Luminous Heart

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*''Mahāyānasaṃgrahopanibandhana''
 
*''Mahāyānasaṃgrahopanibandhana''
 
*''Ālokamālāṭīkāhṛdānandajananī''
 
*''Ālokamālāṭīkāhṛdānandajananī''
Śīlabhadra (529–645) followed Dharmapāla as the abbot of Nālandā and taught Hsüan-tsang for fifteen months during the latter's stay there. He is the author of the ''Buddhabhūmivyākhyāna'', one of two extant commentaries on the Buddhabhūmisūtra (the other one being the ''Buddhabhūmyupadeśa''). His text greatly relies on the ''Mahāyānasūtrālaṃkāra'' and its ''Bhāṣya'', as well as on the ''Mahāyānasaṃgraha''.'
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Śīlabhadra (529–645) followed Dharmapāla as the abbot of Nālandā and taught Hsüan-tsang for fifteen months during the latter's stay there. He is the author of the ''Buddhabhūmivyākhyāna'', one of two extant commentaries on the Buddhabhūmisūtra (the other one being the ''Buddhabhūmyupadeśa'').<ref>The ''Buddhabhūmyupadeśa'' is only extant in Chinese (Taishō 1530). It is attributed to Bandhuprabha and others, and  translated by Hsüan-tsang. As Keenan 1980 and 2002 points out, about half of the text is identical to Śīlabhadra's  commentary and the other half is almost exclusively added from Hsüan-tsang's ''Vijñaptimātratāsiddhi''. Thus, the text was  obviously compiled in the seventh century, either by Hsüan-tsang himself, or, much more unlikely, by Bandhuprabha in  India, drawing from no-longer-extant Sanskrit materials used in the ''Vijñaptimātratāsiddhi''. Interestingly, the text  contains a passage about mind being self-illuminating that refutes precisely the arguments that ''Bodhicaryāvatāra''  IX.18–19ab adduces against self-illuminating mind. It also explains all four buddha wisdoms (such as mirrorlike wisdom)  to be self-awareness and gives a detailed presentation of the relationships between the four aspects of consciousness  that manifest as the apprehended, the apprehender, the self-awareness of the apprehending of the apprehended, and the  self-awareness of the very act of being self-aware (see Keenan 2002, 86–89).</ref> His text greatly relies on the ''Mahāyānasūtrālaṃkāra'' and its ''Bhāṣya'', as well as on the ''Mahāyānasaṃgraha''.'
 
 
 
Guṇaprabha (sixth century) is of course most famous for his ''Vinayasūtra'', but he also wrote a commentary on the ''Bodhisattvabhūmi'', a ''Bodhisattvabhūmiśīlaparivartabhāṣya'', and a commentary on Vasubandhu's ''Pañcaskandhaprakaraṇa''.
 
Guṇaprabha (sixth century) is of course most famous for his ''Vinayasūtra'', but he also wrote a commentary on the ''Bodhisattvabhūmi'', a ''Bodhisattvabhūmiśīlaparivartabhāṣya'', and a commentary on Vasubandhu's ''Pañcaskandhaprakaraṇa''.
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Jinaputra (second half of sixth century) wrote a commentary on the ''Abhidharmasamucchaya'' and a short part of the ''Yogācārabhūmi'', called ''Bodhisattvabhūmiśīlaparivartaṭīkā''.
 
Jinaputra (second half of sixth century) wrote a commentary on the ''Abhidharmasamucchaya'' and a short part of the ''Yogācārabhūmi'', called ''Bodhisattvabhūmiśīlaparivartaṭīkā''.
 
 
Prasenajit (sixth/seventh century) is reported to have studied with Sthiramati, Śīlabhadra, and many other masters, being highly erudite in all Indian Buddhist and non-Buddhist fields of knowledge. However, he preferred to live as a hermit outside of the Buddhist institutional mainstream and repeatedly refused to become the personal teacher of the then king of Magadha, instead dwelling with many hundreds of students on a mountainside. Though he is not known to have composed any texts of his own, he was highly influential in teaching Hsüan-tsang a great number of both Madhyamaka and Yogācāra texts, particularly providing the final clarifications on the ''Yogācārabhūmi'', for two years after the latter had been taught by Śīlabhadra. When Hsüan-tsang returned to Nālan'thereafter, he debated some Mādhyamikas and finally even composed a (lost) Sanskrit treatise in three thousand stanzas on Yogācāra and Madhyamaka not being mutually exclusive, but in harmony.
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Prasenajit (sixth/seventh century) is reported to have studied with Sthiramati, Śīlabhadra, and many other masters, being highly erudite in all Indian Buddhist and non-Buddhist fields of knowledge. However, he preferred to live as a hermit outside of the Buddhist institutional mainstream and repeatedly refused to become the personal teacher of the then king of Magadha, instead dwelling with many hundreds of students on a mountainside. Though he is not known to have composed any texts of his own, he was highly influential in teaching Hsüan-tsang a great number of both Madhyamaka and Yogācāra texts, particularly providing the final clarifications on the ''Yogācārabhūmi'', for two years after the latter had been taught by Śīlabhadra. When Hsüan-tsang returned to Nālan'thereafter, he debated some Mādhyamikas and finally even composed a (lost) Sanskrit treatise in three thousand stanzas on Yogācāra and Madhyamaka not being mutually exclusive, but in harmony.<ref>See ''The Life of Hsüan-tsang'' (Taishō 2053.244a–246b), translated by Li Yung-hsi, 149–65. Peking: The Chinese Buddhist Association, 1959.</ref>
 
 
Candragomī (sixth/seventh century) was a disciple of Sthiramati. In his early adulthood, he had been married to a princess, but left her to spend the rest of his life keeping the five Buddhist precepts of a layman. He was very erudite in all Buddhist and non-Buddhist fields of learning and also a great poet. After being invited to Nālandā by Candrakīrti, he had an ongoing debate with the latter for seven years, defending the Yogācāra view. His teachings are reported to have been focused mainly on the ''Daśabhūmikasūtra'', the ''Laṅkāvatārasūtra'', the ''Samādhirājasūtra'', the ''Gaṇḍālaṃkāradhāraṇī'', and the prajñāpāramitā sūtras, of which he also composed synopses. Among his works, the most famous are the ''Candravyākaraṇa'' (a work on Sanskrit grammar), the ''Śiṣyalekha'', and the ''Bodhisattvasaṃvaraviṃsaka'' (a mnemonic summary of the Ethics chapter of the ''Bodhisattvabhūmi''). Many other texts by him (such as a *''Pradīpamālā'' on the stages of the bodhisattva path) are mentioned in various sources, with some of them being more specifically Yogācāra, but none of them have survived.
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Candragomī (sixth/seventh century) was a disciple of Sthiramati. In his early adulthood, he had been married to a princess, but left her to spend the rest of his life keeping the five Buddhist precepts of a layman. He was very erudite in all Buddhist and non-Buddhist fields of learning and also a great poet. After being invited to Nālandā by Candrakīrti, he had an ongoing debate with the latter for seven years, defending the Yogācāra view. His teachings are reported to have been focused mainly on the ''Daśabhūmikasūtra'', the ''Laṅkāvatārasūtra'', the ''Samādhirājasūtra'', the ''Gaṇḍālaṃkāradhāraṇī'', and the prajñāpāramitā sūtras, of which he also composed synopses. Among his works, the most famous are the ''Candravyākaraṇa'' (a work on Sanskrit grammar), the ''Śiṣyalekha'', and the ''Bodhisattvasaṃvaraviṃsaka'' (a mnemonic summary of the Ethics chapter of the ''Bodhisattvabhūmi''). Many other texts by him (such as a *''Pradīpamālā'' on the stages of the bodhisattva path) are mentioned in various sources, with some of them being more specifically Yogācāra, but none of them have survived.<ref>Both Bu ston rin chen grub 1931, II.133 and Tāranātha 1980, 207 attribute a ''Kāyatrayāvatāra'' to Candragomī.</ref>
 
 
 
Dharmakīrti (c. 600–660), like Dignāga, is best known for his contributions to epistemology and logic through his seven texts on valid cognition (such as the ''Pramāṇavārttika''), but these texts also clearly exhibit many Yogācara traits.
 
Dharmakīrti (c. 600–660), like Dignāga, is best known for his contributions to epistemology and logic through his seven texts on valid cognition (such as the ''Pramāṇavārttika''), but these texts also clearly exhibit many Yogācara traits.
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Sumatiśīla (late eighth century) authored a detailed commentary on Vasubandhu's ''Karmasiddhiprakaraṇa''.
 
Sumatiśīla (late eighth century) authored a detailed commentary on Vasubandhu's ''Karmasiddhiprakaraṇa''.
 
 
Late Yogācāras (all tenth–eleventh century) include Dharmakīrti of SumatraD D (one of the main teachers of Atiśa); Jñānaśrīmitra (''Sākarasiddhi, Sākarasaṃgraha'', and ''Sarvajñāsiddhi''); Ratnakīrti (''Ratnakīrtinibandhāvalī'' and ''Sarvajñāsiddhi''); and Jñānaśrībhadra (commentary on the ''Laṅkāvatārasūtra'', summary of the ''Mahāyānasūtrālaṃkāra'', and commentary on the ''Pramāṇavārttika''). Ratnākāraśānti is variously considered a Yogācāra or Mādhyamika. In any case, most of his works (such as ''Vijñaptimātratāsiddhi'', ''Triyānavyavasthāna'', ''Madhyamakālaṃkāravṛtti-Madhyamapratipadāsiddhi'', ''Prajñāpāramitopadeśa'', and ''Madhyamakālaṃkāropadeśa'') exhibit a synthesis of both these systems, often referred to as "Vijñapti-Madhyamaka."
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Late Yogācāras (all tenth–eleventh century) include Dharmakīrti of Sumatra<ref>The attribution of the ''Durbodhālokā'' commentary on the ''Abhisamayālaṃkāra'' to him is even disputed within the Tibetan tradition.</ref> (one of the main teachers of Atiśa); Jñānaśrīmitra (''Sākarasiddhi, Sākarasaṃgraha'', and ''Sarvajñāsiddhi''); Ratnakīrti (''Ratnakīrtinibandhāvalī'' and ''Sarvajñāsiddhi''); and Jñānaśrībhadra (commentary on the ''Laṅkāvatārasūtra'', summary of the ''Mahāyānasūtrālaṃkāra'', and commentary on the ''Pramāṇavārttika''). Ratnākāraśānti is variously considered a Yogācāra or Mādhyamika. In any case, most of his works (such as ''Vijñaptimātratāsiddhi'', ''Triyānavyavasthāna'', ''Madhyamakālaṃkāravṛtti-Madhyamapratipadāsiddhi'', ''Prajñāpāramitopadeśa'', and ''Madhyamakālaṃkāropadeśa'') exhibit a synthesis of both these systems, often referred to as "Vijñapti-Madhyamaka."<ref>As for the developments of Yogācāra after Vasubandhu, there are several ways to distinguish various schools or  lineages. In ''The Essentials of Buddhist Philosophy'' (Honolulu: University of Hawaii Press, 1947), 83–84,  Junjirō Takakusu identifies three main streams―(1) the line of Dignāga, Agotra, and Dharmapāla at Nālandā; (2)  the line of Guṇamati and Sthiramati at Valabhi; and (3) the line of Nanda, whose tenets were later followed by  Paramārtha. Not much is known of further Yogācāras such as Guṇaśrī, Nanda, Śrīsena, Candrapāla (he is referred to  as an early commentator on the ''Madhyāntavibhāga''), Śuddhacandra, Citrabhānu, and Bandhuśrī (except for Guṇaśrī,  the others and some of their positions are mentioned throughout the ''Vijñaptimātratāsiddhi''). There are also a  number of later commentators on Dharmakīrti's texts, primarily on his ''Pramāṇavārttika'', whose primary focus is,  of course, on valid cognition, but who also sometimes discuss the more specific Yogācāra topics in this context  (these commentators include Dharmottara, Prajñākaragupta, Devendrabuddhi, Śākyabuddhi, Yāmāri, Ravigupta, and Jina).  In general, except for most of the works by Maitreya, Asaṅga, and Vasubandhu, the majority of the above texts  (in both the Tibetan and Chinese canons) still remain to be studied in detail.</ref>
 
 
 
Several other Indian Mādhyamikas, such as Śrīgupta (seventh century?), Śāntarakṣita, Kamalaśīla, Haribhadra (all eighth century), Viydākaraprabha (eighth/ninth century), Jetāri (tenth/eleventh century), and Nandaśrī, indeed used a lot of Yogācāra materials, but clearly upheld the Madhyamaka view as their final position.
 
Several other Indian Mādhyamikas, such as Śrīgupta (seventh century?), Śāntarakṣita, Kamalaśīla, Haribhadra (all eighth century), Viydākaraprabha (eighth/ninth century), Jetāri (tenth/eleventh century), and Nandaśrī, indeed used a lot of Yogācāra materials, but clearly upheld the Madhyamaka view as their final position.
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<blockquote>In itself, the view about a self lacks the characteristic of a self,<br>As do its deformities―their characteristics differ [from a self].<br>Nor is there another [self] apart from these two, so it arises as a mere error.<br>Therefore, liberation is the termination of this mere error.</blockquote>
 
<blockquote>In itself, the view about a self lacks the characteristic of a self,<br>As do its deformities―their characteristics differ [from a self].<br>Nor is there another [self] apart from these two, so it arises as a mere error.<br>Therefore, liberation is the termination of this mere error.</blockquote>
  
Vasubandhu's ''Bhāṣya'' and Sthiramati comment that neither "the view about a self" (the mind that entertains the various beliefs related to "me" and "mine") nor its "deformities" (the five skandhas produced by afflictions and impregnations of negative tendencies) have the characteristics of a self, since their characteristics differ from those of a self, which on their view is purely imaginary (both the grasping at a self and the skandhas are multiple, conditioned, impermanent, not all-pervading, and so on, while the self is said to have the opposite characteristics). Nor is there a self outside of this grasping and the skandhas. Therefore, such grasping is nothing but an error, just as is mistaking a rope for a snake. And since there is no self that is in bondage, liberation is simply the termination of this error—there isn't anybody or anything that is liberated. ''Madhyāntavibhāga'' I.4 agrees, saying that liberation is nothing but the extinction of the false imagination that does not exist as it appears, yet seemingly exists and operates within a mind that is ignorant about its own true nature, in the form of projecting the fundamentally delusive duality of subject and object, upon which we then act.
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Vasubandhu's ''Bhāṣya'' and Sthiramati<ref>Limaye 1992, 69 and D4034, fol. 75b.1ff.</ref> comment that neither "the view about a self" (the mind that entertains the various beliefs related to "me" and "mine") nor its "deformities" (the five skandhas produced by afflictions and impregnations of negative tendencies) have the characteristics of a self, since their characteristics differ from those of a self, which on their view is purely imaginary (both the grasping at a self and the skandhas are multiple, conditioned, impermanent, not all-pervading, and so on, while the self is said to have the opposite characteristics). Nor is there a self outside of this grasping and the skandhas. Therefore, such grasping is nothing but an error, just as is mistaking a rope for a snake. And since there is no self that is in bondage, liberation is simply the termination of this error—there isn't anybody or anything that is liberated. ''Madhyāntavibhāga'' I.4 agrees, saying that liberation is nothing but the extinction of the false imagination that does not exist as it appears, yet seemingly exists and operates within a mind that is ignorant about its own true nature, in the form of projecting the fundamentally delusive duality of subject and object, upon which we then act.
  
 
The following is a brief outline of some of the main Yogācāra notions and pedagogic templates that are employed toward the end of terminating mind's self-delusion and revealing its natural state.
 
The following is a brief outline of some of the main Yogācāra notions and pedagogic templates that are employed toward the end of terminating mind's self-delusion and revealing its natural state.

Revision as of 13:46, 27 October 2020

Book
Book

This superb collection of writings on buddha nature by the Third Karmapa Rangjung Dorje (1284–1339) focuses on the transition from ordinary deluded consciousness to enlightened wisdom, the characteristics of buddhahood, and a buddha’s enlightened activity. Most of these materials have never been translated comprehensively. The Third Karmapa’s unique and well-balanced view synthesizes Yogācāra, Madhyamaka, and the classical teachings on buddha nature. Rangjung Dorje not only shows that these teachings do not contradict each other but also that they supplement each other and share the same essential points in terms of the ultimate nature of mind and all phenomena. His fusion is remarkable because it clearly builds on Indian predecessors and precedes the later often highly charged debates in Tibet about the views of Rangtong ("self-empty") and Shentong ("other-empty"). Although Rangjung Dorje is widely regarded as one of the major proponents of the Tibetan Shentong tradition (some even consider him its founder), this book shows how his views differ from the Shentong tradition as understood by Dölpopa, Tāranātha, and the First Jamgön Kongtrul. The Third Karmapa’s view is more accurately described as one in which the two categories of rangtong and shentong are not regarded as mutually exclusive but are combined in a creative synthesis. For those practicing the sūtrayāna and the vajrayāna in the Kagyü tradition, what these texts describe can be transformed into living experience. (Source: Shambhala Publications)

Citation Brunnhölzl, Karl, trans. Luminous Heart: The Third Karmapa on Consciousness, Wisdom, and Buddha Nature. Nitartha Institute Series. Ithaca, NY: Snow Lion Publications, 2009.