Zen - Chan

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Topic: Zen - Chan

Books

Book
Buddha Nature and Animality
Buddha Nature and Animality is about peaceful living. In discussions about the relation between humans and their animal relatives, a central theme is that Buddhism represents the most viable philosophical/religious alternative to the malaise surrounding us when we confront ecological problems. This recognition points to the notion of compassion. Karuna is given expression as an alternative to stewardship since stewardship too falls into the dualistic trap of privileging the human. Authors seek beyond the limits imposed by discourses of ethics and assume a more radical approach to seek the roots of the perspectives that allow the conceptual space for the problematic dialogues in the first place. Rather than viewing animals as distinct beings sharing our environs, authors attempt to give the animal soul back to spirituality. They argue for the naturally enlightened spontaneity arising in animal nature and that animal nature is Buddha-nature. This "animal-buddha" nature is fundamental to understanding Buddhism as a 21st century philosophy for living and dying. (Source: Jain Publishing Company)
Jones, David., ed. Buddha Nature and Animality. Fremont, CA: Jain Publishing Company, 2007.
Book
Buddhist Faith and Sudden Enlightenment
Buddhist Faith and Sudden Enlightenment explains how sudden enlightenment occurs through the awakening of patriarchal faith. This is the non-dual affirmation that one is already Buddha as opposed to the doctrinal, dualistic faith that one can become Buddha. The essence of the presentation is that patriarchal faith forms the basis for sudden enlightenment in Zen meditation. For the practitioner, this book establishes the Zen method of mind-cultivation on a higher level by introducing a new understanding of awakening right faith.

Included is extensive material on the history of faith in Buddhism with the main attention devoted to Ch'an (Zen) and Hua-yen. There are also substantial discussions of Buddhist antecedents to these schools and of the Pure Land School.

This is the first book in English to examine the central role of faith in Mahayana Buddhism. The author's approach develops from his personal experiences as a son (Zen) monk of the Chogye order, which was heavily influenced by the integration of meditation and scriptural study established by Chinul. (Source: Suny Press)
Park, Sung Bae. Buddhist Faith and Sudden Enlightenment. SUNY Series in Religious Studies. Albany: State University of New York Press, 1983.
Book
Critical Buddhism
In the late 1980s and early 1990s, the relative calm world of Japanese Buddhist scholarship was thrown into chaos with the publication of several works by Buddhist scholars Hakamaya Noriaki and Matsumoto Shiro, dedicated to the promotion of something they called Critical Buddhism (hihan bukkyo). In their quest to re-establish a "true" - rational, ethical and humanist - form of East Asian Buddhism, the Critical Buddhists undertook a radical deconstruction of historical and contemporary East Asian Buddhism, particularly Zen. While their controversial work has received some attention in English-language scholarship, this is the first book-length treatment of Critical Buddhism as both a philosophical and religious movement, where the lines between scholarship and practice blur. Providing a critical and constructive analysis of Critical Buddhism, particularly the epistemological categories of critica and topica, this book examines contemporary theories of knowledge and ethics in order to situate Critical Buddhism within modern Japanese and Buddhist thought as well as in relation to current trends in contemporary Western thought. (Source: Taylor & Francis)
Shields, James M. Critical Buddhism: Engaging with Modern Japanese Buddhist Thought. Burlington, VT: Ashgate Publishing, 2011. https://archive.org/details/criticalbuddhismengagingwithmodernjapanesebuddhistthoughtjamesmarkshields_202003_771_Y/mode/2up.
Book
Currents and Countercurrents
Soon after the inception of Buddhism in the sixth or fifth century B.C.E., the Buddha ordered his small band of monks to wander forth for the welfare and weal of the many, a command that initiated one of the greatest missionary movements in world religious history. But this account of a monolithic missionary movement spreading outward from the Buddhist homeland of India across the Asian continent is just one part of the story. The case of East Asian Buddhism suggests another tale, one in which the dominant eastward current of diffusion creates important eddies, or countercurrents, of influence that redound back toward the center. These countercurrents have had significant, even profound, impact on neighboring traditions.
In East Asia perhaps the most important countercurrent of influence came from Korea, the focus of this volume. Chapters examine the role played by the Paekche kingdom in introducing Buddhist material culture (especially monastic architecture) to Japan and the impact of Korean scholiasts on the creation of several distinctive features that eventually came to characterize Japanese Pure Land Buddhism. The lives and intellectual importance of the monks Sungnang (fl. ca. 490) and Wonch’uk (613–696) are reassessed, bringing to light their role in the development of early intellectual schools within Chinese Buddhism. Later chapters discuss the influential teachings of the semi-legendary master Musang (684–762), the patriarch of two of the earliest schools of Ch’an; the work of a dozen or so Korean monks active in the Chinese T’ient’ai tradition; and the Huiyin monastery. Source: University of Hawai'i Press
Buswell, Robert E., ed. Currents and Countercurrents: Korean Influences on the East Asian Buddhist Traditions. Honolulu: University of Hawaiʻi Press, 2005.
Book
Daijō kishinron no kenkyū
Anthology of articles covering such topics as the early history of the Awakening of Faith, the influence of its doctrine of original enlightenment on early Chan, Fazang's commentary, the rhetoric of the text, and the concept of the "one vehicle" (ekayāna). (Source Accessed July 3, 2020)
Inoue, Katsuhito, ed. Daijō kishinron no kenkyū. Suita-shi, Osaka, Japan: Kansai Daigaku Shuppanbu, 2000.
Book
Early Ch'an in China and Tibet
Ch'an (Zen) Buddhism was popularized in the West by writers such as D.T. Suzuki and Alan Watts as a kind of 'romantic abstraction' outside of history. The papers in this volume, originally presented at a unique conference sponsored by U.C. Berkeley and the San Francisco Zen Center, go a long way

towards revealing the complex historical development of Ch'an theory and practice both in China and Tibet.
      The papers on China reveal Ch' an not as a single line of transmission from Bodhidharma, but as a complex of contending and even hostile factions. Furthermore, the view which sees Ch'an as the sinicization of Buddhism through Taoism is questioned through an examination of the Taoism that was actually prevalent during the establishment of Ch' an in China.
      The papers on Tibet take us to the heart of the controversies surrounding the origins of Buddhism in that country, based on exciting research into the Tunhuang materials, the indigenous rDzogs-chen system, and the 'Sudden vs. Gradual Enlightenment' controversy.
      Of particular note in this volume is the inclusion of several translations of papers by noted Japanese scholars who have led the way in this type of research,

made available to the Western reader for the first time. (Source: inside jacket)
Lai, Whalen, and Lewis R. Lancaster, eds. Early Ch’an in China and Tibet. Berkeley Buddhist Studies Series 5. Berkeley, CA: Asian Humanities Press, 1983.
Book
Impermanence Is Buddha-Nature: Dōgen's Understanding of Temporality
Dōgen Zenji was a Japanese Zen Buddhist teacher born in Kyōto, and the founder of the Sōtō school of Zen in Japan after travelling to China and training under the Chinese Caodong lineage there. Dōgen is known for his extensive writing including the Treasury of the Eye of the True Dharma or Shōbōgenzō, a collection of ninety-five fascicles concerning Buddhist practice and enlightenment.


The primary concept underlying Dōgen's Zen practice is “oneness of practice-enlightenment”. In fact, this concept is considered so fundamental to Dōgen's variety of Zen—and, consequently, to the Sōtō school as a whole—that it formed the basis for the work Shushō-gi, which was compiled in 1890 by Takiya Takushō of Eihei-ji and Azegami Baisen of Sōji-ji as an introductory and prescriptive abstract of Dōgen's massive work, the Shōbōgenzō (“Treasury of the Eye of the True Dharma”).

Dōgen is a profoundly original and difficult 13th century Buddhist thinker whose works have begun attracting increasing attention in the West. Admittedly difficult for even the most advanced and sophisticated scholar of Eastern thought, he is bound, initially, to present an almost insurmountable barrier to the Western mind. Yet the task of penetrating that barrier must be undertaken and, in fact, is being carried out by many gifted scholars toiling in the Dōgen vineyard. (Source: University of Hawai'i Press)
Stambaugh, Joan. Impermanence Is Buddha-Nature: Dōgen's Understanding of Temporality. Honolulu: University of Hawai'i Press, 1990.
Book
Like Cats and Dogs
Koans are dialogues that stand at the center of Zen Buddhist literature and are often used to provoke the "great doubt" in testing a trainee's progress. The Mu Koan consists of a brief conversation in which a monk asks Master Zhaozhou whether or not a dog has Buddha-nature. According to the main version, the reply is "Mu": literally, "No," but implying the philosophical notion of nothingness. This case is widely considered to be the single best-known and most widely circulated koan record of the Zen school that offers existential release from anxiety to attain spiritual illumination.
      In a careful analysis of the historical and rhetorical basis of the literature, Steven Heine demonstrates that the Mu version of the case, preferred by advocates of the key-phrase approach, does not by any means constitute the final word concerning the meaning and significance of the Mu Koan. He shows that another canonical version, which gives both "Yes" and "No" responses, must be taken into account. Like Cats and Dogs offers critical insight and a new theoretical perspective on "the koan of koans." (Source: Oxford University Press)
Heine, Steven. Like Cats and Dogs: Contesting the Mu Kōan in Zen Buddhism. New York: Oxford University Press, 2014. https://terebess.hu/zen/mesterek/Heine-Cats.pdf.
Book
Like Lions Learning to Roar (Daehaeng 2020)
There’s no way around it. You have to be struggling and working and trying to figure things out for yourself first. Then everything else can happen.

Each one of us has this bright, inherent “Buddha-nature” within us, and through it we are connected to all the universe. But it’s up to us to discover this connection. It’s up to us to live in tune with this inherent treasure. We have to figure out how this plays out in our life.

The first step is simply trusting this non-dual nature. Know that you have it, have faith that it’s connected to everything you’re going through, and entrust everything there. Keep doing this and observing. Let go of your opinions like this. Let go of what’s going well like this. Let go of what’s going badly like this, and the whole time, keep paying attention.

Step forward bravely, holding onto your bright, inherent nature, and a new world will begin to reveal itself.

This is a collection of the Dharma talks by Daehaeng Kun Sunim previously published in Korean-English editions, as "Turning Dirt into Gold," and "Dancing on the Whirlwind." (Source: Hanmaum Publications)
Daehaeng Kun Sunim. Like Lions Learning to Roar: Dharma Talks by Seon Master Daehaeng. Anyang, Gyeonggi, South Korea: Hanmaum Publications, 2020.
Book
No River to Cross
It is often said that enlightenment means “crossing over to the other shore,” that far-off place where we can at last be free from suffering. Likewise, it is said that Buddhist teachings are the raft that takes us there.

In this sparkling collection from one of the most vital teachers of modern Korean Buddhism, Zen Master Daehaeng shows us that there is no raft to find and, truly, no river to cross. She extends her hand to the Western reader, beckoning each of us into the unfailing wisdom accessible right now, the enlightenment that is always, already, right here.

A Zen (or seon, as Korean Zen is called) master with impeccable credentials, Daehaeng has developed a refreshing approach; No River to Cross is surprisingly personal. It’s disarmingly simple, yet remarkably profound, pointing us again and again to our foundation, our “True Nature”—the perfection of things just as they are. (Source: Wisdom Publications)
Daehaeng Sunim. No River to Cross: Trusting the Enlightenment That's Always Right Here. Boston: Wisdom Publications, 2007.
Book
Not Always So
Not Always So is based on Shunryu Suzuki's lectures and is framed in his own inimitable, allusive, paradoxical style, rich with unexpected and off–centre insights. Suzuki knew he was dying at the time of the lectures, which gives his thoughts an urgency and focus even sharper than in the earlier book. In Not Always So Suzuki once again voices Zen in everyday language with the vigour, sensitivity, and buoyancy of a true friend. Here is support and nourishment. Here is a mother and father lending a hand, but letting you find your own way. Here is guidance which empowers your freedom (or way–seeking mind), rather than pinning you down to directions and techniques. Here is teaching which encourages you to touch and know your true heart and to express yourself fully, teaching which is not teaching from outside, but a voice arising in your own being. (Source Accessed Nov 25, 2020)
Suzuki, Shunryu. Not Always So: Practicing the True Spirit of Zen. Edited by Edward Espe Brown. San Francisco: Quill, 2003. https://terebess.hu/zen/mesterek/Suzuki-Not-Always-So.pdf.
Book
Presenting Japanese Buddhism to the West
Japanese Buddhism was introduced to a wide Western audience when a delegation of Buddhist priests attended the World's Parliament of Religions, part of the 1893 Columbian Exposition in Chicago. In describing and analyzing this event, Judith Snodgrass challenges the predominant view of Orientalism as a one-way process by which Asian cultures are understood strictly through Western ideas. Restoring agency to the Buddhists themselves, she shows how they helped reformulate Buddhism as a modern world religion with specific appeal to the West while simultaneously reclaiming authority for the tradition within a rapidly changing Japan.
      Snodgrass explains how the Buddhism presented in Chicago was shaped by the institutional, social, and political imperatives of the Meiji Buddhist revival movement in Japan and was further determined by the Parliament itself, which, despite its rhetoric of fostering universal brotherhood and international goodwill, was thoroughly permeated with confidence in the superiority of American Protestantism. Additionally, in the context of Japan's intensive diplomatic campaign to renegotiate its treaties with Western nations, the nature of Japanese religion was not simply a religious issue, Snodgrass argues, but an integral part of Japan's bid for acceptance by the international community. (Source: University of North Carolina Press)
Snodgrass, Judith. Presenting Japanese Buddhism to the West: Orientalism, Occidentalism, and the Columbian Exposition. Chapel Hill: The University of North Carolina Press, 2003. https://archive.org/details/presentingjapanesebuddhismtowestorientalismoccidentalismcolumbianexpositionjudithsnodgrass_743_i/mode/2up.
Book
Pruning the Bodhi Tree
A collection of essays on the "critical Buddhism" (hihan bukkyō) movement started by Hakamaya Noriaki and Matsumoto Shirō that swept Japanese academia from the late 1980's onward.
Hubbard, Jamie, and Paul L. Swanson, eds. Pruning the Bodhi Tree: The Storm Over Critical Buddhism. Nanzan Library of Asian Religion and Culture. Honolulu: University of Hawai’i Press, 1997.
Book
Silent Illumination
Our natural awakening—or buddha-nature—is inherent within all of us and waiting to be realized. Buddha-nature has the qualities of both silence and illumination, and by working with silent illumination meditation you can find your own awakening. Distinguished Chan Buddhist teacher Guo Gu introduces you to the significance and methods of this practice through in-depth explanations and guided instructions. To help establish a foundation for realizing silent illumination, he has translated twenty-five teachings from the influential master Hongzhi Zhengjue into English, accompanied by his personal commentary. This book will be an indispensable resource for meditators interested in beginning or deepening their silent illumination practice. (Source: Shambhala Publications)
Gu, Guo. Silent Illumination: A Chan Buddhist Path to Natural Awakening. Boulder, CO: Shambhala Publications, 2021.
Book
Studies in Ch’an and Hua-yen
In the nearly four decades that have passed since the end of World War II, the study of East Asian Buddhism has made rapid, manifold, and significant advances in the West. One general effect of its remarkable progress, apart from the enormous increment it has produced in the sheer quantity of knowledge, has been to draw the study of Buddhist thought and history away from the obscure periphery of scholarship on China, Japan, and Korea into the very center of those fields of academic focus. Students of East Asian history and culture, therefore, are no longer so inclined as they once were to follow traditional prejudices—e.g., the residual biases of Confucianism or of the European Enlightenment—in regarding Buddhism as an entirely arcane subject beyond the pale of, say, sober Sinology or main-stream Japanology. Rather, it is now widely recognized that Buddhism is a subject worthy of study not only in its own right, as a subtle and sophisticated system of religious belief and practice, but also because of the variety of very consequential roles it has played in the formation of East Asian society and civilization. Conversely, Buddhist Studies itself has begun to outgrow that part of its previous isolation which was self imposed. Buddhist scholars, that is to say, are now less inclined than they once were to abstract their subject from its various, complex, and ever-changing cultural contexts. They are as much interested in exploring the web of its relationships with other components of East Asian civilization as they are in tracing the intricacies of its philology and the internal patterns of its thought.
      The factors contributing to this change in the nature and place of East Asian Buddhist Studies are too numerous to list in their entirety, and it is likely that not all of them are yet fully understood. No doubt influential are the new definitions of Religious and Intellectual History that have been entertained throughout the academy. New designs of advanced graduate training in the relevant disciplines and areas have surely also had their effects. However, two rather more specific factors deserve special notice, particularly in view of their relevance to the work here at hand. The first of these that needs to be appreciated is the extent to which western scholars of Chinese, Japanese, and Korean Buddhism have put themselves wisely in debt to Japanese scholarship. The Japanese have led the field of East Asian Buddhist Studies for several generations, and in recent decades they have succeeded in adding to the breadth and depth of their traditional learning in the subject a measure of critical sophistication in Philology and History that has set the standard which all others in the field must match. No

serious work on East Asian Buddhism is now being done in Europe or America that has not been deliberately informed by the Japanese model. The other particular factor to be noted is the importance of the discovery and exploitation of previously unknown or very little known primary sources of information. Foremost among these, of course, are the manuscripts and xylographs of the now well known Tun-huang trove. Of a significance for the study of East Asian Buddhism comparable to the significance of the Dead Sea Scrolls for the early history of Judaism and Christianity, these texts have had especially revolutionary effects upon our knowledge of the origins and early phases of Ch'an (Zen). Again, it has been Japanese scholars who have taken the lead in editing, analyzing, and interpreting the hundreds of these texts in Chinese and Tibetan that bear on the early history of Ch'an, but now French scholars are also making very important contributions, and for some years yet to come the study of early Ch'an will continue to be one of the most exciting frontiers of advancement in East Asian Buddhist Studies wherever conducted. Also to be considered are the many other primary sources, apart from the Tun-huang materials, that have come to light in the past forty years or so and are now attracting scholarly attention. One thinks particularly of texts discovered in Korean monastic libraries or in hitherto little explored Japanese collections. These too have helped stimulate the growth and redefinition of East Asian Buddhist Studies that is currently underway.
      It is the belief of the editors of the present volume that the essays which comprise it exemplify the trends sketched above. They either broach new topics or address older topics from new theoretical and methodological perspectives, and they are based in large measure on primary literature—much of it from the Tun-huang collection—which has been only recently discovered or which has previously eluded extended investigation. Moreover, all five of the essays are written by scholars who owe much to their Japanese teachers and who try to emulate those teachers in philological and historiographical rigor.
      Ch'an and Hua-yen (Kegon) Buddhism have been chosen as the dual focus of this group of studies essentially for three reasons: First, because they are major traditions of East Asian Buddhist thought and practice which were roughly contemporary with each other in their origins and which influenced each other in important ways during the early centuries of their development. Second, because they both loom large as examples of the East Asian transformation of Buddhism, i.e., of the remarkable process by which that originally Indian tradition took on the shape and substance first of a Chinese, and later of a Korean and a Japanese, religion; as such they serve as valuable

case studies in one of world history's most fascinating examples of religious change. Third, because they happen to be the subjects of some of the best work now being done, here and abroad, in the field of Buddhist Studies and so can serve well to index the changes underway in that field
      The articles by Broughton, Gómez and McRae deal with early Ch'an and are based on texts in Chinese and Tibetan that were found among the Tun-huang manuscripts. All three shed substantively new light on the rise of what was to become one of the most crucial East Asian developments of Buddhism. The articles by Gregory and Gimello treat somewhat of Ch'an but mostly of Hua-yen—the latter especially in its "classical" phase during the eighth and ninth centuries, although they give some attention also to its later influences in other traditions of East Asian Buddhism. The Hua-yen articles are based primarily on materials which have long been available in standard editions of the Chinese Buddhist canon but which have been studied hardly at all in the West and only in the most preliminary way even in Japan. It is hoped that they will show, among other things, that the Hua-yen tradition is something more than its conventional reputation as a purely theoretical and rather cerebral form of Buddhism might lead one to believe.
      Four of the five articles are much revised and expanded versions of papers delivered in 1980 at a Conference on East Asian Buddhism held in Los Angeles under the sponsorship of the Kuroda Institute for the Study of Buddhism and Human Values. The fifth, that by Luis Gómez, was especially solicited for the volume well after the conference. All of the articles were designed to comprise a collection that would serve not to introduce, survey, or sum up a field of study but to communicate new and ongoing advanced research. This will be the purpose also of the series, Studies in East Asian Buddhism, which this volume inaugurates. (Gimello, preface, 1983)
Gimello, Robert M., and Peter N. Gregory, eds. Studies in Ch’an and Hua-yen. Kuroda Studies in East Asian Buddhism 1. Honolulu: University of Hawai'i Press, 1983.
Book
Sudden and Gradual
This volume examines the historical basis of the debate over sudden versus gradual approaches to enlightenment in Chinese Buddhism, seeing it as part of a recurrent polarity in Chinese history and thought. Sudden and Gradual includes essays by Luis O. Gómez on the philosophical implications of the debate in China and Tibet, Whalen Lai on Taodheng's theory of sudden enlightenment, Neal Donner on Chih-i's system of T'ien-t'ai, John R. McRae on Shen-Hui's sudden enlightenment and its precedents in Northern Ch'an, and Peter N. Gregory on Tsung-mi's theory of sudden enlightenment. (Source: Motilal Banarsidass)
Gregory, Peter N., ed. Sudden and Gradual: Approaches to Enlightenment in Chinese Thought. Buddhist Tradition Series 16. Delhi: Motilal Banarsidass, 1991. First published 1987 by University of Hawai'i Press. https://terebess.hu/zen/Sudden-and-Gradual-Enlightenment.pdf.
Book
Sun-Face Buddha
A translation of the primary materials on the life and teachings of Ma-Tsu (709-788), the successor to the great sixth patriarch and the greatest Ch'an master in history, Hui-Neng (638-713). The book should be invaluable to all who wish to study the development of the Zen thought and philosophy over the course of history. (Source: Jain Publishing)
Chien, Cheng (Mario Poceski), trans. Sun-Face Buddha: The Teachings of Ma-tsu and the Hung-chou School of Ch'an. Berkeley, CA: Asian Humanities Press, 1993. https://terebess.hu/zen/SunFace.pdf.
Book
The Buddha's Dream of Liberation: Freedom, Emptiness, and Awakened Nature
In clear language, James William Coleman guides us through the ancient sutras that preserve the Buddha’s message, illuminating their meaning for today’s world and tying the Buddha’s wisdom together for us. The book concludes with chapters from two great teachers, Reb Anderson from the Zen tradition and Lama Palden from the Tibetan Buddhist tradition, on how to use meditation to bring the Buddha’s wisdom into our daily lives. (Source: Wisdom Publications)
Coleman, James William. The Buddha's Dream of Liberation: Freedom, Emptiness, and Awakened Nature. Somerville, MA: Wisdom Publications, 2017.
Book
The Denkōroku
Attributed to the thirteenth-century Zen Master Keizan (1268-1325), the Denkoroku tells of the enlightenment of the fifty-three masters, beginning with Shakyamuni Buddha and concluding with the twelfth-century Zen Master Ejyo, who was Dogen's dharma heir. Keizan explores how the personal koan (spiritual question) of the various disciples was resolved so that they fully realized their inherent enlightenment. By use of his kaleidoscopic view of Buddhist teachings, Keizan reveals the myriad ways in which the Unborn has been experienced and how these experiences relate to one's daily practice. The translator, Rev. Hubert Nearman, is a senior disciple of the late Rev. Master Jiyu-Kennett, first Abbess of Shasta Abbey in California, and founder of the Order of Buddhist Contemplatives. Prior to becoming a monk, he was a scholar and translator of medieval Japanese texts and was a recipient of a grant for his translation work from the National Endowment for the Humanities. (Source Accessed June 28, 2021)
Nearman, Rev. Hubert, trans. The Denkōroku: Or The Record of the Transmission of the Light. 2nd ed. By Zen Master Keizan Jōkin. Mt. Shasta, CA: Shasta Abbey Press, 2001. https://shastaabbey.org/publications/.
Book
The Formation of Ch'an Ideology in China and Korea
This book contains an extensive study and a translation of the Vajrasamādhi Sūtra and makes a convincing argument to rethink the "national lines of argument" that had previously dominated discussions of East Asian Buddhist traditions. Buswell shows how Chan developed in multiple communities; it was not a Chinese phenomenon that was then exported to Korea and Japan. He also shows how the scripture is firmly in the Chinese Yogācāra tradition of Paramārtha, containing an extensive discussion of "immaculate consciousness" (amalavijñāna), the ninth consciousness which unites saṃsāra and nirvāṇa in a "single taste." Buswell draws on Japanese scholarship, such as that by Mozuno Kōgen, who first concluded that the sūtra was an apocryphon.
Buswell, Robert E., Jr. The Formation of Ch'an Ideology in China and Korea: The Vajrasamādhi-Sūtra, A Buddhist Apocryphon. Princeton Library of Asian Translations. Princeton, NJ: Princeton University Press, 1989.
Book
The Heart of Dōgen's Shōbōgenzō
The Heart of Dogen's Shobogenzo provides exhaustively annotated translations of the difficult core essays of Shobogenzo, the masterwork of Japanese Zen master Dogen Kigen, the founder of Soto Zen. This book is centered around those essays that generations have regarded as containing the essence of Dogen's teaching. These translations, revised from those that first appeared in the 1970s, clarify and enrich the understanding of Dogen's religious thought and his basic ideas about Zen practice and doctrine. Dogen's uncommon intellectual gifts, combined with a profound religious attainment and an extraordinary ability to articulate it, make Shobogenzo unique even in the vast literature the Zen school has produced over the centuries, securing it a special place in the history of world religious literature. (Source: SUNY Press)
Waddell, Norman, and Masao Abe, trans. The Heart of Dōgen's Shōbōgenzō. Albany: State University of New York Press, 2002. https://terebess.hu/zen/dogen/The-Heart-of-Dogens-Shobogenzo.pdf.
Book
The Platform Sutra of the Sixth Patriarch (McRae)
Taishō 2008

Volume 48

The Platform Sutra of the Sixth Patriarch consists of a record of the teachings of Hui-neng, the Sixth Patriarch of the Chan School in China, recorded by his disciple Fahai, and is known by several abbreviated titles such as Platform Sūtra or Platform Sūtra of the Dharma Treasure. It proclaims the independence of the Southern School of Chan from the Northern School on such subjects as "sudden enlightenment" (Ch. dun-wu) and the external expression of one's real nature (Ch. jian-xing).

Source

Ch. Liuzu dashi fabao tan jing (六祖大師法寶壇經), Compiled in the Chinese by Zong-bao, as recorded by Fa-hai et al. 1 fascicle. (Source: BDK America)
McRae, John R., trans. The Platform Sutra of the Sixth Patriarch. Translated from the Chinese of Zongbao (Taishō Volume 48, Number 2008). BDK English Tripiṭaka Series, vol. 73, no. 2. Berkeley, CA: Numata Center for Buddhist Translation and Research, 2000. https://bdkamerica.org/product/the-platform-sutra-of-the-sixth-patriarch/.
Book
The Record of Transmission of Light
[T]he work [Denkōroku] [was] written by Keizan Jokin during the late 13th and early 14th centuries. Keizan began this book with Shakyamuni Buddha as the leading chapter. Denkoroku is a collection of stories about 53 Patriarchs from India, China and Japan and illustrates the enlightenment of each Patriarch – known as the Zen Enlightenment, or Transmission of Light.

Each chapter is started with the Leading Case (本則, Honsoku), Background (機縁, Kien), Dharma Discourse (提拮, Nentei), and Verse (古頌, Juko). When Keizan mentioned each Patriarch he began with the most important point. First, the key tenet as Leading Case (Honsoku). Next, he indicated the background (Kien) of each Patriarch. Some backgrounds are minutely detailed while others are brief and sparse. After a discussion about background, Keizan presented a lengthy interpretation about the Patriarch as Dharma Discourse (Nentei). He followed with his own Verse (Juko) as a short conclusion.

Short stories of each Patriarch are given in this manner so it is easy to follow the accomplishment of each Patriarchs life. Honsoku as Leading Case is the area which indicates the Enlightenment and level of transmission of the Patriarch, while Kien as Background describes the process by which the Patriarch is enabled to practice the transmission. Nentei as Dharma Discourse clarifies the Enlightenment of the Patriarch. Here Keizan teaches the students various interpretations of the Dharma. Finally, Juko (Verse) expresses the spirit of the chapter. Though not necessarily connected with the surface meaning of the chapter, it does express the essence and the conclusion. By making use of the Leading case, background, and dharma discourse, Keizan demonstrates the spiritual tenets which lead to the actual stage of being a Patriarch. In other words, it portrays the Way of Enlightenment. (Nishiyama, introduction, 3–4)
Nishiyama, Kosen, trans. The Record of Transmission of Light: Denkōroku. By Zen Master Keizan Jokin. Tokyo: Sasaki Printing and Publishing, 1994.
Book
The Record of Transmitting the Light
The Record of Transmitting the Light traces the inheritance of the Buddha's enlightenment through successive Buddhist masters. Written by a seminal figure in the Japanese Zen tradition, its significance as an historical and religious document is unquestionable. And ultimately, The Record of Transmitting the Light serves as a testament to our own capacity to awaken to a life of freedom, wisdom, and compassion. Readers of Zen will also find the introduction and translation by Francis Dojun Cook, the scholar whose insights brought Zen Master Dogen to life in How to Raise an Ox, of great value. (Source: Wisdom Publications)
Cook, Francis Dojun, trans. The Record of Transmitting the Light: Zen Master Keizan's Denkoroku. 1st Wisdom ed. Boston: Wisdom Publications, 2003.
Book
The Rhetoric of Immediacy
Through a highly sensitive exploration of key concepts and metaphors, Bernard Faure guides Western readers in appreciating some of the more elusive aspects of the Chinese tradition of Chan Buddhism and its outgrowth, Japanese Zen. He focuses on Chan’s insistence on “immediacy” — its denial of all traditional mediations, including scripture, ritual, good works — and yet shows how these mediations have always been present in Chan. Given this apparent duplicity in its discourse, Faure reveals how Chan structures its practice and doctrine on such mental paradigms as mediacy/immediacy, sudden/gradual, and center/margins. (Source: Princeton University Press)
Faure, Bernard. The Rhetoric of Immediacy: A Cultural Critique of Chan/Zen Buddhism. Princeton, NJ: Princeton University Press, 1991.
Book
The Spirit of Zen
Leading Buddhist scholar Sam van Schaik explores the history and essence of Zen, based on a new translation of one of the earliest surviving collections of teachings by Zen masters. These teachings, titled The Masters and Students of the Lanka, were discovered in a sealed cave on the old Silk Road, in modern Gansu, China, in the early twentieth century. All more than a thousand years old, the manuscripts have sometimes been called the Buddhist Dead Sea Scrolls, and their translation has opened a new window onto the history of Buddhism. Both accessible and illuminating, this book explores the continuities between the ways in which Zen was practiced in ancient times, and how it is practiced today in East Asian countries such as Japan, China, Korea, and Vietnam, as well as in the emerging Western Zen tradition. (Source: Yale University Press)
Schaik, Sam van. The Spirit of Zen. The Sacred Literature Series. New Haven, CT: Yale University Press, 2018.
Book
Three Contemplations toward Buddha Nature
This book presents the three most renowned genres of contemplation in Mahayana Ch’an Buddhism. They are: Kong-an, Hua-to, and the Seven Enquiries about the Mind.

As for Kong-an, the subject matter employed here are all concerning Master Bodhidharma, the first Patriarch of Chinese Ch’an Buddhism and the 28th Patriarch of in India. These three Kong-ans are:

1. The Mind is Nowhere to be found
2. The Patriarch’s Quatrain for advanced practice
3. Bodhidharma’s Skin, Flesh, Bones, and Marrow

After reading these, you would have a pretty clear picture about Kong-an and how to make contemplation on it, as well as about the over-all quintessence of fountainhead of Ch’an Buddhism.

The second renowned genre of contemplation in Ch’an Buddhism is Hua-to. Hua-to is, as it were, a diminutive of Kong-an. Or to put it this way, Kong-an is a novel, a long story, while Hua-to is a novelette, a short story. But both of them are stories. By the same token, the Kong-an is a long contemplative material, containing a story with a complete plot––the beginning, the middle, and the denouement (ending)––for its body. Whereas the Hua-to would not have a plot; it consists only of a sentence, or a phrase. Therefore, in comparison with Kong-an, it is similar to a Kong-an in miniature, or a compressed Kong-an, for the general effect resulted in contemplating on Hua-to was supposed to be the same in contemplating on Kong-an. The instance of Hua-to scrutinized here is “Who is saying ‘Namo Amito-Fo’ (or 'Namo Amitabha Buddha')?”

The third genre of contemplation in Ch’an Buddhism is one based on the Text of the Sutras. And under this rubric, the one cited and examined here is just a very prestigious one, if not the most renowned; it is called “The Seven Inquiries to locate the Mind,” from The Surangama Sutra. With the knowledge and skills built up in learning to contemplate on the first two genres, the Kong-an and Hua-to, one would then be able to go on to learn and practice the contemplation of this genre. And having learned about the three genres of contemplation presented in this book, one would virtually have covered the most predominant contemplations in Ch’an Buddhism. (Source Accessed Mar 12, 2020)
Kuan, Cheng. Three Contemplations toward Buddha Nature: Lectures on Buddhism for English Meditation Class at Chuang Yen Monastery, N.Y. Vol. 2 of A Trilogy of Ch'an. 2nd ed. n.p.: Americana Buddhist Temple, 2018.
Book
Tibetan Zen
Until the early twentieth century, hardly any traces of the Tibetan tradition of Chinese Chan Buddhism, or Zen, remained. Then the discovery of a sealed cave in Dunhuang, full of manuscripts in various languages dating from the first millennium CE, transformed our understanding of early Zen. This book translates some of the earliest surviving Tibetan Zen manuscripts preserved in Dunhuang. The translations illuminate different aspects of the Zen tradition, with brief introductions that not only discuss the roles of ritual, debate, lineage, and meditation in the early Zen tradition but also explain how these texts were embedded in actual practices. (Source: Shambhala Publications)
Schaik, Sam van. Tibetan Zen: Discovering A Lost Tradition. Boston: Snow Lion Publications, 2015.
Book
Transmission of Light
A translation of the classic Denkoroku by one of the premier translators of Buddhist and Taoist texts illustrates how to arrive at the epiphanic Zen awakening known as satori.

The essential initiatory experience of Zen, satori is believed to open up the direct perception of things as they are. "Even if you sit until your seat breaks through, even if you persevere mindless of fatigue, even if you are a person of lofty deeds and pure behavior, if you haven't reached this realm of satori, you still can't get out of the prison of the world." Deliberately cultivated and employed to awaken the dormant potency of the mind, satori is said to be accessible to all people, transcending time, history, culture, race, gender, and personality.

Attributed to the thirteenth-century Zen Master Keizan (1268–1325), Transmission of Light (along with The Blue Cliff Record and The Gateless Barrier) is one of three essential koan texts used by Zen students. Techniques for reaching the enlightening experience of satori are revealed through fifty-three short tales about the awakenings of successive generations of masters, beginning with the twelfth-century Zen master Ejo, dharma heir to Dogen.

The translator's introduction establishes the context for Transmission of Light within the Zen canon and elucidates central themes of the work, including the essential idea that genuine satori "is not the end of Zen; it is more properly the true beginning." (Source: Shambhala Publications)
Cleary, Thomas, trans. Transmission of Light (Denkoroku): Zen in the Art of Enlightenment. By Keizan. San Francisco: North Point Press, 1990.
Book
Tsung-mi and the Sinification of Buddhism
This study of Tsung-mi is part of the Studies in East Asian Buddhism series. Author Peter Gregory makes extensive use of Japanese secondary sources, which complements his work on the complex Chinese materials that form the basis of the study. (Source: University of Hawai'i Press)
Gregory, Peter N. Tsung-mi and the Sinification of Buddhism. Kuroda Studies in East Asian Buddhism 16. Honolulu: University of Hawai'i Press, 2002. First Published 1991 by Princeton University Press.
Book
Zen Mind, Beginner's Mind
Zen mind is one of those enigmatic phrases used by Zen teachers to throw you back upon yourself, to make you go behind the words themselves and begin wondering. "I know what my own mind is," you tell yourself, "but what is Zen mind?" And then: "But do I really know what my own mind is?" Is it what I am doing now? Is it what I am thinking now?" And if you should then try to sit physically still for a while to see if you can locate it—then you have begun the practice of Zen, then you have begun to realize the unrestricted mind.

The innocence of this first inquiry—just asking what you are—is beginner's mind. The mind of the beginner is needed throughout Zen practice. It is the open mind, the attitude that includes both doubt and possibility, the ability to see things always as fresh and new. It is needed in all aspects of life. Beginner's mind is the practice of Zen mind.

This book originated from a series of talks given by Zen Master Shunryu Suzuki to a small group is Los Altos, California. He joined their meditation periods once a week and afterwards answered their questions and tried to encourage them in their practice of Zen and help them solve the problems of life. His approach is informal, and he draws his examples from ordinary events and common sense. Zen is now and here, he is saying; it can be as meaningful for the West as for the East. But his fundamental teaching and practice and drawn from all the centuries of Zen Buddhism and especially from Dogen, one of the most important and creative of all Zen Masters.

This book is about how to practice Zen as a workable discipline and religion, about posture and breathing, about the basic attitudes and understanding that makes Zen practice possible, about non-duality, emptiness, and enlightenment. Here one begins to understand what Zen is really about. And, most important of all, every page breathes with the joy and simplicity that make a liberated life possible. (Source: inside jacket)


To listen to the audio book, click here
Suzuki, Shunryu. Zen Mind, Beginner's Mind. New York: Weatherhill, 1995. First published 1970. https://archive.org/details/shunryusuzukizenmindbeginnersmind_242_x.

Articles

Article
"Zen is Not Buddhism": Recent Japanese Critiques of Buddha-Nature
Hongaku shisō, the idea that all beings are "inherently" enlightened, is an almost universal assumption in the Japanese Buddhist tradition. This idea also played an important role in the indigenization of Buddhism in Japan and in the development of the syncretistic religious ethos that underlies Japanese society. Through most of Japanese history, the idea of the inherent enlightenment (including non-sentient beings such as plants and rocks—which expanded to include assumptions such as the non-differentiation between "indigenous" kami and the Buddhas and bodhisattvas, and the transcendence of all dualities (including good and evil) as an ideal—was pervasive and unquestioned in much of Japanese religious activity and thought. Recently some Japanese Buddhist scholars, notably Hakamaya Noriaki and Matsumoto Shirō of the Sōtō Zen sect [at] Komazawa University, have questioned the legitimacy of this ethos, claiming that it is antithetical to basic Buddhist ideas such as anātman ("no-self"), and that it is the source of many social problems in Japan. They call for a conscious recognition and rejection of this ethos, and a return to "true Buddhism." After presenting a brief outline of the history and significance of these ideas in Japan, Hakamaya and Matsumoto's critique is explained and examined. Some of the academic and social reactions to this critique are also explored.
Swanson, Paul L. "'Zen is Not Buddhism': Recent Japanese Critiques of Buddha-Nature." Numen 40, no. 2 (1993): 115–49. http://www.thezensite.com/ZenEssays/HistoricalZen/zen-is-not-BUDDHISM.pdf.
Article
Buddha Nature: The Inconceivable Inseparability of Emptiness and Compassionate Awareness
No abstract given. Here are the first relevant paragraphs

To understand what is meant by “Buddha Nature,” we can look at the story of the three turnings of the wheel of Dharma taught by Shakyamuni Buddha. The first turning of the Dharma wheel is the four noble truths: that discontent arises from grasping the ever-changing phenomena of body and mind as “me,” and that freedom from this discontent is revealed through the path of not grasping anything as truly me. The four noble truths is a kind of deconstruction method. However, in this first turning, all the different elements that we can deconstruct this person into really do exist. Earth, wind, fire and water, for example: those kind of physical elements, when you break them down into their smallest bits, are indestructible elemental energies or physical matter, atoms. Early Buddhists, who were first turning exponents, had this kind of theory—that the world is made up of atoms—several centuries B.C., long before modern scientists discovered atoms. We don’t really exist as independent “persons”; we are a conglomeration of all this stuff that we think is a real “me,” but if we look closely, we only find atoms. This turning of the Dharma wheel was only the first.

Read more here
Henkel, Kokyo. "Buddha Nature: The Inconceivable Inseparability of Emptiness and Compassionate Awareness." Unpublished manuscript. n.d., PDF file. https://kokyohenkel.weebly.com/uploads/1/2/7/4/127410773/buddha_nature.pdf.
Article
Buddha-Nature and Personality as the Ground of Ethics: A Metaethical Dialogue between Dōgen and Berdyaev
This paper seeks to contribute to the ongoing Buddhist-Christian dialogue by bringing together the teachings of Zen Master Dōgen and the Russian Christian philosopher Nikolai Berdyaev. This dialogue discusses a metaethical question: What is the foundation of ethical practice? I aim to show that Dōgen's idea of "buddha-nature" and Berdyaev's idea of "personality" can be understood as the foundations of ethical practice in ways that are similar and mutually clarifying in their total affirmation of human temporal existence. We begin by discussing the general contours of Dōgen's practice-realization and Berdyaev's creative ethics, and then proceed to a comparative examination of the foundation of ethics found in Dōgen's notion of Buddha-nature and Berdyaev's notion of personality. The comparison considers four facets of Buddha-nature and personality: being, time, nothingness, and impermanence. First, we show how both thinkers consider the ground of ethics to be something inseparable from the entire being of an individual and the being of all existence as a whole. This refutes the tendency to see the foundation of goodness as a mere fragment of human existence or as restricted to particular existents. Second, we show how both thinkers consider this foundation to be manifest not merely in the future or the past, but in every moment seen as a whole in itself. Third, we examine the collision between this immanent foundation and individuality, and show how the non-substantiality of Buddha-nature and God make room for creative and individual expressions of authenticity. Finally, we consider the problem of impermanence, and show how the ground of ethics is not an escape from impermanence but an acceptance and embracing of this impermanence as the ground of the efficacy and dynamism of ethical practice. (Source: Budhi)
Sevilla, Anton Luis. "Buddha-Nature and Personality as the Ground of Ethics: A Metaethical Dialogue between Dōgen and Berdyaev." Budhi 16, no. 1 (2012): 42–73.
Article
Buddha-nature, Critical Buddhism, and Early Chan
This article begins with a reflection on why medieval Chinese Buddhist thought has not been more conspicuous in recent comparative work on Buddhism and Western philosophy. The Japanese proponents of "Critical Buddhism" (hihan bukkyō 批判仏教), Matsumoto Shirō 松本史朗 and Hakamaya Noriaki 袴谷憲昭, would see this neglect as merited since, in their view, East Asian Buddhism in general, and Chinese Chan in particular, is philosophically crippled owing to its embrace of tathāgatagarbha and buddha-nature thought. Indeed, Matsumoto singles out Shenhui 荷澤神會 (670-762), one of the architects of the Southern School of Chan, as an example of the early Chan advocacy of buddha-nature doctrine.
      This article is not concerned with whether buddha-nature and tathāgatagarbha thought is actually deleterious to critical philosophical work. Rather, the concern is to demonstrate that, far from embracing buddha-nature doctrine, the eighth-century founders of Southern Chan had serious concerns with it. Evidence for this is found in: (1) the writings of Shenhui, notably in his opposition to the doctrine of the "buddha-nature of insentient objects" (wuqing foxing 無情佛性); and (2) the Platform Scripture of the Sixth Patriarch (Liuzu tanjing 六祖壇經), particularly in the variant versions of Huineng's famous "enlightenment verse." Thus the Southern School may be viewed as a forerunner of the Critical Buddhist anti-dhātuvāda polemics. The article closes with comments on the ongoing problems Chinese Buddhist exegetes had in marrying the metaphysical monism of Yogācāra and tathāgatagarbha teachings with the anti-foundationalist thrust of Madhyamaka and Prajñāpāramitā literature.
Sharf, Robert. "Buddha-nature, Critical Buddhism, and Early Chan." Critical Review for Buddhist Studies 22 (2017): 105–50.
Article
Does My Dog Have Buddhanature?
Remembering her beloved childhood pet, Andrea Miller ponders one of Zen’s most famous questions.
Miller, Andrea. "Does My Dog Have Buddhanature?" Lion's Roar, October 25, 2019.
Article
Does a Dewdrop Teach Dharma? Zen Perspectives on the Teachings of the Insentient
No abstract given. Here are the first relevant paragraphs:

Valley sounds are the long, broad
      tongue.
Mountain colors are not other than
      the unconditioned body.
Eighty-four thousand verses are
      heard through the night.
What can I say about this in the
      future?

This poem is almost a thousand years old. It was presented to a Chinese Zen master by a follower, Su Shi, who went on to become one of China's greatest poets. In Zen these four lines are considered to be Su's enlightenment verse. In addition to being a poet, Su Shi (1037–1101) was a statesman, an essayist, a painter, and a calligrapher. He practiced Zen as a layperson, not a monk, receiving instruction from Donglin Changcong, a leading master. In China, Su is still honored as one of "the four greats" in several fields, including cooking.
      Let’s take a look at the poem, using the above translation by Kazuaki Tanahashi (Treasury of the True Dharma Eye: Zen Master Dōgen’s Shōbō Genzō [Shambhala, 2012], 86)
      Valley sounds are the long, broad tongue. "Valley sounds" are the sounds of a stream.
      "Long, broad tongue" refers to the Buddha and his teachings, known as the Dharma. Restated unpoetically: natural phenomena such as streams are capable of expressing the highest truth. (Read entire article here)
Kraft, Kenneth. "Does a Dewdrop Teach Dharma? Zen Perspectives on the Teachings of the Insentient." Dharma World 45 (2018): 6–9. https://rk-world.org/wp-content/uploads/2020/03/DW18_7-12.pdf.
Article
Does a Dog See into Its Buddha-Nature? Re-posing the Question of Animality-Humanity in Zen Buddhism
Using as his point of departure the well-known koan that asks whether or not a dog has Buddha-nature, Bret Davis traces the background of this question in his demonstration of the complexity of the relation between humans and animals as conceived during the development of East Asian Buddhism. In his analysis, he argues that on the one hand, Buddha-nature becomes ever more inclusive in this history, while on the other, it tends to remain firmly, albeit somewhat paradoxically, anthropocentric with regard to the capacity to "realize" this spiritual inclusivity. The issue arising from this analysis in Davis' chapter, "Does a Dog See Into its Buddha-Nature? Re-posing the Question of Animality in Zen Buddhism," is whether only humans have the potential to "see into" their Buddha-nature. His project throughout is to show how the question of animality is inseparable from the question of humanity, and how it emerges continuously and in various intertwined ways for those who inherit the weave of Buddhist texts and contexts for thought and practice. (Jones, Buddha Nature and Animality, 9)
Davis, Bret W. "Does a Dog See into Its Buddha-nature? Re-posing the Question of Animality/Humanity in Zen Buddhism." In Buddha Nature and Animality, edited by David Jones, 83–126. Fremont, CA: Jain Publishing Company, 2007.
Article
Dōgen on Buddha Nature
DŌGEN (1200–1253) is one of the most outstanding and unique Buddhists in the history of Japanese Buddhism. He is unique in at least the following three senses.

First, rejecting all existing forms of Buddhism in Japan as unauthentic, he attempted to introduce and establish what he believed to be the genuine Buddhism, based on his own realization which he attained in Sung China under the guidance of the Zen Master Ju-ching (Nyojō, 1163-1228). He called it "the Buddha Dharma directly transmitted from the Buddha and patriarchs." He emphasized zazen"`UNIQ--ref-00002782-QINU`"'(seated meditation) as being "the right entrance to the Buddha Dharma" in the tradition of the Zen schools in China since Bodhidharma, originating from Śākyamuni Buddha. Yet he strictly refused to speak of a "Zen sect," to say nothing of a "Sōtō sect," that he was later credited with founding. For Dōgen was concerned solely with the "right Dharma," and regarded zazen as its "right entrance." "Who has used the name 'Zen sect'? No buddha or patriarch spoke of a 'Zen sect.' You should realize it is a devil that speaks of 'Zen sect.' Those who pronounce a devil's appellation must be confederates of the devil, not children of the Buddha.",'"`UNIQ--ref-00002783-QINU`"'He called himself "the Dharma transmitter Shamon Dōgen who went to China"'"`UNIQ--ref-00002784-QINU`"'with strong conviction that he had attained the authentic Dharma that is directly transmitted from buddha to buddha, and that he should transplant it on Japanese soil. Thus he rejected the idea of mappo"`UNIQ--ref-00002785-QINU`"', i.e., the last or degenerate Dharma, an idea with wide acceptance in the Japanese Buddhism of his day. It may not be too much to say of Dōgen that just as Bodhidharma transmitted the Buddha Dharma to China, he intended to transmit it to Japan.

Secondly, though Dōgen came to a realization of the right Dharma under the guidance of a Chinese Zen master whom he continued to revere throughout his life, the understanding of the right Dharma is unique to Dogen. With religious awakening and penetrating insight, Dōgen grasped the Buddha Dharma in its deepest and most authentic sense. In doing so, he dared to reinterpret the words of former patriarchs, and even the sutras themselves. As a result, his idea of the right Dharma presents one of the purest forms of Mahayana Buddhism, in which the Dharma that was realized in the Buddha's enlightenment reveals itself most profoundly. All of this, it is noteworthy, is rooted in Dōgen's own existential realization, which he attained in himself through long and intense seeking. Based on this idea of the right Dharma, he not only rejected, as stated above, all existing forms of Buddhism in Japan, but also severely criticized certain forms of Indian and Chinese Buddhism, though, it is true, he generally considered Buddhism in these two countries as more authentic than that in Japan.

The third reason Dōgen is unique in the history of Japanese Buddhism, is because of his speculative and philosophical nature. He was a strict practicer of zazen, who earnestly emphasized shikantaza"`UNIQ--ref-00002786-QINU`"', i.e., just sitting. His whole life was spent in rigorous discipline as a monk. He encouraged his disciples to do the same. Yet he was endowed with keen linguistic sensibility and a philosophical mind. His main work, entitled Shōbōgenzō"`UNIQ--ref-00002787-QINU`"', "A Treasury of the Right Dharma Eye," perhaps unsurpassable in its philosophical speculation, is a monumental document in Japanese intellectual history. In Dōgen, we find a rare combination of religious insight and philosophical ability. In this respect, he may be well compared with Thomas Aquinas, born twenty five years after him.

He wrote his main work, Shōbōgenzō, in Japanese, in spite of the fact that leading Japanese Buddhists until then had usually written their major works in Chinese. Dōgen made penetrating speculations and tried to express the world of the Buddha Dharma in his mother tongue by mixing Chinese Buddhist and colloquial terms freely in his composition. The difficult and unique style of his Japanese writing is derived from the fact that, in expressing his own awakening, he never used conventional terminology, but employed a vivid, personal style grounded in his subjective speculations. Even when he used traditional Buddhist phrases, passages, etc., he interpreted them in unusual ways in order to express the Truth as he understood it. In Dōgen, the process of the search for and realization of the Buddha Dharma and the speculation on and expression of that process are uniquely combined.'"`UNIQ--ref-00002788-QINU`"'

In this paper I shall discuss Dōgen's idea of Buddha nature, which may be regarded as a characteristic example of his realization. (Abe, "Dōgen on Buddha Nature", 28–30)
Abe, Masao. "Dōgen on Buddha Nature." The Eastern Buddhist 4, no. 1 (1971): 28–71.
Article
Everything Is Buddhanature
Original sin vs. original goodness: Mahayana Buddhism offers a more hopeful view of human nature. Zen teacher Melissa Myozen Blacker reveals how nondual practice frees us from our temporary obscurations and reveals our true, awakened nature.
Blacker, Melissa Myozen. “Everything Is Buddhanature” Lion's Roar, November 28, 2018. https://www.lionsroar.com/everything-is-buddhanature/.
Article
Everything’s Made of Mind
Fischer, Norman. “Everything's Made of Mind” Lion's Roar, February 27, 2019. https://www.lionsroar.com/everythings-made-of-mind/.
Fischer, Norman. “Everything's Made of Mind” Lion's Roar, February 27, 2019. https://www.lionsroar.com/everythings-made-of-mind/.
Article
Glimpses of Buddhanature: A Fish Just Swims (Gu 2023)
Glimpses of Buddhanature: Buddhist teacher-practitioners from across traditions share personal moments that gave them insight into the true nature of mind.
Gu, Guo. "Glimpses of Buddhanature: A Fish Just Swims." Buddhadharma: The Practitioner's Guide, Fall 2023, 79–81.
Article
Glimpses of Buddhanature: Untouchable Peace (Henkel 2023)
Glimpses of Buddhanature: Buddhist teacher-practitioners from across traditions share personal moments that gave them insight into the true nature of mind.
Henkel, Kokyo. "Glimpses of Buddhanature: Untouchable Peace." Buddhadharma: The Practitioner's Guide, Fall 2023, 84–85.
Article
How to Think with Chan Gong'an
No abstract given. Below are the first relevant paragraphs:

A monk asked Zhaozhou: ‘‘Does a dog have buddha-nature?’’ Zhaozhou replied: ‘‘No.’’

This pithy exchange between an unidentified Buddhist monk and the Tang dynasty Chan master Zhaozhou Congshen (778–897) is perhaps the best-known example of a Chan gong’an, or ‘"public case." Although the passage occurs in a collection of Zhaozhou's sayings supposedly compiled by his disciples, its notoriety is due to a Song dynasty master, Wumen Huikai (1183–1260), who placed this exchange at the beginning of his famous gong’an collection, Gateless Barrier of the Chan Tradition (Chanzong wumen guan, 1228).[1] Wumen’s compilation, consisting of forty-four such exchanges and anecdotes accompanied by Wumen’s comments, is one of the most important works of Chan literature. And as the first case in Wumen’s collection, "Zhaozhou’s dog" became the single most influential gong’an in the Chinese Chan, Korean Son, and Japanese Zen traditions. It is often the first and sometimes the only gong’an assigned to monks, and many traditional commentators claim, following Wumen’s lead, that this single gong’an holds the key to all others.
      Wumen’s work was neither the earliest nor the most comprehensive compilation of Chan cases. Indeed, the Gateless Barrier is relatively short and straightforward in comparison to two earlier collections, the Blue Cliff Record of Chan Master Foguo Yuanwu (Foguo Yuanwu Chanshi Biyan lu), published in 1128, and the Congrong Hermitage Record of the Commentaries by Old Wansong on the Case and Verse [Collection] by Reverend Jue of Tiantong [Mountain] (Wansong laoren pingzhang Tiantong Jue heshang songgu Congrongan lu), published in 1224. The cases that make up these texts are each based on an individual anecdote, verbal exchange, or quandary known as the benze (original edict), to which has been added comments in prose and verse brushed by later masters. Whereas the Gateless Barrier contains forty-four such anecdotes accompanied by a brief comment and verse by Wumen, the Blue Cliff Record and Congrong Hermitage Record each contain one hundred cases including several layers of appended judgments, verses, and interlinear glosses. (The same "original edict" may appear in two or more collections, but the exegesis will invariably differ. More will be said about the structure of these collections below.) Many more gong’an collections gained currency in China, and the Chan tradition would come to speak of seventeen hundred authoritative cases (although this number was probably not meant to be taken literally). By the end of the Song the gong’an had assumed a central role in the ideological, literary, and institutional identity of the Chan school.
      Popular books on Chan and Zen Buddhism present gong’an as intentionally incoherent or meaningless. They are, it is claimed, illogical paradoxes or unsolvable riddles intended to frustrate and short-circuit the intellect in order to quell thought and bring the practitioner to enlightenment. This understanding of gong’an is allied with a view of Chan as an iconoclastic and anti-intellectual tradition that rejects scripture, doctrine, philosophy, and indeed all forms of conceptual understanding in favor of unmediated or "pure" experience. Gong’an are intended, according to this view, not to communicate ideas so much as to induce a transformative experience. To grasp at the literal meaning of a Chan case is to miss its point.
      Recently scholars have begun to question the instrumental view of Chan that underlies this approach to Chan cases, arguing that it is based on a misreading of the historical and ethnographic record.[2] Chan ranks among the most ritualistic forms of Buddhist monasticism, and a master’s enlightenment is constituted within a prescribed set of institutional and ritual forms.[3] Moreover, the notion that Chan is designed to induce a nonconceptual or pure experience can be traced in part to late nineteenth- and early twentieth-century Japanese intellectuals such as D. T. Suzuki and Nishida Kitarō, who were culling from Western sources, notably William James.[4] The notion that Chan is anti-intellectual and repudiates "words and letters" is belied by the fact that the Chan tradition produced the largest literary corpus of any Buddhist school in East Asia.[5] This corpus consists in large part of "recorded sayings" (yulu) and "records of the transmission of the flame" (chuandenglu) texts—texts recounting the careers and teachings of past patriarchs from which the original edicts were drawn.
      Scholars now appreciate that Chan is more complex than early apologists and enthusiasts cared to admit; it is no longer possible to reduce Chan practice and Chan literature to a mere means intended to engender a singular and ineffable spiritual experience. Accordingly, scholars of Chan gong’an have begun to attend to the institutional context and literary history of the genre,[6] and one scholar has devoted an entire monograph to the folkloric themes that appear in a single case.[7] Be that as it may, little progress has been made in deciphering the doctrinal and exegetical intent of Chan gong’an; it would appear that scholars remain reluctant to treat gong’an as a form of exegesis at all. This reluctance may be due to the enduring legacy of an earlier apologetic mystification of the gong’an literature. The primary objective of this chapter is to demonstrate that such reluctance is misguided and that it is indeed possible to recover the original meaning and doctrinal purport of at least some of the cases. The task is not easy, however, as the cases are philosophically subtle and hermeneutically sophisticated, and the authors of the collections delighted in obscure allusions, clever puns, and deft wordplay. (Sharf, "How to Think with Chan Gong’an," 205–7)

Notes

My thanks to Charlotte Furth and Elizabeth Horton Sharf for their comments and suggestions on earlier drafts of this chapter and to Ling Hon Lam for his meticulous editorial attention.

  1. T 2005:48.292c20–24. The exchange is also featured in case no. 18 of the Wansong Laoren pingzhang Tiantong Jue heshang songgu Congrongan lu, T 2004:48.238b21–39a28. Textual details concerning Zhaozhou’s recorded sayings (Zhaozhou Zhenji Chanshi yulu) will be found below.
  2. Faure, The Rhetoric of Immediacy and Chan Insights and Oversights; Foulk, "Myth, Ritual, and Monastic Practice"; Sharf, "The Zen of Japanese Nationalism," "Whose Zen?" and "Experience."
  3. Foulk and Sharf, "On the Ritual Use"; Sharf, "Ritual."
  4. Sharf, "Whose Zen?"
  5. On the sometimes controversial place of literary endeavors in the Song monastic institution, see esp. Gimello, "Mārga and Culture"; and Keyworth, "Transmitting the Lamp," 281–324.
  6. See esp. Heine and Wright, eds., The Kōan.
  7. Heine, Shifting Shape.
Sharf, Robert H. "How to Think with Chan Gong'an." In Thinking with Cases: Specialized Knowledge in Chinese Cultural History, edited by Charlotte Furth, Judith Zeitlin, and Hsiung Ping-chen, 205–43. Honolulu: University of Hawai'i Press, 2007.
Article
Impermanence is Buddha Nature
Change isn’t just a fact of life we have to accept and work with, says Norman Fischer. Practitioners have always understood impermanence as the cornerstone of Buddhist teachings and practice. All that exists is impermanent; nothing lasts. Therefore nothing can be grasped or held onto. When we don’t fully appreciate this simple but profound truth we suffer, as did the monks who descended into misery and despair at the Buddha’s passing. When we do, we have real peace and understanding, as did the monks who remained fully mindful and calm...
Fischer, Norman. "Impermanence is Buddha Nature." Lion's Roar, April 8, 2019.
Article
Indian Materials on the Doctrine Of Sudden Enlightenment
Any steps to be taken in the direction of investigating the Indian roots of Ch'an are hindered by the thicket of legends in which the tradition shrouded itself. The Ch'annists must also be blamed for the fact that the question of what was the original form of this peculiarly Chinese version of Buddhism remains open, still obscured by the fallacious assumption that Ch'an was a monolithic, clearly defined school or tradition. Progress in this area is further hampered by the fact that in both India and China the early history of the movements that gave rise to Ch'an belongs to mystical traditions existing on the margins of the scholarly establishment of Buddhism. On the other hand, the broader question of contacts, connections, agreements and disagreements between Ch'an and Indian Buddhism can now be the object of documented study thanks to the indefatigable efforts of Buddhist scholars in Russia, France and Japan, who have attempted to verify the facts and meaning of an incident known as the "Council of Lhasa." (Gómez, "Indian Materials," 393)
Gómez, Luis. "Indian Materials on the Doctrine of Sudden Enlightenment." In Early Ch’an in China and Tibet, edited by Lewis Lancaster and Whalen Lai, 393–434. Berkeley, CA: Asian Humanities Press, 1983.
Article
Is Mindfulness Buddhist? (and Why It Matters)
Modern exponents of mindfulness meditation promote the therapeutic effects of “bare attention”—a sort of non-judgmental, non-discursive attending to the moment-to-moment flow of consciousness. This approach to Buddhist meditation can be traced to Burmese Buddhist reform movements of the first half of the 20th century, and is arguably at odds with more traditional Theravāda Buddhist doctrine and meditative practices. But the cultivation of present-centered awareness is not without precedent in Buddhist history; similar innovations arose in medieval Chinese Zen (Chan) and Tibetan Dzogchen. These movements have several things in common. In each case the reforms were, in part, attempts to render Buddhist practice and insight accessible to laypersons unfamiliar with Buddhist philosophy and/or unwilling to adopt a renunciatory lifestyle. In addition, these movements all promised astonishingly quick results. And finally, the innovations in practice were met with suspicion and criticism from traditional Buddhist quarters. Those interested in the therapeutic effects of mindfulness and bare attention are often not aware of the existence, much less the content, of the controversies surrounding these practices in Asian Buddhist history.
Sharf, Robert H. "Is Mindfulness Buddhist? (and Why It Matters)." Transcultural Psychiatry 52, no. 4 (2014): 470–84. https://escholarship.org/uc/item/8gm9g5ss
Article
Mind Is Buddha
A simple three-word koan. Or just a one-word koan: buddhanature. So deceptively simple, so easy to leave in the realm of concept, yet it penetrates to the very heart of the matter. Here’s Geoffery Shugen Arnold, Sensei, on Case 30 of the Gateless Gate, “Mazu’s ‘Mind is buddha.'”
Arnold, Geoffrey Shugen. "Mind Is Buddha." Buddhadharma: The Practitioner's Quarterly, March 1, 2005.
Article
Mindfulness and Mindlessness in Early Chan
No abstract given. Here are the first relevant paragraphs:

The Chan tradition is renowned as the “meditation” school of East Asia. Indeed, the Chinese term chan 禪 (Jpn: zen) is an abbreviated transliteration of dhyāna, the Sanskrit term arguably closest to the modern English word “meditation.” Scholars typically date the emergence of this tradition to the early Tang dynasty (618–907), although Chan did not reach institutional maturity until the Song period (960–1279). In time, Chinese Chan spread throughout East Asia, giving birth to the various Zen, Sŏn, and Thiê`n lineages of Japan, Korea, and Vietnam, respectively. Today these traditions continue to promote, at least in theory, meditation practices, and these have been the subject of considerable scholarly interest.[1]
      It may then come as a surprise to learn just how little is known about the meditation techniques associated with the “founders” of this tradition—the masters associated with the nascent (or proto-) Chan lineages of the seventh and eighth centuries. It was during this fertile period—which, following scholarly convention, I will call “early Chan”—that the lineage myths, doctrinal innovations, and distinctive rhetorical voice of the Chan, Zen, Sŏn, and Thiê`n schools first emerged. Although hundreds of books and articles have appeared on the textual and doctrinal developments associated with early Chan, relatively little has been written on the distinctive meditation practices, if any, of this movement.
      This essay emerged from an attempt to answer a seemingly straightforward question: what kinds of meditation techniques were promulgated in early Chan circles? The answer, it turned out, involved historical and philosophical forays into the notion of “mindfulness”—a style of meditation practice that has become popular among Buddhists (and non-Buddhists) around the globe. Accordingly, I will digress briefly to consider the roots of the modern mindfulness movement, and will suggest possible sociological parallels between the rise of the Buddhist mindfulness movement in the twentieth century and the emergence of Chan in the medieval period. (Sharf, "Mindfulness and Mindlessness in Early Chan," 933)

Notes
  1. The literature is vast; on modern Japanese Zen and Korean Sŏn meditation practice in English see, for example, Buswell 1992, Hori 2000, and Hori 2003. On the history of these practices see Bielefeldt 1988, Buswell 1987, Collcutt 1981, Foulk 1993, and Schlütter 2008.
Sharf, Robert H. "Mindfulness and Mindlessness in Early Chan." Philosophy East and West 64, no. 4 (2014): 933–64.
Article
On the Ritual Use of Ch'an Portraiture in Medieval China
L'article traite d'un genre de portraits de moines Zen appelé chinzō, genre qui fleurit sous les Sung et les Yuan, et fut introduit au Japon à l'époque de Kamakura. On connaît au Japon environ soixante-dix chinzō chinois et japonais datant du treizième au seizième siècle, considérés comme "Trésors nationaux" ou "propriétés culturelles importantes", mais qui ne représentent qu'un dizième du nombre total de portraits connus. Les portraits relevant de ce genre sont assez stéréotypés, et représentent en général un moine assis en sur une chaise haute en position du lotus. Souvent représenté de trois-quarts, mais parfois aussi de face, il est vêtu d'un habit de cérémonie, et tient dans sa main droite un attribut de son autorité, d'ordinaire un bâton, un sceptre ou un chasse-mouches. Certains chinzō représentent aussi le moine assis ou debout dans un paysage. Enfin, ils comportent généralement un "éloge" en vers et une dédicace.
      S'interrogeant sur la fonction religieuse de ces portraits, Griffith Foulk et Robert Sharf sont amenés à remettre en question l'idée que les chinzō servaient à authentifier la transmission de maître à disciple. Une étude approfondie des sources montre que la définition somme toute moderne des chinzō, visant à définir un genre limité dans le domaine de l'histoire de l'art, a fonctionné dans les faits de façon étroitement normative, alors que le terme désignait à l'origine une catégorie beaucoup plus large de portraits. Conduits de la sorte à étudier la construction moderne du genre des chinzō, les auteurs en arrivent à poser un certain nombre de questions théoriques et méthodologiques qui devraient avoir un certain impact sur l'histoire de l'art asiatique. (Foulk and Sharf, introduction, 149)
Foulk, T. Griffith, and Robert H. Sharf. ‘‘On the Ritual Use of Ch’an Portraiture in Medieval China.’’ (In French.) Cahiers d’Extrême-Asie 7 (1993–1994): 149–219. https://www.persee.fr/doc/asie_0766-1177_1993_num_7_1_1064.
Article
Philosophy and the Practice of Reflexivity: On Dōgen's Discourse about Buddha-Nature
Is Dōgen a philosopher? Or even an example of what he scolds a "word-counting scholar"?'"`UNIQ--ref-0000028E-QINU`"' Despite the difficulties of classifying Dōgen, many would still agree, at least with regard to his magnum opus, the Shōbōgenzō, that his writings are philosophical.'"`UNIQ--ref-0000028F-QINU`"' This, however, requires some clarification, since there is not much left of this work if one were to exclude all the fascicles that are not explicitly cited for philosophical interpretation. The philosophic scope becomes even smaller if one were to consider the respective passages of the few fascicles pertinent for explicit philosophical reading. At the risk of oversimplifying, the philosophical reception of Dōgen's works is almost entirely grounded in the fascicle "Uji",'"`UNIQ--ref-00000290-QINU`"' which is distinguished for its thought–provoking discourse on time.'"`UNIQ--ref-00000291-QINU`"' Furthermore the philosophical reading of other fascicles, including "Genjōkōan" and "Zenki"'"`UNIQ--ref-00000292-QINU`"' revolves around a related interpretation of "Uji."
      Nevertheless, we can still ask if there might be yet another accessible vantage point from which one could regard Dōgen's Shōbōgenzō as philosophical? This paper will argue that the answer is "yes," there is such a vantage point, so long as one distinguishes what Dōgen writes from how Dōgen writes. For the claim of the paper is that while it remains ambiguous to maintain that his writings exhibit a philosophical system based on content, their form realizes what philosophy is at its core, i.e. reflexivity or philosophy’s inherent self reference.'"`UNIQ--ref-00000293-QINU`"' (Müller, "Philosophy and the Practice of Reflexivity," 545–46)
Müller, Ralf. "Philosophy and the Practice of Reflexivity: On Dōgen's Discourse about Buddha-Nature." In Concepts of Philosophy in Asia and the Islamic World, Vol. 1: China and Japan, edited by Raji C. Steineck, Ralph Weber, Elena Louisa Lange, and Robert H. Gassmann, 545–76. Leiden: Brill - Rodopi, 2018.
Article
Reification and Deconstruction of Buddha Nature in Chinese Chan
Although much has been said about deconstruction in Madhyamika Buddhism, very little has been done in the study of deconstructive strategy in Chan Buddhism. In his study of deconstruction in Nāgārjuna's thought, Robert Magliola adds several passages that discuss the same topic in Chan/Zen Buddhism. Magliola's major contribution is his distinction between logocentric and differential trends in Chan/Zen Buddhism (Magliola: 96-7). This distinction allows us to take a fresh look at, and to re-examine, those inner struggles in the evolution of Chan Buddhist thought. However, Magliola's study of deconstruction in Chan is not systematic, despite its insights. He uses only a few cases to show the deconstructive tendency in Chan, without applying his distinction to a closer examination of the different schools of Chan thought. Thus, his study leaves only the impression that the deconstructive or differential trend is connected with the Southern School of Chan. He does not justify this thesis through a closer doctrinal and textual-contextual investigation.
      Bernard Faure, on the other hand, touches upon the same issue of logocentric and differential trends in Chan in his comprehensive critique of the Chan tradition. Faure's study of this issue has two main problems. First, since his study is a criticism, he shows only what he thinks is the logocentric side of Chan, without providing a constructive study of deconstruction in Chan. Second, he criticizes Magliola for relating his logocentric/differential distinction to the historically well-defined distinction between Northern and Southern Chan. Faure believes that this hasty connection is "counterproductive" (Faure 1993: 225). His own approach, as opposed to Magliola's, is to suggest that it is impossible to identify one school or one figure in the Chan tradition as either logocentric or deconstructive. He asserts that there are "only combinations" of these two types in the Chan tradition (Faure 1993: 225). It appears that this position of "combination only" avoids a one-sided view and the error of jumping to a conclusion. However, by concluding that there are only combinations, Faure turns away from the necessity and possibility of analyzing and identifying individual deconstructive trends in Chan Buddhism, and from the necessity and even the possibility of a coherent reinterpretation and reconstruction of Chan thought. The coherent reinterpretation and reconstruction of Chan thought obviously demands more than a mere criticism. It is true that the thought of one school or one figure may involve elements of two trends; but this fact does not preclude the possibility of its being coherently interpreted as representative of one trend.
      This paper, therefore, will attempt to investigate a major deconstructive trend in Chan Buddhism, namely, that of the Huineng 惠能 and the Hongzhou 洪州 Chan, and its target—certain reifying tendencies in Chan. (Wang, preliminary remarks, 63–64)
Wang, Youru. "Reification and Deconstruction of Buddha Nature." Dao: A Journal of Comparative Philosophy 3, no. 1 (2003): 63–84. https://terebess.hu/zen/Buddha-Nature-in-Chan.pdf.
Article
Saigyō and the Buddhist Value of Nature, Part 1
No abstract given. Here are the first relevant paragraphs:

With in the history of Buddhism in East Asia the world of nature gained and retained a high position —something seen as having inherent religious value. This two-part essay reviews aspects of the history of this upward valuation of nature in Chinese and Japanese Buddhism and analyzes the interpretative shifts and changes made necessary by this impulse toward the attribution of increasingly great religious significance to nature. The development is carried as far as the twelfth century in Japan and the poetry of the Buddhist monk Saigyō (1118- 90), poetry which not only itself moved the valorization of nature beyond the point where earlier writers had brought it, but also, since as poetry it gained a position in the public mind and a place in the popular imagination of the Japanese people, historically "fixed" a lasting nexus between Buddhism and nature in the popular consciousness of the Japanese people. Saigyō, therefore, is of great significance in the history of Japanese religion, a fact that has always been implicitly recognized in the Japanese regard for him as Japan's greatest "medieval Buddhist nature poet." His poetry is important not only as literature but also as a document in the history of Japanese religion.
      Although in what follows I am more interested in an analysis of Saigyō's verse—in relationship to the Buddhist view of nature—than in details of his life, it is of importance to note here that Saigyō, whose name before he became a monk was Satō Norikiyo, saw his Buddhist vocation as something to be carried out in the mountains rather than in temples and monasteries. Before becoming a monk he had been a military guard in the service of Emperor Toba and a member of an elite corps of palace guards known as the Hokumen no Bushi or "North-facing warriors." But at age twenty-three he relinquished his career in court and became a Buddhist monk . He was at first loosely attached to Shingon and Tendai temples in the vicinity of Heian-kyō or Kyoto and seems to have retained a lifelong attachment to the memory of Kūkai (774-835), the Japanese founder of the Shingon school. But Saigyō's forte lay in his composition of waka or thirty-one-syllable verse and it is in the context of his writing of these verses that we gain an understanding of his vision of nature, Buddhism, and the correlation of these two. For Saigyō the world of nature was the primary world of Buddhist values, and it is this that I wish to investigate in what follows. (LaFleur, "Saigyō and the Buddhist Value of Nature," 93–94)
LaFleur, William. "Saigyō and the Buddhist Value of Nature, Part 1." History of Religions 13, no. 2 (1973): 93–128.
Article
Shen-hui and the Teaching of Sudden Enlightenment in Early Ch'an Buddhism
No abstract given. Here are the first relevant paragraphs:

The field of Ch'an studies has seen some very lively disputes over the course of the twentieth century, but there has been general agreement on the proposition that the doctrine of sudden enlightenment represents the highest expression of the doctrinal mainstream of early Chinese Ch’an Buddhism. Although there is some quibbling regarding details and specific interpretations, scholars working in this field often describe the history of the doctrine of sudden enlightenment within Ch’an in terms of three subjects: (1) Hui-neng’s doctrine of sudden enlightenment as shown in his "mind verse" (hsin-chieh) in the Platform Sutra of the Sixth Patriarch (Liu-tsu t'an-ching); (2) Shen-hui’s campaign in opposition to the gradual teaching of the Northern school and in support of the public recognition of Hui-neng as sixth patriarch; and (3) the continuation of the spirit of Hui-neng in the teachings and religious practice of Ma-tsu, Shih-t'ou, and the later Ch’an tradition
      Research done in recent years has shown that the traditional interpretations of these three subjects are all substantially incorrect, although the implications of these findings have not yet been fully realized. The history of early Ch'an is in the process o f being thoroughly rewritten, but it is already clear that the doctrine of sudden enlightenment and the dispute between the sudden and gradual teachings should no longer be used as yardsticks by which the religious message of Ch'an and its widespread acceptance in T'ang dynasty China are understood. (McRae, "Shen-hui and the Teaching of Sudden Enlightenment in Early Ch'an Buddhism," 227)
McRae, John R. "Shen-hui and the Teaching of Sudden Enlightenment in Early Ch'an Buddhism." In Sudden and Gradual: Approaches to Enlightenment in Chinese Buddhist Thought, edited by Peter N. Gregory, 227–78. Delhi: Motilal Banarsidass, 1991. First published 1987 by University of Hawai'i Press.
Article
Tathāgatagarbha Thought: A Basis of Buddhist Devotionalism in East Asia
No abstract given. Here are the first relevant paragraphs:

The historical approach to Zen in Heinrich Dumoulin's major work, A History of Zen, published over twenty years ago, broke new ground in Western Zen studies. Up to that time Zen publication in the West dealt primarily with interpretive accounts of Zen and translations of Zen or Zen-related texts. I follow here an alternate approach to Zen and seek to place it in the context of one or another aspect of Mahāyāna tradition. One might read Zen in the perspective of Indian Mādhyamika or Yogācāra, or in terms of the Chinese prajñic or Hua-yen doctrinal development. But I would like to place it within the perspective of Tathāgatagarbha thought. (Kiyota, "Tathāgatagarbha Thought," 207)

Read more here . . .
Kiyota, Minoru. "Tathāgatagarbha Thought: A Basis of Buddhist Devotionalism in East Asia." Japanese Journal of Religious Studies 12, no. 2/3 (1985): 207–31. https://nirc.nanzan-u.ac.jp/nfile/2311.
Article
The Buddha Nature: True Self as Action
No abstract given. Here are the first relevant paragraphs:

Buddhism, and especially early Buddhism, is known for the anātman (no self) teaching. By any account, this teaching is central to both doctrine and practice from the beginning. Zen Buddhism (Chinese Ch'an), in contrast, is known for its teaching that the single most important thing in life is to discover the 'true self'. Is there a real, or only an apparent, conflict between these two versions of Buddhism? Certainly there is at the least a radical change in the linguistic formulation of the teaching. Examining the two teachings on the linguistic level, we note that the use of the term 'true' in the phrase 'true self' may indicate that we have here a conscious reformation of the place of the term 'self' in the tradition, or perhaps that the use of this phrase in Zen is the product of such a conscious formulation. Thus we may expect, upon investigation, to find an evolution from one teaching to the other, rather than a true doctrinal disparity. The apparent, or linguistic, conflict between the two, however, remains; hence we must also expect to find a doctrinal formulation at some point in this evolution in which the apparent conflict is consciously apprehended and resolved.
      That is, Buddhism embraces both the teaching that there is no self and the teaching that the goal of life is to discover the true self. Not only does Buddhism embrace these two formulations, but each in its own context is the central pivot of the teachings of the school or community concerned. Two questions arise here. (1) How can a single tradition affirm both no self and true self? How can the two ideas be reconciled? (This is the philosophical question.) (2) In linking early Buddhism and Zen we are discussing two religious movements separated by approximately 12 centuries and by their development in two vastly different cultures, the Indian and the Chinese. What is there in the course of this development that could account for the transition from talk of no self to talk of true self? (This is the question of intellectual history.) In the present essay I will attempt to show that it is by examining the Buddha nature (fo hsing 佛性) concept and understanding it as a term representing certain actions that these questions may be answered. (King, "The Buddha Nature," 255)
King, Sallie B. "The Buddha Nature: True Self as Action." Religious Studies 20, no. 2 (1984): 255–67. http://www.seattlebetsuin.com/wp-content/uploads/2014/05/King.Buddha-nature.pdf
Article
The Direct and Gradual Approaches of Zen Master Mahāyāna: Fragments of the Teachings of Mo-ho-yen
Luis O. Gomez, in "The Direct and the Gradual Approaches of Zen Master Mahayana: Fragments of the Teachings of Mo-ho-yen," edits and translates the sayings and works preserved in Tibetan in scattered fragments of the Ch'an master Mo-ho-yen, who took part in a dispute between Chinese Ch'an teachers and Indian Madhyamika teachers in Tibet in the last half of the eighth century. An attempt is made to reconstruct the original texts and sort them into five genres. Not all the fragments attributed to Mo-ho-yen are included, but this is the most comprehensive work to date.
     In the analysis of the texts, the author suggests that Mo-ho-yen's doctrinal position was that of an extreme non-dualist who thought practice came after enlightenment. Consequently Mo-ho-yen denied the value of means to that enlightenment, yet he still had to allow for a means for people of lesser abilities. This admission probably gave his opponents grounds for criticism.
      There is a glossary of Tibetan terms and their Chinese equivalents based on a comparison of the fragments in Tibetan with the Chinese of the Tun-wu Ta-sheng cheng-li chüeh which depicts Mo-ho-yen's side of the dispute (for which it may have been profitable to consult Hasebe Koichi's edition from the Pelliot and Stein Chinese manuscripts, the "Toban Bukkyō to Zen", Aichigakuin Daigaku bungakubu kiyō no. 1). Gomez in fact suggests that terminological ambiguity was one source of misunderstanding between the Chinese and Indian parties. Recently R.A. Stein has begun work on the Tibetan translations of Chinese and Indian vocabulary ("Tibetica Antiqua", BEFEO 72, 1983) which sheds more light on the subject. For example, lun and mdo (Gomez p. 87, notes 23 and 39), or gzhung and gzhun (Gomez p. 140) are interpreted slightly differently by Stein (pp. 175-6 and p. 179 respectively). (John Jorgensen, "Review of Studies in Ch'an and Hua-yan," JIABS 9, no. 2 (1986): 177–78).
Gómez, Luis. "The Direct and Gradual Approaches of Zen Master Mahāyāna: Fragments of the Teachings of Mo-ho-yen." In Studies in Ch’an and Hua-yen, edited by Robert M. Gimello and Peter N. Gregory, 69–167. Honolulu: University of Hawai’i Press, 1983.
Article
The Lamp of Zazen
The point of zazen, says Shunryu Suzuki Roshi, is to live each moment in complete combustion, like a clean-burning kerosene lamp. In this talk at the Tassajara sesshin in the summer of 1969, the great Zen master explains Dogen’s teaching on practicing within imperfection and warns against the arrogance of the false self.
Suzuki, Shunryu. "The Lamp of Zazen." Buddhadharma: The Practitioner's Quarterly, June, 1, 2006.
Article
The Mind as the Buddha-Nature: The Concept of the Absolute in Ch'an Buddhism
Although Ch'an Buddhism has a long history, the name of the Ch'an School (ch'an-mena or ch'an-rsungb)'"`UNIQ--ref-00003253-QINU`"' was a relatively late development. It was Tsung-mic (780-841),'"`UNIQ--ref-00003254-QINU`"' the great Master of Kuei-fung who, for the first time, adopted the term in the ninth century A.D. It is interesting to note that it was the same monk-scholar who used the School of Mind (hsin-tsungd)'"`UNIQ--ref-00003255-QINU`"' as a synonym of the Ch'an school. Tsung-mi was a scholar of buddhist thought who had personal experience in the broad-ranging knowledge of Ch'an traditions. He collected relevant materials and wrote extensively in an effort to analyze the doctrine and practices of the tradition. His identification of the Mind with the Ch'an indicates that, in his opinion, the Mind was the central focus of the school. Although Tsung-mi contributed a good deal to the understanding of Ch'an Buddhism, his contributions remained almost unknown for a thousand years; it is only during the last two decades that scholars have gradually come to recognize his contribution. with considerable astonishment and admiration. This article is an attempt to describe, analyze and assess Tsung-mi's thesis that the doctrine of Mind is the central focus of Ch'an Buddhism and that the Mind itself is the absolute. (Jan, "The Mind as the Buddha-Nature," 467)
Jan, Yün-hua. "The Mind as the Buddha-Nature: The Concept of the Absolute in Ch'an Buddhism." Philosophy East and West 31, no. 4 (1981): 467–77.
Article
The Significance of 'Tathagatagarbha': A Positive Expression of 'Sunyata'
No abstract given. Here are the first relevant paragraphs:

The well-known motto of Ch'an Buddhism is that "perceiving the true self, one becomes a Buddha." The "true self" signifies the Buddha nature inherent in all sentient beings. The discovering of the "true self" has become the single most important pursuit of the Buddhist, especially in Sino-Japanese Buddhism. On the contrary, early Buddhism teaches that ultimately no substantial self (i.e., 'anatman') can be found, since the self is nothing but the union of the five aggregates. Modern Buddhologists as well as the Buddhists have been intrigued by the inconsistency that one single tradition teaches both that there is no self on the one hand, and that the goal of religious life is to discover the true self, on the other hand.

The big questions concerning these two contradictory doctrines include:

  • How did they develop during the course of Buddhist history?
  • How can they be reconciled?
  • Are these two ideas actually as contradicting as they appear to be?
  • Is the concept of the Buddha nature an outcome of the influence of other Indian religious thought upon Buddhism?

It is out of the scope of this short paper to answer all these questions. Therefore, this paper will deal with the antecedent and synonymous concept of the Buddha nature, that is, 'tathagata- garbha' ('ju lai tsang'). Specifically, this paper will examine the meaning and significance of the 'tathagatagarbha' (Buddha nature) based on three 'tathagatagarbha' texts and argue that the 'tathagatagarbha'/Buddha nature does not represent a substantial self ('atman'); rather, it is a positive language and expression of 'sunyata' (emptiness) and represents the potentiality to realize Buddhahood through Buddhist practices. In other words, the intention of the teaching of 'tathagatagarbha'/Buddha nature is soteriological rather than theoretical.

Read more here
Shih, Heng-Ching. "The Significance of 'Tathagatagarbha': A Positive Expression of 'Sunyata'." BuddhaSasana: A Buddhist Page by Binh Anson. https://www.budsas.org/ebud/ebdha191.htm.
Article
Trust Practice, Practice Trust
When we truly give ourselves over to practice, explains Roko Sherry Chayat, we let go of our dependence on outcomes and begin to trust just being what we are, buddhanature, revealed right here, right now, in this very body and place.
Chayat, Sherry. "Trust Practice, Practice Trust." Buddhadharma: The Practitioner's Quarterly, February 2, 2018.

Interviews

Interview
Buddha-Nature in Early Chan and Japanese Zen by Rev. Kokyo Henkel: Conversations on Buddha-Nature
Henkel, Rev. Kokyo. "Buddha-Nature in Early Chan and Japanese Zen." Conversations on Buddha-Nature with Lopen Dr. Karma Phuntsho. Produced by the Tsadra Foundation Research Department, June 26, 2021. Video, 1:23:03. https://youtu.be/j_V3v-oqnNU.
Henkel, Rev. Kokyo. "Buddha-Nature in Early Chan and Japanese Zen." Conversations on Buddha-Nature with Lopen Dr. Karma Phuntsho. Produced by the Tsadra Foundation Research Department, June 26, 2021. Video, 1:23:03. https://youtu.be/j_V3v-oqnNU.

Multimedia

Audio
Does a Dog Have Buddha Nature? By Tenshin Reb Anderson
Tenshin Reb Anderson gives a dharma talk at Green Gulch Farm on the topic of buddha-nature, later addressing the question, "Does a dog have buddha-nature?"
Anderson, Tenshin Reb. "Does a Dog Have Buddha Nature?" Recorded July 22, 2018 at San Francisco Zen Center's Green Gulch Farm. Audio, 47:06. https://soundcloud.com/sanfranciscozencenter/does-a-dog-have-buddha-nature.
Audio
Entire Being Is Buddha-Nature: Dōgen's Shōbōgenzō Busshō
Henkel, Kokyo. "Entire Being Is Buddha-Nature: Dōgen's Shōbōgenzō Busshō." 7 pts. Recorded at the Santa Cruz Zen Center October–December 2012. Audio, pt. 1, 49:15, http://archives.sczc.org/wp-content/uploads/dharma-talks/2012_12_06%20Sesshin%201%20-%20Bussho.mp3; pt. 2, 1:10:25, http://archives.sczc.org/wp-content/uploads/dharma-talks/2012_12_07%20Sesshin%202%20-%20Bussho.mp3; pt. 3, 51:29, http://archives.sczc.org/wp-content/uploads/dharma-talks/2012_12_08%20Sesshin%203%20-%20Bussho.mp3; pt. 4, 1:17:00, http://archives.sczc.org/wp-content/uploads/dharma-talks/2012_12_09%20Sesshin%204%20-%20Bussho.mp3; pt. 5, 1:07:11, http://archives.sczc.org/wp-content/uploads/dharma-talks/2012_12_10%20Sesshin%205%20-%20Bussho.mp3; pt. 6, 1:20:35, http://archives.sczc.org/wp-content/uploads/dharma-talks/2012_12_11%20Sesshin%206%20-%20Bussho.mp3; pt. 7, 1:11:22, http://archives.sczc.org/wp-content/uploads/dharma-talks/2012_12_12%20Sesshin%207%20-%20Bussho.mp3.
Henkel, Kokyo. "Entire Being Is Buddha-Nature: Dōgen's Shōbōgenzō Busshō." 7 pts. Recorded at the Santa Cruz Zen Center October–December 2012. Audio, pt. 1, 49:15, http://archives.sczc.org/wp-content/uploads/dharma-talks/2012_12_06%20Sesshin%201%20-%20Bussho.mp3; pt. 2, 1:10:25, http://archives.sczc.org/wp-content/uploads/dharma-talks/2012_12_07%20Sesshin%202%20-%20Bussho.mp3; pt. 3, 51:29, http://archives.sczc.org/wp-content/uploads/dharma-talks/2012_12_08%20Sesshin%203%20-%20Bussho.mp3; pt. 4, 1:17:00, http://archives.sczc.org/wp-content/uploads/dharma-talks/2012_12_09%20Sesshin%204%20-%20Bussho.mp3; pt. 5, 1:07:11, http://archives.sczc.org/wp-content/uploads/dharma-talks/2012_12_10%20Sesshin%205%20-%20Bussho.mp3; pt. 6, 1:20:35, http://archives.sczc.org/wp-content/uploads/dharma-talks/2012_12_11%20Sesshin%206%20-%20Bussho.mp3; pt. 7, 1:11:22, http://archives.sczc.org/wp-content/uploads/dharma-talks/2012_12_12%20Sesshin%207%20-%20Bussho.mp3.
Video
Just Seeing Is Buddha-Nature: Talk by Bon Soeng at Empty Gate Zen Center
Zen Master Bon Soeng teaches on a verse from the Compass of Zen by Zen Master Seung Sahn (Shambhala Dragon Editions, 1997).
Soeng, Bon. "Just Seeing Is Buddha-Nature." Filmed March 13, 2013 in Berkeley, CA. Video, 33:05, https://www.youtube.com/watch?v=DN9vZjMh65A.
Audio
Kokyo Henkel on Buddha-Nature
Henkel, Kokyo. "Kokyo Henkel on Buddha-Nature: A Collection of Talks on Buddha-Nature." Recorded at the Santa Cruz Zen Center and San Francisco Zen Center (Tassajara) 2011–2012. Audio. "Three Turnings of the Dharma Wheel and Buddha-Nature," August 4, 2011, 50:16, http://archives.sczc.org/2011/08/04/three-turnings-of-the-dharma-wheel-and-buddha-nature/; "Buddha Nature, The Inconceivable Inseparability of Emptiness and Clarity," August 10, 2011, 56:14, http://archives.sczc.org/2011/08/10/buddha-nature-the-inconceivable-inseparability-of-emptiness-and-clarity/; "The Cloudless Sky of Buddha Nature," September 6, 2011, 1:30:01, https://www.sfzc.org/teachings/dharma-talks/cloudless-sky-buddha-nature; "Buddha Nature and Trust," August 1, 2012, 1:00:48, http://archives.sczc.org/2012/08/01/buddha-nature-and-trust/. "Searching for the Sound in the Lute, Three Qualities of Zazen and Three Types of Zazen," December 5, 2012, 52:54, http://archives.sczc.org/2012/12/05/searching-for-the-sound-in-the-lute-three-qualities-of-zazen-and-three-types-of-zazen/.
Henkel, Kokyo. "Kokyo Henkel on Buddha-Nature: A Collection of Talks on Buddha-Nature." Recorded at the Santa Cruz Zen Center and San Francisco Zen Center (Tassajara) 2011–2015. Audio. "Three Turnings of the Dharma Wheel and Buddha-Nature," August 4, 2011, 50:16, http://archives.sczc.org/2011/08/04/three-turnings-of-the-dharma-wheel-and-buddha-nature/; "Buddha Nature, The Inconceivable Inseparability of Emptiness and Clarity," August 10, 2011, 56:14, http://archives.sczc.org/2011/08/10/buddha-nature-the-inconceivable-inseparability-of-emptiness-and-clarity/; "The Cloudless Sky of Buddha Nature," September 6, 2011, 1:30:01, https://www.sfzc.org/teachings/dharma-talks/cloudless-sky-buddha-nature; "Buddha Nature and Trust," August 1, 2012, 1:00:48, http://archives.sczc.org/2012/08/01/buddha-nature-and-trust/. "Searching for the Sound in the Lute, Three Qualities of Zazen and Three Types of Zazen," December 5, 2012, 52:54, http://archives.sczc.org/2012/12/05/searching-for-the-sound-in-the-lute-three-qualities-of-zazen-and-three-types-of-zazen/. "Zhaozhou’s Dog and the Middle Way of Buddha Nature (Book of Serenity, case 18)," January 21, 2015, 1:01:23, http://archives.sczc.org/2015/01/21/zhaozhous-dog-and-the-middle-way-of-buddha-nature-book-of-serenity-case-18/.
Video
Rev. Kokyo Henkel: Does the Zen Tradition Have an Equivalent to Mandala Practice in Vajrayana?
Henkel, Rev. Kokyo. "Does the Zen Tradition Have an Equivalent to Mandala Practice in Vajrayana?" Conversations on Buddha-Nature with Lopen Dr. Karma Phuntsho. Produced by the Tsadra Foundation Research Department, June 26, 2021. Video, 3:05. https://youtu.be/7BXKaoiMcZ0.
Henkel, Rev. Kokyo. "Does the Zen Tradition Have an Equivalent to Mandala Practice in Vajrayana?" Conversations on Buddha-Nature with Lopen Dr. Karma Phuntsho. Produced by the Tsadra Foundation Research Department, June 26, 2021. Video, 3:05. https://youtu.be/7BXKaoiMcZ0.
Video
Rev. Kokyo Henkel: On His First Encounter with Buddha-Nature Teachings
Henkel, Rev. Kokyo. "On His First Encounter with Buddha-Nature Teachings." Conversations on Buddha-Nature with Lopen Dr. Karma Phuntsho. Produced by the Tsadra Foundation Research Department, June 26, 2021. Video, 4:10. https://youtu.be/S-5SXBcPnd8.
Henkel, Rev. Kokyo. "On His First Encounter with Buddha-Nature Teachings." Conversations on Buddha-Nature with Lopen Dr. Karma Phuntsho. Produced by the Tsadra Foundation Research Department, June 26, 2021. Video, 4:10. https://youtu.be/S-5SXBcPnd8.
Video
Rev. Kokyo Henkel: On Mazu's Statements: "Mind Itself Is Buddha" and "Ordinary Mind Is the Way"
Henkel, Rev. Kokyo. "On Mazu's Statements: 'Mind Itself Is Buddha' and 'Ordinary Mind Is the Way'." Conversations on Buddha-Nature with Lopen Dr. Karma Phuntsho. Produced by the Tsadra Foundation Research Department, June 26, 2021. Video, 3:01. https://youtu.be/CpEBZZnL-sE.
Henkel, Rev. Kokyo. "On Mazu's Statements: 'Mind Itself Is Buddha' and 'Ordinary Mind Is the Way'." Conversations on Buddha-Nature with Lopen Dr. Karma Phuntsho. Produced by the Tsadra Foundation Research Department, June 26, 2021. Video, 3:01. https://youtu.be/CpEBZZnL-sE.
Video
Rev. Kokyo Henkel: On the Connection between Zen and Dzogchen
Henkel, Rev. Kokyo. "On the Connection between Zen and Dzogchen." Conversations on Buddha-Nature with Lopen Dr. Karma Phuntsho. Produced by the Tsadra Foundation Research Department, June 26, 2021. Video, 7:56. https://youtu.be/3jhWo3MtvxY.
Henkel, Rev. Kokyo. "On the Connection between Zen and Dzogchen." Conversations on Buddha-Nature with Lopen Dr. Karma Phuntsho. Produced by the Tsadra Foundation Research Department, June 26, 2021. Video, 7:56. https://youtu.be/3jhWo3MtvxY.
Video
Rev. Kokyo Henkel: On the Differences between Zen and Dzogchen and the Practice of Shikantaza, or "Just Sitting"
Henkel, Rev. Kokyo. "On the Differences between Zen and Dzogchen and the Practice of Shikantaza, or 'Just Sitting'." Conversations on Buddha-Nature with Lopen Dr. Karma Phuntsho. Produced by the Tsadra Foundation Research Department, June 26, 2021. Video, 8:07. https://youtu.be/PkEA0bYGLAM.
Henkel, Rev. Kokyo. "On the Differences between Zen and Dzogchen and the Practice of Shikantaza, or 'Just Sitting'." Conversations on Buddha-Nature with Lopen Dr. Karma Phuntsho. Produced by the Tsadra Foundation Research Department, June 26, 2021. Video, 8:07. https://youtu.be/PkEA0bYGLAM.
Video
Rev. Kokyo Henkel: Sources of Buddha-Nature Teachings in the Zen Tradition
Henkel, Rev. Kokyo. "Sources of Buddha-Nature Teachings in the Zen Tradition." Conversations on Buddha-Nature with Lopen Dr. Karma Phuntsho. Produced by the Tsadra Foundation Research Department, June 26, 2021. Video, 20:56. https://youtu.be/vvdgwHudOrU.
Henkel, Rev. Kokyo. "Sources of Buddha-Nature Teachings in the Zen Tradition." Conversations on Buddha-Nature with Lopen Dr. Karma Phuntsho. Produced by the Tsadra Foundation Research Department, June 26, 2021. Video, 20:56. https://youtu.be/vvdgwHudOrU.
Video
Rev. Kokyo Henkel: Zhiyi's Six Dharma Gates to the Sublime and the Relationship between Tiantai and Zen
Henkel, Rev. Kokyo. "Zhiyi's Six Dharma Gates to the Sublime and the Relationship between Tiantai and Zen." Conversations on Buddha-Nature with Lopen Dr. Karma Phuntsho. Produced by the Tsadra Foundation Research Department, June 26, 2021. Video, 4:14. https://youtu.be/6n8SpHNZC4o.
Henkel, Rev. Kokyo. "Zhiyi's Six Dharma Gates to the Sublime and the Relationship between Tiantai and Zen." Conversations on Buddha-Nature with Lopen Dr. Karma Phuntsho. Produced by the Tsadra Foundation Research Department, June 26, 2021. Video, 4:14. https://youtu.be/6n8SpHNZC4o.
Audio
The Radiant Light of Buddha-Nature
Henkel, Kokyo. "The Radiant Light of Buddha-Nature." 2 pts. Recorded at Valley Streams Zen Sangha, Sacramento, CA, September 22, 2018. Audio, pt. 1, 1:02:09, http://valleystreamszen.roptercreative.com/wp-content/uploads/2018/09/KokyoHenkel-2018Sept22.partone.mp3?_=1; pt. 2, 1:14:38, http://valleystreamszen.roptercreative.com/wp-content/uploads/2018/09/KokyoHenkel-2018Sept22.parttwo.mp3?_=1.
Henkel, Kokyo. "The Radiant Light of Buddha-Nature." 2 pts. Recorded at Valley Streams Zen Sangha, Sacramento, CA, September 22, 2018. Audio, pt. 1, 1:02:09, http://valleystreamszen.roptercreative.com/wp-content/uploads/2018/09/KokyoHenkel-2018Sept22.partone.mp3?_=1; pt. 2, 1:14:38, http://valleystreamszen.roptercreative.com/wp-content/uploads/2018/09/KokyoHenkel-2018Sept22.parttwo.mp3?_=1.
Video
Thupten Jinpa: On the Buddha-Nature of Insentient Things
Jinpa, Thupten. "On the Buddha-Nature of Insentient Things." Conversations on Buddha-Nature with Lopen Dr. Karma Phuntsho. Produced by the Tsadra Foundation Research Department, January 29, 2022. Video, 4:04. https://www.youtube.com/watch?v=z64IE6r2zxk.
Jinpa, Thupten. "On the Buddha-Nature of Insentient Things." Conversations on Buddha-Nature with Lopen Dr. Karma Phuntsho. Produced by the Tsadra Foundation Research Department, January 29, 2022. Video, 4:04. https://www.youtube.com/watch?v=z64IE6r2zxk.
Audio
Trusting in Our Own Buddha Nature
Rinso Ed Sattizahn gives a dharma talk at San Francisco Zen Center's City Center on the topic of buddha-nature. He touches on selections from Dōgen's Genjōkōan to illustrate this Buddhist teaching.
Sattizahn, Rinso Ed. "Trusting in Our Own Buddha Nature." Recorded December 8, 2018 at San Francisco Zen Center's City Center. Audio, 36:22. https://soundcloud.com/sanfranciscozencenter/trusting-in-our-own-buddha.
Audio
Zen Mind, Beginner's Mind (Audio Book)
Zen mind is one of those enigmatic phrases used by Zen teachers to throw you back upon yourself, to make you go behind the words themselves and begin wondering. "I know what my own mind is," you tell yourself, "but what is Zen mind?" And then: "But do I really know what my own mind is?" Is it what I am doing now? Is it what I am thinking now?" And if you should then try to sit physically still for a while to see if you can locate it—then you have begun the practice of Zen, then you have begun to realize the unrestricted mind.

The innocence of this first inquiry—just asking what you are—is beginner's mind. The mind of the beginner is needed throughout Zen practice. It is the open mind, the attitude that includes both doubt and possibility, the ability to see things always as fresh and new. It is needed in all aspects of life. Beginner's mind is the practice of Zen mind.

This book originated from a series of talks given by Zen Master Shunryu Suzuki to a small group is Los Altos, California. He joined their meditation periods once a week and afterwards answered their questions and tried to encourage them in their practice of Zen and help them solve the problems of life. His approach is informal, and he draws his examples from ordinary events and common sense. Zen is now and here, he is saying; it can be as meaningful for the West as for the East. But his fundamental teaching and practice and drawn from all the centuries of Zen Buddhism and especially from Dogen, one of the most important and creative of all Zen Masters.

This book is about how to practice Zen as a workable discipline and religion, about posture and breathing, about the basic attitudes and understanding that makes Zen practice possible, about non-duality, emptiness, and enlightenment. Here one begins to understand what Zen is really about. And, most important of all, every page breathes with the joy and simplicity that make a liberated life possible. (Source: inside jacket)


To follow along with the text, click here
Suzuki, Shunryu. Zen Mind, Beginner's Mind. Read by Peter Coyote. Audio, 2:56:20. https://www.youtube.com/watch?v=3vDfq1Yt5to.
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