- Hayashi Taiun: "Bodaidaruma-den no kenkyū", Shūkyō kenkyū IX.iii, Tokyo, May 1932, pp. 62-76.
- (Chinese text unavailable) A number of versions exist. See below.
- Daruma no zen-bo to shisō oyobi sono ta, Tokyo 1936 (Suzuki II), a complement to the same author's Shōshitsu isho, Osaka 1935 (Suzuki I).
- Le Concile de Lhasa (Bibl. de l'Institut des Hautes Études Chinoises vol. VII), Paris 1952, p. 54 n. 2 (Demiéville).
- Mizuno Kōgen: "On the Relation between Bodhidharma's Two Entrances and Four Practices and the Vairasamādhi Sūtra" (Bodaidaruma no ninyū shigyō setsu to Kongōzanmai-kyō, Indogaku Bukkyōgaku kenkyū, III.2, Tokyo, March 1955, pp. 621-626 (Mizuno I). Same: same title, Komazawa daigaku kenkyū kiyō No. I3, Tokyo 1955 (Mizuno II). Cf. also Ono Hōdō: Daijō kaikyō no kenkyū, Tokyo 1954, p. I25/6.
Notes on the "Vajrasamādhi"
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4. ''Chin-kang san-nei pen-hsing ch'ing-ching pu-huai pu-mieh ching'', T. 644 vol. 15. A probably genuine text, containing 100 ''samādhis'' . . . (Liebenthal, opening remarks, 347–48)<br><br> | 4. ''Chin-kang san-nei pen-hsing ch'ing-ching pu-huai pu-mieh ching'', T. 644 vol. 15. A probably genuine text, containing 100 ''samādhis'' . . . (Liebenthal, opening remarks, 347–48)<br><br> | ||
− | [ . . .]<br><br> | + | [ . . . ]<br><br> |
It seems to me established that<br> The ''Samādhi'' is an agglomeration of several texts, of which we have distinguished:<br> 1. A frame (Text A), probably derived from a sūtra translated in the fifth century or earlier in the North, perhaps in Liang-chou. This seems to have been a Hīnayāna text.<br> 2. A text (B), which contains the verses and part of the prose, composed between 565 and 590 by a teacher of the North, Yeh or P'eng-ch'eng. The author might have been Ching-sung.<br> It is difficult to say how Text B originally looked. Was it a pamphlet or a collection of gleanings from other texts? Was it written to counteract the propaganda of Hui-ssu?<br> In order to further clarify these points I propose for study: (1) a careful investigation of the northern tradition from Bodhiruci and Buddhaśānta on to about 590 A.D., (2) searching the Tun-huang fragments for parts of the original Text B, (3) further search for quotations in the texts studied by the teachers of the Northern Ch'i. (Liebenthal, conclusion, 383–86).<br><br> | It seems to me established that<br> The ''Samādhi'' is an agglomeration of several texts, of which we have distinguished:<br> 1. A frame (Text A), probably derived from a sūtra translated in the fifth century or earlier in the North, perhaps in Liang-chou. This seems to have been a Hīnayāna text.<br> 2. A text (B), which contains the verses and part of the prose, composed between 565 and 590 by a teacher of the North, Yeh or P'eng-ch'eng. The author might have been Ching-sung.<br> It is difficult to say how Text B originally looked. Was it a pamphlet or a collection of gleanings from other texts? Was it written to counteract the propaganda of Hui-ssu?<br> In order to further clarify these points I propose for study: (1) a careful investigation of the northern tradition from Bodhiruci and Buddhaśānta on to about 590 A.D., (2) searching the Tun-huang fragments for parts of the original Text B, (3) further search for quotations in the texts studied by the teachers of the Northern Ch'i. (Liebenthal, conclusion, 383–86).<br><br> |
Revision as of 14:48, 10 June 2020
Citation: | Liebenthal, Walter. "Notes on the 'Vajrasamādhi'." T'oung Pao 44, no. 4/5 (1956): 347–86. |
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Article Summary
The texts in question are:
1. Chin-kang san-mei ching (Vajrasamādhi) T. 273 vol. 9. (Quoted in the following as Samādhi.) It has three commentaries:
a. The Chin-kang san-mei ching lun, T. 1730 vol. 37 composed by Yüan-hsiao, a Korean, in the second half of the seventh century. This is the only commentary which I have used for this paper in order to correct the original. A very good modern edition has been published by Chou Shu-chia in Peking 1936.
b. Zokuzōkyō A 55/2-3. Ming.
c. Zokuzōkyō A 55/3. Ch'ing.
2. Chin-kang shang-wei t'o-lo-ni ching, T. 1344 vol. 21. Transl. Buddhaśānta (?). Yüan Wei.
3. Chin-kang ch'ang t'o-lo-ni ching, T. 1345 vol. 21. Transl. Jinagupta (?) (527-604). A second translation of the preceding. These two texts have no relation to the Samādhi.
4. Chin-kang san-nei pen-hsing ch'ing-ching pu-huai pu-mieh ching, T. 644 vol. 15. A probably genuine text, containing 100 samādhis . . . (Liebenthal, opening remarks, 347–48)
[ . . . ]
It seems to me established that
The Samādhi is an agglomeration of several texts, of which we have distinguished:
1. A frame (Text A), probably derived from a sūtra translated in the fifth century or earlier in the North, perhaps in Liang-chou. This seems to have been a Hīnayāna text.
2. A text (B), which contains the verses and part of the prose, composed between 565 and 590 by a teacher of the North, Yeh or P'eng-ch'eng. The author might have been Ching-sung.
It is difficult to say how Text B originally looked. Was it a pamphlet or a collection of gleanings from other texts? Was it written to counteract the propaganda of Hui-ssu?
In order to further clarify these points I propose for study: (1) a careful investigation of the northern tradition from Bodhiruci and Buddhaśānta on to about 590 A.D., (2) searching the Tun-huang fragments for parts of the original Text B, (3) further search for quotations in the texts studied by the teachers of the Northern Ch'i. (Liebenthal, conclusion, 383–86).