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were finished in the fourth month, eighth day of the second year of Hsun-t'ien (713). In the translation hall, the monks Ssu-chung and the Indian director

Remarkably, the Mahāparinirvāṇamahāsūtra (with the exception of the Dharmakṣema version) ends with the Buddha lying down upon his right side in the “lion’s

more radical approach to seek the roots of the perspectives that allow the conceptual space for the problematic dialogues in the first place. Rather than viewing

Perfection is indeed the culmination and maturation of the Mahāyāna, the Great Vehicle. The central topic of the work is the notion of illusory appearance

practice. The Tien-tai favor the more philosophical scriptures, the Shingon, the more esoteric, the Ch’an (Zen), the more intellectual, and the Pure Land

existence in the early years of the first millennium CE through the inheritance of the teachings of Buddhism as developed by the Buddha in India in the fifth

result attain the dharmakāya of the Buddha (comp. the Aṅgulimālīyasūtra below). The achievements of the arhat and the pratyekabuddha of the “Hīnayāna” are

Phuntsho hosted the event as the new Writer-In-Digital-Residence, and we learned more about Buddha-Nature teachings from His Holiness the 17th Karmapa, Alak

interpreted them in unusual ways in order to express the Truth as he understood it. In Dōgen, the process of the search for and realization of the Buddha Dharma