Kano, K.
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Library Items
’Gos Lo-tsa-ba gZhon-nu-dpal (1392-1481) was one of the most brilliant scholars in Tibet and is famous for his religious history, the Blue Annals {Deb thersngon po). He is also known as a translator (lo tsa ba) and for his contributions to Buddhist doctrine and philosophy. However, except for the Blue Annals his own work has not been available until now. For this reason this first publication of a doctrinal commentary, Theg pa chen po rgyud bla ma’i bstan bcos kyi ’grel bshad de kho na nyid rab tu gsal ba’i me long (ZhP), is most welcome. In this commentary he presents a unique interpretation of the teaching of the Buddha-nature (tathagatagarbha) in the Ratnagotravibhaga/vyakhya (RGV/V) following the mahāmudrā tradition. Of more than fifty commentaries on the RGV known to have been written in Tibet, the ZhP is one of the most extensive and remarkable.
The editor, Klaus-Dieter Mathes, has previously contributed to the study of the Tibetan hermeneutical traditions of Yogācāra works such as the Dharmadharmatāvibhāga. He has already published a survey of this RGV commentary (p. xviii), and has also studied this commentary for his Habilitation, currently being prepared for publication (p. xi). In the introduction to the book under review, Mathes presents a brief biography of gZhon-nu-dpal and sketches his general philosophical position (pp. ix-xi). He then discusses the sources on which his edition is based (pp. xi-xiv), selected particular features of the ZhP (pp. xiv-xv), and his editorial method (pp. xv-xvi), ending with technical notes (pp. xvi-xvii) and bibliography (pp. xviii-xix).
The main part of this book consists of a critical edition of the ZhP in 576 pages, based on a manuscript in dbu-med script (A) and a block print (B). The block print was completed in 1479, soon after the composition of the ZhP in 1473 (pp. xii-xiii). Regarding the relationship between the manuscript and block print, Mathes states: "This leaves us with the probable case that A and B share a common source" (p. xii). As to the editorial method, he states, "My editing policy has been to compare gZhon nu dpal’s quotations with the Derge and Peking editions of the Kanjur and Tanjur, but to leave the original reading wherever possible." He also states, "Unusual or wrong spellings have been adapted to the usage of modern Tibetan," and he provides a list of emended spellings (pp. xv-xvi). Mathes has thus "corrected" the old orthography found in the two manuscripts into modern spellings. Though this allows a smoother reading for modern Tibetan readers, it might have been better to retain as much as possible the spellings current in the late fifteenth century, if they can be identified as such. (Kano, "Review of 'Gos Lo tsā ba gZhon nu dpal's Commentary on the Ratnagotravibhāgavyākhyā," 143)
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An encyclopedic author active during the reign of King Rāmapāla (ca. 1084–1126/1077–
ca. 1119) of the Pāla Dynasty, Abhayākaragupta is renowned for his erudition in a vast range of subjects in Buddhism.[1] His expertise is especially prominent in, though not limited to, the area of Tantric Buddhism, as attested by the well-known "Garland Trilogy" (phreng ba skor gsum), i.e. his three major works on Tantric ritual (Vajrāvalī, Jyotirmañjarī, and Niṣpannayogāvalī), which exercised a great influence on the Buddhism of the later period in Nepal and Tibet.
The Peking bsTan 'gyur includes twenty-six works ascribed to Abhayākaragupta, of which twenty-three are in the domain of Tantra; the other three deal with non-Tantric Buddhism.[2] Though most of these works are only available through Tibetan translation, some important texts of Abhayākaragupta are preserved in Sanskrit. The following works in Sanskrit have hitherto been edited: Niṣpannayogāvalī; Vajrāvalī; Jyotimañjarī; Ucchuṣmajambhalasādhana; Svādhiṣṭhānakramopadeśa.[3] In addition, Sanskrit manuscripts are known to exist of the Pañcakramatātparyapañjikā Kramakaumudī, Kālacakrāvatāra, and Abhayapaddhati.[4] According to some recent information, furthermore, Sanskrit manuscripts of the Āmnāyamañjarī, Munimatālaṅkāra and Madhyamakamañjarī[5] have been discovered in Tibet [6]
The Amnāyamañjarī, which may be called the magnum opus of Abhayākaragupta, is a commentary on the Saṃpuṭodbhavatantra and an encyclopedic compendium of Indian Tantric Buddhism. According to Bühnemann, Abhayākaragupta undertook the composition of the Amnāyamañjarī before 1101 or 1108 C.E. (twenty-fifth regnal year of Rāmapāla) and completed it in 1113 or 1120 C.E (thirty-seventh year of Rāmapāla). As has been remarked,[7] the Saṃpuṭodbhavatantra, though traditionally considered to be an Explanatory Tantra (vyākhyātantra) of the Hevajra and Saṃvara cycles, integrates many doctrinal and ritual elements adopted from several heterogeneous textual traditions such as that of the Guhyasamāja. Because of this "ecumenical" character of the Saṃpuṭodbhavatantra, the Amnāyamañjarī as its commentary also encompasses a great variety of subjects relating to the doctrine and ritual of Tantric Buddhism. The Amnāyamañjarī is referred to several times by Abhayākaragupta himself in his other works, such as the Munimatālaṅkāra,
Abhayapaddhati, Pañcakramatātparyapañjikā, and Vajrāvalī.[8] In turn, the Āmnāyamañjarī
refers to his other works [9]
Though, as remarked above, the existence of a presumably complete Sanskrit manuscript of the Āmnāyamañjarī has been reported, it still remains inaccessible to us. However, a single folio fragment of this text has been recently identified in the collection of Sanskrit manuscripts in Göttingen. In this paper, we describe this manuscript fragment and present a critical edition and an annotated translation of the text contained in it. We also include as appendices an edition of the corresponding part of the Tibetan translation as well as parallel passages found in Kamalanātha's Ratnāvalī and Abhayākaragupta's Abhayapaddhati. (Tomabechi and Kano, Abhayākaragupta and the Āmnāyamañjarī, 22–23)
Notes
- For the dates and works of Abhayākaragupta, see Erb 1997: 27–29: Bühnemann and Tachikawa 1991: Bühnemann 1992.
- For bibliographical information on these works, see Bühnemann 1992: 123–125.
- The Svādhiṣṭhānakramopadeśa (or Dvibhujasaṃvaropadeśa) was edited by Okuyama (1993).
- The Centre for Tantric Studies at University of Hamburg is currently working on a joint project to the Abhayapaddhati in collaboration with CTRC (China Tibetology Research Centre). Tomabechi is preparing a critical edition of the Kramakaumudī based on the manuscript copy preserved at CTRC.
- The latter text is not included in the bsTan 'gyur, but is mentioned by Abhayākaragupta himself in the Munimatālaṅkāra, D 145v6; P 179r8: mdor bsdus pa ni kho bos dbu ma'i snye mar phul du byung bar rnam par bshad do; Āmnāyamañjarī, D 28r1; P 31r2–3: 'di'i skye ba dang 'jig pa de dag kyang dbu ma'i snye mar nges par dpyad zin pas (P: pa'i) ... ; D 76v7–77r1; P 86v2-3: thsad ma gang gis 'di rang bzhin med pa nyid du bsgrub pa de ni bdag cag gis rgyas pa dang bcas par dbu ma'i snye mar nye bar bkod cing; D 162r5–6; P 179v1: bzlog pa kho na las de kho na nyid 'di rnams so zhes dbu ma'i snye mar nges par dpyad zin to (P: te). See also Isoda 1984: 3 n. 14.
- These texts are registered in the (unpublished) catalogue of microfilms kept at the CTRC in Beijing. Tomabechi confirmed the existence of the copies of these manuscripts during his visit to Beijing in May–June 2007.
- Noguchi 1984 and Skorupski 1996: 201.
- See Munimatālaṅkāra, D 89r4; P 93v2, D 218r7; P 287r4, Kramakaumudī, fol. 22v4, 27r1, 53v4. For the Abhayapaddhati see Bühnemann and Tachikawa 1991: xiv and Bühnemann 1992:123; and for the Vajrāvalī, see Bühnemann and Tachikawa 1991: xvi and Bühnemann 1992: 125.
- Vajrāvalī (in ĀM D 72v3; P 82r2, D 97r1; P 108r7, D 188v7; P 208r5, D 24Or2; P 266v4, D 257v2; P 288r4, D 260r4; P 291r5–6), Jyotirmañjarī (in ĀM D 24Or2; P 266v3, D 260r3; P 291r4), Madhyamakamañjarī (in ĀM D 28r1; P 31r2–3, D 76v7-77r1; P 86v2–3, D 162r6; P 179v1; See note 6 above), Munimatālaṃkāra (in ĀM D 12r3; P 13v3, D 24v5; P 27v2, D 24v6; P 27v4, D 33v4; P 37v1–2, D 41v7–42r1; P 47r2, D 52r1; P 56r6, D 77r1; P 86v3, D 112v5–6); P 125r3, D 174v7; P 193r8, D 225v3; P 249r2, D 270r1–2; P 302v6), Abhayapaddhati (in ĀM D 77r1; P 86v2, D 209r2; P 229v8), Cakrasaṃvarābhisamaya (in ĀM D 172v6; P 191r6–7, D 242v3; P 269v7).
Of the nine folios, Tucci photographed both sides of seven of them, while he photographed only one side of the remaining two (here labelled 7.2 and 9.2). The two sides not filmed were probably blank or contained title pages (unfortunately, Tucci did not photograph title pages). Some images are out of focus and barely legible, and thus a complete diplomatic transcription is almost impossible. If Rāhula Sāṅkṛtyāyana photographed the same folios, this would be very helpful in deciphering them; however, I have yet to find evidence that he did. Therefore, I have only been able to go through the folios haltingly, and so identify a limited number of them. (Kano, introductory remarks, 381–82)
Notes
- The reproduction of these folios will appear together with a new critical edition of the Sanskrit text, a new edition of the Tibetan translation and an annotated English translation in a new issue of Manuscripta Buddhica which is being prepared by Francesco Sferra and Iain Sinclair.
- It should be noted that in the introduction of the editio princeps of the First Bhāvanākrama, Tucci states: "The manuscript is preserved in the monastery of sPos k’aṅ on a side valley to the right of the Myań c’u, between Gyantse and Shigatse" (Tucci 1956: 6-7). However, this information is most probably wrong for the following reasons: a) the same manuscript was most likely seen by Sāṅkṛtyāyana in Źwa lu Ri phug in 1936 (1937: 39); b) the envelope itself containing the negatives of Tucci’s photographs are labelled "Zha lu" (see above, p. 46); c) in Źwa lu Ri phug there were other manuscripts in Śāradā script, in particular a manuscript containing Sajjana’s Mahāyānottaratantraśāstropadeśa, which might be connected with the Sūtrālaḿkārapiṇḍārtha reproduced together with the first Bhavanākrama.
- Cf. Steinkellner 2004.
Takasaki argued that the first extant text to use the word tathāgatagarbha was the Tathāgatagarbhasūtra. Since Takasaki's research was published, there have been some remarkable advances in research on the Mahāparinirvāṇamahāsūtra, and in recent years scholars such as S. Hodge and M. Radich have begun to argue that it was the Mahāparinirvāṇamahāsūtra that was the first Buddhist text to use the word tathāgatagarbha. The question of which of these two sūtras came first has not yet been definitively resolved, but it may be generally accepted that both belong to the oldest stratum of Buddhist texts dealing with tathāgatagarbha.
On a previous occasion (Kano 2017), focusing on this point, I collected Sanskrit fragments of both texts containing the word tathāgatagarbha and discussed differences in the expressions in which it is used. In particular, taking into account the findings of Shimoda Masahiro, I argued that if the word tathāgatagarbha appearing in the Mahāparinirvāṇamahāsūtra is interpreted as a bahuvrīhi compound qualifying stūpa, this would accord with the word's usage in this sūtra and with the gist of the chapter "Element of the Tathāgata" (Habata 2013: §§ 375–418). This does not mean, however, that this understanding needs to be applied uniformly to every example of its use in the Mahāparinirvāṇamahāsūtra. Because in this earlier article I focused somewhat unduly on the interpretation of tathāgatagarbha as a bahuvrīhi compound, the fact that there are instances of wordplay making use of the multiple meanings of garbha in the Mahāparinirvāṇamahāsūtra needs to be added, together with some concrete examples. (In the passages of this sūtra, it is natural to understand the term tathāgatagarbha as a substantive in the sense of "garbha of tathāgata" or "garbha that is tathāgata," namely, tatpuruṣa or karmadhāraya, and I do not exclude this possibility as discussed in Kano 2017: 39–42.) In addition, there were some redundant aspects in the structure of my earlier article. In this article I rework these aspects so as to sharpen the focus on the points at issue and add some supplementary points. In the first half I clarify some grammatical characteristics to be observed in examples of the use of tathāgatagarbha in Sanskrit fragments of the Mahāparinirvāṇamahāsūtra, while in the second half I ascertain the polysemy of the word garbha on the basis of some concrete examples. (Kano, "A Syntactic Analysis," 17–18)
The present paper offers just such crucial material: eight folios from a Sanskrit manuscript of MSABh from Tibet. This is the first part of a series of studies dealing with the subject.
Here, we give the tex of the Tattvasańgraha along with the Tattvasańgrahapañjikā in full. Unlike in the previous fragment, our commentary is brief, and due to its fragmentary nature, it is hard to understand. Having the Tattvasańgrahapañjikā next to our text greatly helps in reconstructing and understanding our text. (Harimoto and Kano, introduction, 5)
Notes:
The present report overviews further findings from the set of miscellaneous texts in Śāradā palm-leaves from Zha lu ri phug. The palm-leaf set was first reported by Kano Kazuo (2008), who utilized nine folios in two photographic images (Sferra Cat. MT 42 II/1& 2) preserved at the Istituto Italiano per l’Africa e l’Oriente (IsIAO) in Rome with the help of Francesco Sferra. We have known on the basis of catalogue descriptions that there are further folio images from the same set preserved in other institutes, viz. the China Tibetology Research Center (中国藏学研究中心, CTRC) and the China Ethnic Library (中国民族图书馆, CEL). In other words, the photographic images of the set have been scattered and separately preserved in the three institutes. Ye Shaoyong and Li Xuezhu have independently paid special attention to these materials and researched them.[1]
It was during a lunch break on 2 August 2012 on the occasion of the 5th Beijing International Seminar on Tibetan Studies at CTRC that the present authors (Ye, Li, Kano) met together and became aware of the fact that we were studying folios from one and the same collection. We quickly decided collaboration by unifying each one’s results and sharing all related materials (As for the CTRC material, we share transcription prepared by Li). After collecting the folios together, we have come to know the number of folios of the set as 87 in total, in which 46 folios are found in CTRC images (Sang De Cat. No. 100, [3], [5] = Luo Cat., 136ff., No. 44, [3], [5]) and 41 are found in CEL images (Wang Cat. No.10, 15, 16, 17). The nine leaves in IsIAO images as reported by Kano (2008) overlap with those in CEL (Wang Cat. 10, 16). These folios contain more than fifteen works, most of which are, unfortunately, incomplete, and the remaining folios are yet to be found. There are also folios yet to be identified among the available ones. In the present report, we shall provide a preliminary survey on the Śāradā folios and an update of the report of Kano (2008) by supplying further identifications. (Ye, Li, and Kano, introduction, 30–31)
Notes
1. See Ye 2012 and Li 2011.The earliest masters of this period who quote or refer to the RGV are Maitrīpa (1007/1010-?), Jñānaśrīmitra (ca. 980–1030), and Ratnākaraśānti (late 10th to early 11th century).'"`UNIQ--ref-00000002-QINU`"' Maitrīpa was the common disciple of Jñānaśrīmitra and Ratnākaraśānti, and, according to a story in Tibetan documents, rediscovered a Sanskrit manuscript of the RGV in a stūpa in Magadha.
If this rediscovery story is a historical event, Jñānaśrīmitra and Ratnākaraśānti would have received the teaching of the RGV from their common disciple Maitrīpa; but we have no concrete witness to corroborate it.
Maitrīpa’s knowledge of the RGV is attested by a quotation of RGV II. 61b in his Pañcatathāgatamudrāvivaraṇa; he introduces a Nirākāravijñānavādin’s propounding the arising of the Dharmakāya from the Saṃbhogakāya and Nirmāṇakāya, but does not discuss Buddha-nature.'"`UNIQ--ref-00000003-QINU`"' In contrast to Maitrīpa, who does not discuss Buddha-nature, we find extensive discussions of the topic in compositions of Jñānaśrīmitra and Ratnākaraśānti.'"`UNIQ--ref-00000004-QINU`"' In the present paper, I shall focus on quotations from the RGV in Jñānaśrīmitra’s Sākārasiddhiśāstra and Sākārasaṃgrahasūtra, and on his understanding of the RGV, so as to shed light on the reception of the RGV in the early 11th century. (Kano, introductory remarks, 7–8)
The present paper provides an annotated translation of Sajjana’s Mahāyānottaratantraśāstropadeśa along with a reading text of this Sanskrit work (a critical edition of which is under preparation for publication). I started to work on this text in 2005 when I received a copy of a photographic image of a manuscript containing it from Professor Jikidō Takasaki. I published a study dealing with this manuscript in 2006 (Kano 2006b) and provided a critical edition of the Sanskrit text in my doctoral thesis, submitted to Hamburg University in 2006 (Kano 2006a). I also prepared a preliminary annotated translation of this text in 2006 and gave the draft to Karl Brunnhölzl together with my unpublished doctoral thesis.
It came as a surprise for me to learn that Brunnhölzl copied and published the draft of my translation under his name in his book When the Clouds Part: The Uttaratantra and Its Meditative Tradition as a Bridge between Sūtra and Tantra (Boston/London: Snow Lion, 2014), pp. 461–472. Brunnhölzl (p. 1121, n. 1718) says in his book: “All topical headings are inserted by the translator (corresponding to my outline above). Though my translation sometimes differs from Kano’s, I am indebted to both his translation and his Sanskrit edition of the text with critical apparatus (Kano 2006, 513–35), which in turn owe much to Profs. Schmithausen and Isaacson as well as Dr. Diwakar Acharya.” The fact is, however, that he has in many cases simply copied my earlier work.
Since the translation used by Brunnhölzl was an unpublished draft, my earlier mistakes found their way into his book, inasmuch as that draft was based in turn on an early draft of my Sanskrit edition, which itself contains serious misreadings, especially in verses 3, 6, 7, 8, 9, 11, 12, 13, and 15, along with a number of errors in the interlinear glosses. All his striving to make sense of my misreadings of the Sanskrit have been to no avail; his interpretations and analysis (Brunnhölzl, ibid. pp. 288–300 ) based on these errors need to be fundamentally revised. I have since made improvements to the Sanskrit edition and translation, and this is reflected in the differences between his published translation and the one I offer here.[1] (Kano, preface, 1–2)
Notes
1. I am grateful for a number of suggestions and improvements of my critical edition of Sajjana's Mahāyānottaratantraśāstropadeśa to Prof. Harunaga Isaacson, Prof. Diwakar Acharya, Prof. Lambert Schmithausen, Dr. Pascale Hugon, and all participants of a workshop “From Kashmir to Tibet: A set of proto-Śāradā palm leaves and two works on the Ratnagotravibhāga” held on 21. April 2015 at Österreichische Akademie der Wissenschaften Institut für Kultur-und Geistesgeschichte Asiens. I would like to thank to Dr. David Reigle and Mr. Philip Pierce for much valuable information regarding difficult points of the text and English proof-reading of my translation.Tathāgatagarbha and Buddha nature are technical terms that indicate the existence of the true nature of the Buddha or Tathāgata who has attained enlightenment through totally unclouded insight (prajñā), within all living things, though these living things may be covered with the impurity of worldly desire and be seemingly incapable of attaining enlightenment. In essence, these terms refer to the fact that the Buddha or Tathāgata resides within the nature of all living things. The notions of Tathāgatagarbha and Buddha nature make assertions about the nature of enlightenment or salvation for living things still trapped in an unenlightened condition of suffering. They do so from the ideological position of those Tathāgatas or Buddhas who have already realized truth and been released from suffering and unenlightenment. These ideas are expressed as a kind of theodicy and soteriology, as they deal with the challenge of how super-temporal, absolute truth appears at a historical or personal level. Ideas that originate in the mature period of the history of an ideology produce higher-level notions that allow concepts born in various contexts in the previous history of the ideology to coexist. The ideas of Tathāgatagarbha and Buddha nature, which point to the Tathāgata or Buddha that dwells within all living things, encompass both all living things and Tathāgata, and so exist at a higher conceptual level than either.
There are two foundations of the ideas of Tathāgatagarbha and Buddha nature, which simultaneously problematize both unenlightenment and enlightenment: the features of soteriology in general religious thought, and the view of truth that is unique to Buddhism. Soteriology, as conceived of in general religious thought, considers the world in a dualistic fashion, as being split into the world of humanity and the world of gods, the world of suffering and the world of liberation, the endless cycle of life and death (samsara) and supreme enlightenment (nirvana). On the one hand is a relative, limited, and impermanent world, and on the other an absolute, infinite, and eternal world. The movement from the former aspect to the latter is not ceaseless but, rather, requires a change in the dimension of our existence, such as religious conversion or enlightenment. The experience of the individual transforms the aspect of the world, which formerly appeared as a single layer, thus exposing its mysterious and unseen facets. In contrast to many religions, which end their exposition at this point, Mahayana Buddhism takes the appearance of this duality itself as a subjective experience and seeks to reach the point at which both aspects ultimately become indistinguishable. The scenery of this world as seen from the world of libreration, worldly desire purified by enlightenment, Samsara illuminated by nirvana are all accepted as they are, without the necessity of any negation or denial. The duality of the world is therefore overcome, and a higher-level equality emerges that still acknowledges individual differences. (Source Accessed June 29, 2020)
Wǒnch'ŭk, bCom ldan rig ral and Bu ston understood that ninth consciousness is ultimately the seeds of the eighth consciousness, or else the pure part thereof. In terms of the content of the controversy, gZad ring, bCom ldan rig ral and Bu ston largely follow a common archetype. They introduce the ninth consciousness without mentioning Paramārtha; they refer to tathāgatagarbha doctrine, relying upon a passage from the Samādhirāja-sūtra as their proof-text; and in rejecting the doctrine of ninth consciousness, they propose that ninth consciousness must exist either actually or potentially, and then reject both alternatives. Since these two points cannot be identified in Wǒnch'ŭk's commentary, we can postulate that the controversy between these scholars was an innovative creation and development from within Tibetan Buddhism. Furthermore, it also seems that in the transmission of ninth consciousness doctrine in Tibet, there arose certain distortions (or deviations from Wǒnch'ŭk's theories), such as when gZad ring ascribes the doctrine of ninth consciousness not to Paramārtha, but to Bhavya.
We also must not neglect the fact that the doctrine of ninth consciousness affirmed in these commentaries to the Abhidharmasamuccaya is not completely identical to that described by Tsong kha pa. Comparison with these texts, which constitute the immediate context for his discussion, highlights the fact that in discussing Paramārtha's doctrine of ninth consciousness as it appears in Wonchuk, Tsong kha pa cites Wonchuk's work directly, rather than second-hand (i.e. rather than relying upon predecessors who utilize Wonchuk's exposition); and in refuting the doctrine of ninth consciousness, he attempts to construct proofs on the basis of his own original viewpoint, rather than recycling the arguments of his predecessors. We are surely justified in judging that it was Tsong kha pa's achievement to absorb Wonchuk's commentary for himself, and to attempt to correct the distortions incidental to the transmission of ninth consciousness doctrine in Tibet. (Source Accessed June 16, 2020)
Part I, the historical and doctrinal background, consists of six chapters: Chapter 1 describes the authorship and the history of the transmission of the RGV in India, using Indian and Tibetan materials. Chapter 2 studies six different Tibetan translations of the RGV, clarifying how the RGV was transmitted from India to Tibet. Chapter 3 outlines rNgog's life and writings. Chapter 4 presents rNgog's philosophical positions taught in his RGV commentary. Chapters 5 and 6 discuss the impact of his interpretations on the later Tibetan doctrinal developments, and reactions to them. Part II is a critical edition of rNgog-lo's RGV commentary, Theg chen rgyud bla ma'i don bsdus pa (1a-46a5 and 65a5-66a4), preceded by an explanation of textual materials and an outline of the whole text. Part III presents an annotated translation of that commentary.
Appendix A presents a diplomatic edition of rNgog-lo's “topical outline” of the RGV, his other work related to the RGV (discovered at Kharakhoto and preserved in the British Library). Appendix B presents a critical edition of a versified summary of the RGV in Sanskrit, the Mahāyānottaratantraśāstropadeśa composed by the Kashmiri Paṇḍita Sajjana, a teacher of rNgog-lo. Appendix C provides another Sanskrit commentary on the RGV, Vairocanarakṣita's Mahāyanottaratantraṭippaṇī, while appendix D presents translations of relevant passages from the Sākārasiddhi and Sākarasaṃgraha of Jñānaśrīmitra. Appendix E presents rNgog-lo's identification of the passages of the RGVV that refer to the Nidānaparivarta (“introductory chapter”) of the Dhāraṇīśvararājasūtra, as well as a topical outline of this chapter of the sūtra. Appendix F investigates the dating of Blo-gros-mtshungs-med, who among later Tibetans criticized rNgog-lo's position most severely. Appendix G presents a list of commentaries on the RGV. Appendix H lists
records of the RGV's transmission lineage from gsan yigs. (Kano, introduction, 12-13)2) Rngog lo seems to have used the term bsdus don (or its equivalents) to refer to two kinds of works, namely “topical outline” and “essential meaning,” for he composed two works on the RGV―a brief topical outline and a lengthy essential meaning―which bear titles containing the term bsdus don and its equivalent don bsdus pa, respectively. Among Rngog lo’s available writings, our Khara Khoto manuscript and the Byang chub sems dpa’i spyod pa la ’jug pa’i don bsdus pa offer the only testimony that bsdus don (and its equivalent don bsdus pa) refers to a “topical outline,” as he often uses the term bsdus don to indicate a lengthy “essential meaning” in his other commentarial works. The first usage was common among Tibetan masters during the early and middle phyi dar period, whereas the latter was generally rare. This rare usage is most likely influenced by the piṇḍārtha sub-genre of Indian commentaries.
3) Our manuscript has some serious textual problems, such as missing words, illegible words, syntactic ambiguity, and a missing folio. However, we can solve many of those problems by referring to corresponding sentences in the other two works on the RGV, namely, Rngog lo’s Essential Meaning and Phywa pa’s Topical Outline.
4) The colophon of our manuscript does not tell us when the work was composed or copied. We can only deduce an approximate date of the manuscript to be some time between ca. 1092 (a possible terminus post quem of the composition of the work) and 1374 (the year of the destruction of Khara Khoto). The contents of our manuscript and other relevant works discovered at Khara Khoto show that the Tibetan scholastic tradition of the
We can find two types of interpretation, i.e., (1) that in accord with the yānatraya doctrine (in the Prajñāpāramitopadeśa, Muktāvalī, and Kusumāñjali), and (2) that in accord with the ekayāna doctrine (in the Sūtrasamuccayabhāṣya and Triyānavyavasthāna). The two positions are clearly contradicting each other. The first interpretation (1) is based on traditional Yogācāra doctrine that admits the gotrabheda doctrine ("differences of spiritual potentials"), while the second (2) premises the Madhyamaka doctrine that does not accept the gotrabheda doctrine on the ultimate level and claims all beings equally have the same potential to become a buddha.
Furthermore, the existence of the diversity between the two interpretations is supported by other doctrinal issues, for instance, two different attitudes toward the understanding of Abhisamayālaṃkāra I.39.
As a conclusion, the doctrinal position in the Sūtrasamuccayabhāṣya and Triyānavyavasthāna is different from that of the Prajñāpāramitopadeśa etc. The aim of the present paper is to show the clear diversity attested in the works attributed to Ratnākaraśānti, which will, hopefully, contribute to solving the question of the authorship of the works, i.e., whether they are composed by one person or not. (Source: Academia.edu)
Both Indian and Tibetan traditions struggled with the question of the ontological status of Buddha-nature. One finds indeed in some sūtras descriptions of Buddha-nature as permanent and pervading every sentient being, which are also characteristics ascribed by non-Buddhists to the Self (ātman). But if Buddha-nature were to be understood as a permanent entity akin to a Self, how could this teaching be compatible with the standard Buddhist doctrine that everything is impermanent and selfless?
Some Mahāyāna sūtras, such as the Mahāyāna Mahāparinirvāṇasūtra, would offer support for the assimilation of Buddha-nature with a Self. The Mahāyāna Mahāparinirvāṇasūtra is quite explicit in associating the two notions, characterizing in particular the dharmakāya in terms of “perfection of Self” (ātmapāramitā), but warns about the confusion of the “correct” ātman, which is Buddha-nature, with ātman taken in its ordinary sense.1
RGV I.37 and RGVV also speak of the “perfection of Self” as an epithet of the dharmakāya, interpreting however this notion of “Self” (ātman) in the sense of selflessness (nairātmya) or quiescence of conceptual proliferations (prapañca), thus distinguishing Buddha-nature from the notion of a personal, permanent Self (ātman).2
Nevertheless, the RGV does not promote the doctrine of emptiness in the sense that everything is ultimately empty of intrinsic nature. Quite on the contrary, the RGV stresses the real existence of Buddha-nature, and proclaims the superiority of the Buddha-nature doctrine to the emptiness doctrine of the Prajñāpāramitāsūtras.3
The RGV thus on the one hand distinguishes Buddha-nature from the disapproved view of a Self, while on the other hand it admits Buddha-nature as ultimately existent4—an ambiguous viewpoint, and a challenging one for its interpreters. . . .
The present paper deals with a selection of rṄog’s most significant views on the doctrine of Buddha-nature and considers some reactions to his interpretations in the works of his followers. Since the RGV commentaries attributed to two of rṄog’s "four main [spiritual] sons" (sras kyi thu bo bźi), Źaṅ Tshes spoṅ ba Chos kyi bla ma and Gro luṅ pa Blo gros byuṅ gnas,19 as yet remain to be found,20 we will concentrate on the next-earliest available work, a commentary by Phywa pa Chos kyi seṅ ge (1109–1169).21 (Kano, introduction, 249–55)
Notes:
1. The Mahāyāna Mahāparinirvāṇasūtra equates ātman with Buddha-nature (see P 788 tu 105b5 [≈T vol. 12, 407b; 883b]: bdag ces bya ba ni de bźin gśegs paʼi sñiṅ poʼi don to //) and characterizes the dharmakāya (that is, the resultant aspect of Buddha-nature; see below [i]) in terms of “perfection of permanence” (nityapāramitā), “perfection of bliss” (sukhapāramitā), “perfection of Self (ātmapāramitā), and “perfection of purity” (śubhapāramitā) (see P 788 tu 33b3–34a2 [≈T vol. 12, 377c-378a; 862b]).
2. RGVV 31, 13–16: tathāgatas tua punar yathābhūtajñānena sarvadharmanairātmyaparapāramiprāptaḥb / tac cāsya nairātmyam anātmalakṣaṇena yathādarśanam avisaṃvāditatvātc sarvakālam ātmābhipreto nairātmyam evātmetid kṛtvā / yathoktaṃ sthito ʼsthānayogeneti /
(a Schmithausen [1971: 143] corrected tathāgataḥ to tathāgatas tu; b Johnston xvi; c Schmithausen [1971: 143] corrected avisaṃvāditvāt to avisaṃvāditatvāt;d Schmithausen [1971: 143] corrected evātmani to evātmeti)
RGVV 32,9–10: prajñāpāramitābhāvanayākāśopamasattvabhājanalokanairātmya- niṣṭhāgamanād.
See also RGVV 33,8–10: tām eva cāvidyāvāsabhūmiṃ pratītya sūkṣmanimittaprapañca- samudācārayogād atyantam anabhisaṃskārām ātmapāramitāṃ nādhigacchanti.
Schmithausen (1971: 143–144 and 1973: 135) links this sentence to the Madhyamaka view. For instance, the Madhyamakahṛdaya (III.284cd) similarly defines dharmakāya as quiescence of conceptual proliferations (buddhānāṃ dharmakāyo ʼyaṃ prapañcopaśamaḥ śivaḥ).
3. The alternative title of the RGV, mahāyānottaratantra “supreme doctrine of the Mahāyāna," hints to the superiority of the Buddha-nature doctrine to the emptiness doctrine. Cf. RGV I.160: pūrvam evaṃ vyavasthāpya tantre punar ihottare / pañcadoṣaprahāṇāya dhātvastitvaṃ prakāśitam /
4. Cf. RGV I.53, I.165; RGVV 2,11–13.
19. The other two are Khyuṅ rin chen grags and ʼBre śes rab ʼbar. Cf. bKaʼ gdams chos ʼbyuṅ gsal baʼi sgron me, 151.
20. Both A khu Chiṅ Śes rab rgya mtsho and gŹon nu dpal ascribe RGV commentaries to these two authors. (Cf. respectively Tho yig, nos. 11333 and 11339, and rGyud bla me loṅ, 4,23, 574,5.) gŹon nu dpal also lists RGV commentaries by Chos kyi bla ma’s disciple Ñaṅ braṅ pa Chos kyi ye śes (12th century); Phywa pa’s disciple gTsaṅ nag pa brTson ʼgrus seṅ ge (12th century); and Dan ʼbag sMra baʼi seṅ ge (12th century). See gŹon nu dpal, rGyud bla me loṅ, 4,23–24. A khu Chiṅ Śes rab rgya mtsho most
likely copied gŹon nu dpal’s references (see Tho yig nos. 11331, 11334, 11335).
The Triśaraṇasaptati is a small versified work consisting 68 ślokas, the full text of which is preserved only in Tibetan translation. We find two versions (i.e. recensions) of the Triśaraṇasaptati in all the Tanjurs. The two versions are almost the same, having been translated by the same translation team (Atiśa and Rin chen bzang po).
Sorensen translated the Tibetan text into English and added to them six verses (12, 13, 33, 45, 46, and 47) in Sanskrit traced in the form of quotations in other works. Sorensenʼs English translation is for the most part faithful to the Tibetan text. The Tibetan translation itself, when compared with the Sanskrit original, is seen on occasion to be imprecise (see below, "Philological Remarks").
Other quotations from the Triśaraṇasaptati have been found in two passages in the Munimatālaṃkāra: Passage A (Skt. Ms. 7v1-4; Tib. D 82a7-b3; verses 1, 34, 51, 54, 55, 67) in Munimatālaṃkāra chapter 1 (the Bodhicittāloka chapter)'"`UNIQ--ref-00000BDA-QINU`"' and Passage B (Skt. 132r1-3; Tib. D 219a5-b1; 7-9ab, 22-23) in chapter 3 (the Aṣṭābhisamayāloka chapter). When we collate these 11½ verses with the 6 verses independently collected by Sorensen, the total number becomes 17½, which is about 26% of the whole text of the Triśaraṇasaptati. (Kano and Xuezhu, introductory remarks, 4)
Hardly any Sanskrit manuscripts of Buddhist scriptures remain in India today, even though such manuscripts have been discovered in surrounding regions. Tibet in particular is one of the richest treasuries of precious Sanskrit manuscripts from as early as the 8th century. These became widely known to the scholarly world in the 1930s thanks to discoveries by Rāhula Sāṅkṛtyāyana (1893-1963) in monasteries of Tsang (Tib. gTsang) province, in the Western part of Central Tibet. He had little success, however, in accessing Sanskrit manuscripts in monasteries of Ü (Tib. dBus) province, in the Eastern part of the Central Tibet among which Retreng (Tib. Rwa sgreng) monastery[1] was especially famous for its rare manuscript collection. Retreng, the former centre of the Kadam tradition located about 120 km to the Northwest of Lhasa, was founded by Dromtön Gyalwe jungne (Tib. 'Brom ston rGyal ba'i 'byung gnas, 1008-1064) in 1056. The aim of the present paper is to trace the Sanskrit manuscript collection once preserved at Retreng monastery by focusing on the transmission of individual manuscripts, and in the process to shed light on one historical aspect of Indo-Tibetan cross-cultural exchanges.
In the following, I shall (1) sketch the challenges faced by explorers trying to access the manuscript collection of Retreng monastery in the early 20th century, and then try to (2) trace the origin of the collection in Tibetan historical sources, (3) collect references to the manuscripts belonging to the collection, (4) draw up a title list of scriptural texts contained in it, (5) trace and identify its current location, and finally (6) evaluate the historicity of Atiśa's ownership of the manuscripts. (Kano, preliminary remarks, 82–83)
Notes
- For historical sources on Retreng, see Kano, "Rāhula," 123, n. 1.
In Giuseppe Tucci’s collection of Sanskrit manuscripts and photographed materials, a set of positive prints of texts filmed at Ñor monastery contains a codex unicus of
Vairocanaraksita’s (fl. 11th/12th century) Yogācāra/Tathāgatagarbha commentarial
works:
1. Viṃśikāṭikāvivṛti (glosses on Vasubandhu’s Viṃśikāvṛtti and Vinītadeva’s Viṃśikāṭīkā);
2. Triṃśikāṭīkāvivṛti (glosses on Sthiramati’s Triṃśikābhāṣya and Vinītadeva’s Triṃśikāṭīkā);
3. Madhyāntavibhāgakatipayapadavivṛti (glosses on Vasubandhu’s Madhyāntavibhāgabhāṣya
and Sthiramati’s Madhyāntavibhāgaṭīkā);
4. Mahāyānottaratantraṭippaṇī (glosses on the Ratnagotravibhāgavyākhyā);
5. *Sūtrālaṃkāravivṛti (glosses on Vasubandhu’s Sūtrālaṃkārabhāṣya)2 and
6. *Dharmadharmatāvibhāgavivṛti (glosses on Vasubandhu’s Dharmadharmatāvibhāgavṛtti).3
V. Gokhale (1978) was the first to study these works, using Saṅkṛtyāyana’s negatives and the prints made from them, which have been preserved in Patna. He reported titles of the six works, without, however, going into detail because of the poor quality of the images. Subsequently the details of the works remained unknown for a long time, and no complete editions have been published. To be sure, Zuiryū Nakamura edited the text of folios 9v2–14v7 of the Mahāyānottaratantraṭippaṇī (the text of folios 15r1–17r5 remains to be edited);4 and Mathes in his translation of the Dharmadharmatāvibhāgavṛtti referred to some sentences from the *Dharmadharmatāvibhāgavivṛti.5 I myself also edited a small portion of the *Sūtrālaṃkāravivṛti.6
The present paper contains an editio princeps of the Viṃśikāṭīkāvivṛti and *Dharmadharmatāvibhāgavivṛti. Critical editions of the other three works are under preparation: Francesco Sferra is preparing a critical edition of the Madhyāntavibhāgakatipayapadavivṛti, and I am preparing critical editions of the Mahāyānottaratantraṭippaṇī, the Triṃśikāṭīkāvivṛti and the *Sūtrālaṃkāravivṛti for publication. (Kano, introduction, 343-44)
Notes
- [From title] I am grateful to Prof. Francesco Sferra and Prof. Harunaga Isaacson for a number of text-critical suggestions, and Prof. Lambert Schmithausen for permitting me to use his preliminary handwritten transcription of Vairocanarakṣita’s *Dharmadharmatāvibhāgavivṛti, and also for his very valuable suggestions concerning that text. I am indebted, too, to Mrs. Bärbel Mund of Niedersächsische Staats- und Universitätsbibliothek Göttingen for giving me the permission to use photographic images of the Göttingen Collection, to Dr. Diwakar Acharya for his help with deciphering barely legible letters in the manuscript, to Prof. Toru Yagi for his very valuable suggestions regarding Vairocanarakṣita’s grammatical explanations, to Dr. Martin Delhey, Dr. Kengo Harimoto and Dr. Koichi Takahashi for reading my draft and making many valuable suggestions, and to Prof. Robert Kritzer and Philip Pierce for their English proofreading.
- The title of the work is not ascertainable from the colophon: sūtrālaṃkāraḥ samāptaḥ II II kṛtiḥ paṇḍitavairocanarakṣitapādānaṃ II II. Other possible Sanskrit titles are Sūtrālaṃkāravivṛti, Sūtrālaṃkārakatipayapadavivṛti, or Sūtrālaṃkāraṭippaṇī.
- The title of the work is not ascertainable from the colophon: dharmadharmatāvibhā[gaḥ]. The two illegible akṣaras after °vibhā in the bottom margin are probably gaḥ. Cf. the colophon to the *Sūtrālaṃkāravivṛti. One might expect something like Dharmadharmatāvibhāgavivṛti, Dharmadharmatāvibhāgakatipayapadavivṛti (as suggested by Gokhale 1978: 638), or Dharmadharmatāvibhāgaṭippaṇī. In Kano 2005: 142, I referred to this work under the title “Dharmadharmatāvibhā[gaṭīkā],” supplying the three akṣaras enclosed by square brackets. However, in view of its scope, it can hardly be a ṭīkā, a type of commentary typically more extensive in nature.
- For his edition, see Nakamura 1985. For studies of this text, see Nakamura 1980, 1982, 1992. Unfortunately, Nakamura’s edition contains many errors (around 190). It is remarkable that his edition shares some notable errors with Jagdishwar Pandey’s modern transcription preserved at Göttingen under the shelf-mark Xc14/90 (which contains a transcription of the full text of the Mahāyānottaratantraṭippaṇī); we can deduce that one of the two was made on the basis of the other. In my unpublished dissertation (Kano 2006b), I have critically edited the whole text of the Mahāyānottaratantraṭippaṇī and presented a list of corrections to Nakamura’s edition.
- See Mathes 1996: 37, 115-135.
- The text of folio 17r>sub>7–v6 of this work is edited in Kano 2006a: 92, n. 40.
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