Property:Gloss-def
From Buddha-Nature
This is a property of type Text.
T
See EIGHT (GREAT) FEARS +
The awareness-holder of maturation (''rnam-smin rig-'dzin''), the awareness-holder of power over the life-span (''tshe-dbang rig-'dzin''), the awareness-holder of the great seal (''phyag-chen rig-'dzin'') and the awareness-holder of spontaneous presence (''lhun-grub rig-'dzin''). 31, 260, 281-2, 363 +
The corruption of desire ('' 'dod-pa'i zag-pa''), the corruption of rebirth (''srid-pa'i zag-pa'') and the corruption of View (''lta-ba'i zag-pa''). 472 +
As outlined in the chart on pp. 14-15, these are the FIVE PURE ABODES OF THE FORM REALMS, the TWELVE ORDINARY FORM REALMS and the realms of the SIX SPECIES OF KĀMA DIVINITIES. 458 +
Lama Mipham's image of Mañjuśrīghoṣa +
See THREE (WORLD) REALMS +
The dancer, dance, large drum, kettledrum, tambour, large kettledrum, gong, lute, one-sided kettledrum, bell-metal cymbals, bell, three-string lute, mukunda drum, cymbals, chorus, tabor, instrumentation and flute; Mvt. (5007-26). 98 +
Gold, silver, turquoise, coral and pearl; or gold, silver, copper, iron and lead. 838 +
These are included in the FOUR CATEGORIES OF THE SPATIAL CLASS, as enumerated in ''Fundamentals'', (pp. 326-7). 539 +
Exegesis (''bshad-pa''), attainment (''sgrub-pa'') and work (''las''); or alternatively renunciation (''spang-ba''), study (''slob-pa'') and work. 720, 724, 736, 738, 783, 824, 835, 840, 852 +
The TWELVE DEEDS OF THE SUPREME EMANATIONAL BODY in the twelve realms, each of which possesses the FIVE EXCELLENCESof place, teacher, retinue, doctrine and time. 137 +
Those of the FIVE ELEMENTS the mind in their refined states. Their relationship to the buddha-body, speech and mind is explained under the THREE IMPERISHABLE INDESTRUCTIBLE REALITIES. 264 +
Form (''gzugs-kyi phung-po'', Skt. ''rūpaskandha''), feelings (''tshor-ba'i phung-po'', Skt. ''vedanāskandha''), perceptions ('' 'du-shes-kyi phung-po'', Skt. ''saṃjñā- skandha''), habitual tendencies ('' 'du-byed-kyi phung-po'', Skt. ''saṃskāraskandha''), and consciousness (''rnam-shes-kyi phung-po'', Skt. ''vijñānaskandha''). 13, 20, 25, 55-6, 160-1, 170, 213 +
These are enumerated in Longcenpa, ''Dispelling Darkness in the Ten Directions'', p. 344, as smoke (''du-ba''), mirage (''smig-rgyu''), clouds (''sprin''), fire-flies (''me-khyer''), sunlight (''nyi-ma''), moonlight (''zla-ba''), the blazing of gemstones (''rin-po-che 'bar-ba''), eclipse (''sgra-gcan''), starlight (''skar-ma'') and rays of light ('''od-zer''). 301 +
As described in ''History'', pp. 499-501, these are the outer empowerment of conceptual elaboration (''phyi spros-bcas-kyi dbang''); the inner empowerment which is free from conceptual elaboration (''nang spros-bral-gi dbang''); the secret empowerment that is very unelaborate (''gsang-ba shin-tu spros-bral-gi dbang''); and the most secret empowerment which is extremely unelaborate (''gsang-chen rab-tu spros-bral-gi dbang''). The distinctions between these are explained in Longcenpa, ''Treasury of Spiritual and Philosophical Systems'', pp. 370-2. Briefly, the first employs a multiplicity of ritual objects and ideas, the second is free from both ritual objects and ideas, the third is beyond conception and description, while the fourth is the empowerment into the nature of the body of reality. 673, 674-5 +
The FIVE SENSE ORGANS with the addition of the sense organ of the intellect (''yid-kyi dbang-po'', Skt. ''mana' indriya''). 55-6 +
The subtle pristine cognition of appearances (''snang-ba''), emptiness (''stong-pa'') and their coalescence (''zung-'jug''). Refer to [[Mipham]] Rinpoche, ''spyi-don 'od gsal snying-po'', (p. 194). 342 +
The visualisation of maṇḍalas (''dkyil-'khor''), clusters of deities (''tshom-bu''), numbers of deities (''grangs'') and the faces and arms of the deities (''zhal-phyag''). 279-80 +
This is the second of the FOUR STYLES of appraisal of the secret mantra texts which (1) counters regret for entering into the sūtras, etc. (''mdo-sogs-la zhugs-pa'i 'gyod-pa zlog-pa''); (2) counters regret for entering the inner mantras, etc. (''sngags-nang-pa-la zhugs-pa'i 'gyod-zlog''); and (3) conveys the general meaning of the [[creation stage]] (''bskyed-rim-pa'i spyi-don''). 292-3 +
The NINE BRANCHES OF THE SCRIPTURES with the addition of the narratives (''rtogs-pa brjod-pa'', Skt. ''avadāna''), fables (''de-lta-bu byung-ba'', Skt. ''itivṛttaka'') and established instructions (''gtan-phab'', Skt. ''upadeśa''). 17, 76 +
