The Cultural Practices of Modern Chinese Buddhism
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| + | |BookToc=**{{i|''List of figures''|ix}} | ||
| + | **{{i|''Acknowledgements''|xi}} | ||
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| + | *{{i|'''Introduction: modern Buddhist cultures'''|'''1'''}} | ||
| + | *'''Part 1''' | ||
| + | *{{i|'''The cultural practices of Buddhist modernity'''|'''25'''}} | ||
| + | *{{i|1.1 Shanghai Buddhism|27}} | ||
| + | *{{i|1.2 Vegetarian identities|31}} | ||
| + | *{{i|1.3 The esoteric fever|39}} | ||
| + | *{{i|1.4 Printing the dharma|41}} | ||
| + | *{{i|1.5 Continuities and discontinuities|46}} | ||
| + | *{{i|1.6 Buddhist canons|49}} | ||
| + | *{{i|1.7 Yang Wenhui|51}} | ||
| + | *{{i|1.8 Awakening the Faith|53}} | ||
| + | *{{i|1.9 Buddhist books beyond China|56}} | ||
| + | *{{i|1.10 Shanghai Buddhist publishers and writers|59}} | ||
| + | *{{i|1.11 The Sanskrit Buddhism of Su Manshu|66}} | ||
| + | *{{i|1.12 Life and death in Feng Zikai’s drawings|71}} | ||
| + | *{{i|1.13 The Buddhist periodical press|75}} | ||
| + | *{{i|1.14 Buddhism, religion and the nation|81}} | ||
| + | *{{i|1.15 Images of modern Buddhism|85}} | ||
| + | |||
| + | *'''Part 2''' | ||
| + | *{{i|'''The Sound of Modern Buddhism'''|'''97'''}} | ||
| + | *{{i|2.1 Li Shutong: From Shanghai to Tokyo, and back|99}} | ||
| + | *{{i|2.2 Li Shutong leaves home|101}} | ||
| + | *{{i|2.3 Songs of nationalism|105}} | ||
| + | *{{i|2.4 The power of song|107}} | ||
| + | *{{i|2.5 Hymns, anthems and songs|109}} | ||
| + | *{{i|2.6 Songs of modernity|113}} | ||
| + | *{{i|2.7 Buddhist songs|116}} | ||
| + | *{{i|2.8 Continuities and discontinuities|123}} | ||
| + | *{{i|2.9 Scientific gadgets: Buddhist radio and phonograph recordings|128}} | ||
| + | *{{i|2.10 Buddhist songs in the digital age|130}} | ||
| + | |||
| + | **{{i|''References''|146}} | ||
| + | **{{i|''Glossary''|172}} | ||
| + | **{{i|''Index''|177}} | ||
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| + | |PublisherLogo=File:Routledge logo.png | ||
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}} | }} | ||
Latest revision as of 16:00, 7 August 2020
Buddhism in China during the late Qing and Republican period remained a powerful cultural and religious force. Francesca Tarocco is a rising star in this field and offers an innovative high-quality piece of work that presents a new perspective on the influence of Buddhism on Chinese culture. Drawing on scarcely analyzed historical and archive sources, including photographs and musical scores, Tarocco adeptly argues that Chinese Buddhism played a more vital role in shaping Chinese culture than previously assumed. This enlightening study fills a significant gap in the field of Chinese Buddhist history. Focusing on the cultural side of Buddhism, it adds breadth and balance to studies in Buddhism as a whole, appealing to professionals and academics with an interest in Buddhism and Chinese Buddhist history. (Source: Routledge)
| Citation | Tarocco, Francesca. The Cultural Practices of Modern Chinese Buddhism: Attuning the Dharma. London: Routledge, 2007. |
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