Verse IV.54

Ratnagotravibhāga Root Verse IV.54

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Verse IV.54 Variations

तद्वन् मुनिर् अनाभोगान् निर्माणैः सर्वधातुषु
धर्मकायाद् अविचलन् भव्यानाम् एति दर्शनम्

E. H. Johnston as input by the University of the West.

tadvan munir anābhogān nirmāṇaiḥ sarvadhātuṣu
dharmakāyād avicalan bhavyānām eti darśanam

E. H. Johnston as input by the University of the West.

།དེ་བཞིན་ཐུབ་པ་ཆོས་སྐུ་ལས།
།བསྐྱོད་པ་མེད་པར་ཁམས་ཀུན་དུ།
།སྐལ་ལྡན་རྣམས་ལ་འབད་མེད་པར།
།སྤྲུལ་པ་དག་ནི་སྟོན་པར་མཛད།

Dege, PHI, 139

So the sage, without moving away
From the dharmakāya,
Effortlessly displays himself to the suitable
Through emanations in all realms.

When the Clouds Part, Brunnhölzl, 447

De même, sans quitter le corps absolu

Et sans effort, le Sage montre des apparences

De lui-même dans toutes les sphères

Aux êtres assez fortunés pour cela.

Charrier, Christian and Patrick Carré. Traité de la Continuité suprême du Grand Véhicule. Plazac: Éditions Padmakara, 2019.

RGVV Commentary on Verse IV.54

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།ཚངས་པ་ཆེན་པོ་བཞིན་{br}ཞེས་བྱ་བ་ནི། ཇི་ལྟར་ཚངས་པ་ཚངས་པ་ཡི། །གནས་ནས་འཕོ་བ་མེད་བཞིན་དུ། །ལྷ་ཡི་གནས་ནི་ཐམས་ཅད་དུ། །སྣང་བ་འབད་མེད་སྟོན་པ་ལྟར། །དེ་བཞིན་ཐུབ་པའི་ཆོས་སྐུ་ལས། །བསྐྱོད་པ་མེད་པར་ཁམས་ཀུན་ཏུ། །སྐལ་ལྡན་རྣམས་ལ་འབད་མེད་པར། །སྤྲུལ་

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པ་དག་གིས་སྟོན་པར་མཛད། །ཇི་ལྟར་ཚངས་རྟག་གཞལ་ཡས་ཁང་ནས་མི་གཡོ་འདོད་ཁམས་ཞུགས་པ་དེ། །ལྷ་རྣམས་ཀྱིས་མཐོང་དེ་མཐོང་དེ་ཡང་ཡུལ་ལ་དགའ་བ་སྤོང་བྱེད་ལྟར། །དེ་བཞིན་བདེ་གཤེགས་ཆོས་ཀྱི་སྐུ་ལས་མི་བསྐྱོད་འཇིག་རྟེན་ཀུན་དུ་དེ། །སྐལ་ལྡན་གྱིས་{br}མཐོང་དེ་ནི་མཐོང་དེ་རྟག་ཏུ་དྲི་མ་ཀུན་སེལ་བྱེད། །སྔོན་གྱི་རང་ཉིད་སྨོན་ལམ་དང་། །ལྷ་རྣམས་ཀྱི་ནི་དགེ་བའི་མཐུས། །ཇི་ལྟར་ཚངས་པ་འབད་མེད་སྣང་། །རང་བྱུང་སྤྲུལ་སྐུ་དེ་བཞིན་ནོ།

(4) (J107) [That sūtra also] says that [buddha activity] is like Mahābrahmā.

Just as Brahmā, without moving away

From the abode belonging to Brahmā,

Effortlessly displays his appearance

Everywhere in the sphere of the gods, IV.53

So the sage, without moving away

From the dharmakāya,

Effortlessly displays himself to the suitable (D125b)

Through emanations in all realms. IV.54

Just as Brahmā does not move away from his palace and yet his constant manifestation in the desire realm

Is seen by the gods, with their desire for objects being relinquished through this seeing,

So the Sugata does not move away from the kāya of the genuine dharma and yet is seen by the suitable ones

In all worlds, with their stains always being relinquished in their entirety by this seeing. IV.55

Just as, by virtue of his own previous aspiration prayers

And as a result of the virtues of the gods,

Brahmā manifests his appearance without effort,

So does the self-arisen one by means of the nirmāṇakāya. IV.56

mahābrahmavad iti /

sarvatra devabhavane brāhmyād avicalan padāt /

pratibhāsaṃ yathā brahmā darśayaty aprayatnataḥ // 53 //

tadvan munir anābhogān nirmāṇaiḥ sarvadhātuṣu /

dharmakāyād avicalan bhavyānām eti darśanam // 54 //

yadvad brahmā vimānān na calati satataṃ kāmadhātupraviṣṭaṃ devāḥ paśyanti cainaṃ

viṣayaratiharaṃ darṣanaṃ tac ca teṣām /

tadvad saddharmakāyān na calati sugataḥ sarvalokeṣu cainaṃ bhavyāḥ paśyanti

śaśvatsakalamalaharaṃ darśanaṃ tac ca teṣām // 55 //

svasyaiva pūrvapraṇidhānayogān marudgaṇānāṃ ca śubhānubhāvāt /

brahmā yathā bhāsam upaity ayatnān nirmāṇakāyena tathā svayaṃbhūḥ // 56 //

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dharmakāya - "Truth body" or "true being" — One of the three bodies of a buddha. In Mahāyāna Buddhism, it often refers to a kind of fundamental principle or the true nature of reality itself. Skt. धर्मकाय Tib. ཆོས་སྐུ་ Ch. 法身

sūtra - Sūtras mainly refer to the discourses delivered by the Buddha and his disciples, and the Sūtra corpus is one of the three main sets of teachings which form the Buddhist canon. Skt. सूत्र Tib. མདོ། Ch. 佛经

ātman - Though it can simply be used as the expression "I" or "me", in Indian thought the notion of self refers to a permanent, unchanging entity, such as that which passes from life to life in the case of people, or the innate essence (svabhāva) of phenomena. Skt. आत्मन् Tib. བདག་ Ch. 我,灵魂

nirmāṇakāya - An fully enlightened Buddha is said to have the power to manifest in many forms in order to help the sentient beings. The emanation body of a buddha, as the third of the three bodies of a buddha, refers to the many forms in which a buddha can manifest and which are accessible to ordinary sentient beings. Buddhist scholars present four types of emanation bodies: emanation as supreme being, emanation as rebirth, emanation as artisan and emanation in diverse forms. Skt. निर्माणकाय Tib. སྤྲུལ་སྐུ། Ch. 化身