Rev. Kokyo Henkel: Resource Recommendations for Learning about Buddha-Nature in the Zen Tradition

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|RelatedWritings=Denkōroku; Fanwang jing
 
|RelatedPubs=Transmission of Light; The Record of Transmitting the Light; The Platform Sutra of the Sixth Patriarch (McRae); The Platform Sutra of the Sixth Patriarch (Yampolsky); The Platform Sutra (Red Pine); Sun-Face Buddha; The Spirit of Zen; The Heart of Dōgen's Shōbōgenzō
 
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|PeopleMentioned=Dōgen; Keizan; Cook, F.; Cleary, T.; Red Pine; Chien, C.; Schaik, S.; Sodargye, Khenpo
 
|PeopleMentioned=Dōgen; Keizan; Cook, F.; Cleary, T.; Red Pine; Chien, C.; Schaik, S.; Sodargye, Khenpo
 
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Latest revision as of 14:03, 27 July 2021

Rev. Kokyo Henkel: Resource Recommendations for Learning about Buddha-Nature in the Zen Tradition - 13 of 13
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Buddha-Nature in Early Chan and Japanese Zen by Rev. Kokyo Henkel: Conversations on Buddha-Nature

Sources Mentioned

Text
Denkōroku
The Denkōroku (Record of the Transmission of Illumination), together with Dogen Zenji's Shōbōgenzō (Treasury of the True Dharma Eye), is one of the fundamental texts of the Soto School. It is an exceptional record of the Zen ancestors that begins with Sakyamuni Buddha, extends through twenty-eight generations in India and twenty-three generations in China, and reaches to Dogen Zenji and Ejo Zenji. It provides instruction, in teisho format, about the causes and conditions whereby each awakened to the Way that was individually transmitted by the one Buddha and fifty-two ancestors. (Source: Sotozen.com)
Text
RKTSK 256
Fanwang jing. (J. Bonmōkyō; K Pǔmmang kyǒng 梵網經). In Chinese, "Brahmā's Net Sūtra," the scripture is often cited by its reconstructed, but unattested, Sanskrit title, the *Brahmajālasūtra. This scripture is reputed to have been translated by KumārajIva in 406, but it is most likely an indigenous Chinese scripture (see apocrypha) composed during the middle of the fifth century. The Fanwang jing, in its current recension in two rolls, purports to be the tenth chapter of a much longer, 120-roll scripture tided the Bodhisattvaśīlasūtra, which is otherwise unknown. The first roll provides a description of the buddha Vairocana and the ten different stages of the bodhisattva path. Because subsequent Chinese indigenous scriptures that were closely related to the Fanwang jing, such as the Pusa yinluo penye jing, provided more systematic presentations of these soteriological models, this first roll was not widely studied and was typically omitted in commentaries on the scripture. Far more important to the tradition is the second roll, which is primarily concerned with the "bodhisattva precepts" (bodhisattvaśīla); this roll has often circulated independently as Pusajie jing (*Bodhisattvaśīlasūtra) "The Book of the Bodhisattva Precepts"). This roll provides a list of ten major and forty-eight minor Mahāyāna precepts that come to be known as the "Fanwang Precepts," which became a popular alternative to the 250 monastic precepts of the Dharmaguptaka vinaya (also known as the Sifen Lü). Unlike the majority of rules found in other non-Mahāyāna vinaya codes, the bodhisattva precepts are directed not only at ordained monks and nuns, but also may be taken by laymen and laywomen. The Fanwang jing correlates the precepts with Confucian virtues such as filial piety and obedience, as well as with one's buddha-nature (foxing). Numerous commentaries on this text were composed, and those written by Fazang, Mingkuang (fl. 800 CE), and the Korean monk T'aehyǒn (d.u.) were most influential. As the primary scriptural source in East Asia for the bodhisattva precepts, the Fanwang jing was tremendously influential in subsequent developments in Buddhist morality and institutions throughout the region. In Japan, for example, the Tendaishū monk Saichō (767-822) disparaged the prātimokṣa precepts of the traditional vinaya as being the precepts of hInayāna adherents, and rejected them in favor of having all monastics take instead the Mahāyāna precepts of the Fanwang jing. In Korea, all monastics and laypeople accept the bodhisattva precepts deriving from the Fanwang jing, but for monks and nuns these are still seen as complementary to their main monastic vows. (Source: "Fanwang jing." In The Princeton Dictionary of Buddhism, 295. Princeton University Press, 2014. http://www.jstor.org/stable/j.ctt46n41q.27.)

Secondary Publications Mentioned

Book
Transmission of Light
A translation of the classic Denkoroku by one of the premier translators of Buddhist and Taoist texts illustrates how to arrive at the epiphanic Zen awakening known as satori.

The essential initiatory experience of Zen, satori is believed to open up the direct perception of things as they are. "Even if you sit until your seat breaks through, even if you persevere mindless of fatigue, even if you are a person of lofty deeds and pure behavior, if you haven't reached this realm of satori, you still can't get out of the prison of the world." Deliberately cultivated and employed to awaken the dormant potency of the mind, satori is said to be accessible to all people, transcending time, history, culture, race, gender, and personality.

Attributed to the thirteenth-century Zen Master Keizan (1268–1325), Transmission of Light (along with The Blue Cliff Record and The Gateless Barrier) is one of three essential koan texts used by Zen students. Techniques for reaching the enlightening experience of satori are revealed through fifty-three short tales about the awakenings of successive generations of masters, beginning with the twelfth-century Zen master Ejo, dharma heir to Dogen.

The translator's introduction establishes the context for Transmission of Light within the Zen canon and elucidates central themes of the work, including the essential idea that genuine satori "is not the end of Zen; it is more properly the true beginning." (Source: Shambhala Publications)
Cleary, Thomas, trans. Transmission of Light (Denkoroku): Zen in the Art of Enlightenment. By Keizan. San Francisco, CA: North Point Press, 1990.
Book
The Record of Transmitting the Light
The Record of Transmitting the Light traces the inheritance of the Buddha's enlightenment through successive Buddhist masters. Written by a seminal figure in the Japanese Zen tradition, its significance as an historical and religious document is unquestionable. And ultimately, The Record of Transmitting the Light serves as a testament to our own capacity to awaken to a life of freedom, wisdom, and compassion. Readers of Zen will also find the introduction and translation by Francis Dojun Cook, the scholar whose insights brought Zen Master Dogen to life in How to Raise an Ox, of great value. (Source: Wisdom Publications)
Cook, Francis Dojun, trans. The Record of Transmitting the Light: Zen Master Keizan's Denkoroku. 1st Wisdom ed. Boston: Wisdom Publications, 2003.
Book
The Platform Sutra of the Sixth Patriarch (McRae)
Taishō 2008

Volume 48

The Platform Sutra of the Sixth Patriarch consists of a record of the teachings of Hui-neng, the Sixth Patriarch of the Chan School in China, recorded by his disciple Fahai, and is known by several abbreviated titles such as Platform Sūtra or Platform Sūtra of the Dharma Treasure. It proclaims the independence of the Southern School of Chan from the Northern School on such subjects as "sudden enlightenment" (Ch. dun-wu) and the external expression of one's real nature (Ch. jian-xing).

Source

Ch. Liuzu dashi fabao tan jing (六祖大師法寶壇經), Compiled in the Chinese by Zong-bao, as recorded by Fa-hai et al. 1 fascicle. (Source: BDK America)
McRae, John R., trans. The Platform Sutra of the Sixth Patriarch. Translated from the Chinese of Zongbao (Taishō Volume 48, Number 2008). BDK English Tripiṭaka Series, vol. 73, no. 2. Berkeley, CA: Numata Center for Buddhist Translation and Research, 2000. https://bdkamerica.org/product/the-platform-sutra-of-the-sixth-patriarch/.
Book
The Platform Sutra of the Sixth Patriarch (Yampolsky)
The Platform Sutra records the teachings of Hui-neng, the Sixth Patriarch, who is revered as one of the two great figures in the founding of Ch'an (Zen) Buddhism. This translation is the definitive English version of the eighth-century Ch'an classic.

Phillip B. Yampolsky has based his translation on the Tun-huang manuscript, the earliest extant version of the work. A critical edition of the Chinese text is given at the end of the volume.

Dr. Yampolsky also furnishes a lengthy and detailed historical introduction which contains much information hitherto unavailable even to scholars, and provides the context essential to an understanding of Hui-neng's work. He gives an account of the history and legends of Ch'an Buddhism, with particular attention to the traditions associated with Hui-neng, quoting or summarizing the most important narratives. He then discusses the various texts of the Platform Sutra, and analyzes its contents. (Source: Columbia University Press)
Yampolsky, Philip B., trans. The Platform Sutra of the Sixth Patriarch: The Text of the Tun-huang Manuscript. Records of Civilization: Sources and Studies 76. New York: Columbia University Press, 1967.
Book
The Platform Sutra (Red Pine)
A Zen Buddhist masterpiece, winner of the 2018 Thornton Wilder Prize for Translation. The Platform Sutra occupies a central place in Zen (Ch’an) Buddhist instruction for students and spiritual seekers worldwide.

It is often linked with The Heart Sutra and The Diamond Sutra to form a trio of texts that have been revered and studied for centuries. However, unlike the other sutras, which transcribe the teachings of the Buddha himself, The Platform Sutra presents the autobiography of Hui–neng, the controversial 6th Patriarch of Zen, and his understanding of the fundamentals of a spiritual and practical life. Hui–neng's instruction still matters—the 7th–century school of Sudden Awakening that he founded survives today, continuing to influence the Rinzai and Soto schools of contemporary Zen.

Red Pine, whose translations of The Heart Sutra and The Diamond Sutra have been celebrated and widely received, now provides a sensitive and assured treatment of the third and final sutra of the classic triumvirate. He adds remarkable commentary to a translation that, combined with the full Chinese text, a glossary, and notes, results in a Mahayana masterpiece sure to become the standard edition for students and seekers alike. (Source: Counterpoint Press)
Red Pine (Bill Porter), trans. The Platform Sutra: The Zen Teaching of Hui-neng. Berkeley, CA: Counterpoint, 2006.
Book
Sun-Face Buddha
A translation of the primary materials on the life and teachings of Ma-Tsu (709-788), the successor to the great sixth patriarch and the greatest Ch'an master in history, Hui-Neng (638-713). The book should be invaluable to all who wish to study the development of the Zen thought and philosophy over the course of history. (Source: Jain Publishing)
Chien, Cheng (Mario Poceski), trans. Sun-Face Buddha: The Teachings of Ma-tsu and the Hung-chou School of Ch'an. Berkeley, CA: Asian Humanities Press, 1993. https://terebess.hu/zen/SunFace.pdf.
Book
The Spirit of Zen
Leading Buddhist scholar Sam van Schaik explores the history and essence of Zen, based on a new translation of one of the earliest surviving collections of teachings by Zen masters. These teachings, titled The Masters and Students of the Lanka, were discovered in a sealed cave on the old Silk Road, in modern Gansu, China, in the early twentieth century. All more than a thousand years old, the manuscripts have sometimes been called the Buddhist Dead Sea Scrolls, and their translation has opened a new window onto the history of Buddhism. Both accessible and illuminating, this book explores the continuities between the ways in which Zen was practiced in ancient times, and how it is practiced today in East Asian countries such as Japan, China, Korea, and Vietnam, as well as in the emerging Western Zen tradition. (Source: Yale University Press)
Schaik, Sam van. The Spirit of Zen. The Sacred Literature Series. New Haven, CT: Yale University Press, 2018.
Book
The Heart of Dōgen's Shōbōgenzō
The Heart of Dogen's Shobogenzo provides exhaustively annotated translations of the difficult core essays of Shobogenzo, the masterwork of Japanese Zen master Dogen Kigen, the founder of Soto Zen. This book is centered around those essays that generations have regarded as containing the essence of Dogen's teaching. These translations, revised from those that first appeared in the 1970s, clarify and enrich the understanding of Dogen's religious thought and his basic ideas about Zen practice and doctrine. Dogen's uncommon intellectual gifts, combined with a profound religious attainment and an extraordinary ability to articulate it, make Shobogenzo unique even in the vast literature the Zen school has produced over the centuries, securing it a special place in the history of world religious literature. (Source: SUNY Press)
Waddell, Norman, and Masao Abe, trans. The Heart of Dōgen's Shōbōgenzō. Albany: State University of New York Press, 2002. https://terebess.hu/zen/dogen/The-Heart-of-Dogens-Shobogenzo.pdf.

People Mentioned

Dōgen
1200 ~ 1253
Keizan Jōkin
1268 ~ 1325
Francis H. Cook
1930 ~ 2006
Thomas Cleary
1949 ~ 2021
Red Pine
Cheng Chien Bhikshu (Mario Poceski)
1964
Sam van Schaik
Khenpo Sodargye
1962

About the video

Featuring Kokyo Henkel, Karma Phuntsho
Creator Tsadra Foundation
Director Perman, M.
Producer Tsadra Foundation
Event Buddha-Nature in Early Chan and Japanese Zen by Rev. Kokyo Henkel: Conversations on Buddha-Nature (26 June 2021, California and Bhutan)
Related Website Buddha-Nature
Creation Date 26 June 2021
Citation Henkel, Rev. Kokyo. "Resource Recommendations for Learning about Buddha-Nature in the Zen Tradition." Conversations on Buddha-Nature with Lopen Dr. Karma Phuntsho. Produced by the Tsadra Foundation Research Department, June 26, 2021. Video, 5:25. https://youtu.be/GaTapNdwKRo.

Bodhisattva - A person who seeks enlightenment for the sake of others. In Mahāyāna Buddhism, a Bodhisattva is a compassionate being who is training on the path to Buddhahood and aspires to eliminate the suffering of all beings and take all sentient beings to the state of enlightenment. The Mahāyāna sūtras including those on buddha-nature generally have Bodhisattvas as the main audience or interlocutors for the Buddha's discourses. Skt. बोधिसत्त्व Tib. བྱང་ཆུབ་སེམས་དཔའ། Ch. 菩薩

Bodhisattva - A person who seeks enlightenment for the sake of others. In Mahāyāna Buddhism, a Bodhisattva is a compassionate being who is training on the path to Buddhahood and aspires to eliminate the suffering of all beings and take all sentient beings to the state of enlightenment. The Mahāyāna sūtras including those on buddha-nature generally have Bodhisattvas as the main audience or interlocutors for the Buddha's discourses. Skt. बोधिसत्त्व Tib. བྱང་ཆུབ་སེམས་དཔའ། Ch. 菩薩

vinaya - Vinaya refers to the corpus of Buddhist teachings on moral discipline and precepts and is one of the three canonical sets of teachings alongside Sūtra and Abhidharma. It also refers to the monastic tradition which has been passed down since the Buddha's time until our time. Skt. विनय Tib. འདུལ་བ། Ch. 毘奈耶

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