Vairocanarakṣita

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PeopleVairocanarakṣita


वैरोचनरक्षित
Vairocanarakṣita(b. 11th or 12th Century - )
བཻ་རོ་ཙ་ན་རཀྵི་ཏ་
Buddhist Digital Resource Center

There are at least two Indian authors known by the name Vairocanarakṣita, as well as being the full ordination name of the famous Tibetan translator Vairocana (bai ro tsa na). Of the two Indians, the first was an 11th century scholar from Vikramaśīla, while the second, known also as Vairocanavajra, lived about a century later and spent time in Tibet in the mid-12th century. Based on the literary output of these two figures, with the former producing works on sūtra and the latter more focused on tantra and mahāmudrā, Brunnhölzl suggests the 11th century Vairocanarakṣita as the most likely candidate for the authorship of the Mahāyānottaratantraśāstraṭippanī. However, BDRC seems to conflate these two figures, perhaps even all three, with attributions of their individual works and translations included in the Tibetan canon linking to a single page. Though, it is clear that some of these texts, such as the commentaries on the works of Śāntideva belong to the 11th century Vairocanarakṣita, as they were translated by Ngok Lotsāwa who predates the 12th century Vairocanarakṣita. While, others works linked to the same page should certainly be attributed to this second Vairocanarakṣita, a.k.a. Vairocanavajra, as he was well known among early Kagyu masters for his teaching activities and his translations of several crucial dohas that helped form the basis of the Kagyu mahāmudrā tradition.

Library Items

Book
When the Clouds Part
"Buddha nature" (tathāgatagarbha) is the innate potential in all living beings to become a fully awakened buddha. This book discusses a wide range of topics connected with the notion of buddha nature as presented in Indo-Tibetan Buddhism and includes an overview of the sūtra sources of the tathāgatagarbha teachings and the different ways of explaining the meaning of this term. It includes new translations of the Maitreya treatise Mahāyānottaratantra (Ratnagotravibhāga), the primary Indian text on the subject, its Indian commentaries, and two (hitherto untranslated) commentaries from the Tibetan Kagyü tradition. Most important, the translator’s introduction investigates in detail the meditative tradition of using the Mahāyānottaratantra as a basis for Mahāmudrā instructions and the Shentong approach. This is supplemented by translations of a number of short Tibetan meditation manuals from the Kadampa, Kagyü, and Jonang schools that use the Mahāyānottaratantra as a work to contemplate and realize one’s own buddha nature. (Source: Shambhala Publications)
Brunnhölzl, Karl. When the Clouds Part: The Uttaratantra and Its Meditative Tradition as a Bridge between Sūtra and Tantra. Tsadra Foundation Series. Boston: Snow Lion Publications, 2014.
Text
Vairocanarakṣita: Mahāyānottaratantraśāstraṭippaṇī
One of only two extant Sanskrit commentaries to the Uttaratantra, the other being the pith instruction composed by Sajjana. However, this work seems to have not been translated into Tibetan and thus it had little, if any, influence on the development of the Tibetan exegesis of the Uttaratantra.

On the topic of this person

Article
On the Commentary to the Uttaratantraśāstra by Vairocanarakṣita
Nakamura, Zuiryū. "On the Commentary to the Uttaratantraśāstra by Vairocanarakṣita." (In Japanese.) Indogaku Bukkyōgaku Kenkyū (Journal of Indian and Buddhist Studies) 28, no. 2 (1980): 509–16.
Nakamura, Zuiryū. "On the Commentary to the Uttaratantraśāstra by Vairocanarakṣita." (In Japanese.) Indogaku Bukkyōgaku Kenkyū (Journal of Indian and Buddhist Studies) 28, no. 2 (1980): 509–16.
Article
Two Short Glosses on Yogācāra Texts by Vairocanarakṣita
No abstract given. Here are the first relevant paragraphs:

In Giuseppe Tucci’s collection of Sanskrit manuscripts and photographed materials, a set of positive prints of texts filmed at Ñor monastery contains a codex unicus of Vairocanaraksita’s (fl. 11th/12th century) Yogācāra/Tathāgatagarbha commentarial works:

   1. Viṃśikāṭikāvivṛti (glosses on Vasubandhu’s Viṃśikāvṛtti and Vinītadeva’s Viṃśikāṭīkā);
   2. Triṃśikāṭīkāvivṛti (glosses on Sthiramati’s Triṃśikābhāṣya and Vinītadeva’s Triṃśikāṭīkā);
   3. Madhyāntavibhāgakatipayapadavivṛti (glosses on Vasubandhu’s Madhyāntavibhāgabhāṣya
       and Sthiramati’s Madhyāntavibhāgaṭīkā);
   4. Mahāyānottaratantraṭippaṇī (glosses on the Ratnagotravibhāgavyākhyā);
   5. *Sūtrālaṃkāravivṛti (glosses on Vasubandhu’s Sūtrālaṃkārabhāṣya)2 and
   6. *Dharmadharmatāvibhāgavivṛti (glosses on Vasubandhu’s Dharmadharmatāvibhāgavṛtti).3

      V. Gokhale (1978) was the first to study these works, using Saṅkṛtyāyana’s negatives and the prints made from them, which have been preserved in Patna. He reported titles of the six works, without, however, going into detail because of the poor quality of the images. Subsequently the details of the works remained unknown for a long time, and no complete editions have been published. To be sure, Zuiryū Nakamura edited the text of folios 9v2–14v7 of the Mahāyānottaratantraṭippaṇī (the text of folios 15r1–17r5 remains to be edited);4 and Mathes in his translation of the Dharmadharmatāvibhāgavṛtti referred to some sentences from the *Dharmadharmatāvibhāgavivṛti.5 I myself also edited a small portion of the *Sūtrālaṃkāravivṛti.6
      The present paper contains an editio princeps of the Viṃśikāṭīkāvivṛti and *Dharmadharmatāvibhāgavivṛti. Critical editions of the other three works are under preparation: Francesco Sferra is preparing a critical edition of the Madhyāntavibhāgakatipayapadavivṛti, and I am preparing critical editions of the Mahāyānottaratantraṭippaṇī, the Triṃśikāṭīkāvivṛti and the *Sūtrālaṃkāravivṛti for publication. (Kano, introduction, 343-44)

Notes
  1. [From title] I am grateful to Prof. Francesco Sferra and Prof. Harunaga Isaacson for a number of text-critical suggestions, and Prof. Lambert Schmithausen for permitting me to use his preliminary handwritten transcription of Vairocanarakṣita’s *Dharmadharmatāvibhāgavivṛti, and also for his very valuable suggestions concerning that text. I am indebted, too, to Mrs. Bärbel Mund of Niedersächsische Staats- und Universitätsbibliothek Göttingen for giving me the permission to use photographic images of the Göttingen Collection, to Dr. Diwakar Acharya for his help with deciphering barely legible letters in the manuscript, to Prof. Toru Yagi for his very valuable suggestions regarding Vairocanarakṣita’s grammatical explanations, to Dr. Martin Delhey, Dr. Kengo Harimoto and Dr. Koichi Takahashi for reading my draft and making many valuable suggestions, and to Prof. Robert Kritzer and Philip Pierce for their English proofreading.
  2. The title of the work is not ascertainable from the colophon: sūtrālaṃkāraḥ samāptaḥ II II kṛtiḥ paṇḍitavairocanarakṣitapādānaṃ II II. Other possible Sanskrit titles are Sūtrālaṃkāravivṛti, Sūtrālaṃkārakatipayapadavivṛti, or Sūtrālaṃkāraṭippaṇī.
  3. The title of the work is not ascertainable from the colophon: dharmadharmatāvibhā[gaḥ]. The two illegible akṣaras after °vibhā in the bottom margin are probably gaḥ. Cf. the colophon to the *Sūtrālaṃkāravivṛti. One might expect something like Dharmadharmatāvibhāgavivṛti, Dharmadharmatāvibhāgakatipayapadavivṛti (as suggested by Gokhale 1978: 638), or Dharmadharmatāvibhāgaṭippaṇī. In Kano 2005: 142, I referred to this work under the title “Dharmadharmatāvibhā[gaṭīkā],” supplying the three akṣaras enclosed by square brackets. However, in view of its scope, it can hardly be a ṭīkā, a type of commentary typically more extensive in nature.
  4. For his edition, see Nakamura 1985. For studies of this text, see Nakamura 1980, 1982, 1992. Unfortunately, Nakamura’s edition contains many errors (around 190). It is remarkable that his edition shares some notable errors with Jagdishwar Pandey’s modern transcription preserved at Göttingen under the shelf-mark Xc14/90 (which contains a transcription of the full text of the Mahāyānottaratantraṭippaṇī); we can deduce that one of the two was made on the basis of the other. In my unpublished dissertation (Kano 2006b), I have critically edited the whole text of the Mahāyānottaratantraṭippaṇī and presented a list of corrections to Nakamura’s edition.
  5. See Mathes 1996: 37, 115-135.
  6. The text of folio 17r>sub>7–v6 of this work is edited in Kano 2006a: 92, n. 40.
Kano, Kazuo. "Two Short Glosses on Yogācāra Texts by Vairocanarakṣita: Viṃśikāṭīkāvivṛti and *Dharmadharmatāvibhāgavivṛti." In Part 1 of Sanskrit Texts from Giuseppe Tucci's Collection, edited by Francesco Sferra, 343–80. Manuscripta Buddhica 1. Rome: Istituto Italiano per l’Africa e l’Oriente (IsIAO), 2008.
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