Difference between revisions of "Buddha-Nature Timeline"
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− | |date= | + | |date=c. 1350 CE |
− | |description=[[ | + | |description=[[Longchenpa Drime Õzer]] composed his Seven Treasures, Trilogy of Relaxation and Trilogy of Liberation in which he presented Buddha-Nature as empty luminous nature of the mind. |
|layout=horizontal | |layout=horizontal | ||
}} | }} | ||
{{TimelineEntry | {{TimelineEntry | ||
− | |date= | + | |date=c. 1350 CE |
− | |description=[[ | + | |description=[[Sazang Mati Paṇchen Lodrö Gyeltsen]] improves the Tibetan translation of the ''Ultimate Continuum'' and writes his long exposition. |
|layout=horizontal | |layout=horizontal | ||
}} | }} | ||
{{TimelineEntry | {{TimelineEntry | ||
|date=c. 1350 CE | |date=c. 1350 CE | ||
− | |description=[[ | + | |description=[[Gyalse Tokme Zangpo]] wrote his commentary on the ''Ultimate Continuum'' illuminating the definitive meaning in E temple. |
|layout=horizontal | |layout=horizontal | ||
}} | }} | ||
{{TimelineEntry | {{TimelineEntry | ||
− | |date= | + | |date=1359 CE |
− | |description=[[ | + | |description=[[Butön Rinchen Drup]] wrote his ''Ornament That Illuminates and Beautifies the Tathāgata Heart'' and underscored that the Buddha-Nature teachings are expedient provisional teachings and not to be taken literally. |
|layout=horizontal | |layout=horizontal | ||
}} | }} | ||
{{TimelineEntry | {{TimelineEntry | ||
− | |date=c. | + | |date=c. 1360 CE |
− | |description=[[ | + | |description=[[Dhondup Rinchen]], the first teacher of [[Tsongkhapa]], composed his commentary on the ''Ultimate Continuum'' in which he refutes certain interpretations of Buddha-Nature, which were later adopted by the Geluk tradition. |
+ | |layout=vertical | ||
+ | }} | ||
+ | {{TimelineEntry | ||
+ | |date=1366 CE | ||
+ | |description=[[Lama Dampa Sönam Gyeltsen]] composed his commentary on the 'Ultimate Continuum'' entitled ''Definitive Clarification of the Intent'' with Gyeltsen Zangpo as scribe. A synopsis containing topical outline was also extracted later. He presents an interpretation different from the position of Sapañ. | ||
|layout=horizontal | |layout=horizontal | ||
}} | }} |
Revision as of 00:17, 5 May 2022
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