Difference between revisions of "Primary Sources"

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|content=<div class="bnw-heading-3 m-0">A note about source texts</div>In relation to source literature, on this site, we generally divide these into the two broad categories of sūtras and commentaries. While traditionally both of these categories entail a wide range of internal divisions and classifications, here these two can be simply understood to demarcate the difference between scriptures orated by the Buddha, or his attendant Bodhisattvas, and authored works, which draw upon those discourses in order to elucidate a particular aspect of the Buddhist teachings. In terms of the former, these texts are traditionally referred to as “buddhavacana,’’ literally “the speech of the Buddha,’’ and are considered to represent actual discourses that were recalled and passed down through oral lineages until they were eventually set into writing in the ensuing centuries. And though much has been written about these works in academic literature, especially in terms of the potential dates and locals of their composition, little is known of the actual authorship of these works and thus they are generally considered to be anonymous compositions. On the other hand, what we are referring to here as commentaries are generally signed by their authors, even if the contents of these compositions are credited to earlier figures. Though again, exact authorship of a particular text might still be uncertain or contested, in either traditional or academic circles, these types of texts, as opposed to sūtras, are universally considered to have been intentionally composed.
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<div class="bnw-heading-3">A note about source texts</div>In relation to source literature, on this site, we generally divide these into the two broad categories of sūtras and commentaries. While traditionally both of these categories entail a wide range of internal divisions and classifications, here these two can be simply understood to demarcate the difference between scriptures orated by the Buddha, or his attendant Bodhisattvas, and authored works, which draw upon those discourses in order to elucidate a particular aspect of the Buddhist teachings. In terms of the former, these texts are traditionally referred to as “buddhavacana,’’ literally “the speech of the Buddha,’’ and are considered to represent actual discourses that were recalled and passed down through oral lineages until they were eventually set into writing in the ensuing centuries. And though much has been written about these works in academic literature, especially in terms of the potential dates and locals of their composition, little is known of the actual authorship of these works and thus they are generally considered to be anonymous compositions. On the other hand, what we are referring to here as commentaries are generally signed by their authors, even if the contents of these compositions are credited to earlier figures. Though again, exact authorship of a particular text might still be uncertain or contested, in either traditional or academic circles, these types of texts, as opposed to sūtras, are universally considered to have been intentionally composed.
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Revision as of 14:50, 4 February 2019

The Source Texts


A note about source texts
In relation to source literature, on this site, we generally divide these into the two broad categories of sūtras and commentaries. While traditionally both of these categories entail a wide range of internal divisions and classifications, here these two can be simply understood to demarcate the difference between scriptures orated by the Buddha, or his attendant Bodhisattvas, and authored works, which draw upon those discourses in order to elucidate a particular aspect of the Buddhist teachings. In terms of the former, these texts are traditionally referred to as “buddhavacana,’’ literally “the speech of the Buddha,’’ and are considered to represent actual discourses that were recalled and passed down through oral lineages until they were eventually set into writing in the ensuing centuries. And though much has been written about these works in academic literature, especially in terms of the potential dates and locals of their composition, little is known of the actual authorship of these works and thus they are generally considered to be anonymous compositions. On the other hand, what we are referring to here as commentaries are generally signed by their authors, even if the contents of these compositions are credited to earlier figures. Though again, exact authorship of a particular text might still be uncertain or contested, in either traditional or academic circles, these types of texts, as opposed to sūtras, are universally considered to have been intentionally composed.


Sources for buddha-nature Teachings

The seeds of buddha-nature teachings are sprinkled throughout the sutras and tantras of the Buddhist canon. However, without doubt, the single most influential teaching that has spread the idea of buddha-nature to traditions all across the world is Maitreya's Ratnagotravibhāga Mahāyānottaratantraśāstra or "Gyu Lama" as it is known in the Tibetan traditions.

This page provides a listing of some of the key sources for buddha nature teachings found in the sutras, as well as the key texts found in Sanskrit, Chinese, and Tibetan traditions, as well as influential commentaries from centuries of traditional scholarship on the subject.

Jump to full source text list below


Sutra Sources[edit]

The titles of the Gyu Lama[edit]

The title Ratnagotravibhāga Mahāyānottaratantraśāstra[1] is attested in the surviving Sanskrit manuscripts. It roughly translates as “The Superior Continuum (uttaratantra) of the Mahāyāna, A Treatise (śāstra) Analyzing (vibhāga) the Source (gotra) of the Three Jewels (ratna).” One surviving Sanskrit reference, Abhayākaragupta’s Munimatālaṃkāra, gives the name as Mahāyānottara: [Treatise] on the Superior Mahāyāna [Doctrine].[2] Western scholars only became aware of Sanskrit versions in the 1930s (see below); prior to this, they knew the text only in Chinese or Tibetan translation, and this was complicated by the fact that both the Chinese and the Tibetan traditions divide the text into two. Where in India the Ratnagotravibhāga was a single work comprised of root verses, explanatory verses, and prose commentary, the Chinese and Tibetan translators and commentators considered the root and explanatory verses to be one text and the complete text, including the prose commentary, to be a second. Thus not only do we have multiple names in multiple languages for the treatise, but multiple names in Chinese and Tibetan for its different parts.... Read the whole essay here

Text
Maitreya, Asaṅga: Ratnagotravibhāga Mahāyānottaratantraśāstra
The Ratnagotravibhāga, commonly known as the Uttaratantra, or Gyu Lama in Tibetan, is one of the main Indian scriptural sources for buddha-nature theory. It was likely composed during the fifth century, by whom we do not know. Comprised of verses interspersed with prose commentary, it systematizes the buddha-nature teachings that were circulating in multiple sūtras such as the Tathāgatagarbhasūtra, the Mahāparinirvāṇasūtra, and the Śrīmaladevisūtra. The Tibetan tradition attributes the verses to the Bodhisattva Maitreya and the commentary to Asaṅga, and treats the two as separate texts, although this division is not attested to in surviving Indian versions. The Chinese tradition attributes the text to *Sāramati (娑囉末底), but the translation itself does not include the name of the author, and the matter remains unsettled. It was translated into Chinese in the early sixth century by Ratnamati and first translated into Tibetan by Atiśa, although this text is not known to survive. Ngok Loden Sherab translated it a second time based on teachings from the Kashmiri Pandita Sajjana, and theirs remains the standard translation. It has been translated into English several times, and recently into French. See the Ratnagotravibhāgavyākhyā, read more about the Ratnagotravibhāga, or take a look at the most complete English translation in When the Clouds Part by Karl Brunnholzl.
The Root Text: Read the root text of the Ratnagotravibhāga Mahāyānottaratantraśāstra here
The Root Verses: Comparative multilingual edition of the root verses only
Verse I.28: "The Three Reasons" Verse

Sanskrit Recensions[edit]

Tibetan Recensions[edit]

Chinese Texts[edit]

  • Ratnamati 勒那摩提 (508 A.D.), 究竟一乘寶性論 (Chinese translation of Rgvbh), in T 1611. Attributed author is Sāramati.

Commentaries on Ratnagotravibhāga[edit]

Indian Commentaries[edit]

Tibetan Commentaries[edit]

Select Tibetan Texts[4][edit]

English Translations[edit]

When the Clouds Part

When the Clouds Part-front.jpg

"Buddha nature" (tathāgatagarbha) is the innate potential in all living beings to become a fully awakened buddha. This book discusses a wide range of topics connected with the notion of buddha nature as presented in Indo-Tibetan Buddhism and includes an overview of the sūtra sources of the tathāgatagarbha teachings and the different ways of explaining the meaning of this term. It includes new translations of the Maitreya treatise Mahāyānottaratantra (Ratnagotravibhāga), the primary Indian text on the subject, its Indian commentaries, and two (hitherto untranslated) commentaries from the Tibetan Kagyü tradition. Most important, the translator’s introduction investigates in detail the meditative tradition of using the Mahāyānottaratantra as a basis for Mahāmudrā instructions and the Shentong approach. This is supplemented by translations of a number of short Tibetan meditation manuals from the Kadampa, Kagyü, and Jonang schools that use the Mahāyānottaratantra as a work to contemplate and realize one’s own buddha nature. (Source: Shambhala Publications)
... read more
Brunnhölzl, Karl. When the Clouds Part: The Uttaratantra and Its Meditative Tradition as a Bridge between Sūtra and Tantra. Tsadra Foundation Series. Boston: Snow Lion Publications, 2014.

French Translations[edit]

German Translations[edit]

  1. According to the Sanskrit grammatical rules associated with sandhi, the word boundaries of the “a” of Mahāyāna and the “u” of Uttaratantra combine as “o.” The title could just as easily be rendered “Mahāyāna Uttaratantra Śāstra.”
  2. Kano, Buddha-Nature and Emptiness, 27, note #41.
  3. Besides this text, the only other two known Indian “commentaries” on the Uttaratantra are Vairocanarakṣita’s (eleventh century) very brief ahāyānottaratantraṭippaṇī (eight folios) and Sajjana’s (eleventh/twelfth century) Mahāyānottaratantraśāstropadeśa (a summary in thirty-seven verses). Brunnholzl, K. Luminous Heart pg 403 note 24
  4. For an extensive list of Tibetan Commentaries, see A List of the Commentaries on the Ratnagotravibhāga


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The Texts[edit]

Sutras[edit]

Text
RKTSG 51
One of the seventeen tantras belonging to the Unsurpassable Secret Cycle (ཡང་གསང་བླ་མེད་ཀྱི་སྐོར་) or Seminal Heart (སྙིང་ཐིག་) series of the Secret Instruction Class (མན་ངག་སྡེ་) of Dzogchen teachings, this was considered to have been passed down from Vimalamitra in the 8th century although modern scholars consider this be a Tibetan composition of later period. The tantra discusses luminosity and awareness.
Text
Ratnadārikāsūtra
An important sūtra source for the Uttaratantra in its discussion of the third of the seven topics (buddha) in which the qualities of awakening are listed.
Text
Śrīmālādevīsūtra
One of the more prominent sūtra sources for the Ratnagotravibhāga, this text tells of the story of Śrīmālādevī taking up the Buddhist path at the behest of her royal parents based on a prophecy of the Buddha. It includes mention of important concepts related to the teachings on buddha-nature, such as the single vehicle and the four perfections, or transcendent characteristics, of the dharmakāya. It also mentions the notion that buddha-nature, which is equated with mind's luminous nature, is empty of adventitious stains but not empty of its limitless inseparable qualities. In his commentary on the Ratnagotravibhāga, Asaṅga quotes this sūtra more than any other source text. In particular, it is considered a source for the fifth of the seven vajra topics, enlightenment.
Text
RKTSG 58
One of the seventeen tantras belonging to the Unsurpassable Secret Cycle (ཡང་གསང་བླ་མེད་ཀྱི་སྐོར་) or Seminal Heart (སྙིང་ཐིག་) series of the Secret Instruction Class (མན་ངག་སྡེ་) of Dzogchen teachings, this was considered to have been passed down from Vimalamitra in the 8th century although modern scholars consider this be a Tibetan composition of later period. The tantra explains how the myriad phenomenological world arises from luminosity or Buddha-Nature.
Text
Ghanavyūhasūtra
Only extant in Chinese and Tibetan translations, this sūtra, which is centered around Buddha Śākyamuni's visit to the pure land of the Buddha Vairocana, is an important source for the Yogācāra notions of the three natures, tathāgatagarbha, and the ālayavijñāna. These latter two terms are often treated as synonyms in the text, especially in their pure form, while in its impure form the ālayavijñāna is designated as the source from which all ordinary phenomena emerge.
Text
RKTSG 57
One of the seventeen tantras belonging to the Unsurpassable Secret Cycle (ཡང་གསང་བླ་མེད་ཀྱི་སྐོར་) or Seminal Heart (སྙིང་ཐིག་) series of the Secret Instruction Class (མན་ངག་སྡེ་) of Dzogchen teachings, this was considered to have been passed down from Vimalamitra in the 8th century although modern scholars consider this be a Tibetan composition of later period. The tantra explains how Buddha-Nature abides at the heart of a person, in the midst of five coloured lights, like 'a vase body' along with the peaceful deities, from which pristine wisdom shines forth to the crown where the wrathful deities abide.

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Commentaries[edit]

Text
Gyalse Tokme Zangpo: Illuminating the Definitive Meaning of the Uttaratantra
This work presents a late (14th century) Kadampa view on the Ratnagotravibhāga and the associated buddha-nature teachings by an influential representative of this tradition, often referred to as "the second Asaṅga" (thogs med gnyis pa).
Text
Dölpopa Sherab Gyaltsen: Mountain Dharma: An Ocean of Definitive Meaning
Dolpopa's seminal work considered to be the most definitive philosophical treatise of the Jonang tradition. It became famous as the crucial source for the presentation of his view of other-emptiness (zhentong).
Text
Sajjana: Mahāyānottaratantraśāstropadeśa
One of only two extant Sanskrit texts that comment on the Uttaratantra, this highly original work by Sajjana presents a contemplative approach to Maitreya's treatise from an author that was the veritable source for the Tibetan exegetical traditions spawned by his students Ngok Loden Sherab and Tsen Khawoche.
Text
Padmasambhava: Rājopadeśadarśanamālā
A Garland of Views presents a concise commentary by the eighth-century Indian Buddhist master Padmasambhava on a chapter from the Guhyagarbha Tantra on the different Buddhist and non-Buddhist philosophical views, including the Great Perfection (Dzogchen). (Source: Shambhala Publications)
Text
Maitrīpa: Tattvadaśaka
In this work of ten verses on true reality, Maitrīpa presents the luminous nature of reality which is beyond any duality and apprehension. The text underscores the non-abiding and luminous nature of reality and how the instructions of the master is crucial for realising the authentic nature of Madhyamaka. Through this, Maitrīpa rules out that the True Aspectarian and False Aspectarian traditions of the Mind Only school and the scholastic Mādhyamika which do not rely on direct pith instructions of the guru can realise the true nature of reality.
Text
Jetsun Drakpa Gyaltsen: Notes on the Ultimate Continuum Called the Unmistaken Intent of Maitreya
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