Difference between revisions of "Buddha-Nature Timeline"
m (Saved using "Save and continue" button in form) |
|||
Line 84: | Line 84: | ||
|date=By 1040 CE | |date=By 1040 CE | ||
|imagePosition=50% 25% | |imagePosition=50% 25% | ||
− | |description= | + | |description=Maitrīpa (986-1063) is said to have discovered the texts of ''[[Ratnagotravibhāga]]'' and ''[[Dharmadharmatāvibhāga]]'' in a stupa. |
|layout=horizontal | |layout=horizontal | ||
}} | }} | ||
Line 114: | Line 114: | ||
{{TimelineEntry | {{TimelineEntry | ||
|date=c. 1100 CE | |date=c. 1100 CE | ||
− | |description=[[Patsab Lotsāwa Nyima Drakpa]], who introduced Prāsaṅgika Madhyamaka tradition to Tibet, and [[Marpa Dopa Chökyi Wangchuk]], who is known for the transmission of ''Cakrasaṃvara'' to Tibet, translated the ''Ultimate Continuum''. [[ | + | |description=[[Patsab Lotsāwa Nyima Drakpa]], who introduced Prāsaṅgika Madhyamaka tradition to Tibet, and [[Marpa Dopa Chökyi Wangchuk]], who is known for the transmission of ''Cakrasaṃvara'' to Tibet, translated the ''Ultimate Continuum''. [[Maria Dopa]] also composed his commentary. |
|layout=horizontal | |layout=horizontal | ||
}} | }} | ||
Line 126: | Line 126: | ||
|description=[[Chapa Chökyi Senge]], the sixth abbot of Sangpu Neutok, composed his summary as well as detailed explanation of the ''Ultimate Continuum'' and carried on the philosophical legacy of [[Ngok Loden Sherab]]. | |description=[[Chapa Chökyi Senge]], the sixth abbot of Sangpu Neutok, composed his summary as well as detailed explanation of the ''Ultimate Continuum'' and carried on the philosophical legacy of [[Ngok Loden Sherab]]. | ||
|layout=vertical | |layout=vertical | ||
− | |||
− | |||
− | |||
− | |||
− | |||
}} | }} | ||
{{TimelineEntry | {{TimelineEntry | ||
Line 144: | Line 139: | ||
{{TimelineEntry | {{TimelineEntry | ||
|date=c. 1270 CE | |date=c. 1270 CE | ||
− | |description= | + | |description=Kyotön Mönlam Tsultrim, the eight abbot of Narthang, composed many works on Buddha-Nature including his ''Instructions on the Ultimate Continuum of the Mahāyāna'' and promoted the meditative tradition from Tsen Khawoche. |
|layout=horizontal | |layout=horizontal | ||
}} | }} | ||
Line 154: | Line 149: | ||
{{TimelineEntry | {{TimelineEntry | ||
|date=By 1305 | |date=By 1305 | ||
− | |description= | + | |description=Chomden Rikpai Raldri, the Narthang scholar, composed his ''Ornamental Flowers: A Commentary on the Mahāyāna Uttaratantra'' and explained Buddha-Nature to be an emptiness indivisible from awareness. |
|layout=horizontal | |layout=horizontal | ||
}} | }} | ||
Line 190: | Line 185: | ||
|date=c. 1550 CE | |date=c. 1550 CE | ||
|description=The eighth Karmapa [[Mikyö Dorje]] wrote his ''The Lamp That Excellently Elucidates the System of the Proponents of the Other-Emptiness Madhyamaka'' and other works and highlighted the understanding of 'expanse zhentong'. | |description=The eighth Karmapa [[Mikyö Dorje]] wrote his ''The Lamp That Excellently Elucidates the System of the Proponents of the Other-Emptiness Madhyamaka'' and other works and highlighted the understanding of 'expanse zhentong'. | ||
− | |layout= | + | |layout=vertical |
}} | }} | ||
{{TimelineEntry | {{TimelineEntry | ||
− | |date=c. | + | |date=c. 1990 CE |
− | |description=[[ | + | |description=[[Muge Samten Gyatso]] composed his commentary on the 'Ultimate Continuum]] as requested by one Lobzang Tashi but the commentary is incomplete due to his illness. |
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
|layout=horizontal | |layout=horizontal | ||
}} | }} | ||
{{#default_form:TimelineEntry}} | {{#default_form:TimelineEntry}} |
Revision as of 04:31, 29 April 2022
{{#default_form:TimelineEntry}}