Property:Gloss-term
From Buddha-Nature
This is a property of type Text.
T
phyag rgya gsum;three seals;three seals;Either impurity, impermanence and suffering;or the FOUR SEALS INDICATIVE OF THE TRANSMITTED PRECEPTS, in which the third (selflessness) and the fourth (nirvāṇa is peace) are combined. 71 +
sgrub rdzas thun mong bco lnga;fifteen ordinary sacraments (of empowerment);fifteen ordinary sacraments (of empowerment);The fifteen ordinary sacraments and the THREE PROFOUND EMPOWERMENTS ether form the eighteen empowerments of [[Mahāyoga]]. Of these the former include ten outer empowerments of beneficence (''phyi-phan-pa'i dbang-bcu'') and five inner empowerments of ability (''nang nus-pa'i dbang-lnga''), while the latter includes the THREE PROFOUND EMPOWERMENTS that are secret (''gsang-ba zab-mo'i dbang-gsum''). The ten empowerments of beneficence are those of crown ornament, diadem, rosary, armour, victory-banner, seals, parasol, vase, food and drink, and the five essences. For their significance, see Longcenpa, ''Dispelling Darkness in the Ten Directions'', pp. 376-9 (GGFTC, pp. 878-9). The five empowerments of ability are listed under the FIVE EMPOWERMENTS OF THE ''SECRET NUCLEUS''. 701 +
rtsa ba gsum;three roots;three roots;The guru (''bla-ma''), meditational deity (''yi-dam'', Skt. ''devatā'') and ḍākinī (''mkha'-'gro-ma''). 376, 555, 586, 676, 748, 823, 847, 855 +
'byung ba bzhi;four elements;four elements;caturbhūta;Earth, water, fire and air. 38, 53, 117-8, 328, 336, 542, 543, 594, 748 +
ting chen po bdun;Seven great altar bowls offered to Katok by Phakpa Rinpoche +
rnam thar sgo gsum;three approaches to liberation;three approaches to liberation;emptiness (''stong-pa-nyid'', Skt. śūnyatā), aspirationlessness (''smon-pa med-pa,'' Skt. ''apraṇihita'') and attributelessness (''mtshan-ma med-pa'', Skt. ''animitta''). 28, 187, 335, 896, 898, 908 +
khro mo chen mo bzhi;four mahākrodhī deities;four mahākrodhī deities;caturmahākrodhī;Aṅkuśā, Pāśā, Sphoṭā and Gaṇṭhā. 126 +
(anu yo ga'i) yan lag gi dbang brgyad brgya so gcig;eight hundred and thirty-one ancillary empowerments (of [[anuyoga]]);eight hundred and thirty-one ancillary empowerments (of [[anuyoga]]);Refer to the discussion in [[Jamgön Kongtrül]], ''shes-bya kun-khyab mdzod'', Vol. 2, (p. 748). 364 +
mtshan nyid sum cu so drug;thirty-six characteristics (of drama);thirty-six characteristics (of drama);According to [[Bharata]], ''Dramatical Treatise'', Ch. 17, these are embellishment (''bhūṣaṇa''), abbreviation (''akṣarasaṃghāta''), fortune/prosperity (''śobhā''), declaration (''udāharaṇa''), cause (''hetu''), doubt (''saṃśaya''), illustration (''dṛṣṭānta''), attainment (''prāpti''), intention (''abhiprāya''), evidence (''nidarśana''), explanation (''nirūkta''), accomplishment (''siddhi''), distinction (''viśeṣana''), lack of qualities (''guṇātipāta''), hyperbole (''atiśaya''), equal scrutiny (''tulyatarka''), versification (''padoccaya''), perception (''dṛṣṭa''), indication (''upadiṣṭa''), ideas (''vicāra''), opposition (''tadviparyāya''), slips of the tongue (''bhraṃśa''), conciliation (''anunaya''), garlands (''mālā''), concord (''dākṣiṇya''), reproach (''garhaṇa''), presumption (''arthāpatti''), proof (''prasiddhi''), question (''pṛcchā''), beauty (''sārūpya''), imagination (''manoratha''), disparagement (''leśa''), agitation (''kṣobha''), enumeration of qualities (''guṇakīrtana''), unmentioned accomplishment (''anuktasiddhi'') and words of affection (''priyavacana''). 107 +
rkyen bzhi'i 'khrul pa/'khrul pa'i rkyen bzhi;four conditions of bewilderment;four conditions of bewilderment;The causal condition (''rgyu'i rkyen'', Skt. ''hetupratyaya'') which is the THREE INTERRELATED ASPECTS OF IGNORANCE, the referential condition (''dmigs pa'i rkyen'', Skt. ''ālambanapratyaya'') which is the appearances, the possessive condition (''bdag-po'i rkyen'', Skt. ''adhipatipratyaya'') which is the ego, and the immediate condition (''de-ma-tkag-pa'i rkyen'', Skt. ''samanantarapratyaya'') which is their present conjunction. 54-5 +
se 'bag goms bdun ma;sebak komdünma;sebak komdünma;The “Leather Mask of the Seven Steps”, or “Mask of the Se-spirit” commissioned by Zur Zangpopel +
'jigs pa brgyad;eight fears;eight fears;See EIGHT (GREAT) FEARS +
rig 'dzin rnam bzhi;four kinds of awareness-holder;four kinds of awareness-holder;The awareness-holder of maturation (''rnam-smin rig-'dzin''), the awareness-holder of power over the life-span (''tshe-dbang rig-'dzin''), the awareness-holder of the great seal (''phyag-chen rig-'dzin'') and the awareness-holder of spontaneous presence (''lhun-grub rig-'dzin''). 31, 260, 281-2, 363 +
zag pa gsum;three corruptions;three corruptions;The corruption of desire ('' 'dod-pa'i zag-pa''), the corruption of rebirth (''srid-pa'i zag-pa'') and the corruption of View (''lta-ba'i zag-pa''). 472 +
lha gnas gsum;three divine realms;three divine realms;As outlined in the chart on pp. 14-15, these are the FIVE PURE ABODES OF THE FORM REALMS, the TWELVE ORDINARY FORM REALMS and the realms of the SIX SPECIES OF KĀMA DIVINITIES. 458 +
'jam dpal dbyangs kyi sku;Lama Mipham's image of Mañjuśrīghoṣa +
khams gsum;three realms tridhātu;three realms tridhātu;See THREE (WORLD) REALMS +
rol mo'i bye brag bco brgyad;eighteen appendages of music;eighteen appendages of music;The dancer, dance, large drum, kettledrum, tambour, large kettledrum, gong, lute, one-sided kettledrum, bell-metal cymbals, bell, three-string lute, mukunda drum, cymbals, chorus, tabor, instrumentation and flute;Mvt. (5007-26). 98 +
rin chen lnga;five precious substances;five precious substances;Gold, silver, turquoise, coral and pearl;or gold, silver, copper, iron and lead. 838 +
klong gi sde dkar nag khra gsum;three branches of the spacial class;three branches of the spacial class;These are included in the FOUR CATEGORIES OF THE SPATIAL CLASS, as enumerated in ''Fundamentals'', (pp. 326-7). 539 +
