Commentaries

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Revision as of 16:57, 23 December 2019

Commentaries

Here we will collect as many Buddhist commentaries on buddha-nature teachings as possible.


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{{#arraymap: Ngag dbang tshogs gnyis rgya mtsho;

|; |@@@ | |,  }}: Dispelling the Darkness of Partiality: A Commentary on Illumination of the Topics of Tenet Systems by Omniscient Jonangpa

This is a commentary by the Jonangpa scholar Ngawang Tsoknyi Gyatso on the treatise composed by Dolpopa entitled Illuminating the Topics of Tenet Systems. Dolpopa composed the treatise in verse for the Yuan emperor Toghon Temür, who invited Dolpopa to China but Dolpopa declined. Yet, he wrote the treatise for the emperor and he presents his theory of the Middle Way of Other-Emptiness. Ngawang Tsoknyi Gyatso provides a very clear and incisive commentary in prose for Dolpopa's verse text.
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{{#arraymap: Wǒnch'ǔk;

|; |@@@ | |,  }}: Gambhīrasaṃdhinirmocanasūtraṭīkā

Wǒnch'ǔk's commentary to the Saṃdhinirmocanasūtra was extremely popular in the Chinese outpost of Dunhuang, where Chos grub (Ch. Facheng; c. 755–849) translated it into Tibetan during the reign of King Ral pa can (r. 815–838). Only nine of the ten rolls of the commentary are still extant in Chinese; the full text is available only in its Tibetan translation, which the Tibetans know as the "Great Chinese Commentary" (Rgya nag gi 'grel chen) even though it was written by a Korean. (Source: "Wǒnch'ǔk." In The Princeton Dictionary of Buddhism, 996–97. Princeton University Press, 2014. http://www.jstor.org/stable/j.ctt46n41q.27.)
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{{#arraymap: TA ra nA tha;

|; |@@@ | |,  }}: Essence of Other-Emptiness

A fairly brief work by Tāranātha on the basic tenets of the four systems of Buddhist philosophy, namely the Vaibhāṣika, Sautrāntrika, Cittamātra, and Madhyamaka. His exposition culminates with a presentation of the Great Madhyamaka, the pinnacle of the four, which is synonymous with other-emptiness as represented by the Jonang tradition.
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{{#arraymap: gha rung pa lha'i rgyal mtshan;

|; |@@@ | |,  }}: Commentary on the Ultimate Continuum Entitled Illumination of Reality

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{{#arraymap: Maitreya;

|; |@@@ | |,  }}: dharmadharmatāvibhāga

One of the Five Dharma Treatises of Maitreya (byams chos sde lnga). This work exists only in Tibetan translation, of which there are two versions: the Dharmadharmatāvibhāga (chos dang chos nyid rnam par 'byed pa) presented in prose, and the Dharmadharmatāvibhāgakārikā (chos dang chos nyid rnam par 'byed pa'i tshig le'ur byas pa) presented in verse. "The text explains saṃsāra (= dharma) and the nirvāṇa (= dharmatā) attained by the śrāvaka, pratyekabuddha, and bodhisattva; like the Madhyāntavibhāga, it uses the three-nature (trisvabhāva) terminology to explain that, because there is no object or subject, the transcendent is beyond conceptualization. It presents the paths leading to transformation of the basis (aśrayaparāvṛtti), and enumerates ten types of tathatā (suchness)." (Source: The Princeton Dictionary of Buddhism, p. 244)
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{{#arraymap: Sa bzang ma ti paN chen blo gros rgyal mtshan;

|; |@@@ | |,  }}: Illuminating the Definitive Meaning: An Explanation of the Ultimate Continuum

A detailed explanation of the Uttaratantra written by one of Dölpopa's chief disciples.
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{{#arraymap: Karma dkon mchog gzhon nu;

|; |@@@ | |,  }}: Commentary on the Ultimate Continuum Possessing Four Reliances and Causing Delight to the Learned

Commentary on the Ultimate Continuum Possessing Four Reliances and Causing Delight to the Learned
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{{#arraymap: Tsul;

|; |@@@ | |,  }}: Buddha Gene as Non-implicative Negation and Other Notes on Buddha-Nature

Found among the rare old manuscripts from Kham area, these notes appear in vols. 44 and 45 of the collection. They discuss the three types of the Buddha element at three stages and also link them to the ground, path and resultant stages and other aspects of the Dzogchen system. Some of the notes are signed by one named Tsul but it is not clear who the Tsul is.
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{{#arraymap: Skyo ston smon lam tshul khrims;

|; |@@@ | |,  }}: The Essential Pith Instructions That Summarize the Quintessence of the Piṭakas

One of a series of short texts by the Kadam scholar Kyotön Mönlam Tsultrim, this was composed in Narthang at the behest of Sonam Dar, a descendent of Kyide Nyima Gön and at the request of Geshe Gönden Ö and Yönten Ö. The text contains concise lamrim instructions starting with (1) instruction on the contemplation on precious humanhood, impermanence and the law of cause and effect, and the practice of taking refuge for the inferior individuals, (2) contemplation of defects of cycle of existence, renunciation and non-self for those following the path of the hearers and solitary realisers for the middling individuals, and (3) finally the cultivation of bodhicitta and meditation on non-conceptuality and luminous nature of the mind which is free from all elaborations for superior individuals. This brief teaching underscores the importance of eradicating conceptual thoughts and abiding in the non-conceptual luminous nature of the mind.
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{{#arraymap: ShAkya mchog ldan;

|; |@@@ | |,  }}: Four Works including Exegesis on the Uttaratantra Entitled the Sun Previously Unseen

Four works including an exegesis on the Uttaratantra by an important Sakya scholar known for taking, at times, controversial stances that challenged the philosophical positions of even his own school. These works, thus, represent a unique view of buddha-nature that is unconfined by the sectarian affiliations that otherwise dominated the Tibetan philosophical landscape.
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{{#arraymap: Dol po pa;

|; |@@@ | |,  }}: Benediction of Sugatagarbha

Verses of benediction to invoke the auspiciousness of sugatagarbha composed by Dölpopa.
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{{#arraymap: TA ra nA tha;

|; |@@@ | |,  }}: Essential Points on the Origins of the Cycle of Teachings on the Kālacakra

Tāranātha's history of the Kālacakra teachings.
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{{#arraymap: Thogs med bzang po;

|; |@@@ | |,  }}: Verses from the Beginning and Conclusion of Sūtrālaṅkāra, Bodhicaryāvatāra and Uttaratantra

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{{#arraymap: Ngag dbang tshogs gnyis rgya mtsho;

|; |@@@ | |,  }}: Illuminating Light: An Exegesis of Omniscient Jonangpa's Intent Aligned with General Treatises of Madhyamaka and Pramāṇa

An explanation of the general meaning of the scriptures on Madhyamaka (dbu ma) and pramāṇa (tshad ma) by the influential modern Jonangpa scholar Ngawang Tsoknyi Gyatso (1880-1940).
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{{#arraymap: 'gos lo tsA ba gzhon nu dpal;

|; |@@@ | |,  }}: The Commentary on the Treatise “Mahāyāna-Uttaratantra”: The Mirror Showing Reality Very Clearly

Gö Lotsāwa Zhönu Pal's commentary to the Ratnagotravibhāgavyākhyā, that presents the text from within the mahāmudrā tradition of Maitrīpa and Gampopa. More specifically, as Mathes reports, the author, himself, states in his colophon that "he combined the commentarial tradition of Loden Sherab with Gampopa's and Drigung Jigten Sumgön's mahāmudrā interpretation of the Ratnagotravibhāga." (A Direct Path to the Buddha Within, p. 411.)
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{{#arraymap: 'bri gung skyob pa 'jig rten mgon po;

|; |@@@ | |,  }}: Mahāyāna System on Establishing the Wheels of Dharma Received by Onge

These are teachings delivered by Drikung Kagyu master Jikten Sumgön that includes an account of the twelve great events of the buddha and the detailed explanation of the three turnings of the wheel of dharma and written down by his student Onge. The text also contains a praise of the Ultimate Continuum as containing the gist of the third wheel.
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{{#arraymap: Bo dong paN chen phyogs las rnam rgyal;

|; |@@@ | |,  }}: Commentary on the Ultimate Continuum, a Great Treatise Connecting Sūtra and Mantra

A commentary on the Ratnagotravibhāga by the famed scholar Bodong Paṇchen Chokle Namgyal. He considers this text a connector between sūtra and mantra traditions and argues that buddha-nature does not possess the qualities of the Buddha but is luminous and pure by nature.
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{{#arraymap: Sgam po pa;

|; |@@@ | |,  }}: Ornament of Precious Liberation: A Wish-Fulfilling Gem of Sublime Dharma

One of Gampopa's most enduring works. It was one of the first "stages of the path" (lam rim) texts to be written by a Tibetan, after the genre was introduced by Atiśa through his famous composition Bodhipathapradīpa, The Stages of the Path to Enlightenment.
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{{#arraymap: Bu ston rin chen grub;

|; |@@@ | |,  }}: Ornament That Illuminates and Beautifies the Tathāgata Heart

Butön's study on the theory of the tathāgatagarbha written in 1359. In this text he argues that the teachings on buddha-nature are of an expedient or provisional meaning, which is a position that is typical of the Sakya view as set forth by Sakya Paṇḍita and others. He backs up this position with citations from the Ghanavyūhasūtra, the Laṅkāvatārasūtra, the Śrīmālādevīsūtra, the Aṅgulimālīyasūtra, and the Ratnagotravibhāga.
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{{#arraymap: Karmapa, 8th;

|; |@@@ | |,  }}: General Outline of the Tenets of the Single Intention that Reveal Errors Concerning the Inner Meaning of the Profound Great Discourses that Distinguish Dharma from that which is not Dharma

The Eight Karmapa's general outline of the tenets of the Sacred Teaching on the Single Intention (Dam chos dgongs pa gcig pa).
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{{#arraymap: Maitreya;

|; |@@@ | |,  }}: Abhisamayālaṃkāranāmaprajñāpāramitopadeśaśāstrakārikā

In Sanskrit, “Ornament of Realization”; a major scholastic treatise of the Mahāyāna, attributed to Maitreyanātha (c. 330 ce). Its full title is Abhisamayālaṃkāra-prajñāpāramitā upadeśa-śāstra (T. Shes rab kyi pha rol tu phyin pa'i man ngag gi bstan bcos mngon par rtogs pa'i rgyan) or “Treatise Setting Forth the Perfection of Wisdom called ‘Omament for Realization.’” In the Tibetan tradition, the Abhisamayālaṃkāra is counted among the five treatises of Maitreya (Byams chos sde lnga). The 273 verses of the Abhisamayālaṃkāra provide a schematic outline of the perfection of wisdom, or prajñāpāramitā, approach to enlightenment, specifically as delineated in the Pañcaviṃśati-sāhasrikā Prajñāpāramitā (“Perfection of Wisdom in Twenty-Five Thousand Lines”). This detailed delineation of the path is regarded as the “hidden teaching” of the prajñāpāramitā sūtras. Although hardly known in East Asian Buddhism (until the modern Chinese translation by Fazun), the work was widely studied in Tibet, where it continues to hold a central place in the monastic curricula of all the major sects. (Source: The Princeton Dictionary of Buddhism, p. 11)
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{{#arraymap: Karmapa, 8th;

|; |@@@ | |,  }}: The Lamp That Excellently Elucidates the System of the Proponents of the Other-Emptiness Madhyamaka

In terms of its contents, the Lamp represents a digest of the Uttaratantra, discussing its seven vajra points.
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{{#arraymap: ShAkya mchog ldan;

|; |@@@ | |,  }}: Undermining the Haughtiness of Others by the Wheel of Brahma: A Treatise Clarifying Mahāmudrā

In this book, Śākya Chokden seeks to explain the luminous nature of the mind which he says is also popularly given the name Mahāmudrā in Tibet (སེམས་ཀྱི་རང་བཞིན་འོད་གསལ་ལ།། ཕྱག་རྒྱ་ཆེན་པོའི་མཚན་གསོལ་ནས། །གངས་ཅན་ལྗོངས་སུ་ཆེར་གྲགས་པ། །དེ་ཉིད་མདོ་ཙམ་གསལ་བར་བྱ།།). In elucidating the Mahāmudrā advocated by Gampopa, he presents a detailed explanation of it by pointing out that the Mahāmudrā in this context is the luminous nature of the mind, which is common to all Mahāyāna traditions, and the one which is explicitly taught in the works of Maitreya, particularly in the Ultimate Continuum. This nature is totally obscured or tainted in the ground phase (གཞི་དུས་མ་དག་པ་), partially tainted or obscured at the path phase (ལམ་དུས་ཕྱོགས་གཅིག་དག་པ་) and fully purified at the fruition phase (འབྲས་དུས་ཐམས་ཅད་དག་པ་). He writes that the basic element of buddha nature is the ground to be purified, the stains to be removed are nine-fold perhaps referring to the nine analogies used to illustrate how buddha-nature is obscured by the afflictive emotions, the antidote which purifies is the discernment of buddha-nature and the final result the perfection of purity, self and bliss. A resemblance of the final result is already perceived on the Path of Seeing, and such experience of buddha nature is said to be the seeing of Mahāmudrā. He states that Mahāmudrā in this context is not the emptiness of non-implicative negation as argued in the scholastic writings of Nāgārjuna but what is taught in the writings of Maitreya, or the definitive ultimate reality taught in the Third Turning after having taught self-emptiness in the Middle Turning. He then explains how such nature is actualized through meditation by removing the dualistic conceptual thoughts and emotions which are included in the eight types of consciousness that characterize the three realms of cycle of existence. In the final section, he refutes several misunderstanding and criticism concerning Mahāmudrā and argues that this Mahāmudrā cannot be realized merely through conceptual reasoning but through practice of non-mentation with the help of instructions which points out the nature of the mind and devotion to guru. Intellectual study and single-pointed concentration are not prerequisites for the experience of Mahāmudrā. He adds that positing the emptiness, which is a non-implicative negation after a reductionist analysis, as Mahāmudrā is not in accordance with the Ultimate Continuum or the purport of the hymns by Saraha.
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{{#arraymap: Mi pham rgya mtsho;

|; |@@@ | |,  }}: Distinguishing Wisdom from Appearances: A Commentary on Distinguishing Phenomena and their Nature

Mipam's commentary on the Dharmadharmatāvibhāga, one of the Five Dharma Treatises of Maitreya (byams chos sde lnga) said to have been presented to Asaṅga by the bodhisattva Maitreya in the Tuṣita heaven.
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{{#arraymap: ;

|; |@@@ | |,  }}: Annotated Commentary on the Ultimate Continuum

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{{#arraymap: Dol po pa;

|; |@@@ | |,  }}: Distinguishing Dharma: A Letter to Pön Jangpa

A lengthy polemical work by Dölpopa that addresses various disputed philosophical positions. Pön Jangpa sent Dolpopa some polemical writings with a measure of gold as gift asking him to send him response. In response, Dölpopa wrote this treatise explaining how self-emptiness as many Tibetan scholars understood is not the ultimate truth but buddha-nature endowed with buddha qualities is.
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{{#arraymap: Karmapa, 8th;

|; |@@@ | |,  }}: Chariot of the Siddhas of the Dakpo Lineage: The Oral Instructions of Glorious Dusum Khyenpa, an Extensive Commentary on the Madhyamakāvatāra

The Eighth Karmapa's commentary on Candrakīrti's Madhyamakāvatāra (Entry into the Middle Way), presented as the oral instructions of the First Karmapa, Dusum Khyenpa. This extensive commentary covers the transmission of the teachings of Middle Way to Tibet, polemical discussions on the difference between Middle Way in sūtra and mantra traditions and the proper commentary on the root verses. The author also comments on Candrakīrti's interpretation of buddha-nature teachings as provisional.
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{{#arraymap: 'jam mgon kong sprul;

|; |@@@ | |,  }}: The Unassailable Lion's Roar

Jamgön Kongtrul's commentary on the Uttaratantra which, according to Brunnhölzl, draws heavily from Dölpopa's work on the same subject. Over the course of time since Kongtrul's passing at the dawn of the 20th century up until the present this text has become the primary commentary to the Uttaratantra used in the Kagyu tradition.
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{{#arraymap: Karmapa, 15th;

|; |@@@ | |,  }}: Annotated Commentary on the Treatise on Pointing Out the Tathāgata Heart

An annotated commentary written by the fifteenth Karmapa on the Third Karmapa's verses on buddha-nature, The Treatise on Pointing Out the Tathāgata Heart.
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{{#arraymap: Rinchen, Gendun;

|; |@@@ | |,  }}: The Precious Lamp: An Extensive Explanation of the Words and Meaning of the Mahāyāna Uttaratantra

This is a commentary on Ratnagotravibhāga by the 69th Je Khenpo of Bhutan, Gendun Rinchen. The commentary was composed in 1983 at the request of his students when he was giving lectures on Ratnagotravibhāga in the Maitreya Temple at Phajoding, Bhutan. It is most likely the first commentary by a Bhutanese scholar. The author claims to have based his commentary on the annotated commentary of Khenpo Zhenga while also including the best of other commentaries by Tibetan masters.
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{{#arraymap: Asaṅga;

|; |@@@ | |,  }}: Mahāyānottaratantraśāstravyākhyā

In the Tibetan tradition, which parses out the root verses and refers to that as the treatise (bstan bcos, śāstra), this title references the full text complete with the root verses and the accompanying prose commentary (rnam par bshad pa, vyākhyā). While the earlier Chinese tradition attributes authorship of both aspects of the text to the as of yet still mysterious figure of Sāramati, the Tibetan tradition attributes the treatise to the Bodhisattva Maitreya and this commentary to the illustrious founder of the Yogācāra school, Asaṅga. However, unlike the Chinese tradition which delineates different aspects of the text into the basic verses, the commentarial verses, and the prose commentary, the Tibetan tradition actually preserves two separate versions of the text we know as the Ratnagotravibhāga.

The first, made up entirely of the so-called root verses, corresponds to the Sanskrit title Ratnagotravibhāga Mahāyānottaratantraśāstra, though it is usually referenced in this tradition by the Tibetan equivalent of the latter subtitle, Theg pa chen po rgyud bla ma'i bstan bcos, which is commonly rendered into English as the Treatise on the Ultimate Continuum of the Great Vehicle and is abbreviated as RGV. However, the full title, Theg pa chen po rgyud bla ma'i bstan bcos dkon mchog gi rigs rnam par dbye ba, does appear at the end of each chapter of the canonical Tibetan recensions. Nevertheless, this version is likely a Tibetan redaction, in that thus far there is no evidence of a Sanskrit version written entirely in verse that excludes the commentarial sections that explain them.

The second, which combines the verses with their accompanying prose commentary, corresponds to the *Ratnagotravibhāgavyākhyā as it has become known in academic circles where it is referenced with the abbreviation RGVV. However, in Tibetan the subtitle is merely appended with the equivalent of vyākhyā, i.e. Theg pa chen po rgyud bla ma'i bstan bcos rnam par bshad pa, and thus a translation of the Tibetan title of the complete text would be something akin to the Explanatory Commentary on the Treatise on the Ultimate Continuum of the Great Vehicle. However, the extant Sanskrit recension of the Ratnagotravibhāga Mahāyānottaratantraśāstra directly corresponds to the Tibetan version known as the *Ratnagotravibhāgavyākhyā, in that it contains both the root verses and the prose commentary. Though, again, lacking a Sanskrit work entitled the Ratnagotravibhāgavyākhyā, we can surmise that its corresponding Tibetan title was likely manufactured in order to delineate it from the streamlined verse redaction, while the Sanskrit title *Ratnagotravibhāgavyākhyā was in turn a product of modern scholars. On the surface it would seem that this title is a combination of the Chinese title back translated into Sanskrit as the Ratnagotraśāstra and the one found in the Tibetan editions, which state the Sanskrit title as the Mahāyānottaratantraśāstravyākhya. Nevertheless, in terms of content, the Sanskrit RGV corresponds to the Tibetan RGVV, in that the Ratnagotravibhāga Mahāyānottaratantraśāstra is the same text as Theg pa chen po rgyud bla ma'i bstan bcos rnam par bshad pa.

Also, see the Ratnagotravibhāga Mahāyānottaratantraśāstra and for a recent essay on the text: On the Ratnagotravibhāga by Alexander Gardner.
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{{#arraymap: Skyo ston smon lam tshul khrims;

|; |@@@ | |,  }}: The Meaning of the Essence of Luminosity

A Kadam work on luminosity and buddha-nature.
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{{#arraymap: Mi pham rgya mtsho;

|; |@@@ | |,  }}: Lion's Roar: Exposition of Buddha-Nature

Mipam lays out his view of buddha-nature in a short text called Lion's Roar: Exposition of Buddha-Nature, which draws on another of the five treatises of Maitreya, the Sublime Continuum. Here he presents three main arguments showing why all beings have buddha-nature. He also distinguishes his view of buddha-nature, which he portrays as the unconditioned unity of emptiness and appearance, from other traditions' views. Namely, he contrasts his view with traditions that maintain buddhanature as truly real and not empty (Jonang), traditions that hold buddhanature to be simply the mind's absence of true existence (Geluk), and traditions that maintain that the cognitive quality of buddha-nature—the element that is in unity with emptiness—is impermanent (a Sakya view). (Source: Duckworth, Douglas. Jamgön Mipham: His Life and Teachings. Boston: Shambhala Publications, 2011: p 58.)
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{{#arraymap: Dol po pa;

|; |@@@ | |,  }}: The Great Treasure of Faith and Devotion: A Praise to Sugatagarbha

Verses of praise to sugatagarbha, or buddha-nature, composed by Dölpopa.
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{{#arraymap: ShAkya mchog ldan;

|; |@@@ | |,  }}: Ascertaining the Dharmadhātu: a Detailed Explanation of the Dharmadhātustava

In this commentary on Nāgārjuna's Dharmadhātustava, the renowned Sakya scholar Śākya Chokden reasons that he wrote this commentary because many scholars misunderstand dharmadhātu or sphere of reality to be mere emptiness that is non-implicative negative and do not understand that it has a luminous aspect of awareness.
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{{#arraymap: TA ra nA tha;

|; |@@@ | |,  }}: Ornament of Other-Emptiness Madhyamaka

A polemical work defending the other-emptiness view of the Jonang tradition that addresses the criticism of this position by other Tibetan schools. This discursive text discusses the provisional or ultimate nature of the three turnings of the wheel of dharma, the position of Indian masters and philosophical schools, the intent of the Mahāyāna sūtras and the rebuts the criticism of other-emptiness by proponents of the self-emptiness theory in Tibet.
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{{#arraymap: Drukchen, 4th;

|; |@@@ | |,  }}: An Exposition of Mahāmudrā: The Treasure Vault of the Victors

In his exposition of the Mahāmudrā view in the Phyag chen rgyal ba’i gan mdzod, Padma dkar po adopts Yang dgon pa’s famous distinction between the mahāmudrā in the modes of abiding (gnas lugs phyag chen) and error ( ’khrul lugs phyag chen) as an interpretive schema both for [1] clarifying the doctrine of the unity or nonduality of the two truths—which he takes as a central doctrine of the Madhyamaka, Mantrayāna and ’Brug pa Bka’ brgyud traditions—and [2] criticizing the rival Jo nang account of reality which posits the conventional and ultimate as two great kingdoms that have nothing in common. (Source: Mahamudra and the Middle Way - Vol. 2, 157.)
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{{#arraymap: TA ra nA tha;

|; |@@@ | |,  }}: The Scriptural Citations for the Ornament of Madhyamaka of Other-Emptiness

A supplement to Tāranātha's Ornament of Madhyamaka of Other-Emptiness (Gzhan stong dbu ma'i brgyan) that focuses on the scriptural sources of the other-emptiness philosophy. The scriptural citations and reference which were barely mentioned or referred to in the Ornament of Madhyamaka of Other-Emptiness are quoted in full to substantiate the claims of the proponents of Other-Emptiness.
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{{#arraymap: TA ra nA tha;

|; |@@@ | |,  }}: Thoroughly Ascertaining the Great Middle Way of the Expansive Supreme Vehicle

An expansive work on the Zhentong philosophy known as Great Madhyamaka in the Jonang Tradition.
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{{#arraymap: Sangye Nyenpa, 10th;

|; |@@@ | |,  }}: Music of the Sphere of Definitive Meaning: Detailed Explanation of the Mahamudra Prayer in Accordance with the Philosophy of the Great Emptiness-of-Other

A clear explanation of the Third Karmapa Rangjung Dorje's famous Mahāmudrā Aspiration Prayer in colloquial Tibetan by a leading contemporary Karma Kagyu master Sangay Nyenpa Rinpoche.
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{{#arraymap: Karmapa, 3rd;

|; |@@@ | |,  }}: Aspiration Prayer of the Definitive Meaning of Mahāmudrā

The Mahamudra Prayer by the Third Karmapa Rangjung Dorje is a short yet thorough and profound text which presents all the essential points of Mahamudra teaching in terms of view, practice, and fruition. It is a classic that, especially in the tradition of the Karma Kagyu school of Tibetan Buddhism, has been and is widely used whenever a disciple is given a first introduction into Mahamudra. The Third Karmapa shows how to recognize our ultimate potential as a buddha. (Source: Shambhala Publications)
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{{#arraymap: Nāgārjuna;

|; |@@@ | |,  }}: Dharmadhātustava

Also known as the Dharmadhātustotra, it is a praise written in verse attributed to Nāgārjuna. A Sanskrit manuscript found in Tibet was recently published in 2015. However, before this it was only extant in Tibetan and Chinese translations, though fragments of this text were found to be quoted in other Sanskrit texts. It is notable as perhaps the only work of Nāgārjuna that takes a positivistic view of emptiness and the existence of wisdom, in this case represented by the dharmadhātu. In fact much of the language echoes descriptions of buddha-nature. Though modern scholarship has thus called the attribution of this text to Nāgārjuna into question based on its contents, Tibetan scholars have utilized the text as a support for works that promote or defend tathāgatagarbha and it is especially prominently featured in works on other-emptiness (gzhan stong) and Great Madhyamaka.
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{{#arraymap: Candrakīrti;Candrakīrti

|; |@@@ | |,  }}: Madhyamakāvatāra

Madhyamakāvatāra. (T. Dbu ma la 'jug pa). In Sanskrit, "Entrance to the Middle Way" (translated also as "Supplement to the Middle Way"); the major independent (as opposed to commentarial) work of the seventh-century Indian master Candrakīrti, who states that it is intended as an avatāra (variously rendered as "primer," "entrance," and "supplement") to Nāgārjuna's Mūlamadhyamakakārikā. The work is written in verse, to which the author provides an extensive prose commentary (bhāṣya). The work is organized around ten "productions of the aspiration to enlightenment" (bodhicittotpāda), which correspond to the ten stages (bhūmi) of the bodhisattva path (drawn largely from the Daśabhūmikasūtra) and their respective perfections (pāramitā), describing the salient practices and attainments of each. These are followed by chapters on the qualities of the bodhisattva, on the stage of buddhahood, and a conclusion. The lengthiest (comprising approximately half of the work) and most important chapter of the text is the sixth, dealing with the perfection of wisdom (prajñāpāramitā). This is one of the most extensive and influential expositions in

Indian literature of Madhyamaka philosophical positions. In it, Candrakīrti provides a detailed discussion of the two truths—ultimate truth (paramārthasatya) and conventional truth (saṃvṛtisatya)—arguing that all things that have these two natures and that conventional truths (which he glosses as "concealing truths") are not in fact true because they appear falsely to the ignorant consciousness. He also discusses the crucial question of valid knowledge (pramāṇa) among the unenlightened, relating it to worldly consensus (lokaprasiddha). The sixth chapter also contains one of the most detailed refutations of Yogācāra in Madhyamaka literature, treating such topics as the three natures (trisvabhāva), the foundational consciousness (ālayavijñāna), and the statements in the sūtras that the three realms of existence are "mind-only" (cittamātra). This chapter also contains Candrakīrti's most famous contribution to Madhyamaka reasoning, the sevenfold reasoning designed to demonstrate the absence of a personal self (pudgalanairātmya). Adding to and elaborating upon a fivefold reasoning found in Nāgārjuna's Mūlamadhyamakakārikā, Candrakīrti argues that the person does not intrinsically exist because of it: (1) not being the aggregates (skandha), (2) not being other than the aggregates, (3) not being the basis of the aggregates, (4) not depending on the aggregates, (5) not possessing the aggregates, (6) not being the shape of the aggregates, and (7) not being the composite of the aggregates. He illustrates this reasoning by applying it to the example of a chariot, which, he argues, is not to be found among its constituent parts. The sixth chapter concludes with a discussion of

the sixteen and the twenty forms of emptiness (śūnyatā), which include the emptiness of emptiness (śūnyatāśūnyatā). The work was the most widely studied and commented upon Madhyamaka text in Tibet among all sects, serving, for example, as one of the "five texts" (zhung lnga) that formed the Dge lugs scholastic curriculum. The work is preserved only in Tibetan, although a Sanskrit manuscript of verses has been discovered in Tibet. (Source: "Madhyamakāvatāra." In The Princeton Dictionary of Buddhism, 489. Princeton University Press, 2014. http://www.jstor.org/stable/j.ctt46n41q.27.)
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{{#arraymap: Brag dkar blo bzang dpal ldan bstan 'dzin snyan grags;

|; |@@@ | |,  }}: Offering Clouds to Delight Our Protector Maitreya: A Commentary on the Treatise on the Ultimate Continuum of the Mahāyāna

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{{#arraymap: Kun dga' rnam rgyal;

|; |@@@ | |,  }}: Supplement to Rongtön's Commentary on the Ultimate Continuum

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{{#arraymap: ShAkya mchog ldan;

|; |@@@ | |,  }}: Opening the Hundred Doors to the Treasure of Ascertaining the Dharmadhātu

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{{#arraymap: Tsong kha pa;

|; |@@@ | |,  }}: The Great Treatise on the Stages of the Path to Enlightenment

Lam rim chen mo. In Tibetan, "Great Treatise on the Stages of the Path"; the abbreviated title for one of the best-known works on Buddhist thought and practice in Tibet, composed by the Tibetan luminary Tsong khapa Blo bzang Grags pa in 1402 at the central Tibetan monastery of Rwa sgreng. A lengthy treatise belonging to the lam rim, or stages of the path, genre of Tibetan Buddhist literature, the Lam rim chen mo takes its inspiration from numerous earlier writings, most notably the Bodhipathapradīpa ("Lamp for the Path to Enlightenment") by the eleventh-century Bengali master Atiśa Dīpaṃkaraśrījñāna. It is the most extensive treatment of three

principal stages that Tsong kha pa composed. The others include (1) the Lam rim chung ba ("Short Treatise on the Stages of the Path"), also called the Lam rim 'bring ba ('"Intermediate Treatise on the States of the Path") and (2) the Lam rim bsdus don ("Concise Meaning of the Stages of the Path"), occasionally also referred to as the Lam rim chung ngu ("Brief Stages of the Path"). The latter text, which records Tsong kha pa's own realization of the path in verse form, is also referred to as the Lam rim nyams mgur ma ("Song of Experience of the Stages of the Path"). The Lam rim chen mo is a highly detailed and often technical treatise presenting a comprehensive and synthetic overview of the path to buddhahood. It draws, often at length, upon a wide range of scriptural sources including the Sūtra and śāstra literature of both the hīnayāna and Mahāyāna; Tsong kha pa treats tantric practice in a separate work. The text is organized under the rubric of the three levels of spiritual predilection, personified as "the three individuals" (skyes bu gsum): the beings of small capacity, who engage in religious practice in order to gain a favorable rebirth in their next lifetime; the beings of intermediate capacity, who seek liberation from rebirth for themselves as an arhat; and the beings of great capacity, who seek to liberate all beings in the universe from suffering and thus follow the bodhisattva path to buddhahood. Tsong kha pa's text does not lay out all the practices of these three types of persons but rather those practices essential to the bodhisattva path that are held in common by persons of small and intermediate capacity, such as the practice of refuge (śaraṇa) and contemplation of the uncertainty of the time of death. The text includes extended discussions of topics such as relying on a spiritual master, the development of bodhicitta, and the six perfections (pāramitā). The last section of

the text, sometimes regarded as a separate work, deals at length with the nature of serenity (śamatha) and insight (vipaśyanā); Tsong kha pa's discussion of insight here represents one of his most important expositions of emptiness (śūnyatā). Primarily devoted to exoteric Mahāyāna doctrine, the text concludes with a brief reference to Vajrayāna and the practice of tantra, a subject discussed at length by Tsong kha pa in a separate work, the Sngags rim chen mo ("Stages of the Path of Mantra"). The Lam rim chen mo's full title is Skyes bu gsum gyi rnyams su blang ba'i rim pa thams cad tshang bar ston pa'i byang chub lam gyi rim pa. (Source: "Lam rim chen mo." In The Princeton Dictionary of Buddhism, 465-66. Princeton University Press, 2014. http://www.jstor.org/stable/j.ctt46n41q.27.)
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|; |@@@ | |,  }}: The Essence of the Explanation of the Provisional and True Meanings

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|; |@@@ | |,  }}: The Thoroughly Clear Intention: A Detailed Explanation of the Madhyamakāvatāra

This work is perhaps the most influential explanation of Candrakīrti's seventh-century classic Entering the Middle Way (Madhyamakāvatāra).

Written as a supplement to Nagarjuna’s Fundamental Verses on the Middle Way, Candrakīrti’s text integrates the central insight of Nagarjuna’s thought—the rejection of any metaphysical notion of intrinsic existence—with the well-known Mahayana framework of the ten levels of the bodhisattva, and it became the most studied presentation of Madhyamaka thought in Tibet.

Completed the year before the author’s death, Tsongkhapa’s exposition of Candrakīrti's text is recognized by the Tibetan tradition as the final standpoint of Tsongkhapa on many philosophical questions, particularly the clear distinctions it draws between the standpoints of the Madhyamaka and Cittamatra schools.

Written in exemplary Tibetan, Tsongkhapa’s work presents a wonderful marriage of rigorous Madhyamaka philosophical analysis with a detailed and subtle account of the progressively advancing mental states and spiritual maturity realized by sincere Madhyamaka practitioners. (Source: Thupten Jinpa, Illuminating the Intent, 2021.)
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{{#arraymap: Drikung Chungtsang, 1st;

|; |@@@ | |,  }}: Light of the Sun: Detailed Exposition of the Excellent Dharma, the Single Intention, a Well-Expressed Clarification of the Meaning of the Scriptures

Rikdzin Chökyi Drakpa's extensive commentary on the Sacred Teaching on the Single Intention (Dam chos dgongs pa gcig pa), one of the core texts of the Drikung Kagyu tradition that is reported to be the oral teachings of Jikten Gönpo that were written down and edited together by his student Sherab Jungne.
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{{#arraymap: Tsong kha pa;

|; |@@@ | |,  }}: Golden Garland of Excellent Explanation: A Commentary on the Abhisamayālaṃkāra

Tsongkhapa's comprehensive treatise on both Maitreya's Abhisamayālaṃkāra and the commentary on this work by Haribhadra, the Abhisamayālaṃkāravrtti.
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{{#arraymap: Rdo rje shes rab;

|; |@@@ | |,  }}: Great Commentary on the Sacred Teaching on the Single Intention: Illuminating Wisdom Lamp

Dorje Sherab's extensive commentary on the Sacred Teaching on the Single Intention (Dam chos dgongs pa gcig pa), one of the core texts of the Drikung Kagyu tradition that is reported to be the oral teachings of Jikten Gönpo that were written down and edited together by his student Sherab Jungne.
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|; |@@@ | |,  }}: Buddha Nature Treatise

An influential text in East Asian on buddha-nature attributed in the Chinese canon to Vasubandhu. Though no Sanskrit recension nor Tibetan translation has ever been located it was reportedly translated into Chinese by Paramārtha in the 6th century. Much like the Awakening of Faith in the Mahāyāna, several modern scholars of East Asian Buddhism have surmised that the work may have been actually composed by Paramārtha. The Saṃdhigambhīranirmocanasūtratīkā composed by Wan tshik translated from Chinese to Tibetan by Gö Chodrub mentions this treatise about ten times.
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{{#arraymap: Karmapa, 3rd;

|; |@@@ | |,  }}: An Explanation of In Praise of Madhyamaka-Dharmadhātu

A commentary by the Third Karmapa on Nāgārjuna's Dharmadhātustava.
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{{#arraymap: Byang rtse mkhan zur bsod nams kun dga';

|; |@@@ | |,  }}: Moon that Illuminates the Indian and Tibetan Interpretations of Buddha Nature

A commentary on buddha-nature by twentieth-century Gelukpa scholar Jangtse Khenzur Sönam Kunga (1929–1995)
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{{#arraymap: Ngag dbang tshogs gnyis rgya mtsho;

|; |@@@ | |,  }}: Removing the Anguish of Holding to Extremes: Explanation of Omniscient Jonangpa's Madhyamaka of Other Emptiness

A treatise on the Madhyamaka philosophy of Other-Emptiness (gzhan stong) as inherited from Dölpopa by the influential modern Jonangpa scholar Ngawang Tsoknyi Gyatso (1880-1940). Tsoknyi Gyatso explains the system of the ground, path and result in this text, followed by a synopsis of the Ultimate Continuum.
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{{#arraymap: Karmapa, 8th;

|; |@@@ | |,  }}: Karmapa's Great Commentary on the Sacred Teaching of the Single Intention

The 8th Karmapa's commentary on the famous treatise, the Sacred Teaching on the Single Intention (Dam chos dgongs pa gcig pa) by Drikungpa master Jikten Gönpo. The Single Intention is a compendium of critical philosophical, soteriological, and moral positions taught by Jikten Gönpo and written down by his disciple and nephew Sherab Jungne. The text contains 150 critical vajra words (རྡོ་རྗེའི་གསུང་) in seven groups (ཚོམས་), along with another 47 appended points (ལྷན་ཐབས་). The root text composed by Sherab Jungne has seen several commentaries, including one by the first Drikung Chungtsang Chökyi Drakpa. This extensive commentary by the 8th Karmapa Mikyö Dorje is perhaps the only long commentary by Karma Kagyu master on the Single Intention.
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{{#arraymap: Btsan kha bo che;

|; |@@@ | |,  }}: Instructions on the View of Other-Emptiness

A brief summary of the three natures (trisvabhāva / rang bzhin gsum) of the Yogācāra school that was reportedly reproduced from a manuscript of the writings of Tsen Khawoche and included in the One Hundred and Eight Instructions of the Jonang (Jo nang khrid brgya), that was edited together by Kunga Drolchok. If reports of its provenance are correct, then it would likely be the earliest appearance in a Tibetan work of the terms other-emptiness (gzhan stong) and Great Madhyamaka (dbu ma chen po).
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{{#arraymap: Dpal sprul rin po che;

|; |@@@ | |,  }}: Outline of the Mahāyāna Treatise the Uttaratantra

A topical outline of the Ratnagotravibhāga written by the famed 19th century Nyingma scholar Paltrul Rinpoche, Orgyen Jigme Chökyi Wangpo.
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{{#arraymap: 'jam dbyangs mkhyen brtse'i dbang po;

|; |@@@ | |,  }}: A Concise Presentation of Other-Emptiness Madhyamaka

A brief overview of the philosophical positions and related terminology of other-emptiness (gzhan stong) Madhyamaka with an emphasis on the Jonang perspective developed by Dölpopa.
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{{#arraymap: Dol po pa;

|; |@@@ | |,  }}: The Great Calculation of the Doctrine Which Has the Significance of a Fourth Council

The seminal work of Dölpopa often simply referred to as the Fourth Council. Structured around the notion of four eons drawn from the Kālacakra Tantra, it is one of the primary sources for Dölpopa's presentation of his other-emptiness (zhentong) philosophy.
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{{#arraymap: Dge 'dun 'od zer;

|; |@@@ | |,  }}: Quintessential Essence of the Condensed Ultimate Definitive Meaning: An Explanation of the Mahāyāna Uttaratantra

In his commentary [Gendun Özer] mentions that he composed it for his students who had requested that he write something that would differ from the "coarse explanation" (bshad nyog rtsing po) of the Uttaratantra offered by the "early commentators" (snga rabs pa) of the Kadam tradition. While Gendün Özer does not intend to succumb to a "coarse explanation" of the Indian treatise, he follows his early Kadam predecessors' exposition in terms of doctrinal position, even though his literary style is different, with numerous poetic verses of admiration. In this time period it is not surprising that he wrote the commentary primarily in consultation with Ngok's Tibetan translation (rngog 'gyur) of the Uttaratantra, but the author also used the translations made by Naktso and Patsap wherever necessary. (Source: Tsering Wangchuk. The Uttaratantra in the Land of Snows, 59.)
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{{#arraymap: Kun dga' ye shes rgya mtsho;

|; |@@@ | |,  }}: Commentarial Notes on Thoroughly Ascertaining the Great Middle Way of the Expansive Supreme Vehicle

A collection of explanatory notes on Tāranātha's Theg mchog shin tu rgyas pa'i dbu ma chen po rnam par nges pa compiled by his disciple Yeshe Gyamtso, the book presents in detail the concepts of the Middle Way, the understanding of the ground, general phenomenology, Buddhist theories of consciousness and Mahāyāna path leading to Buddhahood, which is considered to be a quality latent in all sentient beings obscured by adventitious afflictions. The notes on the last two chapters were either not written or lost. Lobsang Chogdrub Gyatso added the commentary on the last two chapters in 1894.
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{{#arraymap: Dōgen;

|; |@@@ | |,  }}: Treasury of the True Dharma Eye

“Treasury of the True Dharma Eye” is the magnum opus of the Japanese Zen master Dōgen (1200-1253).
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{{#arraymap: Ngag dbang blo gros grags pa;

|; |@@@ | |,  }}: An Excellent Ornament of a Brilliant Mind: A Concise Presentation of Buddhist and Non-Buddhist Tenets

A condensed presentation of the tenets of Buddhist and Non-Buddhist philosophical systems by a modern Jonang scholar. This treatise presents the main advocates, the main literary sources, the view or ground reality, the practice on the path and resultant states. The highest Buddhist tenet system, the Mādhyamika school, is divided into the rangtong or the self-emptiness sub-school and the zhentong or the other-emptiness sub-school.
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{{#arraymap: Red mda' ba gzhon nu blo gros;

|; |@@@ | |,  }}: The Jewel Lamp Illuminating the Definitive Meaning of the Glorious Kālacakra

In the Jewel Lamp Illuminating the Definitive Meaning of the Glorious Kālacakra, Rendawa Zhönu Lodrö presents the content of Kālacakra tantra using the scheme of the causal continuum or the ground nature, the method continuum or the path, and the resultant continuum or the all pervading adamantine body of the Buddha. Though not a polemical work, he repeatedly refutes the position holding buddha-nature and resultant Buddha body to be identical, absolute and eternal. He provides a very clear and comprehensive presentation of the causal continuum through conventional and ultimate types of the ground nature, the method or path continuum by discussing the six limbs of yogic applications in Kālacakra, and the resultant state by discussing its nature, cause, duration, forms and qualities.
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{{#arraymap: Mi pham rgya mtsho;

|; |@@@ | |,  }}: Lion's Roar: Affirming Other Emptiness

Mipam's other "lion's roar"—his Lion's Roar: Affirming Other Emptiness—shows the way he establishes an other-emptiness view that affirms the existence of the ultimate truth as not empty of its own essence. (Source: Duckworth, Douglas. Jamgön Mipham: His Life and Teachings. Boston: Shambhala Publications, 2011: p 58.)
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{{#arraymap: Smin gling lo chen d+harma shrI;

|; |@@@ | |,  }}: The Marvelous Wish-fulfilling Harvest: An Eloquent Commentary on Ascertaining the Three Vows

Minling Lochen's voluminous commentary on Ngari Paṇchen's Ascertaining the Three Vows.
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{{#arraymap: Dge rtse ma hA paN+Di ta tshe dbang mchog grub;

|; |@@@ | |,  }}: Ornament of Sugatagarbha: A Discourse Ascertaining the Definite Great Middle Way

In this work on Great Madhyamaka, the Ornament of Sugatagarbha, Getse Mahāpaṇḍita discusses the different tenet systems and their brief history and aligns them to the three Turnings of the Wheel of Dharma. He delves into discussion of Madhyamaka and includes both traditions from Nāgārjuna and Asaṅga was Middle Way. He introduces the term coarse outer Middle Way (རགས་པ་ཕྱིའི་དབུ་མ་) to refer to the Mādhyamika tradition which focusses on emptiness as taught in the Perfection of Wisdom sūtras and the subtle inner Middle Way (ཕྲ་བ་ནང་གི་དབུ་མ་) to refer to the teachings on buddha-nature in the last Turning. Getse Mahāpaṇḍita underscores how buddha nature, the innate nature of the mind, or the self cognising awareness is the ultimate reality. He highlights the Great Madhyamaka of other-emptiness as the ultimate truth and identifies that with the final message of the Kālacakra, Mahāmudrā and Dzogchen teachings as well as the final intent of the great masters.
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|; |@@@ | |,  }}: pradīpodyotananāmaṭīkā

A commentary on the Guhyasamāja Tantra attributed to Candrakīrti. This extensive commentary on Guhyasamāja Tantra discusses the six hermeneutic strategies of provisional and ultimate meaning, literal and non-literal reading, and interpretable or non-interpretable meaning. It also highlights the natural state of all phenomena such as five aggregates and five elements as enlightened buddhas, and described the innate mind as luminous and endowed with qualities of enlightenment. The commentary is said to have been written relying on instructions passed down from Nāgārjuna who is said to have been prophesied in the Descent to Laṅka Sūtra to be a promoter of the higher yoga tantras. If one accepts the author of this text to be Candrakīrti, who is the Mādhyamika author of the Madhyamakāvatāra, as tradition has it, then it is evident he adopted here a position on buddha-nature which is different from the one in Madhyamakāvatāra, where his focus is on establishing all things as emptiness, and he argues the sūtras advocating buddha-nature are provisional teachings to lead those beings scared of non-self. In this text, the author accepts the nature of all things to be enlightened, and he argues that 'sentient beings are the base of all buddhas because they possess buddha-nature'(རྒྱལ་བ་ཀུན་གྱི་གནས་ནི་སེམས་ཅན་ཐམས་ཅད་དེ། དེ་བཞིན་གཤེགས་པའི་སྙིང་པོ་ཅན་ཡིན་པའི་ཕྱིར་རོ། །). Traditional scholars would generally explain such a shift in philosophical stance as context-based and not see it as a contradiction or inconsistency. In the context of Guhyasamāja tantra, Candrakīrti could be said to have accepted the concept of buddha-nature as innate enlightenment.
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{{#arraymap: Karmapa, 3rd;

|; |@@@ | |,  }}: The Profound Inner Meaning

Rang byung's most famous, and perhaps most difficult work is yet another verse text, his Zab mo nang don, on the Anuttarayogatantras. This eleven-chapter work is thirty-two folios in length. According to a colophon provided by Kong sprul, it was written in the Water Male Dog year, 1322, at Bde chen steng. The colophons to the present redactions say only that it was written in the Dog Year. (Source: Schaeffer, K., The Enlightened Heart of Buddhahood, p. 16)
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{{#arraymap: Rtse le sna tshogs rang grol;

|; |@@@ | |,  }}: Exegesis on the Intermediate State called the Mirror of Mindfulness Which Illuminates Everything

The Mirror of Mindfulness is a presentation of Tibetan Buddhist teachings on the endless cycle of experience, the four bardos — life, death, after-death, and rebirth. It is aimed at inspiring and helping the practitioner achieve liberation from deluded existence and awaken to complete enlightenment for the benefit of others. (Source: Rangjung Yeshe Publications)
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{{#arraymap: 'jam mgon kong sprul;

|; |@@@ | |,  }}: Treasury of Knowledge

In Tibetan religious literature, its ten books stand out as a unique masterpiece embodying the entire range of Buddhist teachings as they were preserved in Tibet. In his monumental work, Jamgön Kongtrul presents an encyclopedic account of the major lines of thought and practice that comprise Tibetan Buddhism. (source: Tsadra Foundation's Treasury of Knowledge Series)
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{{#arraymap: Rtse le sna tshogs rang grol;

|; |@@@ | |,  }}: The Vajra Convergence: A Teaching on How to Practice the View and Meditation of the Definitive Meaning

An overview of the views of Dzogchen, Mahāmudrā, and Madhyamaka and the methods of applying them in practice, with particular attention given to the ways in which these three converge.
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{{#arraymap: La yag pa byang chub dngos grub;

|; |@@@ | |,  }}: Ornament Illuminating the Essence: A Commentary on the Famous Text, the Four Dharmas of the Incomparable Dakpo

A detailed commentary on Gampopa's Four Dharmas (chos bzhi) instruction for fundamental Buddhist practice. The root verses containing the four dharma of Gampopa were written by his learned student from Laya, Jangchub Ngödup exactly according to how Gampopa taught, and the extensive commentary containing a rich array of citations and arguments was authored by Jangchub Ngödup himself. The topic four dharmas of Gampopa refers to the four points of making dharma practice a genuine dharma practice, making dharma progress on the path, dispelling confusion on the path, and see confusion as pristine wisdom.
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{{#arraymap: Chos dbyings stobs ldan rdo rje;

|; |@@@ | |,  }}: Treasury of Precious Sūtras and Tantras

In 1838, Choying Tobden Dorje, a Buddhist yogi-scholar of eastern Tibet, completed a multivolume masterwork that traces the entire path of the Nyingma tradition of Tibetan Buddhism from beginning to end. Written by a lay practitioner for laypeople, it was intended to be accessible, informative, inspirational, and above all, practical. Its twenty-five books, or topical divisions, offer a comprehensive and detailed view of the Buddhist path according to the early translation school of Tibetan Buddhism, spanning the vast range of Buddhist teachings from the initial steps to the highest esoteric teachings of great perfection. (Source: Shambhala Publications)
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{{#arraymap: Mkhan po gang shar;

|; |@@@ | |,  }}: Naturally Liberating Whatever You Meet: Instructions to Guide You on the Profound Path

Thrangu Rinpoche met Khenpo Gangshar in the summer of 1957 when Khenpo Gangshar went to Thrangu Monastery in eastern Tibet. While there, Khenpo Gangshar gave these instructions, which are a distillation of the essential points ofthe practices of both mahamudra and dzogchen. Later they were written down, first in a very short form and then as the slightly longer text known as "Naturally Liberating Whatever You Meet." What makes them so beneficial for our time is that Khenpo Gangshar presents them in a way that is easy for anyone to understand and put into practice. (Source: Vivid Awareness, Translator's Introduction, pp. IX-X)
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{{#arraymap: Rong ston shes bya kun rig;

|; |@@@ | |,  }}: Elegant Explanation of the Treatise of the Ultimate Continuum of the Mahāyāna

An extensive explanatory commentary on the the Ultimate Continuum by one of the major scholastic voices of the Sakya school. As Bernert states, "Refuting, on one hand, the notion that Buddha-nature is synonymous with mere emptiness, and on the other that the mind is inherently endowed with the Buddha qualities, Rongtön argues for an understanding of Buddha-nature that embraces both aspects of the nature of mind: cognizance and emptiness." (Christian Bernert. Perfect or Perfected? Rongtön on Buddha-Nature, 2018.
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{{#arraymap: Rngog blo ldan shes rab;

|; |@@@ | |,  }}: Epistle: A Drop of Nectar

Instruction by Ngok Lotsāwa Loden Sherab written as a letter of advice on Buddhist practice framed as a formal correspondence to one Gatön Sherab Drak and other monks. Ngok Lotsāwa covers many topics in his advice from thinking of death and impermanence, cultivating enthusiasm, compassion, bodhicitta, etc., following the discipline and good teacher to cultivating the crop of Buddha's qualities having moistened the seed of buddha-nature by the rain of learning coming from the cloud of one's master. He advises monks to follow the words of Nāgārjuna and understand the notion of emptiness beyond existence and non-existence.
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{{#arraymap: Aśvaghoṣa;

|; |@@@ | |,  }}: Mahāyānaśraddhotpādaśāstra

The Treatise on the Awakening of Faith According to the Mahāyāna is an immensely important treatise popular in all traditions of Buddhism in East Asia. It was written in China in the middle of the sixth century, heavily influenced by Indian Yogācāra and tathāgatagarbha teachings, providing a scriptural foundation for both buddha-nature theory and the doctrine of original enlightenment. The text synthesized tathāgatagarbha and ālayavijñāna theories to explain how the mind is the source for both enlightenment and ignorance. A relatively short text at just nine pages, it lucidly, if densely, explains important topics such as the nature of mind and consciousness and the threefold bodies of the Buddha, concluding with elegant meditation instructions. Although traditionally said to have been composed by Aśvaghoṣa and translated by Paramārtha, contemporary scholarly consensus has raised doubts about this attribution, and the text's authorship is typically said to be unknown. There is no known Tibetan translation but the text is mentioned three times in Saṃdhigambhīranirmocanasūtratīkā written by the Chinese scholar Wan tshik (རྒྱའི་སློབ་དཔོན་ཝན་ཚིག་གིས་མཛད་པ་ འཕགས་པ་དགོངས་པ་ཟབ་མོ་ངེས་པར་འགྲེལ་བའི་མདོ་རྒྱ་ཆེར་འགྲེལ་པ།) and translated by Gö Chödrup.
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{{#arraymap: ShAkya mchog ldan;

|; |@@@ | |,  }}: Essence of Sūtra and Tantra: An Explanation of Buddhagarbha

Śākya Chokden on buddha-nature. This text is a section of a more expansive work on the Ratnagotravibhāga, titled the rgyud bla ma'i rnam bshad sngon med nyi ma sogs chos tshan bzhi.
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{{#arraymap: ShAkya mchog ldan;

|; |@@@ | |,  }}: The Wish-fulfilling Meru: A Discourse Explaining the Origination of Madhyamaka

A history of the Madhyamaka philosophy in India and Tibet written by Śākya Chokden between 1484-1490 in Lhasa with Kongtön Chökyi Gyaltsen as scribe. In this text, he defines what is a Middle Way and presents the transmission of different Middle Way thoughts.
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{{#arraymap: TA ra nA tha;

|; |@@@ | |,  }}: Supplication to the Profound Other-Emptiness Madhyamaka Lineage

Tāranātha's lineage supplication to the other-emptiness Madhyamaka tradition that was preserved by the Jonang school. Tāranātha traces the origin of the other-emptiness to the Buddha, who passed it down through Maitreya, Asaṅga, Vasubandhu to Maitripa or from Vasubandhu through Sthiramati, Guṇamāti, et al. to Maitrīpa, or from Buddha through Vajrapaṇi, Rahulabhadra, Nāgārjuna, Śabari, Maitrīpa, from Maitrīpa through Anandakīrti, Ratnakaraśānti, Sajjṇāna, Anandavajra, then in Tibet through Tsen Khawoche, et al. until Tāranātha.
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{{#arraymap: Karmapa, 3rd;

|; |@@@ | |,  }}: The Treatise on Pointing Out the Tathāgata Heart

The Third Karmapa's treatise on buddha-nature written in verse, which is essentially a synopsis of the Uttaratantra. According to Schaeffer, "This verse text (De bzhin gshegs pa'i snying po gtan la dbab pa, or De bzhin gshegs pa'i snying po bstan pa) blends scriptural quotations from both sūtra and tantra with Rang byung's own words, creating an evocative picture of the relation between the primordially pure enlightened state- symbolized by the Enlightened Heart (snying po)- human existence, and Buddhahood. While Rang byung has relied heavily on the Ratnagotravibhāgaśāstra, (known in Tibet as the Uttaratantra, or Rgyud bla ma), the syncretism of various strands of Mahāyāna and Vajrayāna apparent in the text is particular to Tibet. Tathāgatagarbha, Madhyamaka, Yogācāra, Mahāmudrā, and Annuttarayogatantra all coalesce in this work, which is a testament to the hundreds of years of appropriation and synthesis of Indian and Tibetan Buddhist thought that preceded it. - Kurtis Schaeffer, from the introduction to The Enlightened Heart of Buddhahood.
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{{#arraymap: 'jam mgon kong sprul;

|; |@@@ | |,  }}: A Commentary on The Treatise on Pointing Out the Tathāgata Heart, Illuminating the Intention of Rangjung

Kongtrul's commentary on the Third Karmapa's short verse synopsis of the Uttaratantra, The Treatise on Pointing Out the Tathāgata Heart. As he states in the opening of the text: "The Omniscient Victor spoke about [this Heart] in the collection of the sūtras of the final definitive meaning and in the very profound collection of tantras in an unconcealed and clear way. The illustrious sons of this victor, such as the mighty lords of the tenth bhūmi, the regent Ajita and Avalokiteśvara, as well as the mahāsiddha Saraha and his heirs, noble Nāgārjuna, venerable Asaṅga, and others commented on it as being [the Buddha's] direct and straightforward intention. The way of being of the very profound actuality of this Heart does not fit within the scope of the minds of those who roam the [sphere of] dialectics. It was extensively illuminated by the second mighty sage, Rangjung Dorje, the charioteer who was the first in the land of snow mountains to utter the unassailable great lion's roar of the Heart that is the definitive meaning. The quintessence of all his excellent words is this Treatise on Pointing Out the Tathāgata Heart."
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{{#arraymap: glo bo lo tsA ba shes rab rin chen;

|; |@@@ | |,  }}: de bzhin gshegs pa'i snying po bstan pa zhes bya ba'i bstan chos kyi 'grel pa don gsal lung gi 'od zer

གཞི་ཁམས་བདེ་གཤེགས་སྙིང་པོའི་ཚུལ་ཚིག་བསྡུས་ལ་དོན་ཟབ་པ་སྟོན་པའི་རྗེ་རང་བྱུང་རྡོ་རྗེས་མཛད་པའི་བདེ་གཤེགས་སྙིང་པོ་བསྟན་བཅོས་ཀྱི་འགྲེལ་པ་གློ་བོ་ལོ་ཙཱ་བ་ཤེས་རབ་རིན་ཆེན་གྱིས་མཛད་པ།
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{{#arraymap: Ngag dbang blo gros grags pa;

|; |@@@ | |,  }}: Fearless Lion's Roar: The Tradition of Jonang Which Ascertains the Profound Meaning of the Supreme Vehicle of Cause and Result

Along with Dol po pa's Ri chos Nges don Rgya mtsho and Tāranātha’s Dbu ma Theg mchog Rab dbyed Brgyad, the Gzhan stong Chen mo comprises the third major textbook studied within the Gzhan stong Madhyamaka curriculum at major Jonang monastic universities, including 'Dzam thang Dgon pa, Bswe Dgon pa and Lcam mda' Dgon pa. For pedagogical reasons, and because of the structure of Mkhan po Blo grags' work, monks generally begin by studying sūtra gzhan stong separately from tantric gzhan stong in preparation for examining Dol po pa's synthetic masterpiece interweaving sūtra and tantra. In a coherent structure identical to the Ri chos, the Gzhan stong Chen mo presents gzhan stong philosophical thinking systematically in accord with the outline of ground (gzhi), path (lam) and fruition ('bras bu), treating sūtra gzhan stong within the main body of the text and tantric gzhan stong as an appendix. Michael Sheehy, 2007.
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{{#arraymap: TA ra nA tha;

|; |@@@ | |,  }}: Unprecedented Elegant Exposition: An Exegesis on the Heart Sūtra

In this commentary on the Heart Sūtra, Tāranātha starts with the discussion of the different forms of Perfection of Wisdom in relation to the nature of phenomena, the path to enlightenment, the resultant state, and the doctrinal teachings which discuss the topic. He cites Dignāga to claim that the true Perfection of Wisdom is the resultant wisdom of the buddhas. However, the most important point he underscores is that the ultimate message of all three Turning of the Wheels and the Heart Sūtra is the great other-emptiness. All conventional phenomena are primordially empty of their own nature but the ultimate nature is only empty of other conventional phenomena but not empty of its own nature. This, he argues, is the ultimate truth, the reality and the intent of all buddhas. Commenting on the four statements on form and emptiness in the Heart Sūtra, he presents what he considers to be the interpretations among the proponents of the Mind Only (སེམས་ཙམ་པ་) and Naturelessness (ངོ་བོ་ཉིད་མེད་པར་སྨྲ་བ་), both of which are acceptable in certain contexts but do not capture the ultimate reality. The ultimate understanding, he reasons, must be obtained by putting the four statements in the context of the three characteristics (མཚན་ཉིད་གསུམ་). He goes on to explain how the four statements should be understood in relation to the imputed nature, the dependent nature and the consummate nature, through which one can grasp the meaning of the emptiness of that which is non-existent (མེད་པའི་སྟོང་པ་ཉིད་), the emptiness of that which is existent (ཡོད་པའི་སྟོང་ཉིད་), and the emptiness of true nature (རང་བཞིན་སྟོང་པ་ཉིད་) taught by Maitreya.
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{{#arraymap: Red mda' ba gzhon nu blo gros;

|; |@@@ | |,  }}: Summary of the Ultimate Continuum: Clarifying the Meaning of Buddha-Nature

In this short work, the famous Sakya scholar Rendawa presents his interpretation of and positions on the main topics covered by the Ultimate Continuum. While summarising the text, he points out how buddha-nature is to be understood as the luminous nature of the mind, and not as an absolute nature separate from the luminous aspect of the mind. He argues that buddha-nature, which is present in all sentient beings, is endowed with the universal quality of luminosity of the mind but not with the specific enlightened qualities of the Buddha. Thus, employing the common hermeneutic tools of reference,་purpose and direct contradiction, he considered the teachings on buddha-nature to be provisional teachings, which are not to be taken literally.
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{{#arraymap: Rong ston shes bya kun rig;

|; |@@@ | |,  }}: Stages of Meditation of the Ultimate Continuum: Ornament of Maitreya's Intent

This short text by Rongtön Sheja Kunrig contains instructions on how to put the topics contained in the Ultimate Continuum into actual practice. It is among the many practical instructions he has written pertaining to the classical texts which are widely studied in Tibetan scholarly centres. In the course of providing practical instructions, Rongtön makes clear his philosophical understanding of buddha-nature and his interpretation of the teachings on buddha-nature.
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{{#arraymap: Rig 'dzin rgod kyi ldem 'phru can;

|; |@@@ | |,  }}: Powerful Aspiration Prayer of Samantabhadra

The Powerful Aspiration Prayer of Samantabhadra comes from the dGongs pa zang thal or Penetrating Intent cycle of Dzogchen teachings by Rigdzin Gödem. The prayer explains how saṃsāra and nirvāṇa emerge from the same ground of primordial reality through awareness and unawareness. The cognitive glitch of dualistic clinging and ego-grasping is explained to have led to the many afflictive emotions and the corresponding resultant states of rebirth. The prayers instructs practitioners to rest in the natural state of the mind without attachment or aversion. The prayer is very widely chanted in the Himalayan communities.
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{{#arraymap: Klong chen pa;

|; |@@@ | |,  }}: The Great Chariot: A Commentary on the Treatise on Great Perfection, Relaxation in the Nature of the Mind

In his Relaxation in the Nature of Mind and its auto-commentary the Great Chariot, Longchenpa deals with buddha-nature in the opening verse while paying homage to the ultimate truth, in chapter 9 while discussing the generation-stage- and completion-stage practices, and in chapter 10 on the topic of wisdom which comprehends the ground reality free from the two extremes. He presents buddha-nature as the ground maṇḍala, which forms the basis of temporary confusion, while at the same time being the uncontrived, unborn, unchanging nature of the mind to be realized on the path. Ordinary beings do not perceive this buddha-nature, but bodhisattvas on the stages see it partially and the buddhas see it fully. Longchenpa blends the sūtra presentation of buddha-nature with the esoteric exposition of the spontaneous primordial ground in the tantras. He uses terms such as essence, element, spiritual gene, innate mind, pristine wisdom, vajra mind, primordial ground, the ultimate, ground gnosis, sphere of reality, Middle Way, nondual truth, thatness, Perfection of Wisdom, etc., to refer to the same luminous nature of mind which is buddha-nature.
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{{#arraymap: Klong chen pa;

|; |@@@ | |,  }}: White Lotus: A Commentary on the Wish Fulfilling Treasury

The root text of the Treasury of Wishfulfilling Jewel along with its auto-commentary the White Lotus make up one of the main books among the Seven Treasures of Longchenpa. In chapter 1 of his Treasury of Wishfulfilling Jewel, he expounds the theory of buddha-nature as the primordial ground from which both nirvāṇa and saṃsāra arise. In chapter 18 he discusses the abiding nature of reality, which is the ultimate truth, and presents the experiences of saṃsāra as temporary illusions arising from adventitious misconception. Buddha-nature is understood to be the empty, luminous nature of things which abides as the ontic reality in all sentient beings and is free from all fabrications. Using the terms from the sūtras teaching buddha-nature and the Ultimate Continuum, he characterizes buddha-nature as the ultimate pure, eternal, blissful self. He considers the teachings on buddha-nature which form part of the third wheel as definitive teachings, which expound the same ground nature presented in both the sūtra and tantra literature. In summary, he writes in the Treasury of Wishfulfilling Jewel:

འོད་གསལ་བདེ་གཤེགས་སྙིང་པོ་ལྷུན་གྲུབ་སྟེ། །སྟོང་གསལ་རིག་པ་དབྱེར་མེད་ཆོས་ཉིད་དོ།། The luminous buddha-nature is indivisible reality Which is spontaneous, empty, and clear awareness.

His presentation on buddha-nature theory and associated practices in his writings became the most authoritative references which determine the interpretation of buddha-nature theory and practice in the Nyingma tradition to this day.
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{{#arraymap: Klong chen pa;

|; |@@@ | |,  }}: Treasury of Philosophical Tenets

This book is among the Seven Treasures Longchenpa composed. The Seven Treasures today represent the best Tibetan literary collection for the systemisation of the Dzogchen tradition. In his Treasury of Tenet Systems, Longchenpa carries a detailed exegesis of the buddha-nature in chapter 4 on the spiritual gene required for the practice of Mahāyāna path. He cites several sūtras and many critical verses from the Ultimate Continuum, on which he comments to make clear his interpretation of buddha-nature teachings. He considers buddhahood as being identical with buddha-nature latent in all sentient beings and argues that buddhahood is a result which is revealed rather than a fruit which is cultivated and produced. Thus, all qualities of the Buddha are primordially present in the nature of all sentient beings.
{{#arraymap: Yongs 'dzin a dbyangs thub bstan;

|; |@@@ | |,  }}: Rays of Sunlight: A Commentary on the Heart of the Mahāyāna Teachings

Ayang Thubten Rinpoche’s Rays of Sunlight is a commentary on Zhedang Dorje’s The Heart of the Mahayana Teachings (Theg chen bstan pa'i snying po'i gzhung), a detailed guide to the stages of the path to awakening. Containing all of the Drikung Kagyu tradition’s essential teachings on sutra and tantra, Rays of Sunlight is one of the most treasured works in the Drikung Kagyu tradition. Like Gampopa's Jewel Ornament of Liberation, the text Rays of Sunlight begins with a discussion of Buddha-nature, the nascent buddha within all beings, before presenting the sequential practices we must cultivate to fully awaken its transcendent qualities. With its lucid explanation of how a single individual can uphold the pratimoksha vows, bodhisattva precepts, and tantric samaya without contra-diction, Rays of Sunlight is sure to be of interest to dedicated practitioners of all traditions. And for those with an affinity for the profound path of meditation, the text closes with an extraordinary explanation of “The Fivefold Path of Mahamudra.” (Source: Edition Garchen Stiftung)
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{{#arraymap: Dol po pa;

|; |@@@ | |,  }}: The Sunlight Exposition: A Commentary on the Mahāyāna Uttaratantra Treatise

Dölpopa's commentary on the Uttaratantra, which, although it doesn't actually use the term "other-emptiness", is an important precursor and source to the formulation of his unique Zhentong view found in his seminal work Mountain Dharma: An Ocean of Definitive Meaning (ri chos nges don rgya mtsho).
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{{#arraymap: Skyo ston smon lam tshul khrims;

|; |@@@ | |,  }}: Instructions on "The Ultimate Continuum of the Mahāyāna"

This work details instructions on the Ratnagotravibhāga that Maitrīpa reportedly received directly from Maitreya in a dream, which he then later retrieved, in actuality, discovering the text concealed within in a stūpa. Mönlam Tsultrim, the attributed Tibetan author of this work that lived centuries later, thus claims that he copied and edited this work from the original manuscript that was passed down in a lineage coming from Maitrīpa, himself.
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{{#arraymap: TA ra nA tha;

|; |@@@ | |,  }}: Marvellous Word Commentary on the Heart Sūtra

Tāranātha presents an interpretation of the Heart Sūtra in accordance with his philosophical espousal of the other-emptiness in this short word-for-word commentary. At the very outset, he states in this commentary that the main referent of the term Perfection of Wisdom is buddha-nature, the non-dual wisdom which is the true nature of all phenomena. This, he argues, is not empty of its nature. The Heart Sūtra sufficiently makes it clear that the five skandhas and other conventional phenomena are empty of their nature, but not buddha-nature or the ultimate truth. ‘Form is emptiness’ indicates that form is utterly non-existent and empty. ‘Emptiness is form’ indicates that emptiness, which is the ultimate reality, is what appears as form to ordinary beings. ‘Emptiness is not other than form’ shows there is no emptiness which exists separately from form but reality qua emptiness is rather the true nature of form. ‘Form is not other than emptiness’ states there is no real form that is different from emptiness in the ultimate sense, because emptiness qua reality exists whereas form doesn’t.
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{{#arraymap: TA ra nA tha;

|; |@@@ | |,  }}: Incomparable King: A Verse Commentary of the Heart Sūtra

One of the Tāranātha's three commentaries on the Heart Sūtra, he presents the ultimate purport of the sūtras as being the ultimate other-emptiness. He comments on the sūtra and its transmission in verses, a very rare style for a work considered to be a commentary. Like his short word for word commentary and the detailed exegesis, this verse commentary explains the Heart Sūtra in accordance with the theories of other-emptiness. Tāranātha also claims he is unique in showing how the Heart Sūtra also captures the hidden themes of the eight topics discussed in some other longer versions of Perfection of Wisdom texts. The commentary was written when Tāranātha was 29 by Tibetan reckoning.
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{{#arraymap: ShAkya mchog ldan;

|; |@@@ | |,  }}: Union Ship: A Treatise Dispelling the Misconception in the Understanding of Mahāmudrā through Scriptures and Reasoning

One of the three short texts on Mahāmudrā by Śākya Choden, this was written in response to a list of questions raised by a certain scholar named Karma Wangchuk Pel with regard to Sakya Paṇḍita’s critique of Neo-Mahāmudrā and Single White Remedy in his Distinguishing the Three Vows.

He begins with a cogent presentation of Mahāmudrā covering its sources, the objective Mahāmudrā, the subjective Mahāmudrā, its synonyms, the actual Mahāmudra experience among sublime beings, the analogous Mahāmudrā understanding among ordinary practitioners, and the Mahāmudrā concept according to the philosophical and tantric schools. Following this, he delves into how some later followers of Sakya and Kagyu tradition do not fathom the understanding of their respective teachings. He also points out how the followers of Kadampa tradition have missed the important original teachings of Atīśa and founding fathers.

In summary, Śākya Chokden underscores the point that there are two ways in which misconceptions are overcome: through an extrovert rational analysis and an introvert yogic contemplation. The Mahāmudrā tradition of Gampopa belongs to the latter category while the former includes the postulations of self-emptiness and other-emptiness.
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{{#arraymap: Jñānavajra;

|; |@@@ | |,  }}: Laṅkāvatāranāmamahāyānasūtravṛttitathāgatahṛdayālaṃkāra

Jñānavajra's commentary on the Laṅkāvatārasūtra, which is one of two Indian commentaries on the Sūtra that has survived only in Tibetan translation.
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{{#arraymap: ShAkya mchog ldan;

|; |@@@ | |,  }}: A Treatise entitled Distinguishing Mahāmudrā

The second work in Śākya Chokden's trilogy of short writings on Mahāmudra, he points out in this text a list of the five types of misinterpretation of the actual point of Mahāmudrā practice:

1. The emptiness posited through Mādhyamika reasoning. 2. The union of emptiness and bliss which fills the network of channels after tantric practice of consecration. 3. Experience of bare consciousness free from all mentation. 4. Non-apprehension of the mind either inside or outside, having colour and shape, etc. 5. The ground consciousness which is the cause of all experience.

Śākya Choden states that none of these capture the profound, precise, effective Mahāmudrā technique of Gampopa, which is compared to the Single White Remedy, and explains how they are not the same as Gampopa’s Mahāmudrā. Śākya Chokden also distinguishes the Chinese Chan practice from Gampopa’s Mahāmudrā and goes on to explain their differences. He elaborates on the practice of Mahāmudrā through the four points of single-pointedness (རྩེ་གཅིག་), non-elaboration (སྤྲོས་བྲལ་), one taste (རོ་གཅིག་), and non-meditation (སྒོམ་མེད་).
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{{#arraymap: Skyo ston smon lam tshul khrims;

|; |@@@ | |,  }}: Instruction for the Moment of Death

Instructions on attaining Mahāmudrā in the intermediate state based on the Atyayajñānasūtra.
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{{#arraymap: Skyo ston smon lam tshul khrims;

|; |@@@ | |,  }}: The Repository of Wisdom

One of a series of short texts by the Kadam scholar Kyotön Mönlam Tsultrim, which represent an intersection between the works of Maitreya, particularly the Ratnagotravibhāga, and the practical instructions of Mahāmudrā.
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{{#arraymap: Phywa pa chos kyi seng+ge;

|; |@@@ | |,  }}: A Synopsis of the Mahāyāna Uttaratantra

This is an outline and synopsis of the Uttaratantra by Chapa, one of the early Kadam scholars of Sangpu Neutok Monastery.
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{{#arraymap: ShAkya mchog ldan;

|; |@@@ | |,  }}: The Seventh Precious Treasury: An Explanation of Śrī Guhyasamāja

Śākya Chokden's commentary on the Guhyasamāja Tantra composed in 1504
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{{#arraymap: 'jam mgon kong sprul;

|; |@@@ | |,  }}: Immaculate Light Rays of the Vajra Moon: Instructions on the View of Other-Emptiness of Great Madhyamaka

Written at Dzamtang, a monastic city in southern Amdo that is the primary institutional base of the Jonang school, this work by the famed Kagyu scholar Jamgön Kongtrul is characterized by Brunnhölzl as "an eclectic blend of what could be called "Kagyü Shentong" (primarily based on Maitrīpa, the Third and Seventh Karmapas, and the Eighth and Ninth Situpas) and "Jonang Shentong" (based on Dölpopa and especially Tāranātha), as well as some elements of Śākya Chogden’s Shentong."
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{{#arraymap: Tilopa;

|; |@@@ | |,  }}: Ājñāsaṃyakpramāṇanāmaḍākinyupadeśa

The text, Instructions of Ḍākiṇīs entitled Validity of the True Word (བཀའ་ཡང་དག་པའི་ཚད་མ་ཞེས་བྱ་བ་མཁའ་འགྲོ་མའི་མན་ངག) is one of the primary sources for Mahāmudrā meditation and six yogas of Naropas passed down through the Kagyu tradition. In this text, one finds the six dharmas of Tilopa (ཏི་ལི་ཆོས་དྲུག་) which are fundamental techniques for meditation to cultivate single-pointed concentration and non-conceptuality, and account of the six yogas of Naropa in some detail. The text is said to be teachings received by Tilopa from Vajradhara and then passed down through Naropa and Marpa who translated it into Tibetan.
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{{#arraymap: 'bri gung skyob pa 'jig rten mgon po;

|; |@@@ | |,  }}: Hymns on the Fivefold Path of Realization of Mahāmudrā

Hymns on the Fivefold Path of Realization (Phyag rgya chen po lnga ldan rtogs pa'i mgur) by Jikten Gönpo.
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{{#arraymap: Maitrīpa;

|; |@@@ | |,  }}: Tattvadaśaka

In this work of ten verses on true reality, Maitrīpa presents the luminous nature of reality which is beyond any duality and apprehension. The text underscores the non-abiding and luminous nature of reality and how the instructions of the master is crucial for realising the authentic nature of Madhyamaka. Through this, Maitrīpa rules out that the True Aspectarian and False Aspectarian traditions of the Mind Only school and the scholastic Mādhyamika which do not rely on direct pith instructions of the guru can realise the true nature of reality.
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{{#arraymap: Bdud mo bkra shis 'od zer;

|; |@@@ | |,  }}: Heart of the Luminous Sun

Dumowa Tashi Özer's commentary on the Uttaratantra that is based on the Third Karmapa’s topical outline or summary (bsdus don).
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{{#arraymap: Bsod nams rgyal mtshan;

|; |@@@ | |,  }}: A Synopsis of the Mahāyāna Uttaratantra

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{{#arraymap: 'gro mgon chos rgyal 'phags pa;

|; |@@@ | |,  }}: A Synopsis of the Mahāyāna Uttaratantraśāstra

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{{#arraymap: Mar pa do pa chos kyi dbang phyug;

|; |@@@ | |,  }}: A Commentary on the Meaning of the Words of the Uttaratantra

An early Tibetan commentary on the Uttaratantra, both the śāstra and the vyākhyā, that purports to represent the teachings passed on by the Kashmiri Parahitabhadra to his Tibetan student Marpa, though it is not entirely clear whether this refers to Marpa Dopa or Marpa Chökyi Lodrö, both of whom were important early Kagyu masters and translators that travelled south to receive teachings which they imported and propagated in Tibet. Nevertheless, the text follows more closely Indian commentarial styles and includes typical Mahāmudrā type instructions in its exegesis. Thus it is a prime example of the lineage that descends from Maitrīpa that came to dominate the Kagyu school's approach to the Uttaratantra in later generations.
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{{#arraymap: PaN chen bsod nams grags pa;

|; |@@@ | |,  }}: The Moonlight of the Crucial Points: A Commentary on the Difficult Aspects of the Uttaratantra

A commentary on the Ratnagotravibhāga called The Moonlight of the Crucial Points: A Commentary on the Difficult Aspects of the Uttaratantra.
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{{#arraymap: ;Lho brag dar ma seng ge

|; |@@@ | |,  }}: Commentary on the Ultimate Continuum Entitled Clear Sun Rays

Commentary on the Ultimate Continuum by Lhodrak Dharma Senge.
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{{#arraymap: Karma dkon mchog gzhon nu;

|; |@@@ | |,  }}: Synopsis of the Ultimate Continuum Possessing Four Reliances and Causing Delight to the Learned

Synopsis of the Ultimate Continuum Possessing Four Reliances and Causing Delight to the Learned
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{{#arraymap: Lo tsA ba skyabs mchog dpal bzang;

|; |@@@ | |,  }}: General Exegesis on the Ultimate Continuum

This is a short treatise from the collection of bka' gdams gsung 'bum phyogs bsgrigs which was recently published containing books from Drepung Nechu library. Although the compilers attributed this work to Lochen Kyapchok Palzang, there is no colophon to confirm it. The work discusses the adamantine and luminous nature of Buddha-Nature.
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{{#arraymap: Bsod nams rgyal mtshan;

|; |@@@ | |,  }}: Commentary on the Ultimate Continuum Called Definitive Clarification of the Intent

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{{#arraymap: ;Rje btsun grags pa rgyal mtshan

|; |@@@ | |,  }}: Notes on the Ultimate Continuum Called the Unmistaken Intent of Maitreya

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{{#arraymap: Lo tsA ba skyabs mchog dpal bzang;

|; |@@@ | |,  }}: Outline of the Ultimate Continuum Called Incomparable Exposition

An outline of the Ultimate Continuum attributed to Lochen Kyapchok Palzang has verses in the beginning and end written with play of words used in a difficult poetic compositions. The outlines divides the main text into three sections, unlike most other outlines which presents the Ultimate Continuum in four sections.
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{{#arraymap: Lo tsA ba skyabs mchog dpal bzang;

|; |@@@ | |,  }}: Illumination of the Ultimate Continuum

This is a commentary on the Ultimate Continuum which was discovered in the Nechu library in Drepung monastery recently. Although the compilers of the bKa' gdams gsung 'bum phyogs bsgrigs have attributed this to Lochen Kyapchok Palzang, the commentary does not have the same outline as the one said to have been authored by him. It also presents interpretations which align with the interpretations of Gyaltsap. Thus, it is possible the commentary is by a later Geluk author but nothing can be confirmed as the book has no colophon.
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{{#arraymap: Lo tsA ba skyabs mchog dpal bzang;

|; |@@@ | |,  }}: Inconceivable Letters Clarifying the Ultimate Continuum

This text, published as part of the bka' gdams gsung 'bum phyogs bsgrigs, is attributed to Lochen Kyapchok Palzang. It was found in the Nechu Lhakhang library in Drepung monastery. However, the text does not have a colophon and the content points to an earlier author named Chöshe, who was a disciple of Zulphowa. Presenting an early version of other-emptiness, this treatise presents different topics of advanced meditation based on the Ultimate Continuum. At the end of the text, one finds an account of how the teachings were passed down from Maitrīpa to Kashmir and then through the Tsen contemplative lineage. The account is almost identical to the account found in Kyotön Monlam Tsultrim's work with minor variations.
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{{#arraymap: Bcom ldan rig pa'i ral gri;

|; |@@@ | |,  }}: The History of Dharma Associated with Maitreya

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{{#arraymap: Co ne grags pa bshad sgrub;

|; |@@@ | |,  }}: The Great Light Which Illuminates the Essence of the Ultimate Continuum

An articulate synopsis of the seven vajra points in the Ultimate Continuum based on mainstream Geluk interpretation. Chone Drakpa Shedrup makes a clear distinction between the naturally abiding spiritual and the developed spiritual gene identifying the former with the emptiness of the mind and the latter with spiritual qualities such as compassion, renunciation and mind of awakening.
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{{#arraymap: Brag dkar blo bzang dpal ldan bstan 'dzin snyan grags;

|; |@@@ | |,  }}: rang stong dang gzhan stong gi khyad par cung zad brjod pa tshul gnyis rnam gsal lung rigs sgron me

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{{#arraymap: stag lung chos rje;

|; |@@@ | |,  }}: Annotated Commentary on the Ultimate Continuum

A very clear commentary on the Ultimate Continuum by Taglung Choje according to the title page, the treatise presents a brief history of the teachings on the Ultimate Continuum and follows the meditative tradition from Tsen Khawoche. The authors also cites and critiques some Tibetan interpretations and is perhaps unique in arguing Dhammakāya pervades all phenomena and not just sentient beings.
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{{#arraymap: blo bzang dpal ldan bstan 'dzin yar rgyas;

|; |@@@ | |,  }}: Annotated Commentary on the Ultimate Continuum

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{{#arraymap: rje ye shes rgya mtsho;

|; |@@@ | |,  }}: Synopsis of the Ultimate Continuum Entitled Precious Lamp

A commentary on the Ultimate Continuum composed by the Gelukpa master Yeshe Gyatso in 1992 in Chentsa Mani temple in Qinghai province, this concise and clear work generally follows the interpretations of Gyaltsap Darma Rinchen.
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{{#arraymap: Zhang ston bsod nams grags pa;

|; |@@@ | |,  }}: Commentary on the Ultimate Continuum Clarifying the Last Wheel of Teachings

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{{#arraymap: tshul khrims rgyal mtshan;

|; |@@@ | |,  }}: Notes on the Annotated Commentary on the Ultimate Continuum

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{{#arraymap: Don grub rin chen;

|; |@@@ | |,  }}: Precious Light: A Commentary on the Ultimate Continuum

Composed by Dondup Rinchen, the first teacher of Tsongkhapa, this clear and moderate-size commentary presents an interpretation of Buddha-Nature as reality which has latent qualities of the Buddha. Thus, Dhondup Rinchen's interpretations differs from the position held by his student Tsongkhapa and the latter's followers. He refutes the position held by earlier Tibetan scholars, which one finds later adopted by the Gelukpa tradition.
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{{#arraymap: Dmu dge bsam gtan rgya mtsho;

|; |@@@ | |,  }}: Word Commentary on the Ultimate Continuum Entitled Flourishing of the Buddha’s Teachings

A clear commentary on the Ultimate Continuum composed by the 20th century Gelukpa scholar Muge Samten at the request of Lobzang Tashi, it is based on the commentary by Gyaltsap Je. The work is incomplete due to the author's illness.
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{{#arraymap: dga' ldan khri pa blo gros brtan pa;

|; |@@@ | |,  }}: Exegesis on the Ultimate Continuum Called the Ornament of Buddha-Nature

A commentary on the Ratnagotravibhāga called Exegesis on the Ultimate Continuum Called the Ornament of Buddha-Nature.
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{{#arraymap: ;

|; |@@@ | |,  }}: Clarifying Darkness: An Analysis of Difficult Points in the Ultimate Continuum

This commentary is included in the fourth set of bKa' gdams gsung 'bum phyogs bsgrigs but the name of the author is partially erased and not clear. The author was a student of one Sonam Zangpo and Palden Gyaltsen and the commentary was written in Sakya. Using dialectical arguments, the author discusses the crucial points in the Ultimate Continuum to present a very clear interpretation of Buddha-Nature in the tradition of zhentong.
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{{#arraymap: Drikung Chetsang, 7th;

|; |@@@ | |,  }}: Commentary on the Ultimate Continuum Called the Words of Asaṅga

A commentary on the Ultimate Continuum by living master Seventh Drikung Chetsang, it follows the mainstream Kagyu interpretation of Buddha-Nature as a union of emptiness and luminosity endowed with latent qualities of the Buddha. He rejects both the understanding of Buddha-Nature as emptiness of mere negation and an absolute and truly existent entity. The commentary was finished in 2008, probably in Lhasa, and he also wrote a long preface underscoring the importance of studying the Ultimate Continuum in the Kagyu tradition to its publication in 2017.
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{{#arraymap: khro ru tshe rnam;

|; |@@@ | |,  }}: Commentary on the Ultimate Continuum Entitled the Mirror of the Element Buddha-Nature

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{{#arraymap: Thogs med bzang po;

|; |@@@ | |,  }}: Illuminating the Definitive Meaning of the Uttaratantra

This work presents a late (14th century) Kadampa view on the Ratnagotravibhāga and the associated buddha-nature teachings by an influential representative of this tradition, often referred to as "the second Asaṅga" (thogs med gnyis pa).
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{{#arraymap: Mi pham rgya mtsho;

|; |@@@ | |,  }}: Words of Mipam: Interlinear Commentary on the Uttaratantra

Mipam's annotated commentary to the Uttaratantra, a commentarial style in which the root verses of the treatise are embedded in the text and are then explained word by word. This text overlaps significantly with his related work on this subject Lion’s Roar: Exposition of Buddha-Nature.
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{{#arraymap: Zhang ston bsod nams grags pa;

|; |@@@ | |,  }}: Elucidating the Essence: A Commentary on the Tathāgatagarbhasūtra

Perhaps the first and only Tibetan commentary on the Tathāgatagarbhasūtra, Zhangtön Sonam Drakpa interprets the sūtra according to theory of Other-emptiness and also carries out refutation of those who identity Buddha-Nature with store-consciousness and consider Buddha-Nature sūtras as provisional teachings.
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{{#arraymap: Nāropa;

|; |@@@ | |,  }}: Dṛṣṭisaṃkṣipta

A brief song on the view of Mahāmudrā attributed to the famed Indian master Nāropa.
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{{#arraymap: Dol po pa;

|; |@@@ | |,  }}: Mountain Dharma: An Ocean of Definitive Meaning

Dolpopa's seminal work considered to be the most definitive philosophical treatise of the Jonang tradition. It became famous as the crucial source for the presentation of his view of other-emptiness (zhentong).
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{{#arraymap: Kalkī Śrī Puṇḍarīka;

|; |@@@ | |,  }}: vimalaprabhānāmamūlatantrānusāriṇīdvādaśasāhasrikālaghukālacakratantrarājaṭīkā

A crucial commentary to the Kālacakra Tantra purported to have been written by Kalkī Śrī Puṇḍarīka, the fabled Second King of Shambhala also known as Kulika Puṇḍarīka, though in the Tibetan tradition the work is sometimes attributed to the Bodhisattva Avalokiteśvara whom Puṇḍarīka was considered to be an emanation of. In the Tibetan tradition it is counted among the Three Cycles of Bodhisattva Commentaries (Sems 'grel skor gsum), which are a trilogy of canonical commentaries attributed to the transcendent Bodhisattvas Vajrapaṇi, Vajragarbha, and Avalokiteśvara on the Cakrasamvara, Hevajra, and Kālacakra Tantras, respectively.
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{{#arraymap: Rngog blo ldan shes rab;

|; |@@@ | |,  }}: Condensed Meaning of the "Ultimate Continuum of the Mahāyāna"

The first Tibetan commentary written on the Uttaratantra by the translator of the only extant Tibetan translation of the treatise. Furthermore, since the author is also the namesake of the Ngok tradition (rngog lugs) of exegesis of the Uttaratantra, known for its analytic take on the work, this text was highly influential in the conception of a uniquely Tibetan approach to the Uttaratantra and the notion of buddha-nature.
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{{#arraymap: Karmapa, 3rd; Shamarpa, 5th;

|; |@@@ | |,  }}: Treatise on Pointing Out the Tathāgata Heart Together with Annotations

This work is an edition of the Third Karmapa's Treatise on Pointing Out the Tathāgata Heart (De bzhin gshegs pa'i snying po bstan pa'i bstan bcos) embellished with interlinear annotations by the Fifth Shamarpa.
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{{#arraymap: 'jigs med gling pa;

|; |@@@ | |,  }}: Rain of Joy, Treasury of Precious Qualities

This is the root text of The Treasury of Precious Qualities, a famous treatise by Jikmé Lingpa, in which he expounds the entire Buddhist path, from the śrāvakayāna teachings up to the Great Perfection. The text has thirteen chapters:
  1. The Difficulty of Gaining the Freedoms and Advantages
  2. Death and Impermanence
  3. Karma: Cause and Effect
  4. The Sufferings of Samsara
  5. The Four Wheels, which are the initial entry point for supreme beings
  6. Taking Refuge, the entrance to the Buddhist Path
  7. The Entrance to the Actual Mahayana (cultivating the four immeasurables)
  8. Arousing Bodhichitta
  9. The Bodhisattva Trainings
  10. The Pitaka of the Vidyadharas
  11. The Nature of the Ground
  12. The Extraordinary Path of the Natural Great Perfection
  13. The Kayas and Wisdoms of the Ultimate Fruition
The first nine chapters comprise the sūtra section, and the last four comprise the mantra section. You can download an English translation of the root text by the Padmakara Translation Group by clicking here.
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{{#arraymap: Rgyal tshab rje dar ma rin chen;

|; |@@@ | |,  }}: Commentary on the Ultimate Continuum of the Mahāyāna

Commentary on the Uttaratantra by a preeminent Geluk scholar that was a chief disciple of the school's founder, Tsongkhapa, as well as the Sakya scholar Rendawa Zhönu Lodrö, an outspoken critic of the treatise.
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{{#arraymap: Maitreya;

|; |@@@ | |,  }}: Mahāyānasūtrālaṃkārakārikā

In Sanskrit, the “Ornament for the Mahāyāna Sūtras”; one of the Five Dharma Treatises of Maitreya (byams chos sde lnga) said to have been presented to Asaṅga by the bodhisattva Maitreya in the Tuṣita heaven. Written in verse, the text offers a systematic presentation of the practices of the bodhisattva from the standpoint of the Yogācāra school and is one of the most important of the Indian Mahāyāna śāstras. Its twenty-one chapters deal with (1) the proof that the Mahāyāna sūtras are the word of the Buddha; (2) taking refuge in the three jewels (ratnatraya); (3) the lineage (gotra) of enlightenment necessary to undertake the bodhisattva path; (4) the generation of the aspiration to enlightenment (bodhicittotpāda); (5) the practice of the bodhisattva; (6) the nature of reality, described from the Yogācāra perspective; (7) the attainment of power by the bodhisattva; (8) the methods of bringing oneself and others to maturation; (9) enlightenment and the three bodies of a buddha (trikāya); (10) faith in the Mahāyāna; (11) seeking complete knowledge of the dharma; (12) teaching the dharma; (13) practicing in accordance with the dharma; (14) the precepts and instructions received by the bodhisattva; (15) the skillful methods of the bodhisattva; (16) the six perfections (pāramitā) and the four means of conversion (saṃgrahavastu), through which bodhisattvas attract and retain disciples; (17) the worship of the Buddha; (18) the constituents of enlightenment (bodhipākṣikadharma); (19) the qualities of the bodhisattva; and (20-21) the consummation of the bodhisattva path and the attainment of buddhahood. (Source: The Princeton Dictionary of Buddhism, p. 514)
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{{#arraymap: Bod sprul mdo sngags bstan pa'i nyi ma;

|; |@@@ | |,  }}: Notes on the Essential Points of Mipam’s Exposition of Buddha-Nature

Notes on Mipam's Lion’s Roar: Exposition of Buddha-Nature, by an influential 20th century Nyingma scholar that took great pains to uphold and further the legacy of Mipam's scholastic contributions.
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{{#arraymap: Vairocanarakṣita;

|; |@@@ | |,  }}: Mahāyānottaratantraśāstraṭippaṇī

One of only two extant Sanskrit commentaries to the Uttaratantra, the other being the pith instruction composed by Sajjana. However, this work seems to have not been translated into Tibetan and thus it had little, if any, influence on the development of the Tibetan exegesis of the Uttaratantra.
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{{#arraymap: Rta nag rin chen ye shes;

|; |@@@ | |,  }}: Illumination of the Definitive Meaning: A Commentary on the Uttaratantra in Relation to the Sūtras

A voluminous commentary on the Uttaratantra, which, as its title suggests, presents the treatise as a definitive work and elucidates it vis-a-vis the sūtras that are cited within it. It is noteworthy for its scholarship, as an early example of a Tibetan locating the scriptural source material of the Uttaratantra, as well as being widely considered an influential precursor to Dölpopa's treatment of the text.
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{{#arraymap: Mi nyag bla ma ye shes rdo rje;

|; |@@@ | |,  }}: A Treasury of Gems of the Definitive Meaning: An Explanation of the Treatise on the Ultimate Continuum of the Mahāyāna

According to Brunnhölzl, this work "clearly subscribes to the disclosure model of buddha nature, asserting that the stainless tathāgata heart adorned with all major and minor marks as well as awakening exists in all beings, refuting that the reality of cessation is a nonimplicative negation, and denying the position that the fully qualified sugata heart exists solely on the buddhabhūmi, while it is only nominal at the time of sentient beings. Also, besides CMW and Mipham’s commentary, YDC is the only other commentary I have reviewed that explicitly connects the name and contents of the Uttaratantra with the vajrayāna notion of tantra, thus underlining the text’s reputation as a bridge between the sūtras and tantras."
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{{#arraymap: 'bri gung skyob pa 'jig rten mgon po; 'bri gung spyan snga shes rab 'byung gnas;

|; |@@@ | |,  }}: Sacred Teaching on the Single Intention

The primary text in the Drikung Kagyu tradition.
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{{#arraymap: Sajjana;

|; |@@@ | |,  }}: Mahāyānottaratantraśāstropadeśa

One of only two extant Sanskrit texts that comment on the Uttaratantra, this highly original work by Sajjana presents a contemplative approach to Maitreya's treatise from an author that was the veritable source for the Tibetan exegetical traditions spawned by his students Ngok Loden Sherab and Tsen Khawoche.
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{{#arraymap: Phywa pa chos kyi seng+ge;

|; |@@@ | |,  }}: An Extensive Explanation that Illuminates the Subtle Points of the Words and Meaning of the Mahāyāna Uttaratantra Treatise

Commentary on the Uttaratantra by one of the early Kadam scholars representing the analytic exegesis of the treatise stemming from Ngok Lotsāwa (rngog lugs) and the scholastic tradition of Sangpu Neutok Monastery.
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{{#arraymap: Sa skya paN+Di ta;

|; |@@@ | |,  }}: Distinguishing the Three Vows

Written circa 1232 when the author was about fifty years old, it is an expansive treatise on the three vows pertaining to the three vehicles of Buddhism that is one of Sakya Paṇḍita's most important and influential works. Nevertheless, it was controversial in its time for the criticism the author levels against the philosophical positions of various scholars and schools of thought.
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{{#arraymap: Dol po pa;

|; |@@@ | |,  }}: Mirror of Buddha-Nature with Qualities

Dölpopa's responds to arguments against the theory that buddha-nature has the qualities of the buddha latent in it. He uses scriptural citations and reasonings to argue that the unconditioned buddha-nature must possess the qualities of the Buddha.
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{{#arraymap: Maitreya; Asaṅga;

|; |@@@ | |,  }}: Ratnagotravibhāga Mahāyānottaratantraśāstra

The Ratnagotravibhāga, commonly known as the Uttaratantra, or Gyu Lama in Tibetan, is one of the main Indian scriptural sources for buddha-nature theory. It was likely composed during the fifth century, by whom we do not know. Comprised of verses interspersed with prose commentary, it systematizes the buddha-nature teachings that were circulating in multiple sūtras such as the Tathāgatagarbhasūtra, the Mahāparinirvāṇasūtra, and the Śrīmaladevisūtra. The Tibetan tradition attributes the verses to the Bodhisattva Maitreya and the commentary to Asaṅga, and treats the two as separate texts, although this division is not attested to in surviving Indian versions. The Chinese tradition attributes the text to *Sāramati (娑囉末底), but the translation itself does not include the name of the author, and the matter remains unsettled. It was translated into Chinese in the early sixth century by Ratnamati and first translated into Tibetan by Atiśa, although this text is not known to survive. Ngok Loden Sherab translated it a second time based on teachings from the Kashmiri Pandita Sajjana, and theirs remains the standard translation. It has been translated into English several times, and recently into French. See the Ratnagotravibhāgavyākhyā, read more about the Ratnagotravibhāga, or take a look at the most complete English translation in When the Clouds Part by Karl Brunnholzl.
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{{#arraymap: Gsang phu ba blo gros mtshungs med;

|; |@@@ | |,  }}: The Precious Lamp That Illuminates the Definitive Meaning of the Mahāyāna Uttaratantra Treatise

An extensive commentary on the Uttaratantra written by a contemporary of Dölpopa and Butön during the height of the debate over the definitive nature of the treatise and its teaching on buddha-nature. Lodrö Tsungme presents an interpretation of buddha-nature which is different from what is given by many masters of Sangphu including Ngok Loden Sherab. As his position are quite similar to what Longchenpa espoused later, the commentary was mistakenly attributed to Longchenpa by some Nyingma followers.
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{{#arraymap: Bcom ldan rig pa'i ral gri;

|; |@@@ | |,  }}: Ornamental Flowers: A Commentary on the Mahāyāna Uttaratantra

A rather brief work that, as Tsering Wangchuk states, is "the earliest extant Tibetan commentary on the Uttaratantra that cites both tantric and sutric sources to corroborate the claims made in the treatise."
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{{#arraymap: Gzhan phan chos kyi snang ba;

|; |@@@ | |,  }}: Interlinear Commentary on the Mahāyāna Uttaratantra Treatise

An interlinear commentary on the Uttaratantra by the famed Khenpo Zhenga. It is one of a series of such works on the thirteen major treatises of Indian Mahāyāna Buddhism that became the basis for the curriculum at several major Tibetan monastic universities, such as those at Dzogchen and Dzongsar monasteries.
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{{#arraymap: Skyo ston smon lam tshul khrims;

|; |@@@ | |,  }}: Instructions on the Path to Reality

One of a series of short texts by the Kadam scholar Kyotön Mönlam Tsultrim, which represent an intersection between the works of Maitreya, particularly the Ratnagotravibhāga and Dharmadharmatāvibhāga, and the practical instructions of Mahāmudrā, this text discusses the spiritual gene, the genesis of saṃsāra, the path to awakening and the nature of Buddhahood.
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{{#arraymap: Maitreya;

|; |@@@ | |,  }}: Madhyāntavibhāgakārikā

In Sanskrit, “Differentiation of the Middle Way and the Extremes”; one of the Five Dharma Treatises of Maitreya (byams chos sde lnga) said to have been presented to Asaṅga by the bodhisattva Maitreya in the Tuṣita heaven. Written in verse, it is one of the most important Yogācāra delineations of the three natures (trisvabhāva), especially as they figure in the path to enlightenment, where the obstacles created by the imaginary (parikalpita) are overcome ultimately by the antidote of the consummate (pariniṣpanna). The “middle way” exposed here is that of the Yogācāra, and is different from that of Nāgārjuna, although the names of the two extremes to be avoided—the extreme of permanence (śāśvatānta) and the extreme of annihilation (ucchedānta)—are the same. Here the extreme of permanence is the existence of external objects, the imaginary nature (parikalpitasvabhāva). The extreme of annihilation would seem to include Nāgārjuna’s emptiness of intrinsic nature (svabhāva). The middle way entails upholding the existence of consciousness (vijñāna) as the dependent nature (paratantrasvabhāva) and the existence of the consummate nature (pariniṣpannasvabhāva). The work is divided into five chapters, which consider the three natures, the various forms of obstruction to be abandoned on the path, the ultimate truth according to Yogācāra, the means of cultivating the antidotes to the defilements, and the activity of the Mahāyāna path. (Source: The Princeton Dictionary of Buddhism, p. 489)
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{{#arraymap: 'gos lo tsA ba gzhon nu dpal;

|; |@@@ | |,  }}: The Blue Annals

The famous historical work by Gö Lotsawa Zhönu Pal (1392-1481), likely referenced by more scholars than any other single work. It was translated into English by G. Roerich with the help of Gendün Chöpel.

Cittamātra - Though it is sometimes used synonymously with Yogācāra, it is in fact one of the more prominent philosophical theories associated with this school. It asserts that the objects in the external world with which we interact are actually mentally created representations appearing as those objects. The character of these perceptions is predetermined by our own karmic conditioning that is stored in the ālayavijñāna. Skt. चित्तमात्र Tib. སེམས་ཙམ་

Madhyamaka - Along with Yogācāra, it is one of the two major philosophical schools of Mahāyāna Buddhism. Founded by Nāgārjuna around the second century CE, it is rooted in the Prajñāpāramitā Sūtras, though its initial exposition was presented in Nāgārjuna's Mūlamadhyamakakārikā. Skt. मध्यमक Tib. དབུ་མ་ Ch. 中觀見

Great Madhyamaka - The term Great Madhyamaka is utilized in different contexts depending on the tradition. In the Jonang tradition, it generally refers to the Zhentong Madhyamaka philosophy as it was developed and systematized by Dölpopa. In this context, the Great Madhyamaka refers to the presentation of ultimate truth, while Madhyamaka describes the emptiness of the relative level of truth. In the Nyingma tradition, Great Madhyamaka refers to the subtle, inner Madhyamaka that unifies the philosophical positions of Nāgārjuna and Asaṅga. This is presented in opposition to the coarse, outer Madhyamaka that is the dialectic approach of Prāsaṅgika and Svātantrika. In the Kagyu tradition, the term is used in a similar vein in that Madhyamaka is used to refer to philosophical inquiry, while Great Madhyamaka is used to refer to the view arrived at through yogic accomplishment. However, in all of these traditions, Great Madhyamaka is heavily associated with buddha-nature (tathāgatagarbha) and the definitive status of these teachings. Skt. महामध्यमक Tib. དབུ་མ་ཆེན་པོ་

gzhan stong - The state of being devoid of that which is wholly different rather than being void of its own nature. The term is generally used to refer to the ultimate, or buddha-nature, being empty of other phenomena such as adventitious defiling emotions but not empty of its true nature. Tib. གཞན་སྟོང་

Jonang - The Jonang tradition was established by Dölpopa Sherab Gyaltsen, a thirteenth-century Sakya monk famous for his Zhentong teachings. The Jonang teachings and monasteries were suppressed in Tibet in the seventeenth century but survived in Amdo. Tib. ཇོ་ནང་

gzhan stong - The state of being devoid of that which is wholly different rather than being void of its own nature. The term is generally used to refer to the ultimate, or buddha-nature, being empty of other phenomena such as adventitious defiling emotions but not empty of its true nature. Tib. གཞན་སྟོང་

gzhan stong - The state of being devoid of that which is wholly different rather than being void of its own nature. The term is generally used to refer to the ultimate, or buddha-nature, being empty of other phenomena such as adventitious defiling emotions but not empty of its true nature. Tib. གཞན་སྟོང་

Tsen Tradition - Tsen Khawoche's "meditative tradition" of exegesis of the Uttaratantra; it is one of two major Tibetan traditions of exegesis, both stemming from students of Sajjana. Tib. བཙན་ལུགས་

byams chos sde lnga - This refers to a series of five texts that, according to the Tibetan tradition, Asaṅga received directly from Maitreya in the pure realm of Tuṣita. Tib. བྱམས་ཆོས་སྡེ་ལྔ་

byams chos sde lnga - This refers to a series of five texts that, according to the Tibetan tradition, Asaṅga received directly from Maitreya in the pure realm of Tuṣita. Tib. བྱམས་ཆོས་སྡེ་ལྔ་

dharmatā - The true nature of phenomenal existence. Skt. धर्मता Tib. ཆོས་ཉིད་ Ch. 法性

śrāvaka - The disciples of the Buddha who aspire to attain individual liberation or nirvāṇa. The final goal of the Hearers is to become an arhat, a state in which one has totally eliminated the inner problems of attachment, hatred and ignorance, the main causes for rebirth in this cycle of existence. There are four stages of a śrāvaka path including eight phases. Skt. श्रावक Tib. ཉན་ཐོས། Ch. 聲聞

Pratyekabuddha - Pratyekabuddhas are saints who, in their last birth in the cycle of existence, are said to become enlightened through solitary practice on the nature of dependent ordination. These saints are said to appear when there is no buddha around and work either alone or in small groups. Skt. प्रत्येकबुद्ध Tib. རང་སངས་རྒྱས།,རང་རྒྱལ། Ch. 緣覺

Bodhisattva - A person who seeks enlightenment for the sake of others. In Mahāyāna Buddhism, a Bodhisattva is a compassionate being who is training on the path to Buddhahood and aspires to eliminate the suffering of all beings and take all sentient beings to the state of enlightenment. The Mahāyāna sūtras including those on buddha-nature generally have Bodhisattvas as the main audience or interlocutors for the Buddha's discourses. Skt. बोधिसत्त्व Tib. བྱང་ཆུབ་སེམས་དཔའ། Ch. 菩薩

trisvabhāva - According to the Yogācāra school, all phenomena can be divided into three natures or characteristics: the imaginary nature (parikalpitasvabhāva), the dependent nature (paratantrasvabhāva), and the perfect or absolute nature (pariniṣpannasvabhāva). Skt. त्रिस्वभाव Tib. རང་བཞིན་གསུམ་

tathatā - Suchness itself, absolute reality, or thusness, as in the ultimate state of being of phenomena. Skt. तथता Tib. དེ་བཞིན་ཉིད་

tathatā - Suchness itself, absolute reality, or thusness, as in the ultimate state of being of phenomena. Skt. तथता Tib. དེ་བཞིན་ཉིད་

Uttaratantra - The Ultimate Continuum, or Gyü Lama, is often used as a short title in the Tibetan tradition for the key source text of buddha-nature teachings called the Ratnagotravibhāga of Maitreya/Asaṅga, also known as the Mahāyānottaratantraśāstra. Skt. उत्तरतन्त्र Tib. རྒྱུད་བླ་མ་ Ch. 寶性論

These are the root verses of the Uttaratantra attributed to Maitreya by the Tibetan tradition.

Dzogchen - Dzogchen is an advanced system of meditation techniques to reveal the innate state of perfection primarily, but not exclusively, espoused by the Nyingma Buddhist tradition and the Tibetan Bön tradition. Skt. महासन्धि Tib. རྫོགས་ཆེན།

Kadam - The Kadam tradition, which traces its origin to the teachings of Atiśa, was the first of the so-called New Schools of Tibetan Buddhism, traditions which arose during or after the Second Propagation of Buddhism (phyi dar) in the tenth century. Tib. བཀའ་གདམས་

bodhicitta - The altruistic thought to seek enlightenment for the sake of all sentient beings. It is said to have two aspects: compassion aimed at sentient beings and their problems and the wisdom of enlightenment as the solution. Skt. बोधिचित्त Tib. བྱང་ཆུབ་སེམས། Ch. 菩提心

prabhāsvaratā - In a general sense, that which clears away darkness, though it often appears in Buddhist literature in reference to the mind or its nature. It is a particularly salient feature of Tantric literature, especially in regard to the advanced meditation techniques of the completion-stage yogas. Skt. प्रभास्वर Tib. འོད་གསལ་ Ch. 光明

Sakya - The Sakya tradition developed in the eleventh century in the Khön family of Tsang, which maintained an imperial-era lineage of Vajrakīla and which adopted a new teaching from India known as Lamdre. Tib. ས་སྐྱ་

sugatagarbha - Literally, the "essence" or "heart of the Bliss Gone One(s)," a synonym for tathāgatagarbha that is likewise often rendered into English by the term buddha-nature. Though it is often back translated into Sanskrit as sugatagarbha, this term is not found in Sanskrit sources. Skt. सुगतगर्भ Tib. བདེ་གཤེགས་སྙིང་པོ་

sugatagarbha - Literally, the "essence" or "heart of the Bliss Gone One(s)," a synonym for tathāgatagarbha that is likewise often rendered into English by the term buddha-nature. Though it is often back translated into Sanskrit as sugatagarbha, this term is not found in Sanskrit sources. Skt. सुगतगर्भ Tib. བདེ་གཤེགས་སྙིང་པོ་

Kālacakra - Can refer to either the Kālacakra Tantra and its derivative texts or to the systematic tantric tradition based on these texts, as well as the deity Kālacakra upon which the associated practices are centered. Skt. कालचक्र Tib. དུས་ཀྱི་འཁོར་ལོ། Ch. 時輪

These are the root verses of the Uttaratantra attributed to Maitreya by the Tibetan tradition.

pramāṇa - In the Buddhist literature on pramāṇa, it refers to cognition that correctly apprehends its object without any deception or mistake. Such correct cognition include direct perception and inferential cognition. Skt. प्रमान Tib. ཚད་མ། Ch. 量

pramāṇa - In the Buddhist literature on pramāṇa, it refers to cognition that correctly apprehends its object without any deception or mistake. Such correct cognition include direct perception and inferential cognition. Skt. प्रमान Tib. ཚད་མ། Ch. 量

Mahāyāna - Mahāyāna, or the Great Vehicle, refers to the system of Buddhist thought and practice which developed around the beginning of Common Era, focusing on the pursuit of the state of full enlightenment of the Buddha through the realization of the wisdom of emptiness and the cultivation of compassion. Skt. महायान Tib. ཐེག་པ་ཆེན་པོ། Ch. 大乘

Mahāmudrā - Mahāmudrā refers to an advanced meditation tradition in Mahāyāna and Vajrayāna forms of Into-Tibetan Buddhism that is focused on the realization of the empty and luminous nature of the mind. It also refers to the resultant state of buddhahood attained through such meditation practice. In Tibet, this tradition is particularly associated with the Kagyu school, although all other schools also profess this tradition. The term also appears as part of the four seals, alongside dharmamūdra, samayamudrā, and karmamudrā. Skt. महामुद्रा Tib. ཕྱག་རྒྱ་ཆེན་པོ།

These are the root verses of the Uttaratantra attributed to Maitreya by the Tibetan tradition.

Kagyu - The Kagyu school traces its origin to the eleventh-century translator Marpa, who studied in India with Nāropa. Marpa's student Milarepa trained Gampopa, who founded the first monastery of the Kagyu order. As many as twelve subtraditions grew out from there, the best known being the Karma Kagyu, the Drikung, and the Drukpa. Tib. བཀའ་བརྒྱུད་

tridharmacakrapravartana - Three successive stages of the Buddhist teachings. Though they are traditionally attributed to the historical Buddha, modern scholarship tends to view them as developmental stages that occurred over the course of an extended period of time, with interludes of several centuries, in which we see major doctrinal shifts often based on seemingly newly emergent scriptural sources. Skt. त्रिधर्मचक्रप्रवर्तन Tib. ཆོས་འཁོར་རིམ་པ་གསུམ་

sūtra - Sūtras mainly refer to the discourses delivered by the Buddha and his disciples, and the Sūtra corpus is one of the three main sets of teachings which form the Buddhist canon. Skt. सूत्र Tib. མདོ། Ch. 佛经

sūtra - Sūtras mainly refer to the discourses delivered by the Buddha and his disciples, and the Sūtra corpus is one of the three main sets of teachings which form the Buddhist canon. Skt. सूत्र Tib. མདོ། Ch. 佛经

lam rim - Lam rim refers to the stages on the path and, by extension, more commonly to the genre of teachings which contain practical instructions for training on the stages of the path to enlightenment. Related to the blo sbyong practice, it is particularly known among the Kadampa and Geluk schools. Tsongkhapa's Byang chub lam rim chen mo is the most well known in this genre and the term lam rim is often used specifically to refer to this text. Skt. मार्गक्रम Tib. ལམ་རིམ།,ལམ་གྱི་རིམ་པ།

lam rim - Lam rim refers to the stages on the path and, by extension, more commonly to the genre of teachings which contain practical instructions for training on the stages of the path to enlightenment. Related to the blo sbyong practice, it is particularly known among the Kadampa and Geluk schools. Tsongkhapa's Byang chub lam rim chen mo is the most well known in this genre and the term lam rim is often used specifically to refer to this text. Skt. मार्गक्रम Tib. ལམ་རིམ།,ལམ་གྱི་རིམ་པ།

Gampopa's famous work on the stages of the Buddhist path.

Gampopa's famous work on the stages of the Buddhist path.

tathāgatagarbha - Buddha-nature, literally the "womb/essence of those who have gone (to suchness)." Skt. तथागतगर्भ Tib. དེ་བཞིན་གཤེགས་པའི་སྙིང་པོ་ Ch. 如来藏

neyārtha - Refers to something that is taught for a specific reason, rather than because it is entirely true. Skt. नेयार्थ Tib. དྲང་དོན་

neyārtha - Refers to something that is taught for a specific reason, rather than because it is entirely true. Skt. नेयार्थ Tib. དྲང་དོན་

Descent into Laṅka Sūtra, a very influential text in East Asia and Nepal.

One of the tathāgatagarbha sūtras.

Prajñāpāramitā - A class of Mahāyāna sūtras which represents some of the earliest known literature of this genre of Buddhism. There are around forty texts associated with this category, though the most widespread is the exceedingly brief Prajñāpāramitāhṛdayasūtra, popularly known as the Heart Sūtra. This class of literature is typically associated with the second turning of the dharma wheel and especially with the teachings on emptiness (śūnyatā). As such, these texts were the primary scriptural source for the philosophy of the Madhyamaka school. Skt. प्रज्ञापारमिता Tib. ཤེར་ཕྱིན་,ཤེས་རབ་ཀྱི་ཕ་རོལ་ཏུ་ཕྱིན་པ་ Ch. 般若波羅蜜多

pāramitā - The six or ten types of practices which lead an individual to Buddhahood. The practice of perfections is particularly important in Mahāyāna Buddhism in which the entire path of the Bodhisattva to reach full enlightenment is included in the six or ten perfections. The six perfections are that of giving, of discipline, patience, zeal, meditation, and wisdom. The perfection of skill-in-means, aspirations, power, and pristine wisdom are added to them to make ten perfections. Skt. पारमिता Tib. ཕར་ཕྱིན།,ཕ་རོལ་ཏུ་ཕྱིན་པ། Ch. 波羅蜜

Prajñāpāramitā - A class of Mahāyāna sūtras which represents some of the earliest known literature of this genre of Buddhism. There are around forty texts associated with this category, though the most widespread is the exceedingly brief Prajñāpāramitāhṛdayasūtra, popularly known as the Heart Sūtra. This class of literature is typically associated with the second turning of the dharma wheel and especially with the teachings on emptiness (śūnyatā). As such, these texts were the primary scriptural source for the philosophy of the Madhyamaka school. Skt. प्रज्ञापारमिता Tib. ཤེར་ཕྱིན་,ཤེས་རབ་ཀྱི་ཕ་རོལ་ཏུ་ཕྱིན་པ་ Ch. 般若波羅蜜多

byams chos sde lnga - This refers to a series of five texts that, according to the Tibetan tradition, Asaṅga received directly from Maitreya in the pure realm of Tuṣita. Tib. བྱམས་ཆོས་སྡེ་ལྔ་

byams chos sde lnga - This refers to a series of five texts that, according to the Tibetan tradition, Asaṅga received directly from Maitreya in the pure realm of Tuṣita. Tib. བྱམས་ཆོས་སྡེ་ལྔ་

Pañcaviṃśati - Pañcaviṃśatisāhasrikāprajñāpāramitā

Prajñāpāramitā - A class of Mahāyāna sūtras which represents some of the earliest known literature of this genre of Buddhism. There are around forty texts associated with this category, though the most widespread is the exceedingly brief Prajñāpāramitāhṛdayasūtra, popularly known as the Heart Sūtra. This class of literature is typically associated with the second turning of the dharma wheel and especially with the teachings on emptiness (śūnyatā). As such, these texts were the primary scriptural source for the philosophy of the Madhyamaka school. Skt. प्रज्ञापारमिता Tib. ཤེར་ཕྱིན་,ཤེས་རབ་ཀྱི་ཕ་རོལ་ཏུ་ཕྱིན་པ་ Ch. 般若波羅蜜多

vajrapada - Literally, vajra-footing, or base. In the context of the Ratnagotravibhāga, this is the name given to the seven subjects that are addressed in the treatise. These seven are the buddha, dharma, saṅgha, the element (dhātu), enlightenment (bodhi), enlightened qualities (guṇa), and enlightened activities (karman). Skt. वज्रपद Tib. རྡོ་རྗེའི་གནས་

These are the root verses of the Uttaratantra attributed to Maitreya by the Tibetan tradition.

Mahāmudrā - Mahāmudrā refers to an advanced meditation tradition in Mahāyāna and Vajrayāna forms of Into-Tibetan Buddhism that is focused on the realization of the empty and luminous nature of the mind. It also refers to the resultant state of buddhahood attained through such meditation practice. In Tibet, this tradition is particularly associated with the Kagyu school, although all other schools also profess this tradition. The term also appears as part of the four seals, alongside dharmamūdra, samayamudrā, and karmamudrā. Skt. महामुद्रा Tib. ཕྱག་རྒྱ་ཆེན་པོ།

dhātu - A fundamental component or essential constituent. Skt. धातु Tib. ཁམས་ Ch. 界

kleśa - Often referred to as poisons, these are a class of disturbing or disruptive emotional states that when aroused negatively affect or taint the mind. Skt. क्लेश Tib. ཉོན་མོངས་ Ch. 煩惱

pratipakṣa - An antidote or remedy that contributes or supports the elimination or pacification of a particular ailment or affliction. Skt. प्रतिपक्ष Tib. གཉེན་པོ་ Ch. 對治

prasajyapratiṣedha - A negation that merely denies the existence of something without implicitly suggesting an alternative. Skt. प्रसज्यप्रतिषेध Tib. མེད་དགག་

paramārthasatya - "Ultimate truth" or "absolute truth"; the reality of things as they truly are. Skt. परमार्थसत्य Tib. དོན་དམ་བདེན་པ་ Ch. 第一義諦,眞諦

rang stong - The state of being empty of self, which references the lack of inherent existence in relative phenomena. Tib. རང་སྟོང་

śūnyatā - The state of being empty of an innate nature due to a lack of independently existing characteristics. Skt. शून्यता Tib. སྟོང་པ་ཉིད་ Ch. 空,空門

paramārthasatya - "Ultimate truth" or "absolute truth"; the reality of things as they truly are. Skt. परमार्थसत्य Tib. དོན་དམ་བདེན་པ་ Ch. 第一義諦,眞諦

gzhan stong - The state of being devoid of that which is wholly different rather than being void of its own nature. The term is generally used to refer to the ultimate, or buddha-nature, being empty of other phenomena such as adventitious defiling emotions but not empty of its true nature. Tib. གཞན་སྟོང་

Madhyamaka - Along with Yogācāra, it is one of the two major philosophical schools of Mahāyāna Buddhism. Founded by Nāgārjuna around the second century CE, it is rooted in the Prajñāpāramitā Sūtras, though its initial exposition was presented in Nāgārjuna's Mūlamadhyamakakārikā. Skt. मध्यमक Tib. དབུ་མ་ Ch. 中觀見

The Eighth Karmapa's commentary on Candrakīrti's Madhyamakāvatāra (Entry into the Middle Way), presented as the oral instructions of the First Karmapa, Dusum Khyenpa.

The Eighth Karmapa's commentary on Candrakīrti's Madhyamakāvatāra (Entry into the Middle Way), presented as the oral instructions of the First Karmapa, Dusum Khyenpa.

Mahāyānottaratantraśāstravyākhyā - This is the title of Asaṅga's commentary to the Gyü Lama that is given by Tibetan sources instead of the Ratnagotravibhāgavyākhyā. Skt. महायानोत्तरतन्त्रशास्त्रव्याख्या Tib. ཐེག་པ་ཆེན་པོ་རྒྱུད་བླ་མའི་བསྟན་བཅོས་རྣམ་པར་བཤད་པ།

According to the Tibetan tradition this is Asaṅga's commentary to the Uttaratantra.

Bodhisattva - A person who seeks enlightenment for the sake of others. In Mahāyāna Buddhism, a Bodhisattva is a compassionate being who is training on the path to Buddhahood and aspires to eliminate the suffering of all beings and take all sentient beings to the state of enlightenment. The Mahāyāna sūtras including those on buddha-nature generally have Bodhisattvas as the main audience or interlocutors for the Buddha's discourses. Skt. बोधिसत्त्व Tib. བྱང་ཆུབ་སེམས་དཔའ། Ch. 菩薩

Yogācāra - Along with Madhyamaka, it was one of the two major philosophical schools of Mahāyāna Buddhism. Founded by Asaṅga and Vasubandhu around the fourth century CE, many of its central tenets have roots in the Saṃdhinirmocanasūtra and the so-called third turning of the dharma wheel (see tridharmacakrapravartana). Skt. योगाचार Tib. རྣལ་འབྱོར་སྤྱོད་པ་ Ch. 瑜伽行派

These are the root verses of the Uttaratantra attributed to Maitreya by the Tibetan tradition.

RGV - Ratnagotravibhāga Mahāyānottaratantraśāstra

gotra - Disposition, lineage, or class; an individual's gotra determines the type of enlightenment one is destined to attain. Skt. गोत्र Tib. རིགས་ Ch. 鍾姓,種性

Mahāyānottaratantraśāstravyākhyā - This is the title of Asaṅga's commentary to the Gyü Lama that is given by Tibetan sources instead of the Ratnagotravibhāgavyākhyā. Skt. महायानोत्तरतन्त्रशास्त्रव्याख्या Tib. ཐེག་པ་ཆེན་པོ་རྒྱུད་བླ་མའི་བསྟན་བཅོས་རྣམ་པར་བཤད་པ།

According to the Tibetan tradition this is Asaṅga's commentary to the Uttaratantra.

RGVV - Ratnagotravibhāgavyākhyā

According to the Tibetan tradition this is Asaṅga's commentary to the Uttaratantra.

According to the Tibetan tradition this is Asaṅga's commentary to the Uttaratantra.

According to the Tibetan tradition this is Asaṅga's commentary to the Uttaratantra.

prabhāsvaratā - In a general sense, that which clears away darkness, though it often appears in Buddhist literature in reference to the mind or its nature. It is a particularly salient feature of Tantric literature, especially in regard to the advanced meditation techniques of the completion-stage yogas. Skt. प्रभास्वर Tib. འོད་གསལ་ Ch. 光明

Geluk - The Geluk tradition traces its origin to Tsongkhapa, who propagated a modified version of the Kadampa lojong and lamrim teachings. It is the dominant tradition of Tibet, having established its control of the government under the figure of the Dalai Lama. Tib. དགེ་ལུགས་

Nyingma - The Nyingma, which is often described as the oldest tradition of Tibetan Buddhism, traces its origin to Padmasambhava, who is said to have visited Tibet in the eighth century. Tib. རྙིང་མ་

dharmadhātu - The fundamental expanse from which all phenomena emerge. Skt. धर्मधातु Tib. ཆོས་དབྱིངས་ Ch. 法界

dharmadhātu - The fundamental expanse from which all phenomena emerge. Skt. धर्मधातु Tib. ཆོས་དབྱིངས་ Ch. 法界

ātman - Though it can simply be used as the expression "I" or "me", in Indian thought the notion of self refers to a permanent, unchanging entity, such as that which passes from life to life in the case of people, or the innate essence (svabhāva) of phenomena. Skt. आत्मन् Tib. བདག་ Ch. 我,灵魂

advaya - Literally, "without duality," it refers to that which is indivisible, in that it is not divided into two. Skt. अद्वय Tib. གཉིས་མེད་ Ch. 不二

Great Madhyamaka - The term Great Madhyamaka is utilized in different contexts depending on the tradition. In the Jonang tradition, it generally refers to the Zhentong Madhyamaka philosophy as it was developed and systematized by Dölpopa. In this context, the Great Madhyamaka refers to the presentation of ultimate truth, while Madhyamaka describes the emptiness of the relative level of truth. In the Nyingma tradition, Great Madhyamaka refers to the subtle, inner Madhyamaka that unifies the philosophical positions of Nāgārjuna and Asaṅga. This is presented in opposition to the coarse, outer Madhyamaka that is the dialectic approach of Prāsaṅgika and Svātantrika. In the Kagyu tradition, the term is used in a similar vein in that Madhyamaka is used to refer to philosophical inquiry, while Great Madhyamaka is used to refer to the view arrived at through yogic accomplishment. However, in all of these traditions, Great Madhyamaka is heavily associated with buddha-nature (tathāgatagarbha) and the definitive status of these teachings. Skt. महामध्यमक Tib. དབུ་མ་ཆེན་པོ་

śrāvaka - The disciples of the Buddha who aspire to attain individual liberation or nirvāṇa. The final goal of the Hearers is to become an arhat, a state in which one has totally eliminated the inner problems of attachment, hatred and ignorance, the main causes for rebirth in this cycle of existence. There are four stages of a śrāvaka path including eight phases. Skt. श्रावक Tib. ཉན་ཐོས། Ch. 聲聞

bhūmi - A plateau of spiritual development. Skt. भूमि Tib. ས་

pāramitā - The six or ten types of practices which lead an individual to Buddhahood. The practice of perfections is particularly important in Mahāyāna Buddhism in which the entire path of the Bodhisattva to reach full enlightenment is included in the six or ten perfections. The six perfections are that of giving, of discipline, patience, zeal, meditation, and wisdom. The perfection of skill-in-means, aspirations, power, and pristine wisdom are added to them to make ten perfections. Skt. पारमिता Tib. ཕར་ཕྱིན།,ཕ་རོལ་ཏུ་ཕྱིན་པ། Ch. 波羅蜜

paramārthasatya - "Ultimate truth" or "absolute truth"; the reality of things as they truly are. Skt. परमार्थसत्य Tib. དོན་དམ་བདེན་པ་ Ch. 第一義諦,眞諦

saṃvṛtisatya - "Relative truth" or "conventional truth"; the erroneously perceived reality common to the unenlightened. Skt. संवृतिसत्य Tib. ཀུན་རྫོབ་བདེན་པ་ Ch. 世俗諦,俗諦

saṃvṛtisatya - "Relative truth" or "conventional truth"; the erroneously perceived reality common to the unenlightened. Skt. संवृतिसत्य Tib. ཀུན་རྫོབ་བདེན་པ་ Ch. 世俗諦,俗諦

trisvabhāva - According to the Yogācāra school, all phenomena can be divided into three natures or characteristics: the imaginary nature (parikalpitasvabhāva), the dependent nature (paratantrasvabhāva), and the perfect or absolute nature (pariniṣpannasvabhāva). Skt. त्रिस्वभाव Tib. རང་བཞིན་གསུམ་

ālayavijñāna - A neutral base consciousness that is posited as the storehouse for the seeds of past karmic actions in which they remain in a latent state until the circumstances arise for them to ripen as karmic consequences. Skt. आलयविज्ञान Tib. ཀུན་གཞིའི་རྣམ་ཤེས་ Ch. 藏識,阿賴耶識

Cittamātra - Though it is sometimes used synonymously with Yogācāra, it is in fact one of the more prominent philosophical theories associated with this school. It asserts that the objects in the external world with which we interact are actually mentally created representations appearing as those objects. The character of these perceptions is predetermined by our own karmic conditioning that is stored in the ālayavijñāna. Skt. चित्तमात्र Tib. སེམས་ཙམ་

ātman - Though it can simply be used as the expression "I" or "me", in Indian thought the notion of self refers to a permanent, unchanging entity, such as that which passes from life to life in the case of people, or the innate essence (svabhāva) of phenomena. Skt. आत्मन् Tib. བདག་ Ch. 我,灵魂

śūnyatā - The state of being empty of an innate nature due to a lack of independently existing characteristics. Skt. शून्यता Tib. སྟོང་པ་ཉིད་ Ch. 空,空門

nirmāṇakāya - An fully enlightened Buddha is said to have the power to manifest in many forms in order to help the sentient beings. The emanation body of a buddha, as the third of the three bodies of a buddha, refers to the many forms in which a buddha can manifest and which are accessible to ordinary sentient beings. Buddhist scholars present four types of emanation bodies: emanation as supreme being, emanation as rebirth, emanation as artisan and emanation in diverse forms. Skt. निर्माणकाय Tib. སྤྲུལ་སྐུ། Ch. 化身

rang stong - The state of being empty of self, which references the lack of inherent existence in relative phenomena. Tib. རང་སྟོང་

lam rim - Lam rim refers to the stages on the path and, by extension, more commonly to the genre of teachings which contain practical instructions for training on the stages of the path to enlightenment. Related to the blo sbyong practice, it is particularly known among the Kadampa and Geluk schools. Tsongkhapa's Byang chub lam rim chen mo is the most well known in this genre and the term lam rim is often used specifically to refer to this text. Skt. मार्गक्रम Tib. ལམ་རིམ།,ལམ་གྱི་རིམ་པ།

Hīnayāna - The mainstream teachings and the early schools of Buddhism which primarily taught individual liberation through practice-focused renunciation and monasticism, considered lesser than the later movement of the Greater Vehicle (Mahāyāna), which professed enlightenment for all sentient beings and promoted compassion. Skt. हीनयान Tib. ཐེག་དམན། Ch. 小乘

arhat - A person who has reached nirvāṇa by eliminating the three poisons of attachment, hatred and ignorance having followed the path of seeking individual liberation as a Śrāvaka or a Pratyekabuddha. An arhat, thus, is a person who has overcome the cause of rebirth in the cycle of existence and will not take an ordinary birth again. Skt. अर्हत् Tib. དགྲ་བཅོམ་པ། Ch. 阿羅漢

Vajrayāna - The esoteric Buddhist tradition which developed as a syncretic system involving deity worship, use of mantras, physical energy, and mystical practices. It is also known as the mantra tradition and the tantric school as a result of being based on texts known as tantras. Skt. वज्रयान Tib. རྡོ་རྗེ་ཐེག་པ། Ch. 金剛乘

tantra - Tantra, when juxtaposed with Sūtra, generally refers to the scriptures and texts which discuss esoteric topics. While the term is used to refer to texts on other topics, it is mostly used to refer to the genre of scriptures and texts on themes and topics associated with Vajrayāna Buddhism. Skt. तन्त्र Tib. རྒྱུད། Ch. 密宗

The Awakening of Faith is a key source text for buddha-nature theory in East Asian Buddhism.

buddhadhātu - A synonym for tathāgatagarbha widely used throughout the East Asian Buddhist traditions, as found in its translations as the Chinese term fó xìng and Japanese term busshō. Skt. बुद्धधातु Tib. སངས་རྒྱས་ཀྱི་ཁམས་ Ch. 佛性

Geluk - The Geluk tradition traces its origin to Tsongkhapa, who propagated a modified version of the Kadampa lojong and lamrim teachings. It is the dominant tradition of Tibet, having established its control of the government under the figure of the Dalai Lama. Tib. དགེ་ལུགས་

tantra - Tantra, when juxtaposed with Sūtra, generally refers to the scriptures and texts which discuss esoteric topics. While the term is used to refer to texts on other topics, it is mostly used to refer to the genre of scriptures and texts on themes and topics associated with Vajrayāna Buddhism. Skt. तन्त्र Tib. རྒྱུད། Ch. 密宗

gzhan stong - The state of being devoid of that which is wholly different rather than being void of its own nature. The term is generally used to refer to the ultimate, or buddha-nature, being empty of other phenomena such as adventitious defiling emotions but not empty of its true nature. Tib. གཞན་སྟོང་

A commentary on the Ratnagotravibhāga by a fourteenth century Kadam scholar.

A commentary on the Ratnagotravibhāga by a fourteenth century Kadam scholar.

kleśa - Often referred to as poisons, these are a class of disturbing or disruptive emotional states that when aroused negatively affect or taint the mind. Skt. क्लेश Tib. ཉོན་མོངས་ Ch. 煩惱

rang stong - The state of being empty of self, which references the lack of inherent existence in relative phenomena. Tib. རང་སྟོང་

rgyu'i rgyud - The mind's natural mode that abides as suchness, which remains unchanged from the state of an ordinary being up until enlightenment. Tib. རྒྱུའི་རྒྱུད་

tridharmacakrapravartana - Three successive stages of the Buddhist teachings. Though they are traditionally attributed to the historical Buddha, modern scholarship tends to view them as developmental stages that occurred over the course of an extended period of time, with interludes of several centuries, in which we see major doctrinal shifts often based on seemingly newly emergent scriptural sources. Skt. त्रिधर्मचक्रप्रवर्तन Tib. ཆོས་འཁོར་རིམ་པ་གསུམ་

tathāgatagarbha - Buddha-nature, literally the "womb/essence of those who have gone (to suchness)." Skt. तथागतगर्भ Tib. དེ་བཞིན་གཤེགས་པའི་སྙིང་པོ་ Ch. 如来藏

Dzogchen - Dzogchen is an advanced system of meditation techniques to reveal the innate state of perfection primarily, but not exclusively, espoused by the Nyingma Buddhist tradition and the Tibetan Bön tradition. Skt. महासन्धि Tib. རྫོགས་ཆེན།

sems nyid - Commonly found in Dzogchen and Mahāmudrā literature, this term denotes the true, natural state of mind as it is. Often used in these traditions as a synonym for buddha-nature. Skt. चित्तत्व Tib. སེམས་ཉིད་

Rong ston shes bya kun rig. Erudite Commentary on the Treatise of the Sublime Continuum of the Mahayana

Rong ston shes bya kun rig. Erudite Commentary on the Treatise of the Sublime Continuum of the Mahayana

bīja - A seed, commonly used figuratively in the sense of something which has the potential to develop or grow, and likewise as the basic cause for this development or growth. Skt. बीज Tib. ས་བོན་ Ch. 無漏種

Ngok Tradition - Ngok Lotsāwa Loden Sherab's "analytic tradition" of exegesis of the Uttaratantra; one of two major Tibetan traditions of exegesis, both stemming from students of Sajjana. Tib. རྔོག་ལུགས་

The Awakening of Faith is a key source text for buddha-nature theory in East Asian Buddhism.

The Awakening of Faith is a key source text for buddha-nature theory in East Asian Buddhism.

original enlightenment - According to East Asian Buddhism, the intrinsic enlightenment of all sentient beings. This is obscured by the many stains present in the ālayavijñāna. When these are purified, the natural state of enlightenment is recovered, a status known as "actualized enlightenment." Ch. 本覺

avidyā - Literally "unknowing," it refers to a lack of knowledge or misunderstanding of the nature of reality. As such, it is considered to be the root cause of suffering and the basis for the arising of all other negative mental factors. Skt. अविद्या Tib. མ་རིག་པ་ Ch. 無明

actualized enlightenment - Actualized enlightenment is enlightenment that is attained through practice. It is contrasted with original enlightenment, which is the mind's innate purity in its natural state. Ultimately, there is no difference between them. Because of the presence of ignorance, sentient beings are blind to their true nature. By removing that ignorance, one actualizes enlightenment. Ch. 始覺

The Awakening of Faith is a key source text for buddha-nature theory in East Asian Buddhism.

The Awakening of Faith is a key source text for buddha-nature theory in East Asian Buddhism.

tathāgatagarbha - Buddha-nature, literally the "womb/essence of those who have gone (to suchness)." Skt. तथागतगर्भ Tib. དེ་བཞིན་གཤེགས་པའི་སྙིང་པོ་ Ch. 如来藏

The Third Karmapa's treatise on buddha-nature written in verse.

The Third Karmapa's treatise on buddha-nature written in verse.

nītārtha - Refers to a teaching that is literally true. Skt. नीतार्थ Tib. ངེས་དོན་

Jamgön Kongtrul's commentary on the Third Karmapa's verse treatise on buddha-nature.

Jamgön Kongtrul's commentary on the Third Karmapa's verse treatise on buddha-nature.

Commentary to The Third Karmapa's fammouse treatise on buddha-nature.

sugatagarbha - Literally, the "essence" or "heart of the Bliss Gone One(s)," a synonym for tathāgatagarbha that is likewise often rendered into English by the term buddha-nature. Though it is often back translated into Sanskrit as sugatagarbha, this term is not found in Sanskrit sources. Skt. सुगतगर्भ Tib. བདེ་གཤེགས་སྙིང་པོ་

Commentary to The Third Karmapa's fammouse treatise on buddha-nature.

gzhi - The foundational basis of both saṃsāra and nirvāṇa. It is often used as a synonym for tathāgatagarbha and dharmadhātu. Tib. གཞི་

svabhāva - The nature or essence of a thing, which originates only from itself and is not dependent on any external entities, causes, or conditions. Skt. स्वभाव Tib. རང་བཞིན་ Ch. 自性

gzhan stong - The state of being devoid of that which is wholly different rather than being void of its own nature. The term is generally used to refer to the ultimate, or buddha-nature, being empty of other phenomena such as adventitious defiling emotions but not empty of its true nature. Tib. གཞན་སྟོང་

Cittamātra - Though it is sometimes used synonymously with Yogācāra, it is in fact one of the more prominent philosophical theories associated with this school. It asserts that the objects in the external world with which we interact are actually mentally created representations appearing as those objects. The character of these perceptions is predetermined by our own karmic conditioning that is stored in the ālayavijñāna. Skt. चित्तमात्र Tib. སེམས་ཙམ་

paratantrasvabhāva - The second of the three natures, according to the Yogācāra school. It is the dependent nature that is used to describe the relationship between mind and its objects, though there is a clear emphasis on the latter. Hence, this nature is concerned with the nature of seemingly external objects that arise in dependence upon causes and conditions. Skt. परतन्त्रस्वभाव Tib. གཞན་དབང་གི་རང་བཞིན་

guṇa - The qualities or attributes of an enlightened being. Skt. गुण Tib. ཡོན་ཏན་ Ch. 功德

avidyā - Literally "unknowing," it refers to a lack of knowledge or misunderstanding of the nature of reality. As such, it is considered to be the root cause of suffering and the basis for the arising of all other negative mental factors. Skt. अविद्या Tib. མ་རིག་པ་ Ch. 無明

Dzogchen - Dzogchen is an advanced system of meditation techniques to reveal the innate state of perfection primarily, but not exclusively, espoused by the Nyingma Buddhist tradition and the Tibetan Bön tradition. Skt. महासन्धि Tib. རྫོགས་ཆེན།

advaya - Literally, "without duality," it refers to that which is indivisible, in that it is not divided into two. Skt. अद्वय Tib. གཉིས་མེད་ Ch. 不二

Dolpopa's commentary on the Uttaratantra.

Dolpopa's commentary on the Uttaratantra.

Mönlam Tsültrim's pith instructions on the Uttaratantra, which he claims to have copied from a manuscript that was passed down in a lineage that goes back to Maitrīpa.

Mönlam Tsültrim's pith instructions on the Uttaratantra, which he claims to have copied from a manuscript that was passed down in a lineage that goes back to Maitrīpa.

This brief text contains the instructions on attaining Mahāmudrā in the intermediate state based on the Atyayajñānasūtra.

This brief text contains the instructions on attaining Mahāmudrā in the intermediate state based on the Atyayajñānasūtra.

Sangpu Neutok - Sangpu Neutok is an important monastery in central Tibet, just south of Lhasa, that was founded in 1072 by Ngok Lekpai Sherab, a disciple of Atiśa, and developed by his nephew, Ngok Lotsāwa Loden Sherab. Originally a Kadam monastery with two colleges, it evolved into a monastery that includes both Sakya and Geluk traditions. At its peak in the 11th to 14th centuries, it was one of the most highly esteemed centers for monastic education and the study of Buddhist philosophy in all of the Tibetan plateau. Many influential philosophers of the time studied there. Tib. གསང་ཕུ་ནེའུ་ཐོག་

Ngok Tradition - Ngok Lotsāwa Loden Sherab's "analytic tradition" of exegesis of the Uttaratantra; one of two major Tibetan traditions of exegesis, both stemming from students of Sajjana. Tib. རྔོག་ལུགས་

Kagyu - The Kagyu school traces its origin to the eleventh-century translator Marpa, who studied in India with Nāropa. Marpa's student Milarepa trained Gampopa, who founded the first monastery of the Kagyu order. As many as twelve subtraditions grew out from there, the best known being the Karma Kagyu, the Drikung, and the Drukpa. Tib. བཀའ་བརྒྱུད་

gzhan stong - The state of being devoid of that which is wholly different rather than being void of its own nature. The term is generally used to refer to the ultimate, or buddha-nature, being empty of other phenomena such as adventitious defiling emotions but not empty of its true nature. Tib. གཞན་སྟོང་

ātman - Though it can simply be used as the expression "I" or "me", in Indian thought the notion of self refers to a permanent, unchanging entity, such as that which passes from life to life in the case of people, or the innate essence (svabhāva) of phenomena. Skt. आत्मन् Tib. བདག་ Ch. 我,灵魂

ātman - Though it can simply be used as the expression "I" or "me", in Indian thought the notion of self refers to a permanent, unchanging entity, such as that which passes from life to life in the case of people, or the innate essence (svabhāva) of phenomena. Skt. आत्मन् Tib. བདག་ Ch. 我,灵魂

Uttaratantra - The Ultimate Continuum, or Gyü Lama, is often used as a short title in the Tibetan tradition for the key source text of buddha-nature teachings called the Ratnagotravibhāga of Maitreya/Asaṅga, also known as the Mahāyānottaratantraśāstra. Skt. उत्तरतन्त्र Tib. རྒྱུད་བླ་མ་ Ch. 寶性論

rang stong - The state of being empty of self, which references the lack of inherent existence in relative phenomena. Tib. རང་སྟོང་

Tsen Tradition - Tsen Khawoche's "meditative tradition" of exegesis of the Uttaratantra; it is one of two major Tibetan traditions of exegesis, both stemming from students of Sajjana. Tib. བཙན་ལུགས་

A 14th Century commentary on Uttaratantra from the Kadam tradition.

A 14th Century commentary on Uttaratantra from the Kadam tradition.

A 14th Century commentary on Uttaratantra from the Kadam tradition.

An important sūtra source for the Ratnagotravibhāga, particularly for its discussion of the nine examples that illustrate how all sentient beings possess buddha-nature.

In Sanskrit, "Stainless Light," the most important commentary on the Kālacakra Tantra',' attributed to Puṇḍarīka.

In Sanskrit, "Stainless Light," the most important commentary on the Kālacakra Tantra',' attributed to Puṇḍarīka.

In Sanskrit, "Stainless Light," the most important commentary on the Kālacakra Tantra',' attributed to Puṇḍarīka.

Ngok Tradition - Ngok Lotsāwa Loden Sherab's "analytic tradition" of exegesis of the Uttaratantra; one of two major Tibetan traditions of exegesis, both stemming from students of Sajjana. Tib. རྔོག་ལུགས་

gotra - Disposition, lineage, or class; an individual's gotra determines the type of enlightenment one is destined to attain. Skt. गोत्र Tib. རིགས་ Ch. 鍾姓,種性

trikāya - The three enlightened forms of a buddha one attains when one becomes fully enlightened. They include the truth body (dharmakāya), enjoyment body (saṃbhogakāya), and the emanation body (nirmāṇakāya). The three bodies comprise the many qualities and powers associated with buddhahood and thus are the result sought through Mahāyāna Buddhist practice. Skt. त्रिकाय Tib. སྐུ་གསུམ། Ch. 三身

prasajyapratiṣedha - A negation that merely denies the existence of something without implicitly suggesting an alternative. Skt. प्रसज्यप्रतिषेध Tib. མེད་དགག་

sugatagarbha - Literally, the "essence" or "heart of the Bliss Gone One(s)," a synonym for tathāgatagarbha that is likewise often rendered into English by the term buddha-nature. Though it is often back translated into Sanskrit as sugatagarbha, this term is not found in Sanskrit sources. Skt. सुगतगर्भ Tib. བདེ་གཤེགས་སྙིང་པོ་

Vajrayāna - The esoteric Buddhist tradition which developed as a syncretic system involving deity worship, use of mantras, physical energy, and mystical practices. It is also known as the mantra tradition and the tantric school as a result of being based on texts known as tantras. Skt. वज्रयान Tib. རྡོ་རྗེ་ཐེག་པ། Ch. 金剛乘

triyāna - Commonly seen in a Mahāyāna context, the three vehicles are the Śrāvakayāna, Pratyekabuddhayāna, and Bodhisattvayāna, which reference the three different types of Buddhist practitioners. However, these three vehicles can also reference the three types of Buddhist teachings of the Hīnayāna, Mahāyāna (or Pāramitāyāna), and the Vajrayāna. Skt. त्रियान Tib. ཐེག་པ་གསུམ་ Ch. 三乗

"This sūtra became an important scriptural source for the discussion of buddha-nature in China and is famous for associating the term buddhadhātu with tathāgatagarbha.

These are the root verses of the Uttaratantra attributed to Maitreya by the Tibetan tradition.

These are the root verses of the Uttaratantra attributed to Maitreya by the Tibetan tradition.

These are the root verses of the Uttaratantra attributed to Maitreya by the Tibetan tradition.

These are the root verses of the Uttaratantra attributed to Maitreya by the Tibetan tradition.

parikalpitasvabhāva - The first of the three natures, according to the Yogācāra school. It is the imaginary nature which is falsely projected onto an object out of confusion. Skt. परिकल्पितस्वभाव Tib. ཀུན་བཏགས་ཀྱི་རང་བཞིན་

parikalpitasvabhāva - The first of the three natures, according to the Yogācāra school. It is the imaginary nature which is falsely projected onto an object out of confusion. Skt. परिकल्पितस्वभाव Tib. ཀུན་བཏགས་ཀྱི་རང་བཞིན་

svabhāva - The nature or essence of a thing, which originates only from itself and is not dependent on any external entities, causes, or conditions. Skt. स्वभाव Tib. རང་བཞིན་ Ch. 自性

svabhāva - The nature or essence of a thing, which originates only from itself and is not dependent on any external entities, causes, or conditions. Skt. स्वभाव Tib. རང་བཞིན་ Ch. 自性

paratantrasvabhāva - The second of the three natures, according to the Yogācāra school. It is the dependent nature that is used to describe the relationship between mind and its objects, though there is a clear emphasis on the latter. Hence, this nature is concerned with the nature of seemingly external objects that arise in dependence upon causes and conditions. Skt. परतन्त्रस्वभाव Tib. གཞན་དབང་གི་རང་བཞིན་

pariniṣpannasvabhāva - The third of the three natures, according to the Yogācāra school. It is the perfect nature that represents the most authentic understanding of phenomena, which is classically defined as the complete absence of the imaginary nature within the dependent nature. Skt. परिनिष्पन्नस्वभाव Tib. ཡོངས་སུ་གྲུབ་པའི་རང་བཞིན་

āvaraṇa - Literally, that which obscures or conceals. Often listed as a set of two obscurations (sgrib gnyis): the afflictive emotional obscurations (Skt. kleśāvaraṇa, Tib. nyon mongs pa'i sgrib pa) and the cognitive obscurations (Skt. jñeyāvaraṇa, Tib. shes bya'i sgrib pa). By removing the first, one becomes free of suffering, and by removing the second, one becomes omniscient. Skt. आवरण Tib. སྒྲིབ་པ་

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