Sdom gsum rab dbye

སྡོམ་གསུམ་རབ་དབྱེ།

sdom gsum rab dbye

Distinguishing the Three Vows

SOURCE TEXT

Written circa 1232 when the author was about fifty years old, it is an expansive treatise on the three vows pertaining to the three vehicles of Buddhism that is one of Sakya Paṇḍita's most important and influential works. Nevertheless, it was controversial in its time for the criticism the author levels against the philosophical positions of various scholars and schools of thought.

Relevance to Buddha-nature

Though this work isn't necessarily about buddha-nature, it is highly relevant to this topic for Sakya Paṇḍita's criticism of the proponents of the Uttaratantra and became an important source for the Sakya school's position on the polemical issues that surround this topic. These critical positions would be reiterated by later generations of scholars of the Sakya and Geluk traditions.

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Recensions of This Text

Sdom gsum rab dbye. (Distinguishing the Three Vows). Recension information:

Tibetan

Sa skya paN+Di ta. སྡོམ་གསུམ་རབ་དབྱེ།, (Sdom gsum rab dbye). In Sdom pa gsum gyi rab tu dbye ba'i bstan bcos. No publication info. In Sdom gsum rab dbye dang lta ba 'khor 'das dbyer med sogs. No publication information. In Sa skya bka' 'bum, Vol. 12: 1-96. Dehra Dun: Sakya Center, 1992-1993. In Sa skya bka' 'bum ma phyi gsar rnyed phyogs bsgrigs, Vol. 3: 317-480. Lhasa, 1999. In Sdom gsum rab dbye dang sdom gsum gtan 'bebs 'jam dbyangs bla ma'i dgongs rgyan gyi rnam 'grel. Pe cin: Mi rigs dpe skrun khang, 2004. In Sa sky paN chen kun dga' rgyal mtshan gyi gsung 'bum, Vol. 2: 1-91. Pe cin: Krung go'i bod rig pa dpe skrun khang, 2007.

Text Metadata

Other Titles	~ sdom pa gsum gyi rab tu dbye ba'i bstan bcos
Text exists in	~ Tibetan
Literary Genre	~ Vinaya Texts - ‘dul ba

triyāna - Commonly seen in a Mahāyāna context, the three vehicles are the Śrāvakayāna, Pratyekabuddhayāna, and Bodhisattvayāna, which reference the three different types of Buddhist practitioners. However, these three vehicles can also reference the three types of Buddhist teachings of the Hīnayāna, Mahāyāna (or Pāramitāyāna), and the Vajrayāna. Skt. त्रियान Tib. ཐེག་པ་གསུམ་ Ch. 三乗

Sakya - The Sakya tradition developed in the eleventh century in the Khön family of Tsang, which maintained an imperial-era lineage of Vajrakīla and which adopted a new teaching from India known as Lamdre. Tib. ས་སྐྱ་

Uttaratantra - The Ultimate Continuum, or Gyü Lama, is often used as a short title in the Tibetan tradition for the key source text of buddha-nature teachings called the Ratnagotravibhāga of Maitreya/Asaṅga, also known as the Mahāyānottaratantraśāstra. Skt. उत्तरतन्त्र Tib. རྒྱུད་བླ་མ་ Ch. 寶性論

These are the root verses of the Uttaratantra attributed to Maitreya by the Tibetan tradition.

Geluk - The Geluk tradition traces its origin to Tsongkhapa, who propagated a modified version of the Kadampa lojong and lamrim teachings. It is the dominant tradition of Tibet, having established its control of the government under the figure of the Dalai Lama. Tib. དགེ་ལུགས་

gotra - Disposition, lineage, or class; an individual's gotra determines the type of enlightenment one is destined to attain. Skt. गोत्र Tib. རིགས་ Ch. 鍾姓,種性

vinaya - Vinaya refers to the corpus of Buddhist teachings on moral discipline and precepts and is one of the three canonical sets of teachings alongside Sūtra and Abhidharma. It also refers to the monastic tradition which has been passed down since the Buddha's time until our time. Skt. विनय Tib. འདུལ་བ། Ch. 毘奈耶

SUNY - State University of New York

rang stong - The state of being empty of self, which references the lack of inherent existence in relative phenomena. Tib. རང་སྟོང་

Jonang - The Jonang tradition was established by Dölpopa Sherab Gyaltsen, a thirteenth-century Sakya monk famous for his Zhentong teachings. The Jonang teachings and monasteries were suppressed in Tibet in the seventeenth century but survived in Amdo. Tib. ཇོ་ནང་

gzhan stong - The state of being devoid of that which is wholly different rather than being void of its own nature. The term is generally used to refer to the ultimate, or buddha-nature, being empty of other phenomena such as adventitious defiling emotions but not empty of its true nature. Tib. གཞན་སྟོང་

trisvabhāva - According to the Yogācāra school, all phenomena can be divided into three natures or characteristics: the imaginary nature (parikalpitasvabhāva), the dependent nature (paratantrasvabhāva), and the perfect or absolute nature (pariniṣpannasvabhāva). Skt. त्रिस्वभाव Tib. རང་བཞིན་གསུམ་

śūnyatā - The state of being empty of an innate nature due to a lack of independently existing characteristics. Skt. शून्यता Tib. སྟོང་པ་ཉིད་ Ch. 空,空門

rang stong - The state of being empty of self, which references the lack of inherent existence in relative phenomena. Tib. རང་སྟོང་

Madhyamaka - Along with Yogācāra, it is one of the two major philosophical schools of Mahāyāna Buddhism. Founded by Nāgārjuna around the second century CE, it is rooted in the Prajñāpāramitā Sūtras, though its initial exposition was presented in Nāgārjuna's Mūlamadhyamakakārikā. Skt. मध्यमक Tib. དབུ་མ་ Ch. 中觀見

paratantrasvabhāva - The second of the three natures, according to the Yogācāra school. It is the dependent nature that is used to describe the relationship between mind and its objects, though there is a clear emphasis on the latter. Hence, this nature is concerned with the nature of seemingly external objects that arise in dependence upon causes and conditions. Skt. परतन्त्रस्वभाव Tib. གཞན་དབང་གི་རང་བཞིན་

parikalpitasvabhāva - The first of the three natures, according to the Yogācāra school. It is the imaginary nature which is falsely projected onto an object out of confusion. Skt. परिकल्पितस्वभाव Tib. ཀུན་བཏགས་ཀྱི་རང་བཞིན་

pariniṣpannasvabhāva - The third of the three natures, according to the Yogācāra school. It is the perfect nature that represents the most authentic understanding of phenomena, which is classically defined as the complete absence of the imaginary nature within the dependent nature. Skt. परिनिष्पन्नस्वभाव Tib. ཡོངས་སུ་གྲུབ་པའི་རང་བཞིན་

paramārthasatya - "Ultimate truth" or "absolute truth"; the reality of things as they truly are. Skt. परमार्थसत्य Tib. དོན་དམ་བདེན་པ་ Ch. 第一義諦,眞諦

saṃvṛtisatya - "Relative truth" or "conventional truth"; the erroneously perceived reality common to the unenlightened. Skt. संवृतिसत्य Tib. ཀུན་རྫོབ་བདེན་པ་ Ch. 世俗諦,俗諦

Ngok Tradition - Ngok Lotsāwa Loden Sherab's "analytic tradition" of exegesis of the Uttaratantra; one of two major Tibetan traditions of exegesis, both stemming from students of Sajjana. Tib. རྔོག་ལུགས་

Tsen Tradition - Tsen Khawoche's "meditative tradition" of exegesis of the Uttaratantra; it is one of two major Tibetan traditions of exegesis, both stemming from students of Sajjana. Tib. བཙན་ལུགས་

Kadam - The Kadam tradition, which traces its origin to the teachings of Atiśa, was the first of the so-called New Schools of Tibetan Buddhism, traditions which arose during or after the Second Propagation of Buddhism (phyi dar) in the tenth century. Tib. བཀའ་གདམས་

tridharmacakrapravartana - Three successive stages of the Buddhist teachings. Though they are traditionally attributed to the historical Buddha, modern scholarship tends to view them as developmental stages that occurred over the course of an extended period of time, with interludes of several centuries, in which we see major doctrinal shifts often based on seemingly newly emergent scriptural sources. Skt. त्रिधर्मचक्रप्रवर्तन Tib. ཆོས་འཁོར་རིམ་པ་གསུམ་

Yogācāra - Along with Madhyamaka, it was one of the two major philosophical schools of Mahāyāna Buddhism. Founded by Asaṅga and Vasubandhu around the fourth century CE, many of its central tenets have roots in the Saṃdhinirmocanasūtra and the so-called third turning of the dharma wheel (see tridharmacakrapravartana). Skt. योगाचार Tib. རྣལ་འབྱོར་སྤྱོད་པ་ Ch. 瑜伽行派

rang stong - The state of being empty of self, which references the lack of inherent existence in relative phenomena. Tib. རང་སྟོང་

gzhan stong - The state of being devoid of that which is wholly different rather than being void of its own nature. The term is generally used to refer to the ultimate, or buddha-nature, being empty of other phenomena such as adventitious defiling emotions but not empty of its true nature. Tib. གཞན་སྟོང་