byams chos sde lnga

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byams chos sde lnga

On this topic
Interview
A Dilettante's Ramblings on the Uttaratantra, Asaṅga, Mipham, and Buddha-Nature by John Canti
John Canti, longtime practitioner and translator, founder of Padmakara Translation Group, and Editorial Director at the 84000 Project, speaks with Lopen Dr. Karma Phuntsho about a wide range of topics related to buddha-nature teachings.

John Canti studied medicine and anthropology at Cambridge University (UK) and qualified as a doctor in 1975. While still a medical student he met and began to study with some of the great Tibetan Buddhist masters of the older generation, especially Kangyur Rinpoche, Dudjom Rinpoche, and Dilgo Khyentse Rinpoche. After some years of medical work in northeastern Nepal in the late 1970s he went to the Dordogne, France, to complete two three-year retreats at Chanteloube, and has remained primarily based there ever since.

John is a founding member of the Padmakara Translation Group, was a Tsadra Foundation Fellow from 2001-2014, and was awarded the 2016 Khyentse Foundation Fellowship. In 2009, when 84000 first started, he was appointed Editorial Chair of 84000, and in 2020 has become Editorial Co-Director.
Canti, John. "A Dilettante's Ramblings on the Uttaratantra, Asaṅga, Mipham, and Buddha-Nature." Conversations on Buddha-Nature with Lopen Dr. Karma Phuntsho. Produced by the Tsadra Foundation Research Department, June 25, 2022. Video, 1:33:09. https://www.youtube.com/watch?v=YEwPclJGvF8.
Book
A Feast of the Nectar of the Supreme Vehicle
A monumental work and Indian Buddhist classic, the Ornament of the Mahāyāna Sūtras (Mahāyānasūtrālamkāra) is a precious resource for students wishing to study in-depth the philosophy and path of Mahāyāna Buddhism. This full translation and commentary outlines the importance of Mahāyāna, the centrality of bodhicitta or the mind of awakening, the path of becoming a bodhisattva, and how one can save beings from suffering through skillful means.

This definitive composition of Mahāyāna teachings was imparted in the fourth century by Maitreya to the famous adept Asanga, one of the most prolific writers of Buddhist treatises in history. Asanga’s work, which is among the famous Five Treatises of Maitreya, has been studied, commented upon, and taught by Buddhists throughout Asia ever since it was composed.

In the early twentieth century, one of Tibet’s greatest scholars and saints, Jamgön Mipham, wrote A Feast of the Nectar of the Supreme Vehicle, which is a detailed explanation of every verse. This commentary has since been used as the primary blueprint for Tibetan Buddhists to illuminate the depth and brilliance of Maitreya’s pith teachings. The Padmakara Translation Group has provided yet another accessible and eloquent translation, ensuring that English-speaking students of Mahāyāna will be able to study this foundational Buddhist text for generations to come. (Source: Shambhala Publications)
Gethin, Stephen (Padmakara Translation Group), trans. A Feast of the Nectar of the Supreme Vehicle: An Explanation of the Ornament of the Mahāyāna Sūtras; Maitreya's Mahāyānasūtrālaṃkāra with a Commentary by Jamgön Mipham. Boulder, CO: Shambhala Publications, 2018.
PhD Diss
Turenne, P.: Interpretations of Unity: Hermeneutics in Śākya mchog ldan's Interpretation of the Five Treatises of Maitreya
Abstract

This dissertation is a study of the process through which Tibetan Buddhist philosophy, by synthesizing doctrines and texts into consistent models, integrates views of reality within doctrinal and soteriological systems. It consists of an analysis of the most fundamental doctrinal tension found in the Tibetan tradition, namely the apparent inconsistency of doctrines belonging to the negative Mādhyamika and to the more affirmative Yogācāra trends of Mahāyāna Buddhism. As a case study aiming to provide a first systematic examination of that problematic, the dissertation surveys and analyzes Tibetan interpretation of the set of texts referred to as the Five Treatises of Maitreya (byams chos sde lnga), and at the way those interpretations deal with the doctrinal tensions found in that set of text. In addition to providing a recension of major interpretations of the Five Treatises developed between 1100 and 1500, a detailed account is given of the model of interpretation given by gSer mdog Paṇ chen Śākya mchog ldan, a famous teacher of the Sa skya school of Tibetan Buddhism. When confronted with the features of other interpretations, Śākya mchog ldan's interpretation of the Five Treatises, which proceeds primarily by allowing a plurality of views to be maintained even at the level of definitive meaning, provides us with a new insight in the Tibetan philosophical tradition: the most fundamental dimension of philosophical reconciliation of doctrinal views, especially of the kind found in the Five Treatises, can be described as pertaining to textual hermeneutics. Moreover, Śākya mchog ldan's contribution to that domain of Buddhist thought, by placing hermeneutics at the very centre of his system of Buddhist doctrine and practice, suggests that hermeneutics is a fundamental category of all Buddhist philosophical debates, and that it should be part of any attempt to understand the Tibetan philosophical tradition.
Turenne, Philippe. "Interpretations of Unity: Hermeneutics in Śākya mchog ldan's Interpretation of the Five Treatises of Maitreya." PhD diss., McGill University, 2010. https://archive.org/details/interpretationsofunityhermeneuticsinsakyamchogldaninterpretationoffivetreatiseso_985_N/mode/2up.
Video
John Canti: On the Legends behind the Five Treatises of Maitreya
Canti, John. "On the Legends behind the Five Treatises of Maitreya." Conversations on Buddha-Nature with Lopen Dr. Karma Phuntsho. Produced by the Tsadra Foundation Research Department, June 25, 2022. Video, 7:58. https://www.youtube.com/watch?v=soU-n3Gb59o.
Canti, John. "On the Legends behind the Five Treatises of Maitreya." Conversations on Buddha-Nature with Lopen Dr. Karma Phuntsho. Produced by the Tsadra Foundation Research Department, June 25, 2022. Video, 7:58. https://www.youtube.com/watch?v=soU-n3Gb59o.
Video
John Canti: On the Uttaratantra in Relation to the Other Works of Maitreya
Canti, John. "On the Uttaratantra in Relation to the Other Works of Maitreya." Conversations on Buddha-Nature with Lopen Dr. Karma Phuntsho. Produced by the Tsadra Foundation Research Department, June 25, 2022. Video, 20:49. https://www.youtube.com/watch?v=1EHovcbdGAg.
Canti, John. "On the Uttaratantra in Relation to the Other Works of Maitreya." Conversations on Buddha-Nature with Lopen Dr. Karma Phuntsho. Produced by the Tsadra Foundation Research Department, June 25, 2022. Video, 20:49. https://www.youtube.com/watch?v=1EHovcbdGAg.
Book
Luminous Heart
This superb collection of writings on buddha nature by the Third Karmapa Rangjung Dorje (1284–1339) focuses on the transition from ordinary deluded consciousness to enlightened wisdom, the characteristics of buddhahood, and a buddha’s enlightened activity. Most of these materials have never been translated comprehensively. The Third Karmapa’s unique and well-balanced view synthesizes Yogācāra, Madhyamaka, and the classical teachings on buddha nature. Rangjung Dorje not only shows that these teachings do not contradict each other but also that they supplement each other and share the same essential points in terms of the ultimate nature of mind and all phenomena. His fusion is remarkable because it clearly builds on Indian predecessors and precedes the later often highly charged debates in Tibet about the views of Rangtong ("self-empty") and Shentong ("other-empty"). Although Rangjung Dorje is widely regarded as one of the major proponents of the Tibetan Shentong tradition (some even consider him its founder), this book shows how his views differ from the Shentong tradition as understood by Dölpopa, Tāranātha, and the First Jamgön Kongtrul. The Third Karmapa’s view is more accurately described as one in which the two categories of rangtong and shentong are not regarded as mutually exclusive but are combined in a creative synthesis. For those practicing the sūtrayāna and the vajrayāna in the Kagyü tradition, what these texts describe can be transformed into living experience. (Source: Shambhala Publications)
Brunnhölzl, Karl, trans. Luminous Heart: The Third Karmapa on Consciousness, Wisdom, and Buddha Nature. Nitartha Institute Series. Ithaca, NY: Snow Lion Publications, 2009.
Book
Mahāyāna-Sūtrālaṃkāra: Exposé de la doctrine du Grand Véhicule selon le système Yogācāra, Vol. 2
Si nous étions réduits au seul témoignage de l'original sanscrit, nous ignorerions encore le véritable auteur de l'ouvrage. Le colophon sanscrit se contente d'indiquer que le texte a été « énoné » (bhâṣita) « par le grand Bodhisattva Vyavadâta-samaya ». Ce colophon est reproduit par le traducteur chinois et le traducteur tibétain; il est donc certainement très ancien, s'il ne remonte pas même jusqu'à l'original. Je n'ai pas retrouvé ailleurs un Bodhisattva de ce nom ; il est impossible de dire si cette désignation s'applique à Maitreya, à Asaṅga, ou à tout autre personnage, soit fictif, soit réel.
      L'Indien Prabhâkara-mitra, auteur de la traduction chinoise (entre 630 et 633 J. C.), assigne le M. S. A. à Asaṅga, qu'il qualifie expressément de « Bodhisattva ». La préface de là traduction, due à Li Pe-yo (l'auteur du Pe-Tsin chou) répète et confirme cette attribution, sans faire allusion à une révélation surnaturelle. Mais, à cette époque même, Hiuan-tsang apprend dans les couvents de l'Inde à classer le M. S. A. parmi les textes sacrés révélés à Asaṅga par Maitreya. Jusque-là, au témoignage de Paramârtha et des traducteurs chinois du vc siècle, le Saptadaçabhûmi çâstra (ou Yogâcâryabhûmi çâstra) avait seul passé pour révélé.
      Un demi-siècle après Hiuan-tsang, Yi-tsing, qui n'est pas comme Hiuan-tsang un adepte de l'école Yogâcâra, continue à classer le M. S. A. parmi « les huit branches » (pa tchi) d'Asanga, où il fait entrer pêle-mêle et de son propre aveu plusieurs traités de Vasubandhu.
      Chez les Tibétains[1], le M. S. A. est unanimement rangé dans les « Cinq çâstras de Maitreya », et il en ouvre la série. Mais les vers seuls sont attribués à Maitreya ; la prose qui commente ces vers est tenue pour un ouvrage à part, sous le titre de Sûtrâlaṃkâra-bhâṣya, attribué à Vasubandhu. La traduction tibétaine est due à Çâkyasiṃha l'Indien, assisté du Lotsava grand réviseur Dpal brcogs et autres. Je n'ai pas d'informations sur ces personnages; mais, quelle que soit leur date, Prabhâkara mitra leur est certainement antérieur ; avant le milieu du VIIc siècle, le Tibet, à peine ouvert à la civilisation, n'avait ni traducteurs, ni traductions. Nous sommes donc fondés à considérer l'ouvrage entier, prose et vers, comme dû à un seul auteur, Asaṅga. Au reste, si le tibétain distingue dans l'ouvrage deux parties, texte et commentaire, avec deux auteurs différents, le Tche-yuen lou chinois (Catalogue comparé des Livres Bouddhiques compilé dans la période Tche-yuen 1264–1294) donne à l'ouvrage entier, en tant qu'oeuvre du Bodhisattva Asaṅga, le titre fan (c.-à-d. sanscrit) de : Sou-tan-lo A-leng-kia-lo ti-kia, transcription de Sûtrâlaṃkâraṭîkâ « Commentaire du Sûtrâlaṃkâra » (Tche-yuen lou, chap. IX, in°.); en fait, cette désignation de ṭîkâ ne peut s'appliquer pourtant qu'à la prose explicative qui accompagne les vers ou kârikâs.
      Le texte sanscrit est divisé en adhikâras ou « chapitres » régulièrement numérotés jusqu'au quinzième ; à partir de là les chapitres ne portent plus d'indication numérique jusqu'au chapitre final ; mais celui-ci est désigné comme le vingt et unième. Les sections marquées dans l'intervalle sont seulement au nombre de quatre ; il manque donc une unité pour parfaire le chiffre de 21. Il est probable que le dernier chapitre est à partager en deux sections, entre le vers 42 et le vers 43. Les dix-neuf derniers vers, avec leur refrain uniforme, constituent une unité bien nette comme hymne de conclusion.
      Le tibétain[1] reproduit exactement les divisions du manuscrit sanscrit. Le chinois[2] représente un autre partage de l'ensemble. Le texte y est divisé en treize grandes sections, découpées d'une manière assez irrégulière en vingt-quatre chapitres. (Lévi, "Le Mahâyâna Sûtrâlaṃkâra," 7–9)

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Notes

1. Outre Târanâtha, v. aussi Bouston traduit par Stcherbatzkoï, La littérature Yogâcâra d'après Bouston, Muséon, 1905, II. Il est assez surprenant de voir que les Tibétains comptent comme l'oeuvre personnelle d'Àsaṅga le (Saptadaça-)bhûmi çâstra, le seul ouvrage que la tradition ancienne assigne à Maitreya. En dehors de cet ouvrage (et, naturellement, des sections détachées qui en ont été traduites à part: Nanjio 1170, 1083,1086, 1096, 1097, 1098, 1200, 1235), le Canon chinois n'attribue à Maitreya que le Madhyânta-vibhaṅga(Nj. 1245, traduit par Hiuan-tsang), également compté comme une oeuvre de Maitreya par les Tibétains [Je laisse en dehors l'insignifiant opuscule : Sarvaçiksàsthitanâmârtha çâstra (Nj. 1315) traduit par Che-houentre 980 et 1000]. Le cas du Mahâyânasaṃparigraha çâstra offre un intérêt tout particulier. Le premier en date des trois traducteurs chinois, Buddhaçânta, en 531, présente l'ouvrage comme une « oeuvre d' A-seng-kia », dans le texte de l'édition de Corée ; mais les éditions proprement chinoises ont remplacé cette mention par « composition de Wou-tcho p'ou-sa [equals] Asaṅga bodhisattva ». La préface qui accompagne la traduction de Paramârtha, en 563, déclare que « le çâstra original (pen loun) a été composé par A-seng-kia, maître de la loi (fa che). » Hiuan-tsang, enfin, qui donne une traduction en 648, traduit fidèlement un colophon qui dit : « Moi, A-seng-kia, j'ai fini d'expliquer brièvement le Mahâyâna-saṃparigraha çâstra dans les sûtras du Grand Véhicule de l'Abhidharma », mais il présente le texte comme « la composition de Wou-tcho p'ou-sa [equals] Asanga bodhisattva ».
      Wassilieff (Notes sur Târanâtha, p. 315 sq.) a tort de dire que « les cinq textes de Maitreya manquent tous [sämmtlich] chez les Chinois ». J'ai déjà signalé la traduction chinoise du M. S. A. et celle du Madhyânta-vibhâga. La version chinoise de l'Uttaratantra a échappé jusqu'ici aux recherches, parce qu'elle ne porte pas de nom d'auteur. C'est le Mahâyânottaratantraçâstra (Nj. 1236; éd. Tôk. XIX, 2) des catalogues chinois, traduit par Ratnamati en 508. Restent le Dharmadharmalâ-vibhaṅga et l'Abhisamayâlaṃkâra qui n'ont pas de correspondant connu ou reconnu en chinois. A propos des oeuvres d'Asaṅga conservées en chinois, j'ajoute encore que le Choun tchong louen (Nj. 1246; Tôk. XIX, 2), dont le titre sanscrit est restitué par Nanjio sous la forme : Madhyântânugama çâstra, est en fait — comme le titre chinois l'exprime exactement — un commentaire sur le Madhyamakaçâstra de Nâgârjuna, interprété au point de vue de la doctrine Yogâcâra.
1. La traduction tibétaine se trouve dans le Tanjour, Mdo. vol. XLIV (phi), le texte en vers va de 1 à 43b; le « bhâṣya » termine le volume, de la page 135 à la fin.

2. La traduction chinoise porte le n° 1190 dans le Catalogue de Nanjio; dans l'édition du Tripiṭaka de Tôkyô, elle trouve boîte XIX, vol. 4: Elle se forme la première moitié du volume ; le Sûtrâlaṃkâra d'Açvaghoṣa forme l'autre moitié.
Lévi, Sylvain, ed. and trans. Mahāyāna-Sūtrālaṃkāra: Exposé de la doctrine du Grande Véhicule selon le système Yogācāra. By Asaṅga. Vol. 2, Traduction, Introduction, Index. Bibliothèque de l'Ecole des hautes études 190. Paris: Librairie Honoré Champion, 1911.
Book
Mahāyāna-Sūtrālaṃkāra: Exposé de la doctrine du Grande Véhicule selon le système Yogācāra, Vol. 1
C'est par l'effet d'une confusion de titre que j'ai mis la main sur ce texte. Un peu avant de partir pour l'Inde, J'avais eu l'occasion d'étudier et de signaler à l'attention des indianistes un recueil important de contes bouddhiques, le Sūtralaṃkāra, d'Açvaghoṣa, conservé dans une traduction chinoise. Dès mon arrivée au Nepal, en janvier 1898. je me mis en quête de l'original sanscrit. Hodgson, dans sa Liste des Ouvrages Bouddhiques en sanscrit connus de fait ou de nom au Népal (Sketch of Buddhism, publié en 1828: réim- primé dans les Essays on the Languages, Literature, and Religion of Nepal and Tibet, 1874; p. 37), mentionne (n 29) le Mahāyāna Sūtrālaṃkāra: l'espoir de le retrouver n'était donc pas complétement interdit. Bientôt, en effet, Pandit Kulamāna, de Patan, qui s'était intéresé a mes recherches, m'annonçait qu'un de ses amis possédait un manuscrit de l'ouvrage: il refusait toutefois de s'en dessaisir. Je finis par en obtenir la communication ; il ne s'agissait pas du Sūtralaṃkāra d'Açvaghoṣa, mais bien du Mahāyāna Sūtrālaṃkāra d'Asaṅga. Au lieu d'un recueil de contes édifiants, c'était un exposé scolastique des doctrines mahāyānistes sur le Bodhisattva, au point de vue de l'école des Yogācāras. Il n'entre pas dans mon propos de marquer ici l'intérêt de ce texte, ni de signaler les problèmes qu'il pose ou qu'il résout. Je compte traiter en détail ces questions dans l'Intruduction à la traduction que je publierai prochainement ; c'est dans le même fascicule que je donnerai aussi l'index des termes techniques dont l'ouvrage foisonne, et les éclaircissements que je pourrai en fournir. lci je ne me suis préoccupé que d'établir le texte.
      La besogne, à dire vrai, n'était pa si facile. Je ne disposais que de la copie exécutée, sous ma surveillance, par le Pandit Kulamāna, reproduction fidèle d'un original assez bon dans l'ensemble, mais parsemé de menues fautes dues principalement a la confusion de lettres analogues dans la devanāgari du Népal. Cette copie, sur papier népalais (gris au recto, jaune au verso), occupe 123 feuillets, à neuf lignes par page. L'ouvrage est complet: la seule lacune étendue se place à la suite du vers 2 de la llesection: deux feuillets avaient à cet endroit disparu de l'archétype; pour dissimuler la lacune, le copiste ancien a recouru à un procédé assez usuel ; il a copié ailleurs deux autres feuilles qu'il a insérées à la place des feuillets manquants. Je n'ai pas pu arriver à déterminer la provenance exacte de cette interpolation; mais elle vient sans aucun doute de quelque çāstra étroitement apparenté au Mahāyāna Sūtrālaṃkāra par le sujet et par le lexique. J'ai donné en Appendice à la suite du texte le contenu de ces deux feuilles: un chercheur plus heureux réussira probablement à les identifier. Les autres lacunes sont de peu d'étendue : XI, 5, une ligne; 51, deus lignes; XI, 70, deux ou trois lignes; XII, 7, un hémistiche.
      La traduction chinoise, due à I'Hindou Prabhākara mitra (entre 630 et 633 J.-C.), comble heureusement toutes ces lacunes; sans elle, j'aurais dû renoncer même à éditer ce texte. C'est par une collation constante de la version chinoise que j'ai réussi—si j'y ai réussi— à dégager de mon unique manuscrit un texte acceptable et intelligible. Je n'ai pas cru devoir, sous couleur d'une « acribie ». intransigeante, étaler au bas des pages toutes les lectures vicieuses du manuscrit; Je ne les ai rapportées que dans les rares cas où ma correction affectait l'ensemble d'un mot. Je laisse à ceux qui voudront bien se référer à la copie de Kulamāna le soin de juger ce qu'a pu coûter d'efforts la constitution d'un texte présentable.
      C'est de propos délibéré que je me suis refusé a faire disparaître les irrégularités d'orthographe et de sandhi de mon manuscrit. La tradition des scribes népalais a ses usages constants, par exemple la réduction du groupe ttva à ttva (bodhisatva, tatva, etc.), l'interchange des sifflantes palatale et dentale (kuçīda, kusīda, etc.); pour les textes qu'ils sont seuls à nous avoir conservés, il me paraît préférable de se conformer à leurs usages plutôt que de leur imposer les rigueurs d'un purisme théorique. le sancrit a bien assez d'uniformité pour qu'on n'aille pas effacer de parti pris les rares particularités de temps ou de lieu qui ont pu y marquer leur empreinte. Quant au sandhi, I'application mécanique des règles risque le plus souvent d'anéantir des nuances de ponctuation et de pensée exprimées justement par des infractions à ces règles.
      Si j'ai préféré donner le texte en caractères devanāgarī, malgré les avantages pratiques de la transcription au point de vue occidental, c'est que nos éditions d'ouvrages bouddhiques ont chance d'atteindre une catégorie de lecteurs que nous me prévoyons pas assez peut-être tt qui mérite pourtant d'être prise en considération. Au Népal même, et par delà le Népal, dans le monde si peu accessible encore des Lamas, nous pouvons apporter ainsi à de bonnes âmes un aliment de piété qui se convertira peut-être en amorce de science: l'exemple donné par les éditeurs européens peut provoquer là-bas une imitation féconde, sauver de la destruction ou rappeler au jour des textes menacés, et activer ainsi le progrès des connaissances. L'indianisme n'est point un vain exercice de dilettantisme: derrière nos problèmes de linguistique, de philologie, d'histoire politique, religieuse ou sociale, il faut entrevoir les centaines millions d'êtres vivants que ces problèmes conditionnent à leur insu, et dont le sort est lié aux solutions qui doivent triompher.
      Je manquerais à un réel devoir de gratitude si je n'exprimais pas ici mes remerciements à tous ceux qui ont collaboré à l'impression de ce livre, aux typographes de l'Imprimerie nationale, au Directeur des travaux, M. Héon, et surtout à M. Guérinot, de qui les corrections minutieuses m'ont valu des épreuves presque parfaites. Mon ami et collègue M. Finot a pris la peine de relire aussi toutes les épreuves. S'il reste encore des fautes, et je sais pertinemment qu'il en reste (un erratum sera donné à la fin de la traduction), responsabilité n'en saurait incomber qu'à moi, et à la faiblesse de la nature humaine. (Lévi, foreword, i-iii)
Lévi, Sylvain, ed. and trans. Mahāyāna-Sūtrālaṃkāra: Exposé de la doctrine du Grande Véhicule selon le système Yogācāra. By Asaṅga. Vol. 1, Texte. Bibliothèque de l'Ecole des hautes études 159. Paris: Librairie Honoré Champion, 1907.
Book
Maitreya's Distinguishing the Middle from the Extremes
Maitreyanātha's Distinguishing the Middle from the Extremes (Madhyāntavibhāga) was transmitted to us by the noble Asaṅga, great saint and champion scholar of fourth century CE Indic Buddhism—along with Vasubandhu’s commentary on the text. It is one of the five seminal texts of what the Tibetans call the “magnificent deeds tradition of universal vehicle Buddhism, according to its spiritual focus and ethical impact. Its emphasis on the nondual, primarily mental nature of reality most powerfully supports the great messianic vow of the bodhisattva, the entry into the universal vehicle lifestyle. In his study introducing the translation, Dr. D'Amato analyzes and elucidates the teachings of this text and its associated school with great learning and insight. (Source: Tibet House)
D'Amato, Mario, trans. Maitreya's Distinguishing the Middle from the Extremes (Madhyāntavibhāga): Along with Vasubandhu's Commentary (Madhyāntavibhāga-bhāṣya); A Study and Annotated Translation. Treasury of the Buddhist Sciences. Tengyur Translation Initiative. New York: American Institute of Buddhist Studies, Columbia University's Center for Buddhist Studies and Tibet House US, 2012.
Book
Middle Beyond Extremes
Middle Beyond Extremes contains a translation of the Buddhist masterpiece Distinguishing the Middle from Extremes. This famed text, often referred to by its Sanskrit title, Madhyāntavibhāga, is part of a collection known as the Five Maitreya Teachings. Maitreya, the Buddha’s regent, is held to have entrusted these profound and vast instructions to the master Asaṅga in the heavenly realm of Tuṣita.

In pithy verses, Distinguishing the Middle from Extremes employs the principle of the three natures to explain the way things seem to be as well as the way they actually are. Unraveling the subtle processes that condition our thinking and experience, Maitreya’s teaching reveals a powerful path of compassionate vision and spiritual transformation.

Distinguishing the Middle from Extremes is presented here alongside commentaries by two outstanding masters of Tibet’s nonsectarian Rimé movement, Khenpo Shenga and Ju Mipham. (Source: Shambhala Publications)
Dharmachakra Translation Committee, trans. Middle Beyond Extremes: Maitreya's Madhyāntavibhāga with Commentaries by Khenpo Shenga (gzhan phan chos kyi snang ba) and Ju Mipham ('ju mi pham rgya mtsho). Ithaca, NY: Snow Lion Publications, 2006.
Book
Mining for Wisdom within Delusion
Maitreya’s Distinction between Phenomena and the Nature of Phenomena distinguishes the illusory phenomenal world of saṃsāra produced by the confused dualistic mind from the ultimate reality that is mind’s true nature. The transition from the one to the other is the process of “mining for wisdom within delusion.” Maitreya’s text calls this “the fundamental change,” which refers to the vanishing of delusive appearances through practicing the path, thus revealing the underlying changeless nature of these appearances. In this context, the main part of the text consists of the most detailed explanation of nonconceptual wisdom—the primary driving force of the path as well as its ultimate result—in Buddhist literature. The introduction of the book discusses these two topics (fundamental change and nonconceptual wisdom) at length and shows how they are treated in a number of other Buddhist scriptures. The three translated commentaries, by Vasubandhu, the Third Karmapa, Rangjung Dorje, and Gö Lotsāwa, as well as excerpts from all other available commentaries on Maitreya’s text, put it in the larger context of the Indian Yogācāra School and further clarify its main themes. They also show how this text is not a mere scholarly document, but an essential foundation for practicing both the sūtrayāna and the vajrayāna and thus making what it describes a living experience. The book also discusses the remaining four of the five works of Maitreya, their transmission from India to Tibet, and various views about them in the Tibetan tradition. (Source: Shambhala Publications)
Brunnhölzl, Karl, trans. Mining for Wisdom within Delusion: Maitreya's Distinction between Phenomena and the Nature of Phenomena and Its Indian and Tibetan Commentaries. Tsadra Foundation Series. Boston: Snow Lion Publications, 2012.
Book
Ornament of the Great Vehicle Sūtras
The Buddhist masterpiece Ornament of the Great Vehicle Sūtras, often referred to by its Sanskrit title, Mahāyānasūtrālaṃkāra, is part of a collection known as the Five Maitreya Teachings, a set of philosophical works that have become classics of the Indian Buddhist tradition. Maitreya, the Buddha’s regent, is held to have entrusted these profound and vast instructions to the master Asaṅga in the heavenly realm of Tuṣita.

The Ornament provides a comprehensive description of the bodhisattva’s view, meditation, and enlightened activities. Bodhisattvas are beings who, out of vast love for all sentient beings, have dedicated themselves to the task of becoming fully awakened buddhas, capable of helping all beings in innumerable and vast ways to become enlightened themselves. To fully awaken requires practicing great generosity, patience, energy, discipline, concentration, and wisdom, and Maitreya’s text explains what these enlightened qualities are and how to develop them.

This volume includes commentaries by Khenpo Shenga and Ju Mipham, whose discussions illuminate the subtleties of the root text and provide valuable insight into how to practice the way of the bodhisattva. Drawing on the Indian masters Vasubandhu and, in particular, Sthiramati, Mipham explains the Ornament with eloquence and brilliant clarity. This commentary is among his most treasured works. (Source: Shambhala Publications)
Dharmachakra Translation Committee, trans. Ornament of the Great Vehicle Sūtras: Maitreya’s Mahāyānasūtrālaṃkāra with Commentaries by Khenpo Shenga (mkhan po gzhan dga') and Ju Mipham ('ju mi pham). Boston: Snow Lion Publications, 2014.
Article
Tathāgatagarbha Influences in the Three Nature (Trisvabhāva) Theory of the Maitreya Works
Mathes, Klaus-Dieter. "Tathāgatagarbha Influences in the Three Nature (Trisvabhāva) Theory of the Maitreya Works." Journal of Tibetology 20 (2019): 222–44.
Mathes, Klaus-Dieter. "Tathāgatagarbha Influences in the Three Nature (Trisvabhāva) Theory of the Maitreya Works." Journal of Tibetology 20 (2019): 222–44.
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The History and Significance of the Tibetan Concept of the Five Treatises of Maitreya
Turenne, Philippe. "The History and Significance of the Tibetan Concept of the Five Treatises of Maitreya." The Indian International Journal of Buddhist Studies 16 (2015): 215–33.
Turenne, Philippe. "The History and Significance of the Tibetan Concept of the Five Treatises of Maitreya." The Indian International Journal of Buddhist Studies 16 (2015): 215–33.
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The Philosophy of Buddhism
The translation of Erich Frauwallner's Die Philosophie des Buddhismus, first published in 1956, opens up a classic introduction to Buddhist thought to a broader English language readership. The book covers the period of early canonical literature with examples of its philosophically relevant ideas, followed by the principal philosophical concepts of systematic Sravakayana Buddhism. In the main part of the book, Frauwallner presents the first survey of the development of the philosophical systems of Mahayana Buddhism. He was well aware of the limitations in presenting only the Buddhist philosophy of the "classical", i.e., the systematic period, and does not seem to have been ready to add the philosophically creative new postsystematic tradition of Buddhist epistemology and logic, a major subject of his subsequent years of research.

Frauwallner's way of translating was straightforward: to remain as close as possible to the original text while presenting it in a clear and readable way in order to convey an accurate impression of its meaning. For technical terms in the source materials he maintained a single translation even when various meanings were suggested. For clarity regarding such variations of meaning he relied on the context and his explanation.

The same approach was taken by the translator of the present book. Although his translation attempts to be faithful to the 1994 edition of Die Philosophie des Buddhismus, he inserted helpful additional headlines into the text and considerably enlarged the index. All other additions by the translator are given within square brackets. Besides this, he created an Appendix, which contains one of Frauwallner's more important articles "Amalavijnana and Alayavijnana" (1951) to complement the long Yogacara section of the book, a bibliography of selective publications after 1969. The URLs for many of the source materials were also conveniently provided. (Source: Motilal Banarsidass)
Frauwallner, Erich. The Philosophy of Buddhism (Die Philosophie des Buddhismus). Translated by Gelong Lodrö Sangpo with the assistance of Jigme Sheldrön, under the supervision of Ernst Steinkellner. Delhi: Motilal Banarsidass, 2010. Originally published 1956 by Akademie-Verlag as Die Philosophie des Buddhismus (Berlin).
Audio
The Three Nature (Trisvabhāva) Theory in the Yogācāra Texts of the Five Maitreya Works
This presentation will address the influences of the Tathāgatagarbha (“buddha nature”) model of reality in the three Yogācāra texts of the Maitreya Works (i.e., the Mahāyānasūtrālaṃkāra, Madhyāntavibhāga, and Dharmadharmatāvibhāga). It will be argued that the integration of a particular understanding of buddha nature contributes to remedy the flaws Yogācāra has in the eyes of Mādhyamikas, namely that a considerable group of sentient beings is completely cut off from liberation, and that a dependently arising mind exists on the level of ultimate truth.
      Prof. Dr. Klaus-Dieter Mathes is a professor of Tibetan and Buddhist Studies at the University of Vienna. His research interests include the Indian origin of the Tibetan Mahāmudrā traditions, buddha nature and the Tibetan gzhan stong tradition. He spoke with students at RYI on April 3, 2018. (Source Accessed Aug 13, 2020)
Mathes, Klaus-Dieter. "The Three Nature (Trisvabhāva) Theory in the Yogācāra Texts of the Five Maitreya Works." Recorded April 3, 2018 at Rangjung Yeshe Institute, Nepal. Audio, 1:23:42. https://soundcloud.com/rangjung-yeshe-institute/prof-dr-klaus-dieter-mathes-the-three-nature-trisvabhava-theory-in-the-yogacara-texts.
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Maitreya, Asaṅga: Ratnagotravibhāga Mahāyānottaratantraśāstra
The Ratnagotravibhāga, commonly known as the Uttaratantra, or Gyu Lama in Tibetan, is one of the main Indian scriptural sources for buddha-nature theory. It was likely composed during the fifth century, by whom we do not know. Comprised of verses interspersed with prose commentary, it systematizes the buddha-nature teachings that were circulating in multiple sūtras such as the Tathāgatagarbhasūtra, the Mahāparinirvāṇasūtra, and the Śrīmaladevisūtra. The Tibetan tradition attributes the verses to the Bodhisattva Maitreya and the commentary to Asaṅga, and treats the two as separate texts, although this division is not attested to in surviving Indian versions. The Chinese tradition attributes the text to *Sāramati (娑囉末底), but the translation itself does not include the name of the author, and the matter remains unsettled. It was translated into Chinese in the early sixth century by Ratnamati and first translated into Tibetan by Atiśa, although this text is not known to survive. Ngok Loden Sherab translated it a second time based on teachings from the Kashmiri Pandita Sajjana, and theirs remains the standard translation. It has been translated into English several times, and recently into French. See the Ratnagotravibhāgavyākhyā, read more about the Ratnagotravibhāga, or take a look at the most complete English translation in When the Clouds Part by Karl Brunnholzl.
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Maitreya: Mahāyānasūtrālaṃkārakārikā
In Sanskrit, the “Ornament for the Mahāyāna Sūtras”; one of the Five Dharma Treatises of Maitreya (byams chos sde lnga) said to have been presented to Asaṅga by the bodhisattva Maitreya in the Tuṣita heaven. Written in verse, the text offers a systematic presentation of the practices of the bodhisattva from the standpoint of the Yogācāra school and is one of the most important of the Indian Mahāyāna śāstras. Its twenty-one chapters deal with (1) the proof that the Mahāyāna sūtras are the word of the Buddha; (2) taking refuge in the three jewels (ratnatraya); (3) the lineage (gotra) of enlightenment necessary to undertake the bodhisattva path; (4) the generation of the aspiration to enlightenment (bodhicittotpāda); (5) the practice of the bodhisattva; (6) the nature of reality, described from the Yogācāra perspective; (7) the attainment of power by the bodhisattva; (8) the methods of bringing oneself and others to maturation; (9) enlightenment and the three bodies of a buddha (trikāya); (10) faith in the Mahāyāna; (11) seeking complete knowledge of the dharma; (12) teaching the dharma; (13) practicing in accordance with the dharma; (14) the precepts and instructions received by the bodhisattva; (15) the skillful methods of the bodhisattva; (16) the six perfections (pāramitā) and the four means of conversion (saṃgrahavastu), through which bodhisattvas attract and retain disciples; (17) the worship of the Buddha; (18) the constituents of enlightenment (bodhipākṣikadharma); (19) the qualities of the bodhisattva; and (20-21) the consummation of the bodhisattva path and the attainment of buddhahood. (Source: The Princeton Dictionary of Buddhism, p. 514)
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Maitreya: Abhisamayālaṃkāranāmaprajñāpāramitopadeśaśāstrakārikā
In Sanskrit, “Ornament of Realization”; a major scholastic treatise of the Mahāyāna, attributed to Maitreyanātha (c. 330 ce). Its full title is Abhisamayālaṃkāra-prajñāpāramitā upadeśa-śāstra (T. Shes rab kyi pha rol tu phyin pa'i man ngag gi bstan bcos mngon par rtogs pa'i rgyan) or “Treatise Setting Forth the Perfection of Wisdom called ‘Omament for Realization.’” In the Tibetan tradition, the Abhisamayālaṃkāra is counted among the five treatises of Maitreya (Byams chos sde lnga). The 273 verses of the Abhisamayālaṃkāra provide a schematic outline of the perfection of wisdom, or prajñāpāramitā, approach to enlightenment, specifically as delineated in the Pañcaviṃśati-sāhasrikā Prajñāpāramitā (“Perfection of Wisdom in Twenty-Five Thousand Lines”). This detailed delineation of the path is regarded as the “hidden teaching” of the prajñāpāramitā sūtras. Although hardly known in East Asian Buddhism (until the modern Chinese translation by Fazun), the work was widely studied in Tibet, where it continues to hold a central place in the monastic curricula of all the major sects. (Source: The Princeton Dictionary of Buddhism, p. 11)
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Maitreya: Madhyāntavibhāgakārikā
In Sanskrit, “Differentiation of the Middle Way and the Extremes”; one of the Five Dharma Treatises of Maitreya (byams chos sde lnga) said to have been presented to Asaṅga by the bodhisattva Maitreya in the Tuṣita heaven. Written in verse, it is one of the most important Yogācāra delineations of the three natures (trisvabhāva), especially as they figure in the path to enlightenment, where the obstacles created by the imaginary (parikalpita) are overcome ultimately by the antidote of the consummate (pariniṣpanna). The “middle way” exposed here is that of the Yogācāra, and is different from that of Nāgārjuna, although the names of the two extremes to be avoided—the extreme of permanence (śāśvatānta) and the extreme of annihilation (ucchedānta)—are the same. Here the extreme of permanence is the existence of external objects, the imaginary nature (parikalpitasvabhāva). The extreme of annihilation would seem to include Nāgārjuna’s emptiness of intrinsic nature (svabhāva). The middle way entails upholding the existence of consciousness (vijñāna) as the dependent nature (paratantrasvabhāva) and the existence of the consummate nature (pariniṣpannasvabhāva). The work is divided into five chapters, which consider the three natures, the various forms of obstruction to be abandoned on the path, the ultimate truth according to Yogācāra, the means of cultivating the antidotes to the defilements, and the activity of the Mahāyāna path. (Source: The Princeton Dictionary of Buddhism, p. 489)
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Maitreya: dharmadharmatāvibhāga
One of the Five Dharma Treatises of Maitreya (byams chos sde lnga). This work exists only in Tibetan translation, of which there are two versions: the Dharmadharmatāvibhāga (chos dang chos nyid rnam par 'byed pa) presented in prose, and the Dharmadharmatāvibhāgakārikā (chos dang chos nyid rnam par 'byed pa'i tshig le'ur byas pa) presented in verse. "The text explains saṃsāra (= dharma) and the nirvāṇa (= dharmatā) attained by the śrāvaka, pratyekabuddha, and bodhisattva; like the Madhyāntavibhāga, it uses the three-nature (trisvabhāva) terminology to explain that, because there is no object or subject, the transcendent is beyond conceptualization. It presents the paths leading to transformation of the basis (aśrayaparāvṛtti), and enumerates ten types of tathatā (suchness)." (Source: The Princeton Dictionary of Buddhism, p. 244)
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Key Term byams chos sde lnga
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