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Topic: Zen - Chan

Books

Book
Buddha Nature and Animality
Buddha Nature and Animality is about peaceful living. In discussions about the relation between humans and their animal relatives, a central theme is that Buddhism represents the most viable philosophical/religious alternative to the malaise surrounding us when we confront ecological problems. This recognition points to the notion of compassion. Karuna is given expression as an alternative to stewardship since stewardship too falls into the dualistic trap of privileging the human. Authors seek beyond the limits imposed by discourses of ethics and assume a more radical approach to seek the roots of the perspectives that allow the conceptual space for the problematic dialogues in the first place. Rather than viewing animals as distinct beings sharing our environs, authors attempt to give the animal soul back to spirituality. They argue for the naturally enlightened spontaneity arising in animal nature and that animal nature is Buddha-nature. This "animal-buddha" nature is fundamental to understanding Buddhism as a 21st century philosophy for living and dying. (Source: Jain Publishing Company)
Jones, David., ed. Buddha Nature and Animality. Fremont, CA: Jain Publishing Company, 2007.
Book
Buddhist Faith and Sudden Enlightenment
Buddhist Faith and Sudden Enlightenment explains how sudden enlightenment occurs through the awakening of patriarchal faith. This is the non-dual affirmation that one is already Buddha as opposed to the doctrinal, dualistic faith that one can become Buddha. The essence of the presentation is that patriarchal faith forms the basis for sudden enlightenment in Zen meditation. For the practitioner, this book establishes the Zen method of mind-cultivation on a higher level by introducing a new understanding of awakening right faith.

Included is extensive material on the history of faith in Buddhism with the main attention devoted to Ch'an (Zen) and Hua-yen. There are also substantial discussions of Buddhist antecedents to these schools and of the Pure Land School.

This is the first book in English to examine the central role of faith in Mahayana Buddhism. The author's approach develops from his personal experiences as a son (Zen) monk of the Chogye order, which was heavily influenced by the integration of meditation and scriptural study established by Chinul. (Source: Suny Press)
Park, Sung Bae. Buddhist Faith and Sudden Enlightenment. Albany: State University of New York Press, 1983.
Book
Critical Buddhism
In the late 1980s and early 1990s, the relative calm world of Japanese Buddhist scholarship was thrown into chaos with the publication of several works by Buddhist scholars Hakamaya Noriaki and Matsumoto Shiro, dedicated to the promotion of something they called Critical Buddhism (hihan bukkyo). In their quest to re-establish a "true" - rational, ethical and humanist - form of East Asian Buddhism, the Critical Buddhists undertook a radical deconstruction of historical and contemporary East Asian Buddhism, particularly Zen. While their controversial work has received some attention in English-language scholarship, this is the first book-length treatment of Critical Buddhism as both a philosophical and religious movement, where the lines between scholarship and practice blur. Providing a critical and constructive analysis of Critical Buddhism, particularly the epistemological categories of critica and topica, this book examines contemporary theories of knowledge and ethics in order to situate Critical Buddhism within modern Japanese and Buddhist thought as well as in relation to current trends in contemporary Western thought. (Source: Taylor & Francis)
Shields, James M. Critical Buddhism: Engaging with Modern Japanese Buddhist Thought. Burlington, VT: Ashgate, 2011. https://archive.org/details/criticalbuddhismengagingwithmodernjapanesebuddhistthoughtjamesmarkshields_202003_771_Y/mode/2up.
Book
Currents and Countercurrents
Soon after the inception of Buddhism in the sixth or fifth century B.C.E., the Buddha ordered his small band of monks to wander forth for the welfare and weal of the many, a command that initiated one of the greatest missionary movements in world religious history. But this account of a monolithic missionary movement spreading outward from the Buddhist homeland of India across the Asian continent is just one part of the story. The case of East Asian Buddhism suggests another tale, one in which the dominant eastward current of diffusion creates important eddies, or countercurrents, of influence that redound back toward the center. These countercurrents have had significant, even profound, impact on neighboring traditions.
In East Asia perhaps the most important countercurrent of influence came from Korea, the focus of this volume. Chapters examine the role played by the Paekche kingdom in introducing Buddhist material culture (especially monastic architecture) to Japan and the impact of Korean scholiasts on the creation of several distinctive features that eventually came to characterize Japanese Pure Land Buddhism. The lives and intellectual importance of the monks Sungnang (fl. ca. 490) and Wonch’uk (613–696) are reassessed, bringing to light their role in the development of early intellectual schools within Chinese Buddhism. Later chapters discuss the influential teachings of the semi-legendary master Musang (684–762), the patriarch of two of the earliest schools of Ch’an; the work of a dozen or so Korean monks active in the Chinese T’ient’ai tradition; and the Huiyin monastery. Source: University of Hawai'i Press
Buswell, Robert E., ed. Currents and Countercurrents: Korean Influences on the East Asian Buddhist Traditions. Honolulu: University of Hawaiʻi Press, 2005.
Book
Daijō kishinron no kenkyū
Anthology of articles covering such topics as the early history of the Awakening of Faith, the influence of its doctrine of original enlightenment on early Chan, Fazang's commentary, the rhetoric of the text, and the concept of the "one vehicle" (ekayāna). (Source Accessed July 3, 2020)
Inoue, Katsuhito, ed. Daijō kishinron no kenkyū. Suita-shi, Osaka, Japan: Kansai Daigaku Shuppanbu, 2000.
Book
Early Ch'an in China and Tibet
Ch'an (Zen) Buddhism was popularized in the West by writers such as D.T. Suzuki and Alan Watts as a kind of 'romantic abstraction' outside of history. The papers in this volume, originally presented at a unique conference sponsored by U.C. Berkeley and the San Francisco Zen Center, go a long way

towards revealing the complex historical development of Ch'an theory and practice both in China and Tibet.
      The papers on China reveal Ch' an not as a single line of transmission from Bodhidharma, but as a complex of contending and even hostile factions. Furthermore, the view which sees Ch'an as the sinicization of Buddhism through Taoism is questioned through an examination of the Taoism that was actually prevalent during the establishment of Ch' an in China.
      The papers on Tibet take us to the heart of the controversies surrounding the origins of Buddhism in that country, based on exciting research into the Tunhuang materials, the indigenous rDzogs-chen system, and the 'Sudden vs. Gradual Enlightenment' controversy.
      Of particular note in this volume is the inclusion of several translations of papers by noted Japanese scholars who have led the way in this type of research,

made available to the Western reader for the first time. (Source: inside jacket)
Lai, Whalen, and Lewis R. Lancaster, eds. Early Ch’an in China and Tibet. Berkeley Buddhist Studies Series 5. Berkeley, CA: Asian Humanities Press, 1983.
Book
Impermanence Is Buddha-Nature: Dōgen's Understanding of Temporality
Dōgen Zenji was a Japanese Zen Buddhist teacher born in Kyōto, and the founder of the Sōtō school of Zen in Japan after travelling to China and training under the Chinese Caodong lineage there. Dōgen is known for his extensive writing including the Treasury of the Eye of the True Dharma or Shōbōgenzō, a collection of ninety-five fascicles concerning Buddhist practice and enlightenment.


The primary concept underlying Dōgen's Zen practice is “oneness of practice-enlightenment”. In fact, this concept is considered so fundamental to Dōgen's variety of Zen—and, consequently, to the Sōtō school as a whole—that it formed the basis for the work Shushō-gi, which was compiled in 1890 by Takiya Takushō of Eihei-ji and Azegami Baisen of Sōji-ji as an introductory and prescriptive abstract of Dōgen's massive work, the Shōbōgenzō (“Treasury of the Eye of the True Dharma”).

Dōgen is a profoundly original and difficult 13th century Buddhist thinker whose works have begun attracting increasing attention in the West. Admittedly difficult for even the most advanced and sophisticated scholar of Eastern thought, he is bound, initially, to present an almost insurmountable barrier to the Western mind. Yet the task of penetrating that barrier must be undertaken and, in fact, is being carried out by many gifted scholars toiling in the Dōgen vineyard. (Source: University of Hawai'i Press)
Stambaugh, Joan. Impermanence Is Buddha-Nature: Dōgen's Understanding of Temporality. Honolulu: University of Hawai'i Press, 1990.
Book
Like Cats and Dogs
Koans are dialogues that stand at the center of Zen Buddhist literature and are often used to provoke the "great doubt" in testing a trainee's progress. The Mu Koan consists of a brief conversation in which a monk asks Master Zhaozhou whether or not a dog has Buddha-nature. According to the main version, the reply is "Mu": literally, "No," but implying the philosophical notion of nothingness. This case is widely considered to be the single best-known and most widely circulated koan record of the Zen school that offers existential release from anxiety to attain spiritual illumination.
      In a careful analysis of the historical and rhetorical basis of the literature, Steven Heine demonstrates that the Mu version of the case, preferred by advocates of the key-phrase approach, does not by any means constitute the final word concerning the meaning and significance of the Mu Koan. He shows that another canonical version, which gives both "Yes" and "No" responses, must be taken into account. Like Cats and Dogs offers critical insight and a new theoretical perspective on "the koan of koans." (Source: Oxford University Press)
Heine, Steven. Like Cats and Dogs: Contesting the Mu Kōan in Zen Buddhism. New York: Oxford University Press, 2014. https://terebess.hu/zen/mesterek/Heine-Cats.pdf.
Book
Presenting Japanese Buddhism to the West
Japanese Buddhism was introduced to a wide Western audience when a delegation of Buddhist priests attended the World's Parliament of Religions, part of the 1893 Columbian Exposition in Chicago. In describing and analyzing this event, Judith Snodgrass challenges the predominant view of Orientalism as a one-way process by which Asian cultures are understood strictly through Western ideas. Restoring agency to the Buddhists themselves, she shows how they helped reformulate Buddhism as a modern world religion with specific appeal to the West while simultaneously reclaiming authority for the tradition within a rapidly changing Japan.
      Snodgrass explains how the Buddhism presented in Chicago was shaped by the institutional, social, and political imperatives of the Meiji Buddhist revival movement in Japan and was further determined by the Parliament itself, which, despite its rhetoric of fostering universal brotherhood and international goodwill, was thoroughly permeated with confidence in the superiority of American Protestantism. Additionally, in the context of Japan's intensive diplomatic campaign to renegotiate its treaties with Western nations, the nature of Japanese religion was not simply a religious issue, Snodgrass argues, but an integral part of Japan's bid for acceptance by the international community. (Source: University of North Carolina Press)
Snodgrass, Judith. Presenting Japanese Buddhism to the West: Orientalism, Occidentalism, and the Columbian Exposition. Chapel Hill: University of North Carolina Press, 2003. https://archive.org/details/presentingjapanesebuddhismtowestorientalismoccidentalismcolumbianexpositionjudithsnodgrass_743_i/mode/2up.
Book
Pruning the Bodhi Tree
A collection of essays on the "critical Buddhism" (hihan bukkyō) movement started by Hakamaya Noriaki and Matsumoto Shirō that swept Japanese academia from the late 1980's onward.
Hubbard, Jamie, and Paul L. Swanson, eds. Pruning the Bodhi Tree: The Storm Over Critical Buddhism. Nanzan Library of Asian Religion and Culture. Honolulu: University of Hawai’i Press, 1997.
Book
Studies in Ch’an and Hua-yen
In the nearly four decades that have passed since the end of World War II, the study of East Asian Buddhism has made rapid, manifold, and significant advances in the West. One general effect of its remarkable progress, apart from the enormous increment it has produced in the sheer quantity of knowledge, has been to draw the study of Buddhist thought and history away from the obscure periphery of scholarship on China, Japan, and Korea into the very center of those fields of academic focus. Students of East Asian history and culture, therefore, are no longer so inclined as they once were to follow traditional prejudices—e.g., the residual biases of Confucianism or of the European Enlightenment—in regarding Buddhism as an entirely arcane subject beyond the pale of, say, sober Sinology or main-stream Japanology. Rather, it is now widely recognized that Buddhism is a subject worthy of study not only in its own right, as a subtle and sophisticated system of religious belief and practice, but also because of the variety of very consequential roles it has played in the formation of East Asian society and civilization. Conversely, Buddhist Studies itself has begun to outgrow that part of its previous isolation which was self imposed. Buddhist scholars, that is to say, are now less inclined than they once were to abstract their subject from its various, complex, and ever-changing cultural contexts. They are as much interested in exploring the web of its relationships with other components of East Asian civilization as they are in tracing the intricacies of its philology and the internal patterns of its thought.
      The factors contributing to this change in the nature and place of East Asian Buddhist Studies are too numerous to list in their entirety, and it is likely that not all of them are yet fully understood. No doubt influential are the new definitions of Religious and Intellectual History that have been entertained throughout the academy. New designs of advanced graduate training in the relevant disciplines and areas have surely also had their effects. However, two rather more specific factors deserve special notice, particularly in view of their relevance to the work here at hand. The first of these that needs to be appreciated is the extent to which western scholars of Chinese, Japanese, and Korean Buddhism have put themselves wisely in debt to Japanese scholarship. The Japanese have led the field of East Asian Buddhist Studies for several generations, and in recent decades they have succeeded in adding to the breadth and depth of their traditional learning in the subject a measure of critical sophistication in Philology and History that has set the standard which all others in the field must match. No

serious work on East Asian Buddhism is now being done in Europe or America that has not been deliberately informed by the Japanese model. The other particular factor to be noted is the importance of the discovery and exploitation of previously unknown or very little known primary sources of information. Foremost among these, of course, are the manuscripts and xylographs of the now well known Tun-huang trove. Of a significance for the study of East Asian Buddhism comparable to the significance of the Dead Sea Scrolls for the early history of Judaism and Christianity, these texts have had especially revolutionary effects upon our knowledge of the origins and early phases of Ch'an (Zen). Again, it has been Japanese scholars who have taken the lead in editing, analyzing, and interpreting the hundreds of these texts in Chinese and Tibetan that bear on the early history of Ch'an, but now French scholars are also making very important contributions, and for some years yet to come the study of early Ch'an will continue to be one of the most exciting frontiers of advancement in East Asian Buddhist Studies wherever conducted. Also to be considered are the many other primary sources, apart from the Tun-huang materials, that have come to light in the past forty years or so and are now attracting scholarly attention. One thinks particularly of texts discovered in Korean monastic libraries or in hitherto little explored Japanese collections. These too have helped stimulate the growth and redefinition of East Asian Buddhist Studies that is currently underway.
      It is the belief of the editors of the present volume that the essays which comprise it exemplify the trends sketched above. They either broach new topics or address older topics from new theoretical and methodological perspectives, and they are based in large measure on primary literature—much of it from the Tun-huang collection—which has been only recently discovered or which has previously eluded extended investigation. Moreover, all five of the essays are written by scholars who owe much to their Japanese teachers and who try to emulate those teachers in philological and historiographical rigor.
      Ch'an and Hua-yen (Kegon) Buddhism have been chosen as the dual focus of this group of studies essentially for three reasons: First, because they are major traditions of East Asian Buddhist thought and practice which were roughly contemporary with each other in their origins and which influenced each other in important ways during the early centuries of their development. Second, because they both loom large as examples of the East Asian transformation of Buddhism, i.e., of the remarkable process by which that originally Indian tradition took on the shape and substance first of a Chinese, and later of a Korean and a Japanese, religion; as such they serve as valuable

case studies in one of world history's most fascinating examples of religious change. Third, because they happen to be the subjects of some of the best work now being done, here and abroad, in the field of Buddhist Studies and so can serve well to index the changes underway in that field
      The articles by Broughton, Gómez and McRae deal with early Ch'an and are based on texts in Chinese and Tibetan that were found among the Tun-huang manuscripts. All three shed substantively new light on the rise of what was to become one of the most crucial East Asian developments of Buddhism. The articles by Gregory and Gimello treat somewhat of Ch'an but mostly of Hua-yen—the latter especially in its "classical" phase during the eighth and ninth centuries, although they give some attention also to its later influences in other traditions of East Asian Buddhism. The Hua-yen articles are based primarily on materials which have long been available in standard editions of the Chinese Buddhist canon but which have been studied hardly at all in the West and only in the most preliminary way even in Japan. It is hoped that they will show, among other things, that the Hua-yen tradition is something more than its conventional reputation as a purely theoretical and rather cerebral form of Buddhism might lead one to believe.
      Four of the five articles are much revised and expanded versions of papers delivered in 1980 at a Conference on East Asian Buddhism held in Los Angeles under the sponsorship of the Kuroda Institute for the Study of Buddhism and Human Values. The fifth, that by Luis Gómez, was especially solicited for the volume well after the conference. All of the articles were designed to comprise a collection that would serve not to introduce, survey, or sum up a field of study but to communicate new and ongoing advanced research. This will be the purpose also of the series, Studies in East Asian Buddhism, which this volume inaugurates. (Gimello, preface, 1983)
Gimello, Robert M., and Peter N. Gregory, eds. Studies in Ch’an and Hua-yen. Kuroda Studies in East Asian Buddhism 1. Honolulu: University of Hawai'i Press, 1983.
Book
The Formation of Ch'an Ideology in China and Korea
This book contains an extensive study and a translation of the Vajrasamādhi Sūtra and makes a convincing argument to rethink the "national lines of argument" that had previously dominated discussions of East Asian Buddhist traditions. Buswell shows how Chan developed in multiple communities; it was not a Chinese phenomenon that was then exported to Korea and Japan. He also shows how the scripture is firmly in the Chinese Yogācāra tradition of Paramārtha, containing an extensive discussion of "immaculate consciousness" (amalavijñāna), the ninth consciousness which unites saṃsāra and nirvāṇa in a "single taste." Buswell draws on Japanese scholarship, such as that by Mozuno Kōgen, who first concluded that the sūtra was an apocryphon.
Buswell, Robert E., Jr. The Formation of Ch'an Ideology in China and Korea: The Vajrasamādhi-Sūtra, A Buddhist Apocryphon. Princeton Library of Asian Translations. Princeton: Princeton University Press, 1989.
Book
The Heart of Dōgen's Shōbōgenzō
The Heart of Dogen's Shobogenzo provides exhaustively annotated translations of the difficult core essays of Shobogenzo, the masterwork of Japanese Zen master Dogen Kigen, the founder of Soto Zen. This book is centered around those essays that generations have regarded as containing the essence of Dogen's teaching. These translations, revised from those that first appeared in the 1970s, clarify and enrich the understanding of Dogen's religious thought and his basic ideas about Zen practice and doctrine. Dogen's uncommon intellectual gifts, combined with a profound religious attainment and an extraordinary ability to articulate it, make Shobogenzo unique even in the vast literature the Zen school has produced over the centuries, securing it a special place in the history of world religious literature. (Source: SUNY Press)
Waddell, Norman, and Masao Abe, trans. The Heart of Dōgen's Shōbōgenzō. Albany: State University of New York Press, 2002. https://terebess.hu/zen/dogen/The-Heart-of-Dogens-Shobogenzo.pdf.
Book
The Platform Sutra of the Sixth Patriarch (McRae)
Taishō 2008

Volume 48

The Platform Sutra of the Sixth Patriarch consists of a record of the teachings of Hui-neng, the Sixth Patriarch of the Chan School in China, recorded by his disciple Fahai, and is known by several abbreviated titles such as Platform Sūtra or Platform Sūtra of the Dharma Treasure. It proclaims the independence of the Southern School of Chan from the Northern School on such subjects as "sudden enlightenment" (Ch. dun-wu) and the external expression of one's real nature (Ch. jian-xing).

Source

Ch. Liuzu dashi fabao tan jing (六祖大師法寶壇經), Compiled in the Chinese by Zong-bao, as recorded by Fa-hai et al. 1 fascicle. (Source: BDK America)
McRae, John R., trans. The Platform Sutra of the Sixth Patriarch. Translated from the Chinese of Zongbao (Taishō Volume 48, Number 2008). BDK English Tripiṭaka Series, vol. 73, no. 2. Berkeley, CA: Numata Center for Buddhist Translation and Research, 2000. https://bdkamerica.org/product/the-platform-sutra-of-the-sixth-patriarch/.
Book
The Rhetoric of Immediacy
Through a highly sensitive exploration of key concepts and metaphors, Bernard Faure guides Western readers in appreciating some of the more elusive aspects of the Chinese tradition of Chan Buddhism and its outgrowth, Japanese Zen. He focuses on Chan’s insistence on “immediacy” — its denial of all traditional mediations, including scripture, ritual, good works — and yet shows how these mediations have always been present in Chan. Given this apparent duplicity in its discourse, Faure reveals how Chan structures its practice and doctrine on such mental paradigms as mediacy/immediacy, sudden/gradual, and center/margins. (Source: Princeton University Press)
Faure, Bernard. The Rhetoric of Immediacy: A Cultural Critique of Chan/Zen Buddhism. Princeton, NJ: Princeton University Press, 1991.
Book
Three Contemplations toward Buddha Nature
This book presents the three most renowned genres of contemplation in Mahayana Ch’an Buddhism. They are: Kong-an, Hua-to, and the Seven Enquiries about the Mind.

As for Kong-an, the subject matter employed here are all concerning Master Bodhidharma, the first Patriarch of Chinese Ch’an Buddhism and the 28th Patriarch of in India. These three Kong-ans are:

1. The Mind is Nowhere to be found
2. The Patriarch’s Quatrain for advanced practice
3. Bodhidharma’s Skin, Flesh, Bones, and Marrow

After reading these, you would have a pretty clear picture about Kong-an and how to make contemplation on it, as well as about the over-all quintessence of fountainhead of Ch’an Buddhism.

The second renowned genre of contemplation in Ch’an Buddhism is Hua-to. Hua-to is, as it were, a diminutive of Kong-an. Or to put it this way, Kong-an is a novel, a long story, while Hua-to is a novelette, a short story. But both of them are stories. By the same token, the Kong-an is a long contemplative material, containing a story with a complete plot––the beginning, the middle, and the denouement (ending)––for its body. Whereas the Hua-to would not have a plot; it consists only of a sentence, or a phrase. Therefore, in comparison with Kong-an, it is similar to a Kong-an in miniature, or a compressed Kong-an, for the general effect resulted in contemplating on Hua-to was supposed to be the same in contemplating on Kong-an. The instance of Hua-to scrutinized here is “Who is saying ‘Namo Amito-Fo’ (or 'Namo Amitabha Buddha')?”

The third genre of contemplation in Ch’an Buddhism is one based on the Text of the Sutras. And under this rubric, the one cited and examined here is just a very prestigious one, if not the most renowned; it is called “The Seven Inquiries to locate the Mind,” from The Surangama Sutra. With the knowledge and skills built up in learning to contemplate on the first two genres, the Kong-an and Hua-to, one would then be able to go on to learn and practice the contemplation of this genre. And having learned about the three genres of contemplation presented in this book, one would virtually have covered the most predominant contemplations in Ch’an Buddhism. (Source Accessed March 12, 2020)
Kuan, Cheng. Three Contemplations toward Buddha Nature: Lectures on Buddhism for English Meditation Class at Chuang Yen Monastery, N.Y. Vol. 2 of A Trilogy of Ch'an. 2nd ed. n.p.: Americana Buddhist Temple, 2018.
Book
Tibetan Zen
Until the early twentieth century, hardly any traces of the Tibetan tradition of Chinese Chan Buddhism, or Zen, remained. Then the discovery of a sealed cave in Dunhuang, full of manuscripts in various languages dating from the first millennium CE, transformed our understanding of early Zen. This book translates some of the earliest surviving Tibetan Zen manuscripts preserved in Dunhuang. The translations illuminate different aspects of the Zen tradition, with brief introductions that not only discuss the roles of ritual, debate, lineage, and meditation in the early Zen tradition but also explain how these texts were embedded in actual practices. (Source: Shambhala Publications)
Schaik, Sam van. Tibetan Zen: Discovering A Lost Tradition. Boston: Snow Lion Publications, 2015.
Book
Tsung-mi and the Sinification of Buddhism
This study of Tsung-mi is part of the Studies in East Asian Buddhism series. Author Peter Gregory makes extensive use of Japanese secondary sources, which complements his work on the complex Chinese materials that form the basis of the study. (Source: University of Hawai'i Press)
Gregory, Peter N. Tsung-mi and the Sinification of Buddhism. Kuroda Studies in East Asian Buddhism 16. Honolulu: University of Hawai'i Press, 2002. First Published 1991 by Princeton University Press.

Articles

Article
"Zen is Not Buddhism": Recent Japanese Critiques of Buddha-Nature
Swanson, Paul L. "'Zen is Not Buddhism': Recent Japanese Critiques of Buddha-Nature." Numen 40, no. 2 (1993): 115–49. http://nirc.nanzan-u.ac.jp/en/files/2012/12/zen-is-not-BUDDHISM.pdf.
Swanson, Paul L. "'Zen is Not Buddhism': Recent Japanese Critiques of Buddha-Nature." Numen 40, no. 2 (1993): 115–49. http://nirc.nanzan-u.ac.jp/en/files/2012/12/zen-is-not-BUDDHISM.pdf.
Article
Buddha-Nature and Personality as the Ground of Ethics: A Metaethical Dialogue between Dōgen and Berdyaev
Sevilla, Anton Luis. "Buddha-Nature and Personality as the Ground of Ethics: A Metaethical Dialogue between Dōgen and Berdyaev." Budhi 16, no. 1 (2012): 42–73.
Sevilla, Anton Luis. "Buddha-Nature and Personality as the Ground of Ethics: A Metaethical Dialogue between Dōgen and Berdyaev." Budhi 16, no. 1 (2012): 42–73.
Article
Buddha-nature, Critical Buddhism, and Early Chan
Sharf, Robert. "Buddha-nature, Critical Buddhism, and Early Chan." Critical Review for Buddhist Studies 22 (2017): 105–50.
Sharf, Robert. "Buddha-nature, Critical Buddhism, and Early Chan." Critical Review for Buddhist Studies 22 (2017): 105–50.
Article
Does My Dog Have Buddhanature?
Remembering her beloved childhood pet, Andrea Miller ponders one of Zen’s most famous questions.
Miller, Andrea. "Does My Dog Have Buddhanature?" Lion's Roar, October 25, 2019.
Article
Does a Dog See into Its Buddha-Nature? Re-posing the Question of Animality-Humanity in Zen Buddhism
Davis, Bret W. "Does a Dog See into Its Buddha-nature? Re-posing the Question of Animality/Humanity in Zen Buddhism." In Buddha Nature and Animality, edited by David Jones, 83–126. Fremont, CA: Jain Publishing Company, 2007.
Davis, Bret W. "Does a Dog See into Its Buddha-nature? Re-posing the Question of Animality/Humanity in Zen Buddhism." In Buddha Nature and Animality, edited by David Jones, 83–126. Fremont, CA: Jain Publishing Company, 2007.
Article
Dōgen on Buddha Nature
Abe, Masao. "Dōgen on Buddha Nature." The Eastern Buddhist 4, no. 1 (1971): 28–71.
Abe, Masao. "Dōgen on Buddha Nature." The Eastern Buddhist 4, no. 1 (1971): 28–71.
Article
Everything Is Buddhanature
Original sin vs. original goodness: Mahayana Buddhism offers a more hopeful view of human nature. Zen teacher Melissa Myozen Blacker reveals how nondual practice frees us from our temporary obscurations and reveals our true, awakened nature.
Blacker, Melissa Myozen. “Everything Is Buddhanature” Lion's Roar, November 28, 2018. https://www.lionsroar.com/everything-is-buddhanature/.
Article
Everything’s Made of Mind
Fischer, Norman. “Everything's Made of Mind” Lion's Roar, February 27, 2019. https://www.lionsroar.com/everythings-made-of-mind/.
Fischer, Norman. “Everything's Made of Mind” Lion's Roar, February 27, 2019. https://www.lionsroar.com/everythings-made-of-mind/.
Article
How to Think with Chan Gong'an
Sharf, Robert H. "How to Think with Chan Gong'an." In Thinking with Cases: Specialized Knowledge in Chinese Cultural History, edited by Charlotte Furth, Judith Zeitlin, and Hsiung Ping-chen, 205–43. Honolulu: University of Hawai'i Press, 2007.
Sharf, Robert H. "How to Think with Chan Gong'an." In Thinking with Cases: Specialized Knowledge in Chinese Cultural History, edited by Charlotte Furth, Judith Zeitlin, and Hsiung Ping-chen, 205–43. Honolulu: University of Hawai'i Press, 2007.
Article
Impermanence is Buddha Nature
Fischer, Norman. "Impermanence is Buddha Nature." Lion's Roar, April 8, 2019.
Fischer, Norman. "Impermanence is Buddha Nature." Lion's Roar, April 8, 2019.
Article
Indian Materials on the Doctrine Of Sudden Enlightenment
Any steps to be taken in the direction of investigating the Indian roots of Ch'an are hindered by the thicket of legends in which the tradition shrouded itself. The Ch'annists must also be blamed for the fact that the question of what was the original form of this peculiarly Chinese version of Buddhism remains open, still obscured by the fallacious assumption that Ch'an was a monolithic, clearly defined school or tradition. Progress in this area is further hampered by the fact that in both India and China the early history of the movements that gave rise to Ch'an belongs to mystical traditions existing on the margins of the scholarly establishment of Buddhism. On the other hand, the broader question of contacts, connections, agreements and disagreements between Ch'an and Indian Buddhism can now be the object of documented study thanks to the indefatigable efforts of Buddhist scholars in Russia, France and Japan, who have attempted to verify the facts and meaning of an incident known as the "Council of Lhasa." (Gomez, "Indian Materials," 393)
Gómez, Luis. "Indian Materials on the Doctrine of Sudden Enlightenment." In Early Ch’an in China and Tibet, edited by Lewis Lancaster and Whalen Lai, 393–434. Berkeley, CA: Asian Humanities Press, 1983.
Article
Is Mindfulness Buddhist? (and Why It Matters)
Sharf, Robert H. "Is Mindfulness Buddhist? (and Why It Matters)." Transcultural Psychiatry 52, no. 4 (2014): 470–84. https://escholarship.org/uc/item/8gm9g5ss
Sharf, Robert H. "Is Mindfulness Buddhist? (and Why It Matters)." Transcultural Psychiatry 52, no. 4 (2014): 470–84. https://escholarship.org/uc/item/8gm9g5ss
Article
Mind Is Buddha
Arnold, Geoffrey Shugen. "Mind Is Buddha." Buddhadharma: The Practitioner's Quarterly, March 1, 2005.
Arnold, Geoffrey Shugen. "Mind Is Buddha." Buddhadharma: The Practitioner's Quarterly, March 1, 2005.
Article
Mindfulness and Mindlessness in Early Chan
Sharf, Robert H. "Mindfulness and Mindlessness in Early Chan." Philosophy East and West 64, no. 4 (2014): 933–64.
Sharf, Robert H. "Mindfulness and Mindlessness in Early Chan." Philosophy East and West 64, no. 4 (2014): 933–64.
Article
On the Ritual Use of Ch'an Portraiture in Medieval China
      L'article traite d'un genre de portraits de moines Zen appelé chinzō, genre qui fleurit sous les Sung et les Yuan, et fut introduit au Japon à l'époque de Kamakura. On connaît au Japon environ soixante-dix chinzō chinois et japonais datant du treizième

au seizième siècle, considérés comme "Trésors nationaux" ou "propriétés culturelles importantes", mais qui ne représentent qu'un dizième du nombre total de portraits connus. Les portraits relevant de ce genre sont assez stéréotypés, et représentent en général un moine assis en sur une chaise haute en position du lotus. Souvent représenté de trois-quarts, mais parfois aussi de face, il est vêtu d'un habit de cérémonie, et tient dans sa main droite un attribut de son autorité, d'ordinaire un bâton, un sceptre ou un chasse-mouches. Certains chinzō représentent aussi le moine assis ou debout dans un paysage. Enfin, ils comportent généralement un "éloge" en vers et une dédicace.
      S'interrogeant sur la fonction religieuse de ces portraits, Griffith Foulk et Robert Sharf sont amenés à remettre en question l'idée que les chinzô servaient à authentifier la transmission de maître à disciple. Une étude approfondie des sources montre que la

définition somme toute moderne des chinzō, visant à définir un genre limité dans le domaine de l'histoire de l'art, a fonctionné dans les faits de façon étroitement normative, alors que le terme désignait à l'origine une catégorie beaucoup plus large de portraits. Conduits de la sorte à étudier la construction moderne du genre des chinzō, les auteurs en arrivent à poser un certain nombre de questions théoriques et méthodologiques qui devraient avoir un certain impact sur l'histoire de l'art asiatique. (Foulk and Sharf, introduction, 149)
Foulk, T. Griffith, and Robert H. Sharf. ‘‘On the Ritual Use of Ch’an Portraiture in Medieval China.’’ (In French.) Cahiers d’Extrême-Asie 7 (1993–1994): 149–219. https://www.persee.fr/doc/asie_0766-1177_1993_num_7_1_1064.
Article
Philosophy and the Practice of Reflexivity: On Dōgen's Discourse about Buddha-Nature
Müller, Ralf. "Philosophy and the Practice of Reflexivity: On Dōgen's Discourse about Buddha-Nature." In Concepts of Philosophy in Asia and the Islamic World: Vol. 1, China and Japan, edited by Raji C. Steineck, Ralph Weber, Elena Louisa Lange, and Robert H. Gassmann, 545–76. Leiden: Brill, 2018.
Müller, Ralf. "Philosophy and the Practice of Reflexivity: On Dōgen's Discourse about Buddha-Nature." In Concepts of Philosophy in Asia and the Islamic World: Vol. 1, China and Japan, edited by Raji C. Steineck, Ralph Weber, Elena Louisa Lange, and Robert H. Gassmann, 545–76. Leiden: Brill, 2018.
Article
Reification and Deconstruction of Buddha Nature in Chinese Chan
Although much has been said about deconstruction in Madhyamika Buddhism, very little has been done in the study of deconstructive strategy in Chan Buddhism. In his study of deconstruction in Nāgārjuna's thought, Robert Magliola adds several passages that discuss the same topic in Chan/Zen Buddhism. Magliola's major contribution is his distinction between logocentric and differential trends in Chan/Zen Buddhism (Magliola: 96-7). This distinction allows us to take a fresh look at, and to re-examine, those inner struggles in the evolution of Chan Buddhist thought. However, Magliola's study of deconstruction in Chan is not systematic, despite its insights. He uses only a few cases to show the deconstructive tendency in Chan, without applying his distinction to a closer examination of the different schools of Chan thought. Thus, his study leaves only the impression that the deconstructive or differential trend is connected with the Southern School of Chan. He does not justify this thesis through a closer doctrinal and textual-contextual investigation.

      Bernard Faure, on the other hand, touches upon the same issue of logocentric and differential trends in Chan in his comprehensive critique of the Chan tradition. Faure's study of this issue has two main problems. First, since his study is a criticism, he shows only what he thinks is the logocentric side of Chan, without providing a constructive study of deconstruction in Chan. Second, he criticizes Magliola for relating his logocentric/differential distinction to the historically well-defined distinction between Northern and Southern Chan. Faure believes that this hasty connection is "counterproductive" (Faure 1993: 225). His own approach, as opposed to Magliola's, is to suggest that it is impossible to identify one school or one figure in the Chan tradition as either logocentric or deconstructive. He asserts that there are "only combinations" of these two types in the Chan tradition (Faure 1993: 225). It appears that this position of "combination only" avoids a one-sided view and the error of jumping to a conclusion. However, by concluding that there are only combinations, Faure turns away from the necessity and possibility of analyzing and identifying individual deconstructive trends in Chan Buddhism, and from the necessity and even the possibility of a coherent reinterpretation and reconstruction of Chan thought. The coherent reinterpretation and reconstruction of Chan thought obviously demands more than a mere criticism. It is true that the thought of one school or one figure may involve elements of two trends; but this fact does not preclude the possibility of its being coherently interpreted as representative of one trend.

      This paper, therefore, will attempt to investigate a major deconstructive trend in Chan Buddhism, namely, that of the Huineng 惠能 and the Hongzhou 洪州 Chan, and its target—certain reifying tendencies in Chan. (Wang, preliminary remarks, 63–64)
Wang, Youru. "Reification and Deconstruction of Buddha Nature." Dao: A Journal of Comparative Philosophy 3, no. 1 (2003): 63–84. https://terebess.hu/zen/Buddha-Nature-in-Chan.pdf.
Article
Saigyō and the Buddhist Value of Nature, Part 1
LaFleur, William. "Saigyō and the Buddhist Value of Nature, Part 1." History of Religions 13, no. 2 (1973): 93–128.
LaFleur, William. "Saigyō and the Buddhist Value of Nature, Part 1." History of Religions 13, no. 2 (1973): 93–128.
Article
Shen-hui and the Teaching of Sudden Enlightenment in Early Ch'an Buddhism
McRae, John R. "Shen-hui and the Teaching of Sudden Enlightenment in Early Ch'an Buddhism." In Sudden and Gradual: Approaches to Enlightenment in Chinese Buddhist Thought, edited by Peter N. Gregory, 227–78. Delhi: Motilal Banarsidass, 1991. First published 1987 by University of Hawai'i Press.
McRae, John R. "Shen-hui and the Teaching of Sudden Enlightenment in Early Ch'an Buddhism." In Sudden and Gradual: Approaches to Enlightenment in Chinese Buddhist Thought, edited by Peter N. Gregory, 227–78. Delhi: Motilal Banarsidass, 1991. First published 1987 by University of Hawai'i Press.
Article
Tathāgatagarbha Thought: A Basis of Buddhist Devotionalism in East Asia
Kiyota, Minoru. "Tathāgatagarbha Thought: A Basis of Buddhist Devotionalism in East Asia." Japanese Journal of Religious Studies 12, no. 2/3 (1985): 207–31. https://nirc.nanzan-u.ac.jp/nfile/2311.
Kiyota, Minoru. "Tathāgatagarbha Thought: A Basis of Buddhist Devotionalism in East Asia." Japanese Journal of Religious Studies 12, no. 2/3 (1985): 207–31. https://nirc.nanzan-u.ac.jp/nfile/2311.
Article
The Buddha Nature: True Self as Action
King, Sallie B. "The Buddha Nature: True Self as Action." Religious Studies 20, no. 2 (1984): 255–67. http://www.seattlebetsuin.com/wp-content/uploads/2014/05/King.Buddha-nature.pdf
King, Sallie B. "The Buddha Nature: True Self as Action." Religious Studies 20, no. 2 (1984): 255–67. http://www.seattlebetsuin.com/wp-content/uploads/2014/05/King.Buddha-nature.pdf
Article
The Direct and Gradual Approaches of Zen Master Mahāyāna: Fragments of the Teachings of Mo-ho-yen
Luis O. Gomez, in "The Direct and the Gradual Approaches of Zen Master Mahayana: Fragments of the Teachings of Mo-ho-yen," edits and translates the sayings and works preserved in Tibetan in scattered fragments of the Ch'an master Mo-ho-yen, who took part in a dispute between Chinese Ch'an teachers and Indian Madhyamika teachers in Tibet in the last half of the eighth century. An attempt is made to reconstruct the original texts and sort them into five genres. Not all the fragments attributed to Mo-ho-yen are included, but this is the most comprehensive work to date.
     In the analysis of the texts, the author suggests that Mo-ho-yen's doctrinal position was that of an extreme non-dualist who thought practice came after enlightenment. Consequently Mo-ho-yen denied the value of means to that enlightenment, yet he still had to allow for a means for people of lesser abilities. This admission probably gave his opponents grounds for criticism.
      There is a glossary of Tibetan terms and their Chinese equivalents based on a comparison of the fragments in Tibetan with the Chinese of the Tun-wu Ta-sheng cheng-li chüeh which depicts Mo-ho-yen's side of the dispute (for which it may have been profitable to consult Hasebe Koichi's edition from the Pelliot and Stein Chinese manuscripts, the "Toban Bukkyō to Zen", Aichigakuin Daigaku bungakubu kiyō no. 1). Gomez in fact suggests that terminological ambiguity was one source of misunderstanding between the Chinese and Indian parties. Recently R.A. Stein has begun work on the Tibetan translations of Chinese and Indian vocabulary ("Tibetica Antiqua", BEFEO 72, 1983) which sheds more light on the subject. For example, lun and mdo (Gomez p. 87, notes 23 and 39), or gzhung and gzhun (Gomez p. 140) are interpreted slightly differently by Stein (pp. 175-6 and p. 179 respectively). (John Jorgensen, "Review of Studies in Ch'an and Hua-yan," JIABS 9, no. 2 (1986): 177–78).
Gómez, Luis. "The Direct and Gradual Approaches of Zen Master Mahāyāna: Fragments of the Teachings of Mo-ho-yen." In Studies in Ch’an and Hua-yen, edited by Robert M. Gimello and Peter N. Gregory, 69–167. Honolulu: University of Hawai’i Press, 1983.
Article
The Lamp of Zazen
The point of zazen, says Shunryu Suzuki Roshi, is to live each moment in complete combustion, like a clean-burning kerosene lamp. In this talk at the Tassajara sesshin in the summer of 1969, the great Zen master explains Dogen’s teaching on practicing within imperfection and warns against the arrogance of the false self.
Suzuki, Shunryu. "The Lamp of Zazen." Buddhadharma: The Practitioner's Quarterly, June, 1, 2006.
Article
The Mind as the Buddha-Nature: The Concept of the Absolute in Ch'an Buddhism
Although Ch'an Buddhism has a long history, the name of the Ch'an School (ch'an-mena or ch'an-rsungb)'"`UNIQ--ref-00000002-QINU`"' was a relatively late development. It was Tsung-mic (780-841),'"`UNIQ--ref-00000003-QINU`"' the great Master of Kuei-fung who, for the first time, adopted the term in the ninth century A.D. It is interesting to note that it was the same monk-scholar who used the School of Mind (hsin-tsungd)'"`UNIQ--ref-00000004-QINU`"' as a synonym of the Ch'an school. Tsung-mi was a scholar of buddhist thought who had personal experience in the broad-ranging knowledge of Ch'an traditions. He collected relevant materials and wrote extensively in an effort to analyze the doctrine and practices of the tradition. His identification of the Mind with the Ch'an indicates that, in his opinion, the Mind was the central focus of the school. Although Tsung-mi contributed a good deal to the understanding of Ch'an Buddhism, his contributions remained almost unknown for a thousand years; it is only during the last two decades that scholars have gradually come to recognize his contribution. with considerable astonishment and admiration. This article is an attempt to describe, analyze and assess Tsung-mi's thesis that the doctrine of Mind is the central focus of Ch'an Buddhism and that the Mind itself is the absolute. (Jan, "The Mind and the Buddha-Nature," 467)
Jan, Yün-hua. "The Mind as the Buddha-Nature: The Concept of the Absolute in Ch'an Buddhism." Philosophy East and West 31, no. 4 (1981): 467–77.
Article
The Significance of 'Tathagatagarbha': A Positive Expression of 'Sunyata'
Shih, Heng-Ching. "The Significance of 'Tathagatagarbha': A Positive Expression of 'Sunyata'." BuddhaSasana: A Buddhist Page by Binh Anson. https://www.budsas.org/ebud/ebdha191.htm.
Shih, Heng-Ching. "The Significance of 'Tathagatagarbha': A Positive Expression of 'Sunyata'." BuddhaSasana: A Buddhist Page by Binh Anson. https://www.budsas.org/ebud/ebdha191.htm.
Article
Trust Practice, Practice Trust
When we truly give ourselves over to practice, explains Roko Sherry Chayat, we let go of our dependence on outcomes and begin to trust just being what we are, buddhanature, revealed right here, right now, in this very body and place.
Chayat, Sherry. "Trust Practice, Practice Trust." Buddhadharma: The Practitioner's Quarterly, February 2, 2018.

Multimedia

Audio
Does a Dog Have Buddha Nature?
Tenshin Reb Anderson gives a dharma talk at Green Gulch Farm on the topic of buddha-nature, later addressing the question, "Does a dog have buddha-nature?"
Anderson, Tenshin Reb. "Does a Dog Have Buddha Nature?" Recorded July 22, 2018 at San Francisco Zen Center's Green Gulch Farm. Audio, 47:06. https://soundcloud.com/sanfranciscozencenter/does-a-dog-have-buddha-nature.
Video
Just Seeing Is Buddha-Nature: Talk by Bon Soeng at Empty Gate Zen Center
Zen Master Bon Soeng teaches on a verse from the Compass of Zen by Zen Master Seung Sahn (Shambhala Dragon Editions, 1997).
Soeng, Bon. "Just Seeing Is Buddha-Nature." Filmed March 13, 2013 in Berkeley, CA. Video, 33:05, https://www.youtube.com/watch?v=DN9vZjMh65A.
Audio
Trusting in Our Own Buddha Nature
Rinso Ed Sattizahn gives a dharma talk at San Francisco Zen Center's City Center on the topic of buddha-nature. He touches on selections from Dōgen's Genjōkōan to illustrate this Buddhist teaching.
Sattizahn, Rinso Ed. "Trusting in Our Own Buddha Nature." Recorded December 8, 2018 at San Francisco Zen Center's City Center. Audio, 36:22. https://soundcloud.com/sanfranciscozencenter/trusting-in-our-own-buddha.
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