Difference between revisions of "Buddha-Nature Timeline"
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|date=c. 1350 CE | |date=c. 1350 CE | ||
|description=[[Longchenpa Drime Õzer]] composed his Seven Treasures, Trilogy of Relaxation and Trilogy of Liberation in which he presented Buddha-Nature as empty luminous nature of the mind. | |description=[[Longchenpa Drime Õzer]] composed his Seven Treasures, Trilogy of Relaxation and Trilogy of Liberation in which he presented Buddha-Nature as empty luminous nature of the mind. | ||
+ | |layout=horizontal | ||
+ | }} | ||
+ | {{TimelineEntry | ||
+ | |date=c. 1350 CE | ||
+ | |description=[[Sazang Mati Paṇchen Lodrö Gyeltsen]] improves the Tibetan translation of the ''Ultimate Continuum'' and writes his long exposition. | ||
|layout=horizontal | |layout=horizontal | ||
}} | }} | ||
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}} | }} | ||
{{TimelineEntry | {{TimelineEntry | ||
− | |date=c. | + | |date=c. 1340 |
− | |description=[[ | + | |description=[[Tanak Rinchen Yeshe]], who was a teacher of both [[Tokme Zangpo]] and [[Dolpopa]], wrote his ''Illumination of the Definitive Meaning: A Commentary on the Uttaratantra in Relation to the Sūtras'' which presents an promo-''zhentong'' interpretation. |
|layout=horizontal | |layout=horizontal | ||
}} | }} | ||
{{#default_form:TimelineEntry}} | {{#default_form:TimelineEntry}} |
Revision as of 11:06, 7 April 2022
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