Multivariant Levels of Interpretations on Selected Caryās
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+ | *{{i|Abstract|iii}} | ||
+ | *{{i|Acknowledgements|iv}} | ||
+ | *{{i|Dedication|v}} | ||
+ | *{{i|Abbreviations|vi}} | ||
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+ | *{{i|I. Introduction|4}} | ||
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+ | *{{i|II. Comparative Doctrines|10}} | ||
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+ | **{{i|1. Essential ideology|10}} | ||
+ | **{{i|2. Early Buddhist Schools|11}} | ||
+ | **{{i|3. Tāntric concepts that stem from Mahāyāna|14}} | ||
+ | ***{{i|a. Śūnyatā|15}} | ||
+ | ***{{i|b. Prajñā and Upāya|17}} | ||
+ | ***{{i|c. The three kāyas|19}} | ||
+ | **{{i|4. Vajrayāna Buddhism|20}} | ||
+ | ***{{i|a. Mantra|23}} | ||
+ | ***{{i|b. Mudrā|23}} | ||
+ | ***{{i|c. Maṇḍala|25}} | ||
+ | ***{{i|d. The three higher classes of tāntra: Mahāyoga|27}} | ||
+ | ***{{i|e. Anuyoga/ Mother Tāntra level|28}} | ||
+ | ***{{i|f. Mahāmudra|30}} | ||
+ | ***{{i|g. The three lower tāntras: Kriyāyoga|30}} | ||
+ | ***{{i|h. The Buddhist Cakras|31}} | ||
+ | ***{{i|i. Consort Practice|34}} | ||
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Revision as of 14:57, 13 July 2020
Abstract
The objective of this thesis is to investigate the multivariant levels of interpretation within selected Caryās. The Caryās selected depict Buddha Nature as it was understood in tāntric Buddhism in the area of Bengal. There are three levels of interpretation. The first level is the blatant meaning, and is outlined in the translation section of the songs. The second level is the anuyoga/Mother tāntra meaning. A comparison is made between the interpretations of selected scholars. The final level is the Mahāmudra meaning. This level is inferred from various textual sources.
Citation | Bhattacherjee, Rupa. "Multivariant Levels of Interpretations on Selected Caryās." MA thesis, University of Calgary, 2000. https://www.collectionscanada.gc.ca/obj/s4/f2/dsk2/ftp03/MQ55135.pdf. |
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