Property:Gloss-def
From Buddha-Nature
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According to [[Mahāyoga]], these five experiences relating to the creation and perfection stages are: wavering (''gYo''), attainment (''thob''), skill (''goms''), firmness (''brtan'') and conclusion (''mthar-phyin''). 34, 278 +
Faith (''dad-pa'i stobs'', Skt. ''śraddhābala''), perseverance (''brtson-'grus-kyi stobs'', Skt. ''vīryabala''), recollection or mindfulness (''dran-pa'i stobs'', Skt. ''smṛtibala''), contemplation (''ting-'dzin-gyi stobs'', Skt. ''samādhibala'') and discriminative awareness (''shes-rab-kyi stobs'', Skt. ''prajñābala''); Mvt. 983-7. These are intensifications of the FIVE FACULTIES . 236 +
According to [[Tāranātha]], ''[[History of Buddhism in India]]'', p. 220, these refer to his vision of the meditational deity, his bringing of prosperity to [[Nālandā]], his silencing others in debate and converting heretics, beggars, the king, and extremists. 441 +
These are the outer and inner aspects of the FIVE AWAKENINGS . According to [[Āryadeva]], ''Lamp which Subsumes Conduct'', the outer awakenings are the attainment of buddhahood by way of desirelessness through the [[bodhisattva]] vehicle and the inner awakenings are the attainment of the body of coalescence where the body of reality, which is inner radiance, is made manifest by four kinds of desire (through the third empowerment of mantras). 115 +
Longevity pills of thirteen immortal awareness-holders discovered by Jamgön Kongtrül +
Avṛha (''mi-che-ba''), Atapa (''mi-gdung-ba''), Sudṛśa (''gya-nom snang-ba''), Sudarśana (''shin-tu mthong'') and Akaniṣṭha ('' 'og-min''). 15, 62 +
As enumerated in A. B. Keith, ''Sanskrit Drama'', pp. 298-300, these are: dialogue (''bhāratī'') which includes elucidation (''prarocanā'', Tib. ''rab-tu snang-ba''), prelude (''āmukha''), one-act drama (''vīthī'') and comedy (''prahasana''); grandure (''sātvatī'') which includes haughty provocation (''utthāpaka''), change (''parivartaka''), dialogue with or without threats (''saṃlāpa'') and the end of an alliance (''sāṅghātya''); grace (''kaiśikī'') which includes amorous play (''narman''), the partial expression of love combined with other emotions such as fear (''narmasphoṭa''), the disguise of a lover (''narmagarbha'') and ecstatic union with a lover which has troublesome consequences (''narmasphūrja''); and conflict or horror (''ārabhaṭī'') which includes the sudden change of characters (''saṃkṣiptaka''), or of mood (''avapāta''), the intrusion of the supernatural (''vastūtthāpana'') and tumultuous situations (''saṃpheṭa''). 107 +
“Laughter of Kīla's Great Power” offered by Chogyur Lingpa to Situ Pema Nyinje Wangpo +
Dhṛtarāṣṭra in the east, Virūḍhaka in the south, Virūpākṣa in the west and Vaiśravaṇa in the north. 419 +
Form (''gzugs'', Skt. ''rūpa''), sound (''sgra'', Skt. ''śabda''), smell (''dri'', Skt. ''gandha'') and taste (''ro'', Skt. ''rasa''). 20, 125, 257 +
Refer to the quotation in ''Fundamentals'', (pp. 59-60). 512 +
Not to hate others despite being the object of their hatred; not to retaliate in anger even when angry; not to injure others even when injured; and not to beat others even when one is beaten by them. 52 +
Being (''yod''), non-being (''med''), both being and non-being (''yod-med'') and neither being nor non-being (yod-med min). 26, 126, 162, 184, 233, 269, 348, 350-1 +
These are the five basic energies (''rtsa-ba rlung lnga'') of breath (''srog-'dzin'', Skt. ''prāṇa''), excretion/reproduction (''thur-sel'', Skt. ''apāna''), speech (''rgyen-rgyu'', Skt. ''udāna''), digestion (''mnyam-rgyu'', Skt. ''samāna'') and metabolism/circulation/muscular movement (''khyab-byed'', Skt.. ''vyāna''). Then the five ancillary energies (''yan-lag-gi rlung lnga'') are those of the nāgas (''klu'i rlung'', Skt. ''nāga''), connecting with the eyes; of the tortoise (ru-sbal-gi rlung, Skt. kürma), connecting with the heart; of Brahmā (''tshang-pa'i rlung'', Skt. ''brahmā/kṛkila''), connecting with the nose; of Devadatta (''lhas-sbyin-gyi-rlung'', Skt. ''devadatta''), connecting with the tongue; and of the King of Wealth (''nor-lha rgyal-gi rlung'', Skt. ''dhanañjaya''), connecting with the whole body. 292 +
The possession of expressed meaning (''brjod-bya don-dang ldan-pa''), immaculate words of expression (''rjod-byed tshig dri-ma med-pa''), the renunciation of conflicting emotions (''byed-las khams-gsum-gyi nyon-mongs-pa spong-ba'') and teaching the benefits of peace as the result ('' 'bras-bu zhi-ba'iphan-yon ston-pa''). 73 +
The arts (''blo-rig-gnas'', Skt. ''śilpavidyā''), grammar (''sgra'i rig-gnas'', Skt. śabdavidyā), medicine (''gso-ba'i rig-gnas'', Skt. ''cikitsāvidyā'') and logic (''gtan-tshigs-kyi rig-gnas'', Skt. ''hetuvidyā''). 89, 97-103 +
The recollection of the body (''lus dran-pa nyer-gzhag'', Skt. ''kāyasmṛtyupasthāna''), the recollection of feeling (''tshor-ba dran-pa nyer-gzhag,'' Skt. ''vedanā-smṛtyupasthāna''), the recollection of mind (''sems dran-pa nyer-gshag'', Skt. ''cittasmṛtyupasthāna'') and the recollection of phenomena (''chos dran-pa nyer-gzhag'', Skt. ''dharmasmṛtyupasthāna''); Mvt. (953-6). 236 +
According to [[Anuyoga]], these are consecration or blessing (''byin-gyis rlob''), the overpowering of mundane appearances (''dbang-bsgyur'') and the conduct of skilful means (''thabs-kyi spyod-pa''). 369 +
See THREE LINEAGES +
The [[Mahāsaṅghika]], [[Sthavira]], [[Sammitīya]] and [[Mūlasarvāstivādin]]. 429 +
