Rev. Kokyo Henkel: Resource Recommendations for Learning about Buddha-Nature in the Zen Tradition
< Media
Sources Mentioned
by its reconstructed, but unattested, Sanskrit title, the *Brahmajālasūtra. This scripture is reputed to have been translated by KumārajIva in 406, but it is most likely an indigenous Chinese scripture (see apocrypha) composed during the middle of the fifth century. The Fanwang jing, in its current recension in two rolls, purports to be the tenth chapter of a much longer, 120-roll scripture tided the Bodhisattvaśīlasūtra, which is otherwise unknown. The first roll provides a description of the buddha Vairocana and the ten different stages of the bodhisattva path. Because subsequent Chinese indigenous scriptures that were closely related to the Fanwang jing, such as the Pusa yinluo penye jing, provided more systematic presentations of these soteriological models, this first roll was not widely studied and was typically omitted in commentaries on the scripture. Far more important to the tradition is the second roll, which is primarily concerned with the "bodhisattva precepts" (bodhisattvaśīla); this roll has often circulated independently as Pusajie jing (*Bodhisattvaśīlasūtra) "The Book of the Bodhisattva Precepts"). This roll provides a list of ten major and forty-eight minor Mahāyāna precepts that come to be known as the "Fanwang Precepts," which became a popular alternative to the 250 monastic precepts of the Dharmaguptaka vinaya (also known as the Sifen Lü). Unlike the majority of rules found in other non-Mahāyāna vinaya codes, the bodhisattva precepts are directed not only at ordained monks and nuns, but also may be taken by laymen and laywomen. The Fanwang jing correlates the precepts with Confucian virtues such as filial piety and obedience, as well as with one's buddha-nature (foxing). Numerous commentaries on this text were composed, and those written by Fazang, Mingkuang (fl. 800 CE), and the Korean monk T'aehyǒn (d.u.) were most influential. As the primary scriptural source in East Asia for the bodhisattva precepts, the Fanwang jing was tremendously influential in subsequent developments in Buddhist morality and institutions throughout the region. In Japan, for example, the Tendaishū monk Saichō (767-822) disparaged the prātimokṣa precepts of the traditional vinaya as being the precepts of hInayāna adherents, and rejected them in favor of having all monastics take instead the Mahāyāna precepts of the Fanwang jing. In Korea, all monastics and laypeople accept the bodhisattva precepts deriving from the Fanwang jing, but for monks and nuns these are still seen as complementary to
their main monastic vows. (Source: "Fanwang jing." In The Princeton Dictionary of Buddhism, 295. Princeton University Press, 2014. http://www.jstor.org/stable/j.ctt46n41q.27.)Secondary Publications Mentioned
The essential initiatory experience of Zen, satori is believed to open up the direct perception of things as they are. "Even if you sit until your seat breaks through, even if you persevere mindless of fatigue, even if you are a person of lofty deeds and pure behavior, if you haven't reached this realm of satori, you still can't get out of the prison of the world." Deliberately cultivated and employed to awaken the dormant potency of the mind, satori is said to be accessible to all people, transcending time, history, culture, race, gender, and personality.
Attributed to the thirteenth-century Zen Master Keizan (1268–1325), Transmission of Light (along with The Blue Cliff Record and The Gateless Barrier) is one of three essential koan texts used by Zen students. Techniques for reaching the enlightening experience of satori are revealed through fifty-three short tales about the awakenings of successive generations of masters, beginning with the twelfth-century Zen master Ejo, dharma heir to Dogen.
The translator's introduction establishes the context for Transmission of Light within the Zen canon and elucidates central themes of the work, including the essential idea that genuine satori "is not the end of Zen; it is more properly the true beginning." (Source: Shambhala Publications)Volume 48
The Platform Sutra of the Sixth Patriarch consists of a record of the teachings of Hui-neng, the Sixth Patriarch of the Chan School in China, recorded by his disciple Fahai, and is known by several abbreviated titles such as Platform Sūtra or Platform Sūtra of the Dharma Treasure. It proclaims the independence of the Southern School of Chan from the Northern School on such subjects as "sudden enlightenment" (Ch. dun-wu) and the external expression of one's real nature (Ch. jian-xing).
Source
Phillip B. Yampolsky has based his translation on the Tun-huang manuscript, the earliest extant version of the work. A critical edition of the Chinese text is given at the end of the volume.
Dr. Yampolsky also furnishes a lengthy and detailed historical introduction which contains much information hitherto unavailable even to scholars, and provides the context essential to an understanding of Hui-neng's work. He gives an account of the history and legends of Ch'an Buddhism, with particular attention to the traditions associated with Hui-neng, quoting or summarizing the most important narratives. He then discusses the various texts of the Platform Sutra, and analyzes its contents. (Source: Columbia University Press)It is often linked with The Heart Sutra and The Diamond Sutra to form a trio of texts that have been revered and studied for centuries. However, unlike the other sutras, which transcribe the teachings of the Buddha himself, The Platform Sutra presents the autobiography of Hui–neng, the controversial 6th Patriarch of Zen, and his understanding of the fundamentals of a spiritual and practical life. Hui–neng's instruction still matters—the 7th–century school of Sudden Awakening that he founded survives today, continuing to influence the Rinzai and Soto schools of contemporary Zen.
Red Pine, whose translations of The Heart Sutra and The Diamond Sutra have been celebrated and widely received, now provides a sensitive and assured treatment of the third and final sutra of the classic triumvirate. He adds remarkable commentary to a translation that, combined with the full Chinese text, a glossary, and notes, results in a Mahayana masterpiece sure to become the standard edition for students and seekers alike. (Source: Counterpoint Press)People Mentioned
About the video
| Featuring | Kokyo Henkel, Karma Phuntsho |
|---|---|
| Creator | Tsadra Foundation |
| Director | Perman, M. |
| Producer | Tsadra Foundation |
| Event | Buddha-Nature in Early Chan and Japanese Zen by Rev. Kokyo Henkel: Conversations on Buddha-Nature (26 June 2021, California and Bhutan) |
| Related Website | Buddha-Nature |
| Creation Date | 26 June 2021 |
| Citation | Henkel, Rev. Kokyo. "Resource Recommendations for Learning about Buddha-Nature in the Zen Tradition." Conversations on Buddha-Nature with Lopen Dr. Karma Phuntsho. Produced by the Tsadra Foundation Research Department, June 26, 2021. Video, 5:25. https://youtu.be/GaTapNdwKRo. |
