Theg pa chen po rgyud bla ma'i bstan bcos kyi 'grel bshad de kho na nyid rab tu gsal ba'i me long
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Revision as of 16:49, 20 June 2018
Gö Lotsāwa Zhönu Pal's commentary to the Ratnagotravibhāgavyākhyā, that presents the text from within the mahāmudrā tradition of Maitrīpa and Gampopa. More specifically, as Mathes reports, the author, himself, states in his colophon that "he combined the commentarial tradition of Loden Sherab with Gampopa's and Drigung Jigten Sumgön's mahāmudrā interpretation of the Ratnagotravibhāga." (A Direct Path to the Buddha Within, p. 411.)
Relevance to Buddha-nature
An important Kagyu commentary to the Uttaratantra that presents the text from the point of view of the Mahāmudrā teachings.
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| Commentary of | ~ RKTST 3363 |
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The edition proper (pp. 1-576) is preceded by a brief introduction (pp. ix–xvii) which, besides editorial remarks, deals with gZhon nu dpal's life and education on the basis of an unpublished biography by his disciple Zhwa dmar Chos kyi grags pa (1453-1524), and of the bKa' gdams chos 'byung of Las chen Kun dga' rgyal mtshan (b. 1440), another of his disciples.'"`UNIQ--ref-00000003-QINU`"' This information adds to the preliminary observations by Mathes in an article entitled '"Gos Lo tsā ba gZhon nu dpal's Extensive Commentary on and Study of the Ratnagotravibhāgavyākhyā (Mathes 2002)'"`UNIQ--ref-00000004-QINU`"', which gives a more detailed biographical account and discusses the position that gZhon nu dpal holds in ZhP.
'Gos Lo tsā ba Yid bzang rtse ba gZhon nu dpal is well known to Tibetologists for his work entitled The Blue Annals (Deb ther sngon po), composed a few years earlier than ZhP.'"`UNIQ--ref-00000005-QINU`"' This mine of biographical, bibliographical and historical information already gives us an idea of the mastery that this remarkable scholar had of all fields of Buddhist studies. Mathes' introduction informs us of the key elements of gZhon nu dpal's thorough education in all the major religious traditions with the most important masters of the time, such as Tsong kha pa (1357-1419), the Fifth Karmapa De bzhin gshegs pa (1384-1415), the rNying ma pa teacher sGrol ma ba Sangs rgyas rin chen (1350-1430), or the Sa skya master Rong ston Shes bya kun rig (1367-1449). gZhon nu dpal distinguishes himself by his open-minded and non-sectarian approach, which is reflected in his ZhP, where he combines the commentarial tradition of rNgog Blo ldan shes rab (1059-1109) with sGam po pa's (1079- 1153) "Great Seal" (mahāmudrā) interpretation. The introduction also deals with the circumstances of the redaction of ZhP — composed in 1473 as gZhon nu dpal was nearly blind and had to dictate his work from memory over a period of four months — and of the carving of the printing blocks as described in the colophon. Mathes notes that gZhon nu dpal obviously had access to the Sanskrit original of the Ratnagotravibhāgavyākhyā as he frequently discusses Sanskrit words from this text and occasionally mentions or (politely) criticizes the existing translation by rNgog Lo tsä ba Bio ldan shes rab, which is the one found in the canon (sDe dge bsTan 'gyur 4024–4025).'"`UNIQ--ref-00000006-QINU`"' Mathes (p.xv) also mentions a translation by Nag tsho Lo tsā ba which gZhon nu dpal occasionally discusses, but gives no specifics about this translator.'"`UNIQ--ref-00000007-QINU`"' By comparing the quotations of the Ratnagotravibhāgavyākhyā in ZhP with the Sanskrit text (edited by E.H. Johnston)'"`UNIQ--ref-00000008-QINU`"' and the Tibetan translation found in the canon (edited by Z. Nakamura on the basis of Sde dge, Narthang and Peking bsTan 'gyur)'"`UNIQ--ref-00000009-QINU`"', Mathes establishes that gZhon nu dpal's version, in several cases, better fits the original (p. xiv).
Read more here . . .
’Gos Lo-tsa-ba gZhon-nu-dpal (1392-1481) was one of the most brilliant scholars in Tibet and is famous for his religious history, the Blue Annals {Deb thersngon po). He is also known as a translator (lo tsa ba) and for his contributions to Buddhist doctrine and philosophy. However, except for the Blue Annals his own work has not been available until now. For this reason this first publication of a doctrinal commentary, Theg pa chen po rgyud bla ma’i bstan bcos kyi ’grel bshad de kho na nyid rab tu gsal ba’i me long (ZhP), is most welcome. In this commentary he presents a unique interpretation of the teaching of the Buddha-nature (tathagatagarbha) in the Ratnagotravibhaga/vyakhya (RGV/V) following the mahāmudrā tradition. Of more than fifty commentaries on the RGV known to have been written in Tibet, the ZhP is one of the most extensive and remarkable.
The editor, Klaus-Dieter Mathes, has previously contributed to the study of the Tibetan hermeneutical traditions of Yogācāra works such as the Dharmadharmatāvibhāga. He has already published a survey of this RGV commentary (p. xviii), and has also studied this commentary for his Habilitation, currently being prepared for publication (p. xi). In the introduction to the book under review, Mathes presents a brief biography of gZhon-nu-dpal and sketches his general philosophical position (pp. ix-xi). He then discusses the sources on which his edition is based (pp. xi-xiv), selected particular features of the ZhP (pp. xiv-xv), and his editorial method (pp. xv-xvi), ending with technical notes (pp. xvi-xvii) and bibliography (pp. xviii-xix).
The main part of this book consists of a critical edition of the ZhP in 576 pages, based on a manuscript in dbu-med script (A) and a block print (B). The block print was completed in 1479, soon after the composition of the ZhP in 1473 (pp. xii-xiii). Regarding the relationship between the manuscript and block print, Mathes states: "This leaves us with the probable case that A and B share a common source" (p. xii). As to the editorial method, he states, "My editing policy has been to compare gZhon nu dpal’s quotations with the Derge and Peking editions of the Kanjur and Tanjur, but to leave the original reading wherever possible." He also states, "Unusual or wrong spellings have been adapted to the usage of modern Tibetan," and he provides a list of emended spellings (pp. xv-xvi). Mathes has thus "corrected" the old orthography found in the two manuscripts into modern spellings. Though this allows a smoother reading for modern Tibetan readers, it might have been better to retain as much as possible the spellings current in the late fifteenth century, if they can be identified as such. (Kano, "Review of 'Gos Lo tsā ba gZhon nu dpal's Commentary on the Ratnagotravibhāgavyākhyā," 143)
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Mahāmudrā - Mahāmudrā refers to an advanced meditation tradition in Mahāyāna and Vajrayāna forms of Into-Tibetan Buddhism that is focused on the realization of the empty and luminous nature of the mind. It also refers to the resultant state of buddhahood attained through such meditation practice. In Tibet, this tradition is particularly associated with the Kagyu school, although all other schools also profess this tradition. The term also appears as part of the four seals, alongside dharmamūdra, samayamudrā, and karmamudrā. Skt. महामुद्रा Tib. ཕྱག་རྒྱ་ཆེན་པོ།
Kagyu - The Kagyu school traces its origin to the eleventh-century translator Marpa, who studied in India with Nāropa. Marpa's student Milarepa trained Gampopa, who founded the first monastery of the Kagyu order. As many as twelve subtraditions grew out from there, the best known being the Karma Kagyu, the Drikung, and the Drukpa. Tib. བཀའ་བརྒྱུད་
Uttaratantra - The Ultimate Continuum, or Gyü Lama, is often used as a short title in the Tibetan tradition for the key source text of buddha-nature teachings called the Ratnagotravibhāga of Maitreya/Asaṅga, also known as the Mahāyānottaratantraśāstra. Skt. उत्तरतन्त्र Tib. རྒྱུད་བླ་མ་ Ch. 寶性論
Mahāmudrā - Mahāmudrā refers to an advanced meditation tradition in Mahāyāna and Vajrayāna forms of Into-Tibetan Buddhism that is focused on the realization of the empty and luminous nature of the mind. It also refers to the resultant state of buddhahood attained through such meditation practice. In Tibet, this tradition is particularly associated with the Kagyu school, although all other schools also profess this tradition. The term also appears as part of the four seals, alongside dharmamūdra, samayamudrā, and karmamudrā. Skt. महामुद्रा Tib. ཕྱག་རྒྱ་ཆེན་པོ།
śrāvaka - The disciples of the Buddha who aspire to attain individual liberation or nirvāṇa. The final goal of the Hearers is to become an arhat, a state in which one has totally eliminated the inner problems of attachment, hatred and ignorance, the main causes for rebirth in this cycle of existence. There are four stages of a śrāvaka path including eight phases. Skt. श्रावक Tib. ཉན་ཐོས། Ch. 聲聞
Yogācāra - Along with Madhyamaka, it was one of the two major philosophical schools of Mahāyāna Buddhism. Founded by Asaṅga and Vasubandhu around the fourth century CE, many of its central tenets have roots in the Saṃdhinirmocanasūtra and the so-called third turning of the dharma wheel (see tridharmacakrapravartana). Skt. योगाचार Tib. རྣལ་འབྱོར་སྤྱོད་པ་ Ch. 瑜伽行派
Vajrayāna - The esoteric Buddhist tradition which developed as a syncretic system involving deity worship, use of mantras, physical energy, and mystical practices. It is also known as the mantra tradition and the tantric school as a result of being based on texts known as tantras. Skt. वज्रयान Tib. རྡོ་རྗེ་ཐེག་པ། Ch. 金剛乘
