Property:Gloss-term
From Buddha-Nature
This is a property of type Text.
T
se 'bag goms bdun ma;sebak komdünma;sebak komdünma;The “Leather Mask of the Seven Steps”, or “Mask of the Se-spirit” commissioned by Zur Zangpopel +
'jigs pa brgyad;eight fears;eight fears;See EIGHT (GREAT) FEARS +
rig 'dzin rnam bzhi;four kinds of awareness-holder;four kinds of awareness-holder;The awareness-holder of maturation (''rnam-smin rig-'dzin''), the awareness-holder of power over the life-span (''tshe-dbang rig-'dzin''), the awareness-holder of the great seal (''phyag-chen rig-'dzin'') and the awareness-holder of spontaneous presence (''lhun-grub rig-'dzin''). 31, 260, 281-2, 363 +
zag pa gsum;three corruptions;three corruptions;The corruption of desire ('' 'dod-pa'i zag-pa''), the corruption of rebirth (''srid-pa'i zag-pa'') and the corruption of View (''lta-ba'i zag-pa''). 472 +
lha gnas gsum;three divine realms;three divine realms;As outlined in the chart on pp. 14-15, these are the FIVE PURE ABODES OF THE FORM REALMS, the TWELVE ORDINARY FORM REALMS and the realms of the SIX SPECIES OF KĀMA DIVINITIES. 458 +
'jam dpal dbyangs kyi sku;Lama Mipham's image of Mañjuśrīghoṣa +
khams gsum;three realms tridhātu;three realms tridhātu;See THREE (WORLD) REALMS +
rol mo'i bye brag bco brgyad;eighteen appendages of music;eighteen appendages of music;The dancer, dance, large drum, kettledrum, tambour, large kettledrum, gong, lute, one-sided kettledrum, bell-metal cymbals, bell, three-string lute, mukunda drum, cymbals, chorus, tabor, instrumentation and flute;Mvt. (5007-26). 98 +
rin chen lnga;five precious substances;five precious substances;Gold, silver, turquoise, coral and pearl;or gold, silver, copper, iron and lead. 838 +
klong gi sde dkar nag khra gsum;three branches of the spacial class;three branches of the spacial class;These are included in the FOUR CATEGORIES OF THE SPATIAL CLASS, as enumerated in ''Fundamentals'', (pp. 326-7). 539 +
'khor lo gsum;three spheres (of activity on the part of members of the saṃgha);three spheres (of activity on the part of members of the saṃgha);Exegesis (''bshad-pa''), attainment (''sgrub-pa'') and work (''las'');or alternatively renunciation (''spang-ba''), study (''slob-pa'') and work. 720, 724, 736, 738, 783, 824, 835, 840, 852 +
chos kyi rnam grangs drug cu;sixty doctrines;sixty doctrines;The TWELVE DEEDS OF THE SUPREME EMANATIONAL BODY in the twelve realms, each of which possesses the FIVE EXCELLENCESof place, teacher, retinue, doctrine and time. 137 +
dvangs ma drug;six pure essences;six pure essences;Those of the FIVE ELEMENTS the mind in their refined states. Their relationship to the buddha-body, speech and mind is explained under the THREE IMPERISHABLE INDESTRUCTIBLE REALITIES. 264 +
phung po lnga;five components;five components;pañcaskandha;Form (''gzugs-kyi phung-po'', Skt. ''rūpaskandha''), feelings (''tshor-ba'i phung-po'', Skt. ''vedanāskandha''), perceptions ('' 'du-shes-kyi phung-po'', Skt. ''saṃjñā- skandha''), habitual tendencies ('' 'du-byed-kyi phung-po'', Skt. ''saṃskāraskandha''), and consciousness (''rnam-shes-kyi phung-po'', Skt. ''vijñānaskandha''). 13, 20, 25, 55-6, 160-1, 170, 213 +
'od gsal rtags bcu;ten signs of inner radiance;ten signs of inner radiance;These are enumerated in Longcenpa, ''Dispelling Darkness in the Ten Directions'', p. 344, as smoke (''du-ba''), mirage (''smig-rgyu''), clouds (''sprin''), fire-flies (''me-khyer''), sunlight (''nyi-ma''), moonlight (''zla-ba''), the blazing of gemstones (''rin-po-che 'bar-ba''), eclipse (''sgra-gcan''), starlight (''skar-ma'') and rays of light ('''od-zer''). 301 +
snying thig gi (rtsa) dbang bzhi;four empowerments of the innermost spirituality;four empowerments of the innermost spirituality;As described in ''History'', pp. 499-501, these are the outer empowerment of conceptual elaboration (''phyi spros-bcas-kyi dbang'');the inner empowerment which is free from conceptual elaboration (''nang spros-bral-gi dbang'');the secret empowerment that is very unelaborate (''gsang-ba shin-tu spros-bral-gi dbang'');and the most secret empowerment which is extremely unelaborate (''gsang-chen rab-tu spros-bral-gi dbang''). The distinctions between these are explained in Longcenpa, ''Treasury of Spiritual and Philosophical Systems'', pp. 370-2. Briefly, the first employs a multiplicity of ritual objects and ideas, the second is free from both ritual objects and ideas, the third is beyond conception and description, while the fourth is the empowerment into the nature of the body of reality. 673, 674-5 +
dbang po drug;six sense organs;six sense organs;ṣaḍindriya;The FIVE SENSE ORGANS with the addition of the sense organ of the intellect (''yid-kyi dbang-po'', Skt. ''mana' indriya''). 55-6 +
ye shes phra ba gsum;three subtle pristine cognitions;three subtle pristine cognitions;The subtle pristine cognition of appearances (''snang-ba''), emptiness (''stong-pa'') and their coalescence (''zung-'jug''). Refer to [[Mipham]] Rinpoche, ''spyi-don 'od gsal snying-po'', (p. 194). 342 +
phyag rgya spros bcas la bslab pa bzhi;four aspects of training in the elaborate seal (of mahāyoga meditation);four aspects of training in the elaborate seal (of mahāyoga meditation);The visualisation of maṇḍalas (''dkyil-'khor''), clusters of deities (''tshom-bu''), numbers of deities (''grangs'') and the faces and arms of the deities (''zhal-phyag''). 279-80 +
spyi don mam gsum;three general styles of exegesis;three general styles of exegesis;This is the second of the FOUR STYLES of appraisal of the secret mantra texts which (1) counters regret for entering into the sūtras, etc. (''mdo-sogs-la zhugs-pa'i 'gyod-pa zlog-pa'');(2) counters regret for entering the inner mantras, etc. (''sngags-nang-pa-la zhugs-pa'i 'gyod-zlog'');and (3) conveys the general meaning of the [[creation stage]] (''bskyed-rim-pa'i spyi-don''). 292-3 +
