Dol po pa
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The book emphasizes the Kagyu approach in particular. The author has received teachings from many Kagyu masters and used his knowledge of the tradition as a basis for making this book. He selected teachings from Gampopa and other early masters to set the basis for explaining meditation. Then he added other, necessary teachings according to the extensive teachings he has received over many years from many different Kagyu masters, such as Chogyam Trungpa Rinpoche, Mingyur Rinpoche, and others. The result is a book that explains how to do a complete session of meditation in the style of the Kagyu and Nyingma traditions.
The book begins with a lengthy introduction by Lama Tony which is a teaching in its own right. He writes a lengthy piece about what can and cannot usefully be obtained from science in terms of dharma practice. Following the introduction, there are two chapters on the buddha nature, the second of which uses a significant portion of Dolpopa Sherab Gyaltsen’s explanation of the ground in his famous Mountain Dharma text. This is the first time that this part of Dolpopa’s text has been fully translated and published. After that are several chapters on the various steps of a complete session of meditation. Anyone who practises meditation will find this book useful in many ways.
The book contains a translation of the following text: “Mountain Dharma, An Ocean of Definitive Meaning” by Dolpopa Sherab Gyaltsan, ground section
(Source: Padma Karpo Translations)Dölpopa emphasized two contrasting definitions of the Buddhist theory of emptiness. He described relative phenomena as "empty of self-nature," but absolute reality as only "empty of other," i.e., relative phenomena. He further identified absolute reality as the buddha nature, or eternal essence, present in all living beings. This view of an "emptiness of other," know in Tibetan as shentong, is Dölpopa's enduring legacy.
The Buddha from Dölpo contains the only English translation of three of Dölpopa's crucial works. A General Commentary on the Doctrine is one of the earliest texts in which he systematically presented his view of the entire Buddhist path to enlightenment. The Fourth Council and its Autocommentary (which was not in the first edition of this book) were written at the end of his life and represent a final summation of his teachings. These translations are preceded by a detailed discussion of Dölpopa's life, his revolutionary ideas, earlier precedents for the shentongview, his unique use of language, and the influence of his theories. The fate of his Jonang tradition, which was censored by the central Tibetan government in the seventeenth century but still survives, is also examined. (Source: Shambhala Publications)On the topic of this person
The book emphasizes the Kagyu approach in particular. The author has received teachings from many Kagyu masters and used his knowledge of the tradition as a basis for making this book. He selected teachings from Gampopa and other early masters to set the basis for explaining meditation. Then he added other, necessary teachings according to the extensive teachings he has received over many years from many different Kagyu masters, such as Chogyam Trungpa Rinpoche, Mingyur Rinpoche, and others. The result is a book that explains how to do a complete session of meditation in the style of the Kagyu and Nyingma traditions.
The book begins with a lengthy introduction by Lama Tony which is a teaching in its own right. He writes a lengthy piece about what can and cannot usefully be obtained from science in terms of dharma practice. Following the introduction, there are two chapters on the buddha nature, the second of which uses a significant portion of Dolpopa Sherab Gyaltsen’s explanation of the ground in his famous Mountain Dharma text. This is the first time that this part of Dolpopa’s text has been fully translated and published. After that are several chapters on the various steps of a complete session of meditation. Anyone who practises meditation will find this book useful in many ways.
The book contains a translation of the following text: “Mountain Dharma, An Ocean of Definitive Meaning” by Dolpopa Sherab Gyaltsan, ground section
(Source: Padma Karpo Translations)As a prominent fourteenth-century Tibetan doxographer, Dolpopa, however, does not repudiate self-emptiness per se; rather, he speaks of two types of emptiness'"`UNIQ--ref-00003099-QINU`"' that have separate referent points. For him, self-emptiness refers only to conventional phenomena such as tables, chairs, and negative defilements that do not inherently exist'"`UNIQ--ref-0000309A-QINU`"' or that are empty of their own entities. Dolpopa argues that since conventional phenomena cannot withstand analysis, in that their individual entities are essentially empty or deconstructed, as the existence of their nature is thoroughly investigated, they are empty of inherent existence. Therefore, he claims that self-emptiness is not ultimate truth.'"`UNIQ--ref-0000309B-QINU`"'
On the other hand, he passionately demonstrates that other-emptiness exists inherently and ultimately. Furthermore, it is identified with the tathāgata-essence (de bzhin gshegs pa’i snying po, tathāgatagarbha or buddha-nature (sangs rgyas kyi rigs; buddhagotra) endowed with enlightened qualities that exists in all beings. Dolpopa argues that this form of emptiness is not empty of its own entity, since it ultimately and permanently exists. Also, ultimate truth is empty of all conventional phenomena that are antithetical to ultimately existent other-emptiness. So, while self-emptiness, which he refers to as "empty-emptiness" (stong pa’i stong pa), is primarily taught in the Prajñāpāramitāsūtras of the middle wheel teachings, it is not ultimate truth, as it is empty of its own entity and it is not free from conceptual thought. On the other hand, other-emptiness, which he dubs "non-empty-emptiness" (mi stong pa’i stong pa), while not primarily taught in the Prajñāpāramitāsūtras, is delineated in last wheel teachings of the Buddha, such as Tathāgatagarbhasūtra, Śrīmālādevīsūtra, and others to refer to the naturally enlightened buddha-nature that is empty of all conventional phenomena. This is Dolpopa’s position on the two types of emptiness and the hierarchy of Mahāyāna literature in a nutshell and much of the discourse that follows on other-emptiness in the history of Tibetan Buddhist scholasticism has its roots in Dolpopa’s doctrinal formulation of other-emptiness vis-à-vis self-emptiness.
While Dolpopa certainly gets the well-deserved credit for making other-emptiness "a place of fundamental importance in the expression of his philosophy"'"`UNIQ--ref-0000309C-QINU`"' in Tibet, his controversial interpretation of Mahāyāna texts and the relative early availability of his writings to international scholars has perhaps led some to assume that Dolpopa’s thought is more original than it really was. Fortunately, the recent release of dozens of Kadam (bka’ gdams) volumes of previously unknown philosophical texts that predate Dolpopa allows us to reconsider this issue. Among the new texts that might be pertinent to a reconstruction of the early history of other-emptiness discourse in Tibet is the writing of Rinchen (rin chen ye shes, 13th-14th c.) in conjunction with the previously available Buton’s (bu ston rin chen grub, 1290-1364) Precious Garland of Rebuttals (’phrin yig gi lan rin po che’i phreng ba).'"`UNIQ--ref-0000309D-QINU`"' I argue that Dolpopa’s unique doctrinal views with respect to ultimate truth and their related Indie sources are found in Rinchen’s doctrinal formulation of Mahāyāna literature. Furthermore, there is a good reason to argue that Dolpopa’s unique views were directly influenced by the Kadam scholar.'"`UNIQ--ref-0000309E-QINU`"' Therefore, in this article, I analyze their points of convergence and divergence on the issues of buddha-nature, textual authority, and doxographical strategy, and suggest that Kadam influence on Dolpopa needs to be recognized more than we do in modern scholarship on Dolpopa’s works. (Wangchuk, introduction, 9–11)
Gorampa's text is polemical, and his targets are two of Tibet's greatest thinkers: Tsongkhapa, founder of the Gelug school, and Dolpopa, a founding figure of the Jonang school. Distinguishing the Views argues that Dolpopa has fallen into an eternalistic extreme, whereas Tsongkhapa has fallen into nihilism, and that only the mainstream Sakya view—what Gorampa calls "freedom from extremes"—represents the true middle way, the correct view of emptiness. Suppressed for years in Tibet, this seminal work today is widely regarded and is studied in some of Tibet's greatest academic institutions.
Gorampa's treatise has been translated and annotated here by two leading scholars of Tibetan Buddhist philosophy, and a critical edition of the Tibetan text on facing pages gives students and scholars direct access to Gorampa's own words. José Cabezón's extended introduction provides a thorough overview of Tibetan polemical literature and contextualizes the life and work of Gorampa both historically and intellectually. Freedom from Extremes will be indispensable for serious students of Madhyamaka thought. (Source: Wisdom Publications)Then which text does he depend on to establish his original idea? As the Ratnagotravibhāga is cited most frequently in his bDen gnyis gsal ba'i nyi ma"`UNIQ--ref-00000267-QINU`"', it seems to be the most important text in his great Madhyamaka. I consider his commentary on the Ratnagotravibhāga"`UNIQ--ref-00000268-QINU`"' attributed to Maitreya here'"`UNIQ--ref-00000269-QINU`"'. (Mochizuki, introduction, 111)
Dölpopa emphasized two contrasting definitions of the Buddhist theory of emptiness. He described relative phenomena as "empty of self-nature," but absolute reality as only "empty of other," i.e., relative phenomena. He further identified absolute reality as the buddha nature, or eternal essence, present in all living beings. This view of an "emptiness of other," know in Tibetan as shentong, is Dölpopa's enduring legacy.
The Buddha from Dölpo contains the only English translation of three of Dölpopa's crucial works. A General Commentary on the Doctrine is one of the earliest texts in which he systematically presented his view of the entire Buddhist path to enlightenment. The Fourth Council and its Autocommentary (which was not in the first edition of this book) were written at the end of his life and represent a final summation of his teachings. These translations are preceded by a detailed discussion of Dölpopa's life, his revolutionary ideas, earlier precedents for the shentongview, his unique use of language, and the influence of his theories. The fate of his Jonang tradition, which was censored by the central Tibetan government in the seventeenth century but still survives, is also examined. (Source: Shambhala Publications)Tāranātha begins his somewhat delicate task of comparing the two masters Dol po pa and Śākya mchog ldan in a conciliating manner, by explaining that both supposedly see what is profound reality and hence should not have different thoughts about it. It is only in order to accommodate the different needs of their disciples that they enunciate variant views. Even though the essential gźan stoṅ view and meditation practices of both masters are the same, there are a lot of minor differences regarding tenets (grub mtha') that arise when formulating the view on the level of apparent truth.'"`UNIQ--ref-00000204-QINU`"'
The first four of the twenty-one points address differences in the exegesis of the Madhyamaka and Maitreya texts which are considered to be commentaries on the Buddha's intention underlying the second and third turnings of the "Wheel of the Dharma" (dharmacakra).'"`UNIQ--ref-00000205-QINU`"' Points 5-8 embody Śākya mchog ldan's and Dol po pa's different understanding of non-dual wisdom. In points 9-16, their views on the trisvabhāva theory are distinguished. In a related topic, Tāranātha also elaborates the different understandings of self-awareness (point 11), entities and non-entities, and conditioned and unconditioned phenonema (all in point 13). Next, our attention is drawn to different ways of relating the four noble truths with the apparent and ultimate (point 17). The last four points deal with the two masters' views on the Buddha-nature. (Mathes, "Tāranātha's 'Twenty-One Differences with Regard to the Profound Meaning'," 294–95)
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Philosophical positions of this person
"The crucial stanza [RGV] I.27, in which the three reasons for the presence of a buddha nature in sentient beings are presented, is thus explained in the following way:
Since the dharmakāya of the perfect buddha embraces and pervades all phenomena, since there is no differentiation [to be made] within the dharmatā concerning all samsāra and nirvāna, and since the potential of the tathāgata exists in all sentient beings as the natural purity of the dharmadhātu, which can be purified of hindrances, truly every being possesses, always, continuously, and throughout beginningless time, the ultimate essence of the Buddha." Mathes, K., A Direct Path to the Buddha Within, p. 82.
Dolpopa has a unique view on this issue as Wangchuk points out:
- "Dölpopa argues the following: (1) Cittamātra is categorized into Conventional Cittamātra (kun rdzob pa'i sems tsam) and Ultimate Cittamātra (don dam pa'i sems tsam); (2) Cittamātra must not be conflated with Vijnānavāda; (3) Madhyamaka is grouped into Madyamaka without Appearance (snang med dbu ma) and Madhyamaka with Appearance (snang bcas dbu ma). His Mahäyäna doxography differs significantly from that of other fourteenth-century Tibetan scholars." Wangchuk, Tsering, The Uttaratantra in the Land of Snows, p. 47.
- It seems that the simple answer is that Dolpopa espoused Great Madhyamaka (dbu ma chen mo) or Madhyamaka with Appearance (snang bcas dbu ma), which is equivalent to Ultimate Cittamātra (don dam pa'i sems tsam). See Wangchuk, Tsering, The Uttaratantra in the Land of Snows, pp. 49-50.
He was not the first to use the term, but he was the one to define and make it a central feature of his innovative philosophical position:
- "According to traditional Tibetan accounts, the revolutionary theory that the ultimate is not "empty of an own-being” (rang stong) but “empty of other” (gzhan stong) arose in Dölpopas mind during a Kālacakra retreat at Jonang. Lhai Gyaltsen informs us that Dölpopas realization was connected with the Kālacakratantra and the construction of the great stūpa in Jonang, which was consecrated in 1333. One of the first works in which Dölpopa expressed his new zhentong understanding of the Buddhist doctrine was his famous Ri chos nges don rgya mtsho. His last major work was the Bka bsdu bzhi pa (Bka' bsdu bzhi pa'i don bstan rtsis chen po, The Great Reckoning of the Doctrine That Has the Significance of a Fourth Council), which can be seen as a final summary of Dölpopas views." Mathes, K., A Direct Path to the Buddha Within, p. 75.
"He typically describes both buddha nature and the dharmakāya as being ultimately really established, everlasting, eternal, permanent, immutable (ther zug), and being beyond dependent origination. He also equates the tathāgata heart with “ālaya-wisdom” as opposed to the ālaya-consciousness." Brunnhölzl, K., When the Clouds Part, p. 68.
Other names
- ཤེས་རབ་རྒྱལ་མཚན་ · other names (Tibetan)
- ཤེས་རབ་མགོན་ · other names (Tibetan)
- རྟོན་པ་བཞི་ལྡན་ · other names (Tibetan)
- shes rab rgyal mtshan · other names (Wylie)
- shes rab mgon · other names (Wylie)
- rton pa bzhi ldan · other names (Wylie)
Affiliations & relations
- Jonang · religious affiliation
- tshul khrims snying po · teacher
- skyi ston 'jam dbyangs · teacher
- skyi ston grags pa rgyal mtshan · teacher
- sa skya slob dpon shes rab bzang po · teacher
- gzhon nu bzang po · teacher
- blo gros bstan pa · teacher
- jo gdan mkhan po bsod nams grags pa · teacher
- nag 'bum · teacher
- jo nang chos rje yon gtan rgya mtsho · teacher
- jo nang lo tsA ba blo gros dpal · student
- g.yag sde paN chen · student
- bsod nams rgyal mtshan · student
- phyogs las rnam rgyal · student
- sa bzang ma ti paN chen blo gros rgyal mtshan · student
- 'bri gung lo tsA ba ma Ni ka shrI · student
- nya dbon kun dga' dpal · student
- kun spangs chos grags dpal bzang · student