition''&lt;/span&gt;&lt;span&gt;12&lt;/span&gt;
** &lt;span&gt; THE SECOND ORDER&lt;/span&gt;&lt;span&gt;16&lt;/span&gt;
*** &lt;span&gt; ''An alienating tradition?''&lt;/span&gt;&lt;span&gt;21&lt;/span&gt;
*** &lt;span&gt; ''Tradition as kinship''&lt;/span&gt;&lt;span&gt;23&lt;/span&gt;
*** &lt;span&gt; ''Making a difference''&lt;/span&gt;&lt;span&gt;26&lt;/span&gt;

* &lt;span&gt; ''Chapter Two. Sudden/Gradual: A Loose Paradigm''&lt;/span&gt;&lt;span&gt;32&lt;/span&gt;
** &lt;span&gt; THE SEMANTIC FIELD&lt;/span&gt;&lt;span&gt;33&lt;/span&gt;
** &lt;span&gt; THE IDEOLOGICAL (DIS)CONTENT&lt;/span&gt;&lt;span&gt;37&lt;/span&gt;
** &lt;span&gt; PHENOMENOLOGICAL ANALYSIS&lt;/span&gt;&lt;span&gt;41&lt;/span&gt;
*** &lt;span&gt; ''Point de fruite? Variations on subitism''&lt;/span&gt;&lt;span&gt;44&lt;/span&gt;
*** &lt;span&gt; ''The gradual perspective''&lt;/span&gt;&lt;span&gt;47&lt;/span&gt;

* &lt;span&gt; ''Chapter Three. The Twofold Truth of Immediacy''&lt;/span&gt;&lt;span&gt;53&lt;/span&gt;
*** &lt;span&gt; ''Double trouble''&lt;/span&gt;&lt;span&gt;57&lt;/span&gt;
** &lt;span&gt; THE "NATURALIST HERESY"&lt;/span&gt;&lt;span&gt;59&lt;/span&gt;
** &lt;span&gt; SKILLFUL MEANS&lt;/span&gt;&lt;span&gt;63&lt;/span&gt;
** &lt;span&gt; THE MEANS AND THE ENDS&lt;/span&gt;&lt;span&gt;65&lt;/span&gt;
*** &lt;span&gt; ''The Chan denial of hierarchy''&lt;/span&gt;&lt;span&gt;66&lt;/span&gt;
*** &lt;span&gt; ''The intermediary world''&lt;/span&gt;&lt;span&gt;70&lt;/span&gt;

* &lt;span&gt; ''Chapter Four. Chan/Zen and Popular Religion(s)''&lt;/span&gt;&lt;span&gt;79&lt;/span&gt;
** &lt;span&gt; A THEORETICAL PARENTHESIS&lt;/span&gt;&lt;span&gt;79&lt;/span&gt;
*** &lt;span&gt; ''Popular religion and its correlatives''&lt;/span&gt;&lt;span&gt;84&lt;/span&gt;
** &lt;span&gt; THE EAST ASIAN CONTEXT&lt;/span&gt;&lt;span&gt;87&lt;/span&gt;
*** &lt;span&gt; ''From Primitives to Zen, and conversely''&lt;/span&gt;&lt;span&gt;93&lt;/span&gt;

* &lt;span&gt; ''Chapter Five. The Thaumaturge and Its Avatars (I)''&lt;/span&gt;&lt;span&gt;96&lt;/span&gt;
** &lt;span&gt; THE THAUMATURGE TRADITION IN CHINA&lt;/span&gt;&lt;span&gt;96&lt;/span&gt;
*** &lt;span&gt; Démons et merveilles: ''Early Chan thaumaturges''&lt;/span&gt;&lt;span&gt;98&lt;/span&gt;
*** &lt;span&gt; ''The vanishing mediator''&lt;/span&gt;&lt;span&gt;100&lt;/span&gt;
*** &lt;span&gt; ''The Buddhist ambivalence toward thaumaturges''&lt;/span&gt;&lt;span&gt;102&lt;/span&gt;
** &lt;span&gt; THE DOMESICATION OF THE THAUMATURGE&lt;/span&gt;&lt;span&gt;111&lt;/span&gt;

* &lt;span&gt; ''Chapter Six: The Thaumaturge and Its Avatars (II)''&lt;/span&gt;&lt;span&gt;115&lt;/span&gt;
** &lt;span&gt; THE EMERGENCE OF THE TRICKSTER&lt;/span&gt;&lt;span&gt;115&lt;/span&gt;
*** &lt;span&gt; ''A bittersweet friendship''&lt;/span&gt;&lt;span&gt;119&lt;/span&gt;
*** &lt;span&gt; ''On the margins of Chan''&lt;/span&gt;&lt;span&gt;121&lt;/span&gt;
*** &lt;span&gt; ''Of madness as one of the fine arts''&lt;/span&gt;&lt;span&gt;122&lt;/span&gt;
** &lt;span&gt; THE BODHISATTVA IDEAL&lt;/span&gt;&lt;span&gt;125&lt;/span&gt;
** &lt;span&gt; THE RETURN OF THE THAUMATURGE&lt;/span&gt;&lt;span&gt;129&lt;/span&gt;

* &lt;span&gt; ''Chapter Seven. Metamorphoses of the Double (I): Relics''&lt;/span&gt;&lt;span&gt;132&lt;/span&gt;
** &lt;span&gt; THE CULT OF ŚARĪRA&lt;/span&gt;&lt;span&gt;137&lt;/span&gt;
** &lt;span&gt; THE ICONOCLASTIC REACTION&lt;/span&gt;&lt;span&gt;143&lt;/span&gt;

* &lt;span&gt; ''Chapter Eight. Metamorphoses of the Double (II): "Sublime Corpses" and Icons''&lt;/span&gt;&lt;span&gt;148&lt;/span&gt;
** &lt;span&gt; CHAN "FLESH-BODIES"&lt;/span&gt;&lt;span&gt;150&lt;/span&gt;
** &lt;span&gt; THE SEMANTIC EVOLUTION&lt;/span&gt;&lt;span&gt;156&lt;/span&gt;
** &lt;span&gt; BONES OF CONTENTION&lt;/span&gt;&lt;span&gt;160&lt;/span&gt;
*** &lt;span&gt; ''Huineng's two bodies''&lt;/span&gt;&lt;span&gt;162&lt;/span&gt;
*** &lt;span&gt; ''Dissemination of charisma and sectarianism''&lt;/span&gt;&lt;span&gt;165&lt;/span&gt;
** &lt;span&gt; ICONS AND CHINSÖ&lt;/span&gt;&lt;span&gt;169&lt;/span&gt;
*** &lt;span&gt; ''Transmission or diffusion?''&lt;/span&gt;&lt;span&gt;174&lt;/span&gt;
*** &lt;span&gt; ''Figures of the double''&lt;/span&gt;&lt;span&gt;176&lt;/span&gt;

* &lt;span&gt; ''Chapter Nine. The Ritualization of Death''&lt;/span&gt;&lt;span&gt;179&lt;/span&gt;
** &lt;span&gt; THE CHAN DENIAL OF DEATH AND THE AFTERLIFE&lt;/span&gt;&lt;span&gt;179&lt;/span&gt;
*** &lt;span&gt; ''The funeral paradox''&lt;/span&gt;&lt;span&gt;183&lt;/span&gt;
** &lt;span&gt; THE RITUAL DOMESTICATION OF DEATH&lt;/span&gt;&lt;span&gt;184&lt;/span&gt;
*** &lt;span&gt; ''Preliminaries''&lt;/span&gt;&lt;span&gt;184&lt;/span&gt;
*** &lt;span&gt; ''The liminal stage: Chan funerary ritual''&lt;/span&gt;&lt;span&gt;191&lt;/span&gt;
** &lt;span&gt; FROM DEFILEMENT TO PURITY&lt;/span&gt;&lt;span&gt;203&lt;/span&gt;

* &lt;span&gt; ''Chapter Ten. Dreams Within a Dream''&lt;/span&gt;&lt;span&gt;209&lt;/span&gt;
** &lt;span&gt; METHODOLOGICAL CAVEAT&lt;/span&gt;&lt;span&gt;209&lt;/span&gt;
** &lt;span&gt; ASIAN DREAMS&lt;/span&gt;&lt;span&gt;212&lt;/span&gt;
*** &lt;span&gt; ''The dream metaphor''&lt;/span&gt;&lt;span&gt;212&lt;/span&gt;
** &lt;span&gt; DREAMING IN CHAN/ZEN&lt;/span&gt;&lt;span&gt;215&lt;/span&gt;
*** &lt;span&gt; ''Dreams and hagiography''&lt;/span&gt;&lt;span&gt;220&lt;/span&gt;
** &lt;span&gt; DREAMING PRACTICE&lt;/span&gt;&lt;span&gt;221&lt;/span&gt;
*** &lt;span&gt; ''Myōe's Record of Dreams''&lt;/span&gt;&lt;span&gt;222&lt;/span&gt;
*** &lt;span&gt; ''A realistic dreamer''&lt;/span&gt;&lt;span&gt;224&lt;/span&gt;
*** &lt;span&gt; ''Dreams of ascent and voices of dissent''&lt;/span&gt;&lt;span&gt;226&lt;/span&gt;

* &lt;span&gt; ''Chapter Eleven. Digression: The Limits of Transgression''&lt;/span&gt;&lt;span&gt;231&lt;/span&gt;
** &lt;span&gt; TALES OF MONASTIC DERELICTION&lt;/span&gt;&lt;span&gt;234&lt;/span&gt;
** &lt;span&gt; CHAN/ZEN ATTITUDES TOWARD SEXUALITY&lt;/span&gt;&lt;span&gt;237&lt;/span&gt;
** &lt;span&gt; IMAGES OF WOMEN&lt;/span&gt;&lt;span&gt;239&lt;/span&gt;
*** &lt;span&gt; T''he rhetoric of equality''&lt;/span&gt;&lt;span&gt;242&lt;/span&gt;
*** &lt;span&gt; ''Remarkable women''&lt;/span&gt;&lt;span&gt;245&lt;/span&gt;
*** &lt;span&gt; ''Ikkyū and women''&lt;/span&gt;&lt;span&gt;247&lt;/span&gt;
** &lt;span&gt; SODOM AND GOMORH&lt;/span&gt;&lt;span&gt;248&lt;/span&gt;
*** &lt;span&gt; ''The sword and the chrysanthemum''&lt;/span&gt;&lt;span&gt;250&lt;/span&gt;

* &lt;span&gt; ''Chapter Twelve. The Return of the Gods''&lt;/span&gt;&lt;span&gt;258&lt;/span&gt;
** &lt;span&gt; MILITANT SYNCRETISM&lt;/span&gt;&lt;span&gt;260&lt;/span&gt;
** &lt;span&gt; CHAN/ZEN MYTHOLOGICAL IMAGERY&lt;/span&gt;&lt;span&gt;261&lt;/span&gt;
** &lt;span&gt; THE CULT OF THE ARHATS&lt;/span&gt;&lt;span&gt;266&lt;/span&gt;
** &lt;span&gt; ZEN AND THE KAMI&lt;/span&gt;&lt;span&gt;272&lt;/span&gt;
*** &lt;span&gt; ''Gods, ghosts, and ancestors''&lt;/span&gt;&lt;span&gt;280&lt;/span&gt;

* &lt;span&gt; ''Chapter Thirteen, Ritual Antiritualism''&lt;/span&gt;&lt;span&gt;284&lt;/span&gt;
** &lt;span&gt; ANOTHER RITE CONTROVERSY&lt;/span&gt;&lt;span&gt;285&lt;/span&gt;
*** &lt;span&gt; ''The Chan critique of ritualism''&lt;/span&gt;&lt;span&gt;287&lt;/span&gt;
** &lt;span&gt; CHAN/ZEN LITURGY&lt;/span&gt;&lt;span&gt;292&lt;/span&gt;
*** &lt;span&gt; ''Incantatory Zen''&lt;/span&gt;&lt;span&gt;293&lt;/span&gt;
** &lt;span&gt; RITUAL OMNIPRESENT&lt;/span&gt;&lt;span&gt;294&lt;/span&gt;
*** &lt;span&gt; ''Meditation as ritual''&lt;/span&gt;&lt;span&gt;295&lt;/span&gt;
*** &lt;span&gt; ''The ritualization of life''&lt;/span&gt;&lt;span&gt;297&lt;/span&gt;
** &lt;span&gt; RITUAL AS IDEOLOGY&lt;/span&gt;&lt;span&gt;299&lt;/span&gt;
** &lt;span&gt; RITUAL MEDITATION&lt;/span&gt;&lt;span&gt;301&lt;/span&gt;

* &lt;span&gt; ''Epilogue''&lt;/span&gt;&lt;span&gt;304&lt;/span&gt;
** &lt;span&gt; DICHOTOMIES IN QUESTION(S)&lt;/span&gt;&lt;span&gt;310&lt;/span&gt;
** &lt;span&gt; THE PARADOXES OF MEDITATION&lt;/span&gt;&lt;span&gt;314&lt;/span&gt;

* &lt;span&gt; ''Glossary''&lt;/span&gt;&lt;span&gt;321&lt;/span&gt;
* &lt;span&gt; ''Bibliography''&lt;/span&gt;&lt;span&gt;331&lt;/span&gt;
** &lt;span&gt; PRIMARY SOURCES&lt;/span&gt;&lt;span&gt;331&lt;/span&gt;
** &lt;span&gt; SECONDARY SOURCES&lt;/span&gt;&lt;span&gt;340&lt;/span&gt;
* &lt;span&gt; ''INDEX''&lt;/span&gt;&lt;span&gt;393&lt;/span&gt;</property:BookToc>
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		<property:Description rdf:datatype="http://www.w3.org/2001/XMLSchema#string">Through a highly sensitive exploration of key concepts and metaphors, Bernard Faure guides Western readers in appreciating some of the more elusive aspects of the Chinese tradition of Chan Buddhism and its outgrowth, Japanese Zen. He focuses on Chan’s insistence on “immediacy” — its denial of all traditional mediations, including scripture, ritual, good works — and yet shows how these mediations have always been present in Chan. Given this apparent duplicity in its discourse, Faure reveals how Chan structures its practice and doctrine on such mental paradigms as mediacy/immediacy, sudden/gradual, and center/margins. (Source: [https://press.princeton.edu/books/paperback/9780691029634/the-rhetoric-of-immediacy Princeton University Press])</property:Description>
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