(Fifth century B.C.E.: 566-476 or 558-468 B.C.E.) The fourth Buddha of our era (skal pa) who, like his predecessors, manifested himself in the twelve works. He initiated the Buddhist teachings transmitted up until the present. +
The Kadam school was founded by Atīśa (982-1054). His disciple Dromtön (1004-1064) founded Radreng monastery in North Lhasa in 1056. This became the source of his teachings. The school did not survive independently mostly because the majority of Kadampas, being hermits, did not construct monasteries, but the Kadam school did profoundly influence the other schools. In particular, the Gelugpas call themselves the new Kadampas, and the Dagpo-Kagyupas say that their transmission is the confluence of the mahāmudrā and Kadam teaching traditions. +
Realm of Amitābha and Chenrezig. The practices and wishes associated with them direct the mind at the time of death to be reborn there, liberated from saṃsāra. +
Name of the six-armed aspect of Mahākāla, who is the Dharma protector (dharmapāla) mainly in the Shangpa-Kagyu and Gelug lineages. "The six-armed protector of primordial wisdom" is a wrathful emanation of Chenrezig, the buddha of compassion, who manifests himself in a dynamic and powerful form in order to subjugate illusions and obstacles. +
Kagyu monastery located in Bhutan. Kyabje Kalu Rinpoche became its director at the invitation of the royal family and at the instigation of the Karmapa. Kyabje Kalu Rinpoche remained there several years, developing the monastery and having two retreat centers constructed. Afterward, he left for India, where he founded Sonada monastery. +
(ca. 600-660) One of the Six Ornaments. Logician who elucidated and expanded the work of Dignāga. He is the author of the works on logic called ''Seven Treatises (tshad ma sde bdun)''. +
(1007-1078) Mahāsiddha and great scholar of Vikramaśīla university; contemporary of Atīśa, he was one of Marpa's and Khyungpo Neljor's principal masters. +
Without a doubt the best known of the Indian mahāsiddhas; an arrow maker, he lived in the seventh century and composed three cycles of songs which remain famous: the dohas of the king, of the queen, and of the people. He is the originator of the distant lineage of mahāmudrā. +