The Mahāyāna recognizes the three aspects (Trikāya) of the Buddha: Dharmakāya (Tib. Chos-kyi sku), lit. 'Dharma body'; Sambhogakāya (Tib. Longs-spyod-kyi sku), lit. 'Enjoyment body'; and Nirmāṇakāya (Tib. sPrul- sku), lit. 'Representation body' The Dharmakāya is voidness and its realization, beyond time and space, and is pure transcending awareness. The Sambhogakāya, the pure enjoyment aspect of the Dhyānibuddhas, also represents the aspect of communication. The Nirmāṇakāya forms are embodiments taken by Buddhas among earthly beings in order to clarify the way to enlightenment. The Sambhogakāya and the Nirmāṇakāya are sometimes known together as the Rūpakāya (Tib. gZugs-sku), lit. 'Form body'; all three kāyas are sometimes considered aspects of a fourth body, called the Svābhāvikakāya (Tib. Ngo-bo- nyid-sku). +
a native religion of Tibet, whose founder is said to be gShen-rab who came from either Ta-zig (which may be Persia) or Zhang-zhung, an area of western Tibet. +
stage of tantric practice focussing on the processes of visualizations-oneself as deity, the outer world as a maṇḍala, and the beings within as gods and goddesses. See also Tantra. +
the cycle of teachings given by the Buddha; three such cycles, known as the Three Turnings of the Wheel of the Dharma, were taught by Sākyamuni Buddha during his lifetime. +
each of the five types of Pristine Awareness is associated with one of the Dhyānibuddhas: Mirror-like Awareness (Skt. Ādarśajñāna, Tib. Me-long ye-shes) is associated with Akṣobhya; Awareness of Fundamental Sameness (Skt. Samatājñāna, Tib. mNyam-nyid ye-shes) is associ- ated with Ratnasambhava; All-encompassing Investigating Awareness (Skt. Pratyavekṣaṇajñāna, Tib. So-sor rtogs-pa'i ye-shes) is associated with Amitābha; All-accomplishing Awareness (Skt. Kṛtyānuṣṭānajñāna, Tib. Bya-grub ye-shes) is associated with Amoghasiddhi; The Awareness of the Expanse of Dharma (Skt. Dharmadhātujñāna, Tib. Chos-dbyings ye-shes) is associated with Vairocana. +
gestures symbolizing particular spiritual attributes or steps toward perfection. There are technically four types of mudrā: the symbolic seal (Skt. Upāyamudrā, Tib. Dam-tshig phyag-rgya); the female partner in tantric practices or the visualized partner who represents Pristine Awareness (Skt. Karmamudrā orJñānamudrā, Tib. Las-kyi phyag-rgya or Ye-shes-kyi phyag-rgya); the seal of the Absolute (Skt. Dharmamudrā, Tib. Chos-kyi phyag-rgya); and the Great Seal (Skt. Mahāmudrā, Tib. Phyag-rgya chen-po). +
three great Tibetan kings who encouraged the transmission of Buddhism to Tibet and became known as the three great Dharma Kings: Srong- btsan sgam-po, Khri-srong lde'u-btsan, and Ral-pa-can. Srong-btsan sgam-po (7th century) first great Dharma King, who united the Tibetan kingdom. He married two Buddhist princesses, Bhjľkūṭl of Nepal and Wen-ch'eng of China. He built the first Buddhist temples, established a code of laws based on Dharma principles, developed the Tibetan script with the help of his minister Thon-mi Sambhoṭa, and also began the translation of Buddhist texts into Tibetan. Srong-btsan sgam-po was succeeded by; Gung-srong, Mang-srong, 'Dus-srong, and Khri-lde gTsug-btsan (Mes-ag-tshoms). Khri-srong lde'u-btsan (8th century) second great Dharma King, who invited to Tibet Padmasambhava, Sāntarakṣita, Vimalamitra, and many other Buddhist teachers including Jinamitra and Dānaśīla. With the aid of Sāntarakṣita and Padmasambhava, he built bSam-yas, the great monastery and teaching center modelled after Odantapurī. He proclaimed Buddhism the religion of Tibet, and during his reign the first monks were ordained. Paṇḍitas and lotsāwas translated many texts, and large numbers of practice centers were established. He was succeeded by: Mu-ne and Khri-lde srong-btsan (Sad-na-legs). Ral-pa-can (9th century) third great Dharma King, who supported the standardization of new grammar and vocabulary for translation and the revision of old translations. He renewed old centers and invited many Buddhist scholars to Tibet. He was renowned for his devotion to the Dharma. +
lit. 'wisdom holder'; holder of the Enlightened Lineage; those who have attained great spiritual and magical abilities. Having received and manifested the teachings of the enlightened lineage, they are able to transmit these teachings to others. +
goddess of Euphony and patron of the arts and sciences; early known as goddess of a sacred river in northern India and as the goddess of speech and learning; traditionally regarded in India as the source of the Sanskrit language and Devanāgari letters. +