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| ***{{i|h. The Buddhist Cakras|31}} | | ***{{i|h. The Buddhist Cakras|31}} |
| ***{{i|i. Consort Practice|34}} | | ***{{i|i. Consort Practice|34}} |
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| | *{{i|III. History of Buddhism in Bengal|38}} |
| | **{{i|1. Socio-economic Background|38}} |
| | **{{i|2. The Rise and fall of Buddhist Dynasties in Bengal|41}} |
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| | *{{i|IV. Definitions of Buddha Nature|47}} |
| | **{{i|1. The Tathāgatagarbha Theory|47}} |
| | ***{{i|a. Definition of tathāgatagarbha|51}} |
| | ***{{i|b. Tathāgatagarbha as already Buddha|55}} |
| | ***{{i|c. Conventional and Higher Truths|56}} |
| | **{{i|2. The Sahaja Theory|57}} |
| | **{{i|3. Mahāsukha|58}} |
| | **{{i|4. Mahāmudrā|59}} |
| | **{{i|5. The meanings of terms summarized|61}} |
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| | *{{i|IV. SANDHABHĀṢĀ (twilight language)|62}} |
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| | *{{i|VI. Transliterated Verses of the Caryāgitīs|69}} |
| | **{{i|1. CARYĀ THREE: A Grog Shop|69}} |
| | ***{{i|a. Part One: About the Author: Birūpa|69}} |
| | ***{{i|b. Part Two: Textual Studies and Translations|71}} |
| | ***{{i|c. Translations:|73}} |
| | ***{{i|d. Sandhabhāṣā :|75}} |
| | ***{{i|e. Mahāmudra depictions in sandhabhāṣā|81}} |
| | **{{i|2. CARYĀ NINE: A Mad Elephant|83}} |
| | ***{{i|a. Part one: About the author: Kānhā|83}} |
| | ***{{i|b. Part Two: Textual Studies and translation|84}} |
| | ***{{i|c. Translations:|86}} |
| | ***{{i|d. Sandhabhāṣā:|87}} |
| | ***{{i|e. Mahāmudra depictions in sandhabhāṣā|93}} |
| | **{{i|3. CARYĀ THIRTY-SIX: A Carefree Stalwart|96}} |
| | ***{{i|a. Part one: About the author: Kṛṣṇācarya|96}} |
| | ***{{i|b. Part Two: Textual Studies and translation|96}} |
| | ***{{i|c. Translations:|97}} |
| | ***{{i|d. Sandhabhāṣā :|98}} |
| | ***{{i|e. Mahāmudra depictions in sandhabhāṣā|100}} |
| | **{{i|4. CARYĀ FORTY: Futility of Religiosity|102}} |
| | ***{{i|a. Part one: About the author: Kāṇhu|102}} |
| | ***{{i|b. Part Two: Textual Studies and translation|102}} |
| | ***{{i|c. Translations:|103}} |
| | ***{{i|d. Sandhabhāṣā :|103}} |
| | ***{{i|e. Mahāmudra depictions in sandhabhāṣā|105}} |
| | **{{i|5. CARYĀ FORTY-TWO: Life and Death|107}} |
| | ***{{i|a. Part one: About the author: Kāha|107}} |
| | ***{{i|b. Part Two: Textual Studies and translation|107}} |
| | ***{{i|c. Translations:|107}} |
| | ***{{i|d. Sandhabhāṣā:|108}} |
| | ***{{i|e. Mahāmudra depictions in sandhabhāṣa|109}} |
| | **{{i|6. CARYĀ FIFTEEN: A Benighted Traveler|111}} |
| | ***{{i|a. Part one: About the author: Śānti|111}} |
| | ***{{i|b. Part Two: Textual Studies and translation|111}} |
| | ***{{i|c. Translations:|113}} |
| | ***{{i|d. Sandhabhāṣā:|116}} |
| | ***{{i|e. Mahāmudra depictions in sandhabhāṣā|118}} |
| | **{{i|7. CARYĀ TWENTY-EIGHT: A Couple of Savara Lovers|120}} |
| | ***{{i|a. Part one: About the author: Śavaripa|120}} |
| | ***{{i|b. Part Two: Textual Studies and translation|121}} |
| | ***{{i|c. Translations:|122}} |
| | ***{{i|d. Sandhabhāṣā :|124}} |
| | ***{{i|e. Mahāmudra depictions in sandhabhāṣā|129}} |
| | **{{i|8. CARYĀ TWENTY-NINE: The Unreal Reality|131}} |
| | ***{{i|a. Part one: About the author: Lūipā|131}} |
| | ***{{i|b. Part Two: Textual Studies and translation|131}} |
| | ***{{i|c. Translations:|132}} |
| | ***{{i|d. Sandhabhāṣā:|133}} |
| | ***{{i|e. Mahāmudra depictions in sandhabhāṣā|134}} |
| | **{{i|9. CARYĀ THIRTY: The Rising Moon|136}} |
| | ***{{i|a. Part one: About the author: Bhusuku|136}} |
| | ***{{i|b. Part Two: Textual Studies and translation|136}} |
| | ***{{i|c. Translations:|137}} |
| | ***{{i|d. Sandhabhāṣā:|137}} |
| | ***{{i|e. Mahāmudra depictions in sandhabhāṣā|139}} |
| | **{{i|10. CARYĀ THRITY-SEVEN: An Experience of the Innate|140}} |
| | ***{{i|a. Part one: About the author: Tāṛakapā|140}} |
| | ***{{i|b. Part Two: Textual Studies and translation|140}} |
| | ***{{i|c. Translations|141}} |
| | ***{{i|d. Sandhabhāṣā|142}} |
| | ***{{i|e. Mahāmudra depictions in sandhabhāṣā|144}} |
| | **{{i|11. CARYĀ THIRTY-EIGHT: Paddling and towing a boat|146}} |
| | ***{{i|a. Part one: About the author: Saraha|146}} |
| | ***{{i|b. Part Two: Textual Studies and translation|147}} |
| | ***{{i|c. Translations:|148}} |
| | ***{{i|d. Sandhabhāṣā:|149}} |
| | ***{{i|e. Mahāmudra depictions in sandhabhāṣā|150}} |
| | **{{i|12. CARYĀ THIRTY-NINE: A Hapless Householder|152}} |
| | ***{{i|a. About The Author: Saraha|152}} |
| | ***{{i|b. Part Two: Textual Studies and translation|152}} |
| | ***{{i|c. Translation:|154}} |
| | ***{{i|d. Sandhabhāṣā:|155}} |
| | ***{{i|e. Mahāmudra depictions in sandhabhāṣā|157}} |
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| | *{{i|VII. Conclusion|159}} |
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| | *{{i|VIII. Bibliography|165}} |
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