Refer to the ''Twenty Verses on the Bodhisattva Vow'', translated in M. Tatz, ''[[Difficult Beginnings]]''. These are also cited in [[Jamgön Kongtrül]], ''shes-bya kun-khyab mdzod'', Vol. 2, pp. 114-17, where they are explained to include thirty-four transgressions which contradict the gathering of virtuous doctrines and twelve which contradict activity on behalf of others. The former comprise seven contradicting liberality, nine contradicting moral discipline, four contradicting patience, three contradicting perseverance, three contradicting concentration and eight contradicting discriminative awareness. The latter comprise those transgressions which separate one from general acts of benefit and those which separate one from particular acts of benefit. 95 +
The past ('' 'das-pa''), present (''da-lta-ba''), future (''ma-'ongs-pa'') and indefinite time (''ma-nges-pa'i dus''). Also referred to as the FOUR TIMES. 125 +
The beneficial attributes of enlightened mind (''byang-sems-kyiphan-yon bshad-pa'', Skt. ''bodhicittānuśaṃsā''), repentance of sins (''sdig-pa bshags-pa'', Skt. ''pāpadeśanā''), seizing the enlightened mind (''byang-sems yongs-bzung'', Skt. Bodhicittaparigraha), vigilance with respect to enlightened mind (bag-yod ''bstan-pa'', Skt. ''bodhicittāpramāda''), the guarding of awareness (''shes-bzhin bsrung-ba'', Skt. ''saṃprajanyarakṣaṇa''), the transcendental perfection of patience (''bzod-pa bstan-pa'', Skt. ''kṣāntipāramitā''), the transcendental perfection of perseverance (''brtson-'grus bstan-pa'', Skt. ''vīryapāramitā''), the transcendental perfection of concentration (''bsam-gtan bstan-pa'', Skt. ''dhyānapāramitā''), the transcendental perfection of discriminative awareness (''shes-rab bstan-pa'', Skt. ''prajñapāramitā'') and the dedication of merit (''bsngo-ba'', Skt. ''pariṇāmanā''). 94 +
According to [[Anuyoga]], these are the primordial maṇḍala of Samantabhadrī (''ye ji-bzhin-pa'i dkyil-'khor''); the natural and spontaneously present maṇḍala of [[Samantabhadra]] (''rang-bzhin ihun-grub-kyi dkyil-'khor''); and the fundamental maṇḍala of enlightened mind which is their offspring (''rtsa-ba byang-chub sems-kyi dkyil-'khor''). 34, 284-6, 365-7 +
The antidotes corresponding to the EIGHTY-FOUR THOUSAND CONFLICTING EMOTIONS. Cf. also ''[[the Treasury of Abhidharma]]'', Ch. 1, (v . 25). 17, 77, 86, 133, 763, 925 +
[[Śakra]] among the gods, Vemacitra among the antigods, [[Śākyamuni]] among humans, [[Jvālamukha]] among tormented spirits, [[Siṃha]] among animals and [[Yama]] among the hells. 129-30, 414 +
Corresponding to the musical scale, these are the crane-like middle tone (''bar-ma-pa'', Skt. ''madhyama''), the ox-like sage tone (''drang-srong-ba'', Skt. ''ṛṣabha''), the goat-like third tone (''sa-'dzin-pa'', Skt. ''gandhāra''), the peacock-like sixth tone (''drug-ldan'', Skt. ''ṣaḍja''), the cuckoo-like fifth tone (''lnga-ba'', Skt. ''pañcama''), the horse-like clear tone (''blo-gsal'', Skt. ''dhaivata'') and the elephantine base tone ('' 'khor-nyan'', Skt. ''niṣāda''); Mvt. (5027-34). 98, 107 +
These are the secret centre of the abiding nature of mind (''gnas-kyi 'khor-lo''); the centre of existence connected with the navel (''srid-pa'i 'khor-lo''); the cutting centre connected with the arms of the deity (''gcod-pa'i 'khor-lo''); and the centre of emanation connected with the legs and feet of the deity (''sprul-pa'i 'khor-lo''). 361 +
According to [[Bharata]], ''Dramatical Treatise'', Ch. 19, pp. 37-67, these are the introduction (''mukha''), progression (''pratimukha''), development (''garbha''), plotcrisis (''vimarśa'') and conclusion (''nirvahaṇa''). 107 +