References
| Citation: | Mathes, Klaus-Dieter. "Presenting a Controversial Doctrine in a Conciliatory Way: Mkhan chen Gang shar dbang po's (1925–1958/59?) Inclusion of Gzhan stong ("Emptiness of Other") within Prāsaṅgika." Journal of Buddhist Philosophy 2, no. 1 (2016): 114–31. |
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Positive descriptions of the ultimate, which are based on direct access to the luminous nature of one’s mind, as taught in the various traditions of Mahāmudrā or Great Perfection, look back upon a long history. Such systems found doctrinal support in the teachings of the third turning of the wheel of the dharma (dharmacakra), which is not only based on the doctrine of emptiness, but also distinguishes between the imputed and the real (i.e., phenomena and their true nature, or adventitious stains and buddha-nature).[1] Some took this third dharmacakra as a teaching of definitive meaning and went so far as to stress the need to define its distinction between the imputed and the real in terms of two modes of emptiness: being "empty of an own-being" (rang stong) and being "empty of other" (gzhan stong). The most prominent proponent of gzhan stong, Dol po pa Shes rab rgyal mtshan (1292-1561), takes relative truth as being empty of a true own-being, but the ultimate as not being empty of such an own-being.[2] In terms of the theory of three natures, Dol po pa equates this ultimate with the perfect nature. It alone is gzhan stong, that is, empty of the imagined and dependent natures.[3] Such an interpretation mainly follows the Extensive Commentary (Bṛhaṭṭīkā)[4] on the Discourses of the Perfection of Wisdom (while also drawing support from the teaching of a buddha-nature, if one equates the latter with the perfect nature and the adventitious stains with the imagined and dependent natures) and requires one to reinterpret the traditional Yogācāra formula according to which the perfect is the dependent empty of the imagined. In the final analysis, the Jo nang pas go so far as to restrict the perfect to its unchangeable nature, with the perfect in terms of its unmistaken aspect (i.e., as nonconceptual wisdom) being taken as the "pure dependent."[5] The basis of emptiness thus is the ultimate or the unchangeable aspect of the perfect nature, everything dependent being part of the negandum which includes the entire relative truth. It should be noted that the Jo nang pa variety of gzhan stong is based on a particular understanding of the relation between the two truths, which requires a clear-cut distinction between an existing transcendent ultimate and a relative that does not exist in this fundamental state.[6]
In . . . "Presenting a Controversial Doctrine in a Conciliatory Way: Mkhan-chen Gang-shar dbang-po’s (1925-1958/59?) Inclusion of Gzhan-stong ('Emptiness of Other') within Prāsaṅgika," I investigate the gzhan stong position of an influential rNying-ma-pa thinker, a learned master from Zhe-chen Monastery, who was among other things, a highly esteemed teacher of Thrangu Rinpoche, and thus influential in the latter's own understanding of gzhan stong. Unlike Dol-po-pa or Shākya-mchog-ldan, mKhan-po Gang-shar does not present his gzhan stong against the backdrop of the three natures theory, but rather elucidates the distinction he makes between rang stong and gzhan stong within a Prāsaṅgika Madhyamaka framework. In a way similar to Klong-chen-pa, Gang-shar insists that everything from material form up to omniscience is rang stong only. This is when the two truths are presented as appearance and emptiness in terms of valid cognition that analyzes for the ultimate abiding nature. In the context of a conventional valid cognition, however, which analyzes for the mode of appearances (i.e., perception), the two truths are defined in terms of the way things appear versus the way they truly are. When the abiding nature is perceived as it truly is, there is still awareness, albeit in a form beyond the duality of ordinary perception. For Gang shar it is only in this phenomenological sense that the rang stong of samsara and gzhan stong of nirvāṇa need to be distinguished. (Mathes, "Introduction: The History of the Rang stong/Gzhan stong Distinction," 7)
prabhāsvaratā - In a general sense, that which clears away darkness, though it often appears in Buddhist literature in reference to the mind or its nature. It is a particularly salient feature of Tantric literature, especially in regard to the advanced meditation techniques of the completion-stage yogas. Skt. प्रभास्वर Tib. འོད་གསལ་ Ch. 光明
Mahāmudrā - Mahāmudrā refers to an advanced meditation tradition in Mahāyāna and Vajrayāna forms of Into-Tibetan Buddhism that is focused on the realization of the empty and luminous nature of the mind. It also refers to the resultant state of buddhahood attained through such meditation practice. In Tibet, this tradition is particularly associated with the Kagyu school, although all other schools also profess this tradition. The term also appears as part of the four seals, alongside dharmamūdra, samayamudrā, and karmamudrā. Skt. महामुद्रा Tib. ཕྱག་རྒྱ་ཆེན་པོ།
tridharmacakrapravartana - Three successive stages of the Buddhist teachings. Though they are traditionally attributed to the historical Buddha, modern scholarship tends to view them as developmental stages that occurred over the course of an extended period of time, with interludes of several centuries, in which we see major doctrinal shifts often based on seemingly newly emergent scriptural sources. Skt. त्रिधर्मचक्रप्रवर्तन Tib. ཆོས་འཁོར་རིམ་པ་གསུམ་
śūnyatā - The state of being empty of an innate nature due to a lack of independently existing characteristics. Skt. शून्यता Tib. སྟོང་པ་ཉིད་ Ch. 空,空門
trisvabhāva - According to the Yogācāra school, all phenomena can be divided into three natures or characteristics: the imaginary nature (parikalpitasvabhāva), the dependent nature (paratantrasvabhāva), and the perfect or absolute nature (pariniṣpannasvabhāva). Skt. त्रिस्वभाव Tib. རང་བཞིན་གསུམ་
Yogācāra - Along with Madhyamaka, it was one of the two major philosophical schools of Mahāyāna Buddhism. Founded by Asaṅga and Vasubandhu around the fourth century CE, many of its central tenets have roots in the Saṃdhinirmocanasūtra and the so-called third turning of the dharma wheel (see tridharmacakrapravartana). Skt. योगाचार Tib. རྣལ་འབྱོར་སྤྱོད་པ་ Ch. 瑜伽行派
Madhyamaka - Along with Yogācāra, it is one of the two major philosophical schools of Mahāyāna Buddhism. Founded by Nāgārjuna around the second century CE, it is rooted in the Prajñāpāramitā Sūtras, though its initial exposition was presented in Nāgārjuna's Mūlamadhyamakakārikā. Skt. मध्यमक Tib. དབུ་མ་ Ch. 中觀見
dharmatā - The true nature of phenomenal existence. Skt. धर्मता Tib. ཆོས་ཉིད་ Ch. 法性
avidyā - Literally "unknowing," it refers to a lack of knowledge or misunderstanding of the nature of reality. As such, it is considered to be the root cause of suffering and the basis for the arising of all other negative mental factors. Skt. अविद्या Tib. མ་རིག་པ་ Ch. 無明
trisvabhāva - According to the Yogācāra school, all phenomena can be divided into three natures or characteristics: the imaginary nature (parikalpitasvabhāva), the dependent nature (paratantrasvabhāva), and the perfect or absolute nature (pariniṣpannasvabhāva). Skt. त्रिस्वभाव Tib. རང་བཞིན་གསུམ་
These are the root verses of the Uttaratantra attributed to Maitreya by the Tibetan tradition.
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