Verse III.20

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Ratnagotravibhāga Root Verse III.20

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Verse III.20 Variations

प्रलम्बबाहुता शुद्धप्रभामण्डलगात्रता
कम्बुग्रीवत्वममलं मृगेन्द्रहनुता समा

E. H. Johnston as input by the University of the West.^[1]

pralambabāhutā śuddhaprabhāmaṇḍalagātratā
kambugrīvatvamamalaṃ mṛgendrahanutā samā

E. H. Johnston as input by the University of the West.^[2]

།ཕྱག་རིང་ཡོངས་སུ་དག་པའི་སྐུ།
འོད་ཀྱི་དཀྱིལ་འཁོར་དང་ལྡན་དང་། །
མགྲིན་པ་དྲི་མེད་དུང་འདྲ་དང་། །
འགྲམ་པ་རི་དགས་རྒྱལ་པོ་འདྲ། །

Dege, PHI, 132

His arms are hanging [down to the knees],
[His body] has a pure halo of light around it,
His neck is stainless like a conch,
And his jaws are like those of the king of animals.

When the Clouds Part, Brunnhölzl, 433 ^[3]

Ses bras sont longs et son corps, entièrement pur,

Est entouré d’un halo de lumière.

Sa gorge évoque une conque immaculée

Et ses joues valent celles du roi des animaux.

Charrier, Christian and Patrick Carré. Traité de la Continuité suprême du Grand Véhicule. Plazac: Éditions Padmakara, 2019.

RGVV Commentary on Verse III.20

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Chinese

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།སྐྱེས་བུ་ཆེན་པོའི་མཚན་སུམ་ཅུ་རྩ་གཉིས་དང་ལྡན་པའི་གཟུགས་མངའ་བ་ཞེས་བྱ་བ་ནི། ལེགས་གནས་འཁོར་ལོས་མཚན་པ་དང་། །ཡངས་དང་ཞབས་ལོང་མི་མངོན་དང་། །སོར་མོ་རིང་དང་ཕྱག་ཞབས་རིང་། །དྲ་བ་ཡིས་ནི་འབྲེལ་བ་དང་། །པགས་འཇམ་གཞོན་ཤ་ཅན་ལེགས་ཉིད། །སྐུ་ནི་བདུན་དག་མཐོ་བ་དང་། །བྱིན་པ་ཨེ་ན་ཡ་འདྲ་གསང་། །གླང་པོ་བཞིན་དུ་སྦུབས་སུ་ནུབ། །རོ་སྟོད་སེང་གེ་འདྲ་བ་

དང་། །ཐལ་གོང་བར་མེད་རྒྱས་པ་དང་། །དཔུང་པ་ལེགས་ཟླུམ་ཕྱག་འཇམ་རིང་། །ཟླུམ་ཞིང་མཐོན་དམན་མེད་པ་དང་། །ཕྱག་རིང་ཡོངས་སུ་དག་པ་ཡི། །འོད་ཀྱི་དཀྱིལ་འཁོར་དག་དང་ལྡན། །མགྲིན་པ་དྲི་མེད་དུང་འདྲ་དང་། །འགྲམ་པ་རི་དགས་རྒྱལ་པོ་འདྲ། །ཚེམས་ནི་བཞི་བཅུ་མཉམ་པ་དང་། །རབ་དངས་ཚེམས་ཐགས་བཟང་བ་དང་། །རྣམ་དག་ཚེམས་མཉམ་ཉིད་དང་ནི། །མཆེ་བ་རབ་མཆོག་དཀར་བ་ཉིད། །ལྗགས་རིང་མཐའ་མེད་བསམ་མེད་པ། །རོ་བྲོ་བ་ཡི་མཆོག་ཉིད་དང་། །རང་བྱུང་ཀ་ལ་པིང་ཀ་ཡི། །སྒྲ་དང་ཚངས་པའི་དབྱངས་ཉིད་དང་། །སྤྱན་བཟངས་ཨུཏྤལ་ཁྱུ་མཆོག་རྫི་འདྲ་དང་། །ཞལ་མཛེས་དྲི་མེད་མཛོད་སྤུ་དཀར་བར་ལྡན། །གཙུག་ཏོར་དབུ་ལྡན་དག་ཅིང་སྲབ་པ་དང་། །པགས་པ་གསེར་གྱི་མདོག་འདྲ་སེམས་ཅན་མཆོག །བ་སྤུ་ལེགས་ཕྲ་འཇམ་ཞིང་རེ་རེ་ནས། །སྐུ་ཡི་གྱེན་དུ་གཡས་ཕྱོགས་འཁྱིལ་བ་དང་། །དབུ་སྐྲ་དྲི་མེད་རིན་ཆེན་མཐོན་མཐིང་བཞིན། །ནྱ་གྲོ་རྫོགས་པའི་ལྗོན་ཤིང་དཀྱིལ་འཁོར་འདྲ། །ཀུན་ཏུ་བཟང་པོ་དཔེ་མེད་དྲང་སྲོང་ཆེ། །སྲེད་མེད་བུ་ཡི་སྟོབས་མངའ་མཁྲེགས་པའི་སྐུ། །བསམ་མི་ཁྱབ་པར་སུམ་ཅུ་རྩ་གཉིས་པོ། །འདི་དག་སྟོན་པས་མི་དབང་མཚན་དུ་གསུངས།

Other English translations[edit]

Obermiller (1931) ^[14]

The (body) standing upright, and not bending,

Perfectly pure and surrounded by a nimb

His neck is pure and resembles a shell,

His jaws are like those of the king of beasts,

Takasaki (1966) ^[15]

And are hanging low [down to the knees].

The body has a radiant, pure halo around it,

His neck is immaculate like a white conch,

And his jaws have a resemblance with those of a lion.

Fuchs (2000) ^[16]

His arms are long and his utterly immaculate body

is enfolded in the mandala of an aureole of light.

His neck, unblemished [in hue], resembles a conch.

His cheeks are like those of the king of all animals.

Textual sources[edit]

Commentaries on this verse[edit]

Academic notes[edit]

Digital Sanskrit Buddhist Canon Unicode Input
Digital Sanskrit Buddhist Canon Unicode Input
Brunnhölzl, Karl. When the Clouds Part: The Uttaratantra and its Meditative Tradition as a Bridge between Sūtra and Tantra. Boston: Snow Lion Publications, an imprint of Shambhala Publications, 2014.
VT (fol. 15v1) adds that the hands are likewise marked with wheels.
Skt. aṅguli means both fingers and toes, and the following phrase "hands and feet" indicates both.
According to VT (fol. 15v1), "shoulders"refers to both arms and legs, thus obviously to shoulders and hips.
Skt. anunnāma, DP mtho dman med pa.
According to VT (fol. 15v2), the throat has lines like a conch.
According to VT (fol. 15v2), there are twenty teeth each in the upper and lower jaws.
According to VT (fol. 15v2), none are longer or shorter (lit. "high and low").
Ordinarily, kalaviṅka is a name of the red-green Indian sparrow and the Indian cuckoo alike. In Buddhist texts, however, it is usually considered as a mythical bird with the head of a human (a bodhisattva) and the body of a bird, which already sings marvelously before it breaks its shell. It is often said to live in Amitabha’s pure land Sukhāvatī.
In Hindu cosmology, this is the son of Mahāpuruṣa, the latter being the primeval man as the soul and original source of the universe. Also, Nārāyaṇa is variously identified as Brahmā, Viṣṇu, or Kṛṣṇa.
Obviously, the numerical breakdown of the marks into thirty-two in these verses is far from being clear, so different commentaries give different numberings and combine certain features into one (for the list of thirty-two and their causes in GC and RYC, which is based on the Ratnadārikāsūtra, see the note on III.17–25 in CMW). Note also that this list here is just one from among a considerable number of more or less differing lists of the thirty-two marks that are found in various sūtras and treatises (for comprehensive lists, see Xing 2002, 27 and Tan 2011, 146–62). Also, the comments on them and their causes vary in different texts. Despite claims to the contrary, there is no evidence that the major marks (or the minor marks) are of Brahmanic origin or even of early Buddhist origin (all Buddhist sources are quite late; see Tan 2011). As indicated below in the Uttaratantra, its list of the thirty-two major marks (which includes some marks that the Abhisamayālaṃkāra presents as minor marks) is based on the Ratnadārikāparipṛcchāsūtra (Taishō 397, 37b–c) and is also contained in the Anuttarāśrayasūtra (Taishō 669, 474a–b). Except for minor differences in counting, this list is also found in TOK (see Brunnhölzl 2011b, 457–58). For the different list of these marks and their causes in Abhisamayālaṃkāra VIII.13–17, which is based on the prajñāpāramitā sūtras, see Brunnhölzl 2011b, 117–21 (for the eighty minor marks, see 121–25) and Brunnhölzl 2012a, 378–84 and 531–33 (for the minor marks, see 384–88 and 533–37). Except for a few minor changes in the order and some additional features, the Abhisamayālaṃkāra ’s list is basically repeated in Nāgārjuna’s Ratnāvalī II.77–96, and II.98 adds that cakravartins also possess these marks but that their purity, beauty, and clarity matches not even a fraction of those of buddhas. Except for differences in the numbering, chapter 8 of the *Prajñāpāramitāśāstra (Taishō 1509, 90a–91a) ascribed to Nāgārjuna also follows the list in the Abhisamayālaṃkāra¨. For a comparison of the list in the Uttaratantra with the lists in Haribhadra’s Abhisamayālaṃkārālokā and the Mahāvyutpatti, see the notes in Takasaki 1966a on the translation of Uttaratantra III.17–25. For the most detailed presentations of the major marks apart from the prajñāpāramitā sūtras, see the Lakkhaṇasutta (Dīgha Nikāya III.142–79; translated in Walshe 1995, 441–60 and Tan 2011, 180–213; the latter also provides an overview of mainly Pāli sources of both the major and minor marks and discusses the potential Babylonian origin of the former) and the Arthaviniścayasūtra (Samtani 2002, 205–16), which however lists thirty-three marks. See also the Lalitavistarasūtra ([Berkeley: Dharma Publishing, 1983], 1:155–56), the Mahāvyutpatti (section 17, nos. 236–67; translated in Thurman 1976, 156), and Pawo Tsugla Trengwa’s commentary on the Bodhicaryāvatāra (Dpa’ bo gtsug lag phreng ba n.d., 720–23).
Obermiller, E. "The Sublime Science of the Great Vehicle to Salvation Being a Manual of Buddhist Monism." Acta Orientalia IX (1931), pp. 81-306.
Takasaki, Jikido. A Study on the Ratnagotravibhāga (Uttaratantra): Being a Treatise on the Tathāgatagarbha Theory of Mahāyāna Buddhism. Serie Orientale Roma 33. Roma: Istituto Italiano per il Medio ed Estremo Oriente (ISMEO), 1966.
Fuchs, Rosemarie, trans. Buddha Nature: The Mahayana Uttaratantra Shastra. Commentary by Jamgon Kongtrul and explanations by Khenpo Tsultrim Gyamtso. Ithaca, N. Y.: Snow Lion Publications, 2000.

[1] Digital Sanskrit Buddhist Canon Unicode Input

[2] Digital Sanskrit Buddhist Canon Unicode Input

[3] Brunnhölzl, Karl. When the Clouds Part: The Uttaratantra and its Meditative Tradition as a Bridge between Sūtra and Tantra. Boston: Snow Lion Publications, an imprint of Shambhala Publications, 2014.

[4] VT (fol. 15v1) adds that the hands are likewise marked with wheels.

[5] Skt. aṅguli means both fingers and toes, and the following phrase "hands and feet" indicates both.

[6] According to VT (fol. 15v1), "shoulders"refers to both arms and legs, thus obviously to shoulders and hips.

[7] Skt. anunnāma, DP mtho dman med pa.

[8] According to VT (fol. 15v2), the throat has lines like a conch.

[9] According to VT (fol. 15v2), there are twenty teeth each in the upper and lower jaws.

[10] According to VT (fol. 15v2), none are longer or shorter (lit. "high and low").

[11] Ordinarily, kalaviṅka is a name of the red-green Indian sparrow and the Indian cuckoo alike. In Buddhist texts, however, it is usually considered as a mythical bird with the head of a human (a bodhisattva) and the body of a bird, which already sings marvelously before it breaks its shell. It is often said to live in Amitabha’s pure land Sukhāvatī.

[12] In Hindu cosmology, this is the son of Mahāpuruṣa, the latter being the primeval man as the soul and original source of the universe. Also, Nārāyaṇa is variously identified as Brahmā, Viṣṇu, or Kṛṣṇa.

[13] Obviously, the numerical breakdown of the marks into thirty-two in these verses is far from being clear, so different commentaries give different numberings and combine certain features into one (for the list of thirty-two and their causes in GC and RYC, which is based on the Ratnadārikāsūtra, see the note on III.17–25 in CMW). Note also that this list here is just one from among a considerable number of more or less differing lists of the thirty-two marks that are found in various sūtras and treatises (for comprehensive lists, see Xing 2002, 27 and Tan 2011, 146–62). Also, the comments on them and their causes vary in different texts. Despite claims to the contrary, there is no evidence that the major marks (or the minor marks) are of Brahmanic origin or even of early Buddhist origin (all Buddhist sources are quite late; see Tan 2011). As indicated below in the Uttaratantra, its list of the thirty-two major marks (which includes some marks that the Abhisamayālaṃkāra presents as minor marks) is based on the Ratnadārikāparipṛcchāsūtra (Taishō 397, 37b–c) and is also contained in the Anuttarāśrayasūtra (Taishō 669, 474a–b). Except for minor differences in counting, this list is also found in TOK (see Brunnhölzl 2011b, 457–58). For the different list of these marks and their causes in Abhisamayālaṃkāra VIII.13–17, which is based on the prajñāpāramitā sūtras, see Brunnhölzl 2011b, 117–21 (for the eighty minor marks, see 121–25) and Brunnhölzl 2012a, 378–84 and 531–33 (for the minor marks, see 384–88 and 533–37). Except for a few minor changes in the order and some additional features, the Abhisamayālaṃkāra ’s list is basically repeated in Nāgārjuna’s Ratnāvalī II.77–96, and II.98 adds that cakravartins also possess these marks but that their purity, beauty, and clarity matches not even a fraction of those of buddhas. Except for differences in the numbering, chapter 8 of the *Prajñāpāramitāśāstra (Taishō 1509, 90a–91a) ascribed to Nāgārjuna also follows the list in the Abhisamayālaṃkāra¨. For a comparison of the list in the Uttaratantra with the lists in Haribhadra’s Abhisamayālaṃkārālokā and the Mahāvyutpatti, see the notes in Takasaki 1966a on the translation of Uttaratantra III.17–25. For the most detailed presentations of the major marks apart from the prajñāpāramitā sūtras, see the Lakkhaṇasutta (Dīgha Nikāya III.142–79; translated in Walshe 1995, 441–60 and Tan 2011, 180–213; the latter also provides an overview of mainly Pāli sources of both the major and minor marks and discusses the potential Babylonian origin of the former) and the Arthaviniścayasūtra (Samtani 2002, 205–16), which however lists thirty-three marks. See also the Lalitavistarasūtra ([Berkeley: Dharma Publishing, 1983], 1:155–56), the Mahāvyutpatti (section 17, nos. 236–67; translated in Thurman 1976, 156), and Pawo Tsugla Trengwa’s commentary on the Bodhicaryāvatāra (Dpa’ bo gtsug lag phreng ba n.d., 720–23).

[14] Obermiller, E. "The Sublime Science of the Great Vehicle to Salvation Being a Manual of Buddhist Monism." Acta Orientalia IX (1931), pp. 81-306.

[15] Takasaki, Jikido. A Study on the Ratnagotravibhāga (Uttaratantra): Being a Treatise on the Tathāgatagarbha Theory of Mahāyāna Buddhism. Serie Orientale Roma 33. Roma: Istituto Italiano per il Medio ed Estremo Oriente (ISMEO), 1966.

[16] Fuchs, Rosemarie, trans. Buddha Nature: The Mahayana Uttaratantra Shastra. Commentary by Jamgon Kongtrul and explanations by Khenpo Tsultrim Gyamtso. Ithaca, N. Y.: Snow Lion Publications, 2000.

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 |VariationOriginalSource=[https://adarsha.dharma-treasure.org/kdbs/degetengyur/pbs/2916188 Dege, PHI, 132]
 |VariationTrans=His arms are hanging [down to the knees],<br>[His body] has a pure halo of light around it,<br>His neck is stainless like a conch,<br>And his jaws are like those of the king of animals.